
CMA’s WLA Class of 2026. Photo: Courtesy of CMA
Earlier this week, the Country Music Association unveiled its fifth class of the Women’s Leadership Academy, bringing together a new cohort of 16 high-performing, high-potential women from across the industry to take part in the 12-week leadership development program.
Five years after its launch, the Academy has grown into more than a professional development opportunity. Through weekly four-hour sessions, group coaching and work outside the classroom, participants build relationships that continue long after the program ends.
The idea for the Women’s Leadership Academy came from Tiffany Kerns, CMA’s Senior Vice President of Industry Relations and Philanthropy, after she noticed a gap in professional development opportunities across the music industry.

CMA’s WLA Class of 2025. Photo: Courtesy of CMA
“When I joined the music industry, it was shocking to me how few of our businesses have HR departments. In other industries, HR will typically offer continued development for personnel.” Without those resources, Kerns said many women were left searching for opportunities to invest in themselves professionally. Coming out of the pandemic, she also heard from women who were either questioning whether they wanted to return to work or navigating changes in their careers.
“Women do not have the professional development that they need, or have had accessibility to it. And secondarily, they don’t have a community,” Kerns says of the realizations that first sparked the idea. The goal was to create a place where women could turn to one another while navigating career transitions, negotiations and other professional challenges.

CMA’s WLA Class of 2024. Photo: Courtesy of CMA
Building the Academy required more than developing a curriculum. Kerns said one of the program’s biggest early challenges was earning the trust of the women it hoped to serve. “I think the music industry is fickle and can somewhat be jaded,” she says. “We needed to build confidence and trust in the program.” Rather than opening applications immediately, CMA hand-selected the first cohort while continuing to develop the program and establish its reputation. Kerns said it was important for participants to understand that CMA’s role was to facilitate the experience while creating a space where women could be transparent and support one another.
That sense of community has become one of the defining aspects of the Women’s Leadership Academy over the past five years. “When we put this together, I was so focused on making sure the women walked out of the program feeling equipped to handle life and business differently,” Kerns says. “I had hoped that they enjoyed each other, but now what I feel like we are seeing is something that you typically see in sororities or sisterhood. There’s just this genuine desire to want to support one another.” That support has extended far beyond the classroom. Kerns recalled watching women show up for one another through promotions, job changes, layoffs and even personal challenges like infertility. The connections formed during the program have continued through regular check-ins, friendships and even retreats planned entirely by alumnae.

CMA’s WLA Class of 2023. Photo: Courtesy of CMA
The lasting relationships are built over many hours of shared work and vulnerability. Participants spend four hours together each Monday for 12 weeks, while also taking part in group coaching, completing work between sessions and continuing conversations outside the scheduled curriculum.
This year’s cohort is guided by executive coaches Lisa Gamble of Gamble Coaching & Consulting LLC and Nicole Provonchee of Bright Blue Consulting. Kerns said building the program around carefully selected coaches was an intentional decision from the very beginning, helping establish the trust needed for participants to be open and vulnerable with one another. Rather than focusing on company-specific challenges, the curriculum encourages participants to develop their professional acumen while exploring topics such as leadership, mental health and boundaries, conversations that often push participants outside their comfort zones.
The impact of the Women’s Leadership Academy has continued to grow alongside the program itself. One of the clearest signs of that growth is the reputation the Academy has built within the industry. “I’m most excited that we’re not convincing people to apply, but that it’s built a reputation,” Kerns shares. “People have seen women either walking taller in their building or having been more equipped, able to advocate for themselves and other women.”

CMA’s WLA Class of 2022. Photo: Courtesy of CMA
As part of the program’s fifth anniversary, CMA is also launching the Women’s Leadership Academy Alumni Network, bringing together participants from all five cohorts. The initiative grew out of alumnae’s desire to stay connected after the program ended. The network will provide ongoing opportunities for mentorship, collaboration and professional development while allowing graduates to engage with future cohorts. “If they love it this much, we wanted to figure out a way to make sure they maintain their engagement, so we don’t lose that amazing resource that we have in them,” Kerns says.
As the Women’s Leadership Academy kicks off its fifth year and expands beyond the classroom through its new Alumni Network, the program continues to build on the community it’s created. Looking back, Kerns says the Women’s Leadership Academy has become more than she originally imagined.
“I feel like they’re blowing my mind in how they make sure that this isn’t just a program, but that it’s actually becomes part of their lives.”
Applications Now Open: MusicRow’s 2026 Publisher Company Directory
/by MusicRow StaffApplications are now open for the company directory in MusicRow’s upcoming Publisher Issue. Companies can apply for inclusion through Friday, Aug. 21. Previously included companies will be solicited separately.
Along with the directory with contact information for Nashville’s publishing community, the issue also features exclusive editorial content focused on this essential segment of the music business.
Click here to access the application.
For questions, please contact the MusicRow team at directory@musicrow.com.
To reserve ad space in the 2026 Publisher issue, contact srobertson@musicrow.com. Rate card information is available here.
Subscribe to MusicRow here to make sure you don’t miss the annual Publisher Issue.
Koe Wetzel Plots PH Live At Planet Hollywood Resort & Casino Show During NFR Week
/by Lorie HollabaughKoe Wetzel
Koe Wetzel will celebrate his new album The Night Champion with a performance at PH Live at Planet Hollywood Resort & Casino during Wrangler National Finals Rodeo week on Dec. 11.
Citi cardmembers will have access to presale tickets beginning tomorrow (Aug. 11) until Aug. 13 through the Citi Entertainment program. Additional presales will run throughout the week ahead of the general on sale beginning Aug. 14.
Wetzel is fresh off of last week’s release of his new single, “Jaded” feat. Ella Langley. Exhaustively touring the U.S., Europe and Australia, he has built a global audience, amassing over 6.6 billion worldwide streams as well as 15 RIAA certifications. Wetzel kicked off 2026 playing to over 70,000 fans at the Houston Rodeo, and his 50+ date “The Night Champion World Tour” sees the momentum growing for the hardworking Texan.
The 502s To Launch ‘Just A Little Run’ Tour In October
/by Lorie HollabaughThe 502s. Photo: Daniel Chaney
The 502s will kick off their upcoming “Just A Little Run” tour beginning this fall on Oct. 7.
The trek will feature stops in Atlanta, Charleston, Nashville and more, and takes its name from their 2021 viral hit “Just A Little While,” which has logged over 170M streams to date and appears on their album Could It Get Better Than This.
Pre-sale for the tour begins tomorrow (Aug. 11), followed by public on-sale on Aug. 14.
“Five years ago, Could It Get Better Than This changed everything for us – it took us from tiny rooms to stages around the world,” shares the band. “To celebrate that journey, we’re hitting rewind with the ‘Just a Little Run’: a run of intimate, sweaty venues. We can’t wait to be back shoulder to shoulder with the fans who have been with us from the beginning.”
The band has been busy over the last year since the release of their fourth studio album Easy Street, which includes the playful smash “Your Nonsense Makes Sense” (which has racked up nearly 25 million streams), as well as “Summer Fling” that they debuted on Good Morning America. The 502s just embarked on their “The Up, Up, Up The Coast and Across The Pond Tour” last weekend, with remaining stops in Nantucket, Queens, United Kingdom, Ireland and more set through early September.
“Just A Little Run” Tour Dates:
October 7 – Vinyl Center Stage – Atlanta, GA
October 8 – Radio Room – Greenville, SC
October 9 – Charleston Pour House – Charleston, SC
October 11 – Neighborhood Theatre – Charlotte, NC
October 12 – The Basement – Nashville, TN
Become A Subscriber To Vote In 2026 MusicRow Awards
/by MusicRow StaffIf you are not a MusicRow subscriber, now is a great time to join.
Only MusicRow subscribers are able to vote in the 2026 MusicRow Awards and the ballot period ends this Friday (Aug. 14). New subscribers will be sent a ballot shortly after joining.
The nominees for the 2026 MusicRow Awards can be viewed in the MusicRow Nominator.
A subscription can be purchased here and includes the following:
– Six Annual Print Issues (including the coveted annual InCharge print issue, as well as the annual Publisher, Artist Roster, MusicRow Awards, Women of Music Row and Touring/Next Big Thing issues.)
– News Emails (twice daily)
– Breaking News Alerts
– The MusicRow Weekly (containing the MusicRow CountryBreakout Radio Chart)
– Top Songwriter Chart (weekly)
– Voting Eligibility in the annual MusicRow Awards
Lucas Ball Inks With Warner Chappell Music Nashville & Twelve6 Entertainment
/by Lauryn SinkPictured (L-R): Austen Adams (WCM), Willow Belenski (Twelve6), Lucas Ball, Travis Myatt (Twelve6), Brooke Pauley (Twelve6) and Bethany Mako (WCM). Photo: Gina Di Maio
Lucas Ball has signed a global publishing with Warner Chappell Music Nashville and Twelve6 Entertainment.
“I’m so happy to be a part of the fantastic Warner Chappell and Twelve6 teams,” says Ball. “I never thought I’d be in this position in life. Everyone has been so welcoming to me, and I’m excited to see where this road leads. God Bless Country Music.”
Ball has been building a digital audience through his performances on TikTok. Twelve6 President and GM Travis Myatt first discovered Ball performing the song on the platform, where he quickly garnered nearly one million views. Rooted in the sounds of ‘80s and ‘90s country, the signing comes on the heels of his recent single, “You Only Call When It’s Raining.”
“I couldn’t be more excited to work with Lucas and the team at Twelve6,” says Bethany Mako, Manager, A&R, WCM Nashville. “His voice stopped me in my tracks the first time Travis sent over the music – it’s the perfect mix of classic and current with such an authentic delivery. Beyond that, he’s an incredible human with a great attitude, and I can’t wait to see where his career takes him. Let’s get the Ball rolling!!”
“When we signed Lucas at Twelve6 earlier this year, we weren’t just betting on a great voice – we were betting on a complete artist,” says Myatt. “His songwriting is honest, timeless, and every bit as captivating as his vocals. I know that Bethany, Austen Adams, and the entire Warner Chappell team share that belief, and I couldn’t be more excited to have them alongside us as we build the next chapter of Lucas’s career.”
MusicRow Weekly (MusicRow Awards, News, Charts, More…)
/by Madison HahnenThis week’s edition of The MusicRow Weekly is packed with major industry headlines, including the announcement of the nominees for the 2026 MusicRow Awards, presented by City National Bank. Voted on by MusicRow subscribers, this year’s winners will be revealed across all MusicRow online platforms on Wednesday, Sept. 2. Click here to see the full edition.
This edition also covers several notable executive and company updates. Caryl Atwood has exited her role as Senior Vice President of Commercial Partnerships at Sony Music Entertainment. Meanwhile, Andrew Kautz has launched Kautz & Associates, a new consulting firm, and Allen Mitchell has unveiled Reverie Ranch Music Group, a full-service entertainment company focused on artist management, development, strategic partnerships and select recording and publishing opportunities. The new venture launches with a roster that includes Michael Ray, Jenna Paulette, Tyler Booth, Adam Hood, The Davisson Brothers Band, Stone Senate and Cledus T. Judd.
Also making headlines, The Erv Woolsey Company has officially closed its doors after 40 years in business, marking the end of an era for one of Nashville’s most respected artist management firms.
This week’s newsletter also recaps the 2026 Country Radio Hall of Fame Induction Ceremony, where Country Radio Broadcasters honored Chris Carr, Michael J., Rick Jackson, Marci Braun, Phil Hunt, Bruce Logan and John Marks for their lasting contributions to country radio. The evening also celebrated legendary broadcaster and industry leader Lon Helton, who received the 2026 CRB President’s Award.
Additional news includes the Country Music Association announcing the newest class of participants for its 12-week Women’s Leadership Academy, as well as Dave Turnbull signing an exclusive publishing deal with WinSongs Music.
The latest edition also spotlights a busy week of artist and songwriter signings across Music City. Shantaia has joined Walk Off Entertainment, Ava Hall has signed with Universal Music Publishing Nashville, Bottomland has inked with Sony Music Nashville, The Sways have signed with Rounder Records, Niklas Juritsch has joined Range Music, Josh Rouse has signed with New West Records and Rich Harris has entered an exclusive publishing agreement with Prescription Songs in partnership with Pray For My Haters.
In addition, the latest MusicRow CountryBreakout Radio Chart is included. HARDY, Eric Church, Tim McGraw and Morgan Wallen take the No. 1 spot with “McArthur.” Explore more chart data here.
The MusicRow Weekly is delivered every Friday, featuring Nashville’s top music industry news, exclusive interviews, song reviews, radio and songwriter charts and more. Sign up for free here.
The Lasting Impact Of CMA’s Women’s Leadership Academy [Interview]
/by Lauryn SinkCMA’s WLA Class of 2026. Photo: Courtesy of CMA
Earlier this week, the Country Music Association unveiled its fifth class of the Women’s Leadership Academy, bringing together a new cohort of 16 high-performing, high-potential women from across the industry to take part in the 12-week leadership development program.
Five years after its launch, the Academy has grown into more than a professional development opportunity. Through weekly four-hour sessions, group coaching and work outside the classroom, participants build relationships that continue long after the program ends.
The idea for the Women’s Leadership Academy came from Tiffany Kerns, CMA’s Senior Vice President of Industry Relations and Philanthropy, after she noticed a gap in professional development opportunities across the music industry.
CMA’s WLA Class of 2025. Photo: Courtesy of CMA
“When I joined the music industry, it was shocking to me how few of our businesses have HR departments. In other industries, HR will typically offer continued development for personnel.” Without those resources, Kerns said many women were left searching for opportunities to invest in themselves professionally. Coming out of the pandemic, she also heard from women who were either questioning whether they wanted to return to work or navigating changes in their careers.
“Women do not have the professional development that they need, or have had accessibility to it. And secondarily, they don’t have a community,” Kerns says of the realizations that first sparked the idea. The goal was to create a place where women could turn to one another while navigating career transitions, negotiations and other professional challenges.
CMA’s WLA Class of 2024. Photo: Courtesy of CMA
Building the Academy required more than developing a curriculum. Kerns said one of the program’s biggest early challenges was earning the trust of the women it hoped to serve. “I think the music industry is fickle and can somewhat be jaded,” she says. “We needed to build confidence and trust in the program.” Rather than opening applications immediately, CMA hand-selected the first cohort while continuing to develop the program and establish its reputation. Kerns said it was important for participants to understand that CMA’s role was to facilitate the experience while creating a space where women could be transparent and support one another.
That sense of community has become one of the defining aspects of the Women’s Leadership Academy over the past five years. “When we put this together, I was so focused on making sure the women walked out of the program feeling equipped to handle life and business differently,” Kerns says. “I had hoped that they enjoyed each other, but now what I feel like we are seeing is something that you typically see in sororities or sisterhood. There’s just this genuine desire to want to support one another.” That support has extended far beyond the classroom. Kerns recalled watching women show up for one another through promotions, job changes, layoffs and even personal challenges like infertility. The connections formed during the program have continued through regular check-ins, friendships and even retreats planned entirely by alumnae.
CMA’s WLA Class of 2023. Photo: Courtesy of CMA
The lasting relationships are built over many hours of shared work and vulnerability. Participants spend four hours together each Monday for 12 weeks, while also taking part in group coaching, completing work between sessions and continuing conversations outside the scheduled curriculum.
This year’s cohort is guided by executive coaches Lisa Gamble of Gamble Coaching & Consulting LLC and Nicole Provonchee of Bright Blue Consulting. Kerns said building the program around carefully selected coaches was an intentional decision from the very beginning, helping establish the trust needed for participants to be open and vulnerable with one another. Rather than focusing on company-specific challenges, the curriculum encourages participants to develop their professional acumen while exploring topics such as leadership, mental health and boundaries, conversations that often push participants outside their comfort zones.
The impact of the Women’s Leadership Academy has continued to grow alongside the program itself. One of the clearest signs of that growth is the reputation the Academy has built within the industry. “I’m most excited that we’re not convincing people to apply, but that it’s built a reputation,” Kerns shares. “People have seen women either walking taller in their building or having been more equipped, able to advocate for themselves and other women.”
CMA’s WLA Class of 2022. Photo: Courtesy of CMA
As part of the program’s fifth anniversary, CMA is also launching the Women’s Leadership Academy Alumni Network, bringing together participants from all five cohorts. The initiative grew out of alumnae’s desire to stay connected after the program ended. The network will provide ongoing opportunities for mentorship, collaboration and professional development while allowing graduates to engage with future cohorts. “If they love it this much, we wanted to figure out a way to make sure they maintain their engagement, so we don’t lose that amazing resource that we have in them,” Kerns says.
As the Women’s Leadership Academy kicks off its fifth year and expands beyond the classroom through its new Alumni Network, the program continues to build on the community it’s created. Looking back, Kerns says the Women’s Leadership Academy has become more than she originally imagined.
“I feel like they’re blowing my mind in how they make sure that this isn’t just a program, but that it’s actually becomes part of their lives.”
Shoalsville Music Publishing Co. Signs Robert Venable, Mark D. Conklin & Steven Dale Jones
/by Lauryn SinkPhoto: Courtesy of Shoalsville Music Publishing Co.
Robert Venable, Mark D. Conklin and Steven Dale Jones have all signed with Shoalsville Music Publishing Co.
“We are extremely excited and thankful to get the opportunity to partner with and represent such an incredibly gifted roster of talent. These guys are the best of the best!” says Chad Green, Owner, Shoalsville Music Publishing Co.
Venable is a five-time Emmy Award-winning mix engineer, four time Grammy Award nominee and Dove Award winner. Over his career, he has worked with Kelly Clarkson, Dolly Parton, Twenty One Pilots, Megadeth, CeCe Winans, Rod Steward and many more. As a songwriter he’s contributed to multiple top 10 singles and landing a Billboard No. 1 single as writer/drummer/producer of the rock band As We Ascend.
Conklin has earned cuts by artists across the Gospel, country, blues and bluegrass genres with songs landing in the top 10 on Billboard‘s Blues and Bluegrass charts and top 40 on the Country Breakout Chart. As an artist, Conklin earned a Grammy nomination for Best Roots Gospel Album for his acclaimed debut, The Gospel According to Mark. He’s worked Gloria Gaynor, The Fisk Jubilee Singers, The Fairfield Four, Mike Farris, Rita Wilson, Ernie Haase & Signature Sound, Rhonda Vincent, John Berry and more.
Jones is an ASCAP Award-winning, Dove Award-winning, Grammy-nominated songwriter, and has worked with Diamond Rio, John Waite, The Little River Band and the Gaither Vocal Band.
Industry Ink: The Red Clay Strays, Marcus King, Conway Twitty, Grace Krohse
/by Lorie HollabaughThe Red Clay Strays Perform On ‘The Tonight Show Starring Jimmy Fallon’
The Red Clay Strays. Photo: Todd Owyoung/NBC
The Red Clay Strays performed for their second time on The Tonight Show Starring Jimmy Fallon earlier this week. The band brought the ripping, high-energy track “Don’t Wanna Know” from their new album Grateful to the Studio 6B stage, and the performance arrives days ahead of the band’s sold-out show at Madison Square Garden.
Marcus King & Epiphone Revive The El Dorado Acoustic
Marcus King with his Epiphone El Dorado acoustic limited edition guitar. Photo: Epiphone
Epiphone has released the Marcus King El Dorado, a limited-edition signature acoustic guitar that celebrates the return of one of the brand’s most beloved vintage-inspired models and honors the instrument that helped shape King’s musical journey. King has long shared a deep personal connection with the Epiphone El Dorado, which was his first-ever guitar and a gift from his dad. That connection became part of his creative legacy with the release of his 2020 Americana album, El Dorado, a tribute to the instrument’s enduring influence and spirit. The Epiphone El Dorado Limited Edition is available worldwide in Antique Natural at authorized Epiphone dealers, Gibson Garage locations in Nashville and London, and online at Epiphone.com.
“This guitar means the world to me. My first El Dorado was a gift from my father, and it carried me through some of the earliest and most important moments of my musical journey,” says King. “It has always represented family, home, and the songs that shaped me. Partnering with Epiphone to share that feeling with players around the world is an incredible honor, and I hope this guitar inspires people to write their own stories for years to come.”
Conway Twitty Among New Inductees Into Mississippi Arts + Entertainment Hall Of Fame
Conway Twitty
The Mississippi Arts + Entertainment Experience (The MAX) has announced new inductees for the Mississippi Arts + Entertainment Hall of Fame. This year’s class features five legendary artists: Conway Twitty, Mississippi John Hurt, The Mississippi Mass Choir, Charley Patton and Bobby Rush. The Class of 2026-2027 will join an incredible group of Mississippians already enshrined in the Hall of Fame, which serves as the centerpiece of The MAX. Past inductees include William Faulkner, Morgan Freeman, B.B. King, Elvis Presley, Leontyne Price, and Oprah Winfrey. An induction ceremony will take place on Jan. 28 at the MSU Riley Center in downtown Meridian.
Grace Krohse Named Creative Coordinator At HAYLO Music
Grace Krohse
Grace Krohse has joined Tyler Hubbard’s HAYLO Music as Creative Coordinator. A native of Chicago, Grace moved to Nashville to attend Belmont University. She joins with prior experience at Rich MGMT and Endurance Music Group.
“Our Nashville publishing community needs smart and passionate newcomers like Grace. We are lucky to have her on the team,” says Josh Saxe, GM of HAYLO.
Lanie Gardner To Release ‘Faded Polaroids (Deluxe)’ In September
/by Lorie HollabaughLanie Gardner reflects on the growth and evolution she’s experienced over the last few years on her new project, Faded Polaroids (Deluxe) due out on Sept. 4 via BBR Music Group/BMG Nashville.
Featuring three brand-new songs, the expanded edition continues the journey that began with her Polaroids EP and evolved on Faded Polaroids. Alongside the album’s original 18 tracks, Gardner worked with Kristian Bush on the deluxe edition to expand on the world of Faded Polaroids.
“Faded Polaroids felt like a resolution before stepping into the next chapter of my artistry, capturing the growing pains of my early twenties,” says Gardner. “With the deluxe edition, I’m reflecting on the woman I’ve become because of them,” Gardner shared. “These new songs solidify that evolution, and I hope they encourage women to trust themselves, reclaim their voices, and never settle for anything that makes them forget their worth. That’s exactly how I felt writing them.”
The new songs added to the project, “You Ain’t My Daddy,” “Bye Bye,” and “Say It Sober,” further showcase Gardner’s fearless songwriting and unmistakable vocals, and after teasing snippets on socials, Gardner let fans vote on which of the new songs they wanted to hear first and they chose “You Ain’t My Daddy.” Equal parts playful and defiant, the song pushes back against unsolicited opinions and expectations with a reminder that no one else gets to decide who you are or how you choose to live your life.
Gardner continues on Luke Bryan’s “Word On The Street Tour,” into the fall, before joining Jordan Davis and Ty Myers for select dates.
Faded Polaroids (Deluxe) Track List:
1. “Takin’ The Slow Ride” (Lanie Gardner, Matt Jenkins, Jesse Frasure, Brad Tursi)
2. “Boys Like You” (Lanie Gardner, Jimmy Robbins, Henry Agincourt Allen)
3. “Boot Down” (Lanie Gardner, Allison Veltz-Cruz, Dallas Wilson, Ross Ellis)
4. “The Hills Have Eyes” (Lanie Gardner, Carlo Colasacco, Rufio Hooks)
5. “Little Bit Of Lovin’” (Lanie Gardner, Katie Cecil, Chris Ganoudis, Kasey Tyndall)
6. “Faded Polaroids” (Lanie Gardner, Oscar Charles, Lori McKenna, Barry Dean)
7. “Don’t Fall In Love” (Lanie Gardner, Zach Abend, Benjy Davis)
8. “Rattler And The Devil’s Whip” (Lanie Gardner, David Medlin, Daymon Osborn)
9. “Mama’s Kitchen Table” (Lanie Gardner, Karen Fairchild, Alysa Vanderheym)
10. “Hold Your Horses” (Lanie Gardner, Jonathan Hutcherson, Jamie Moore)
11. “Concrete Cowboy” (Lanie Gardner, Katie Cecil, Chris Ganoudis)
12. “How Long ‘Til Tennessee” (Lanie Gardner, Daniel Ross)
13. “Jeans” (Lanie Gardner, Kasey Tyndall, Logan Maggio, Beau Bailey)
14. “Love You Like Appalachia” (Lanie Gardner, Matt Jenkins, Jeremy Stover)
15. “Buzzkill” (Lanie Gardner, Katie Cecil, Chris Ganoudis)
16. “Ur Mad” (Lanie Gardner)
17. “Daddy Didn’t” (Lanie Gardner, Laura Veltz, Gordie Sampson)
18. “High Divin’” (Lanie Gardner, Cate Downey, Ryan McMahon)
19. “You Ain’t My Daddy” (Lanie Gardner, AJ Pruis, Joybeth Taylor)
20. “Bye Bye” (Lanie Gardner, Matt Dragstrem, Micah Carpenter, Steph Jones)
21. “Say It Sober” (Lanie Gardner, Luke Dick, Josh Jenkins)