Phil Wickham Celebrates Platinum Success

Pictured (Front row, L-R): Dan Franquemont (Spotify), Brittany Schaffer (Spotify), Phil Wickham, Kim Davis (BrickHouse Entertainment), Kevin Huffman (WME). Pictured (Back row, L-R): Scott Brickell (BrickHouse Entertainment), Jeff Moseley (FairTrade Services), Mike Snider (WME)

While recording with Spotify at Sound Stage Studios in Nashville, Tennessee, Phil Wickham was surprised by FairTrade Services and long-time management, BrickHouse Entertainment, with an RIAA-certified platinum plaque for his song, “This Is Amazing Grace.” The track was released in 2013, and penned by Wickham alongside Josh Farro and Jeremy Riddle.

The plaque was presented to Wickham while recording exclusive songs for the Spotify Singles program at Sound Stage Studios on Music Row.

The surprise plaque presentation precedes the anticipated release of Wickham’s Living Hope, the artist’s first full-length, new album in two years. Living Hope releases Aug. 3.

Nielsen CEO To Retire, “Disappointing” Second Quarter Financials Revealed

Mitch Barns. Photo: Nielsen

Two announcements today (July 26) from Nielsen revealed its Chief Executive Officer and Member of the Board, Mitch Barns, will retire from 20 years with company after net income for the second quarter of 2018 was reported to have decreased 45.0 percent.

Barns will remain through the end of the year to oversee the company and James Attwood, current Chairman of the Board and Managing Director at The Carlyle Group, has been named Executive Chairman and will assume a more active role and will direct the search for new leadership.

“Mitch has left an indelible mark on Nielsen—his commitment to integrity, openness, values and engagement will continue to be the heart of this company for years to come,” commented Attwood. “I, along with the rest of the Board of Directors, thank him for his service.”

Meanwhile, the board will be conducting an in-depth strategic review of its Buy segment, led by Attwood in conjunction with Nielsen’s senior management. The Board does not have a fixed timetable for completion of the review nor has it made any decisions at this time.

“In the second quarter, we continued to move forward on our multi-year transformations across Watch, Buy, and Operations. However, our progress was not reflected in our financial results, which are disappointing and came in below our expectations, and we are lowering our outlook for 2018,” said Jamere Jackson, Chief Financial Officer of Nielsen.

Jackson continued, “We are addressing the challenges we face with the greatest sense of urgency and remain sharply focused on our key initiatives to drive value in the long term. Our cost reduction efforts are ahead of schedule and we are accelerating cost-out targets. In Buy Developed Markets, we saw increased pressure in the fast moving consumer goods end markets; however, we made great progress with the Connected System, retailer initiatives, and Total Consumer Measurement. In Emerging Markets, weakness in multinational client spending was offset by growth with local clients. In Watch, ongoing adoption of Total Audience Measurement continued to drive growth. However, the General Data Protection Regulation and changes in the consumer data privacy landscape impacted our growth rates in the near-term as clients and partners grapple with the changes and work to ensure compliance.”

Revenues were relatively flat ($1,647 million for the second quarter of 2018) up 0.2 percent compared to the second quarter of 2017. Net income per share on a diluted basis was $0.20 per share in the second quarter of 2018, compared to $0.37 per share in the second quarter of 2017.

Nielsen delivers media and marketing information, analytics and industry expertise about what consumers buy (referred to as “Buy”) and what consumers read, watch and listen to (consumer interaction across the television, radio, digital and mobile viewing and listening platforms referred to as “Watch”) on a global and local basis. Measurement and analytical services help clients maintain and strengthen their market positions and identify opportunities for profitable growth.

Nielsen’s Second Quarter Results

Revenues within the Watch segment for the second quarter of 2018 increased 4.5 percent to $858 million compared to the second quarter of 2017. Audience Measurement of Video and Text revenues increased 7.4 percent, primarily due to ongoing investments, continued client adoption of our Total Audience Measurement system, and a strong contribution from Gracenote. Audio revenues were flat for the quarter. Marketing Effectiveness revenues increased 7.2 percent, driven by consistent investment in our product portfolio and strength in our product initiatives, partly offset by pressure on our clients and partners from the impact of the General Data Protection Regulation (GDPR) and other consumer data privacy considerations. Other Watch revenues decreased by $11 million, or 22.9 percent on a reported basis and 21.3 percent on a constant currency basis, due to continued portfolio pruning. Core Watch revenues grew 6.2 percent.

Revenues within the Buy segment for the second quarter 2018 decreased 4.1 percent to $789 million, compared to the second quarter of 2017. Buy Emerging Markets revenues decreased 1.0 percent, primarily driven by weakness in multinational client spending, particularly in markets in South East Asia and China, partly offset by strength in local client spending and solid growth in Eastern Europe, Africa, and some markets in Latin America. Buy revenues in Developed Markets decreased 4.3%, due to increased pressure on spending from large multinational clients. Revenues within Corporate Buy decreased by $9 million, or 55.6% on a constant currency basis, primarily due to continued portfolio pruning.

Net income for the second quarter of 2018 decreased 45.0 percent to $72 million, or 45.9 percent on a constant currency basis, compared to $131 million in the second quarter of 2017, as a result of softer revenues, higher restructuring charges, retailer investments, and other growth initiatives. During the second quarter of 2018, the company recorded restructuring charges of $65 million, or $0.12 per share. The restructuring charges reflect our continuing efforts to rightsize the business, the current market realities, and acceleration of our cost-out initiatives.

Adjusted EBITDA for the second quarter of 2018 decreased 8.1 percent to $468 million, compared to the second quarter of 2017. Adjusted EBITDA margins contracted 254 basis points to 28.4 percent, or 232 basis points on a constant currency basis, due to softer revenue and continued investments in Buy and Watch segments, partly offset by productivity initiatives.

Financial Position

As of June 30, 2018, Nielsen’s cash and cash equivalents were $394 million and gross debt was $8,664 million. Net debt (gross debt less cash and cash equivalents) was $8,270 million and Nielsen’s net debt leverage ratio was 4.16x at the end of the quarter. Net capital expenditures were $118 million for the second quarter of 2018, compared to $64 million for the second quarter of 2017. Cash taxes were $79 million for the second quarter of 2018, compared to $70 million for the second quarter of 2017.

Cash flow from operations increased to $242 million for the second quarter of 2018, from $226 million in the second quarter of 2017. Free cash flow for the second quarter of 2018 decreased to $124 million, compared to $162 million in the second quarter of 2017. Cash flow performance was driven by lower net income, higher net capital expenditures, higher interest, and tax payments, partially offset by the timing of vendor and client payments.

Capital Allocation

The company repurchased $40 million of its common stock during the second quarter of 2018. The company had a total of $238 million remaining for repurchase under the existing share repurchase program as of June 30, 2018.

On July 19, 2018, Nielsen’s Board of Directors declared a quarterly cash dividend of $0.35 per share of Nielsen’s common stock. The dividend is payable on September 5, 2018 to stockholders of record at the close of business on August 22, 2018.

Weekly Register: Luke Combs Tops Country Albums Chart

Luke Combs, Jason Aldean, Dan+Shay, Kane Brown and Chris Stapleton lead this week’s country albums chart, according to Nielsen Soundscan.

  1. Luke Combs- This One’s For You, 25K
  2. Jason Aldean- Rearview Town, 18K
  3. Dan + Shay- Dan + Shay, 17K
  4. Kane Brown –Kane Brown, 15K
  5. Chris Stapleton- Traveller, 13K

Chris Lane‘s Laps Around the Sun is this week’s only debut in the country albums Top 10, landing at No. 8 with 8.7K (3.1K album only/6 million song streams).

On the country songs digital sales chart, Florida Georgia Line’s “Simple” continues to lead with 21K. Eric Church‘s “Desperate Man” enters at No. 2 with 20K, followed by Brett Young‘s “Mercy” at No. 3 with 14K. Dan+Shay‘s “Tequila” is at No. 4 with 14K, followed by the Jason Aldean/Miranda Lambert collaboration “Drowns The Whiskey” at No. 5 with 13K.

Taylor Swift Celebrates Big RIAA Certifications (Including A Diamond Certification)

Pictured (L-R): Taylor Swift and Big Machine Label Group President/CEO Scott Borchetta. [Click photo to enlarge]

Taylor Swift performed three consecutive nights at MetLife Stadium this weekend during her record-breaking reputation Stadium Tour. Big Machine Label Group President and CEO Scott Borchetta surprised Swift backstage with six RIAA certified plaques for reaching significant sales milestones, including a Triple Platinum Certification for reputation a Diamond Certification for her 2008 album Fearless and a Double Platinum Certification for single “…Ready For It?”, Platinum Certification for singles “Delicate” and “End Game” in addition to a Quadruple Platinum Certification for the single “Look What You Made Me Do.”

Swift also hits the No. 1 spot on the Top 40 radio chart this week with her current single “Delicate,” marking Swift’s 10th ascent to the top of the chart. Swift will continue the reputation Stadium Tour in the US throughout the fall before heading overseas for additional dates and will wrap in Tokyo, Japan on Nov. 21.

Weekly Register: Florida Georgia Line Tracks Dominate Country Sales Chart

Florida Georgia Line. Photo: Delaney Royer

Florida Georgia Line dominates the Top 5 best-selling country digital songs this week according to Nielsen Soundscan, as “Simple” takes the top spot with 22K. The duo’s “Talk You Out Of It” is at No. 2, with 21K, and their massive collaboration with Bebe Rexha, “Meant To Be,” is at No. 4 with 15K this week.

Dan+Shay‘s “Tequila” is at No. 3 with 15K, while Brett Young‘s “Mercy” is at No. 5 with 13K.

Luke CombsThis One’s For You reclaims the top spot on the country albums chart this week, according to Nielsen Soundscan. The album sold 25K in total consumption.

Dan+Shay’s self-titled album takes the No. 2 position this week, with 19K, followed by Jason Aldean‘s Rearview Town at No. 3 with 18K. Kane Brown‘s self-titled project is at No. 4 this week with 15K, while Thomas Rhett‘s Life Changes rounds out the Top 5 with 12.5K.

 

Centricity Music’s Lauren Daigle Celebrates Platinum Album

Pictured (L-R): Centricity Senior VP of A&R John Mays, Centricity VP of Publishing Chad Segura, Lauren Daigle, Centricity General Manager Steve Ford

Centricity Music artist Lauren Daigle’s debut album, How Can It Be, has been certified Platinum by the RIAA. Released in 2015, How Can It Be is one of only five albums in the Christian genre to attain Platinum status since 2003, and the first from a female artist since 2001.

Daigle’s album has received two Grammy nominations and earned her two Billboard Awards and an American Music Award. Three songs from the album, “How Can It Be,” “Trust In You,” and “O’Lord,” have also been certified Gold by RIAA.

“There are moments in life that show you years worth of time and hard work. When they told me ‘How Can It Be’ has been certified platinum, I was overcome with the awareness that every year of my life has built up to this moment and led to this first milestone,” says Lauren. “It could only be made possible by people willing to open up their heart and share their vulnerability with others through music. I’m so incredibly grateful. To all who have supported, you made this happen!”

“Having How Can It Be reach Platinum status shows the hard work and dedication from Lauren and her ability to connect with so many people from all over the world,” Centricity CEO Caren Seidle said. “When I first heard Lauren sing in a small church six years ago, she made me sit up and appreciate the sound and the message- it was as if I was the only one in the room. I think everyone who hears Lauren feels that way, like she is speaking to them personally.”

Warner Music Nashville Names Brooke Hardesty As Sr. Director, Interactive Marketing

Brooke Hardesty

Warner Music Nashville has promoted Brooke Hardesty to Senior Director, Interactive Marketing. Hardesty oversees a team of two and will continue reporting to Sr. VP Artist Development Shane Tarleton.

“Brooke’s creativity and innovative approach to interactive marketing has elevated our entire Artist Development team,” Tarleton says. “I am thrilled to work alongside Brooke and her staff as we march arm in arm towards the future, creating new paths to promoting our artists.”

In her six years with Warner Music Group, Hardesty has created digital experiences ranging from live event activations to social media campaigns. She has spearheaded the interactive strategy for multiple albums, in addition to fan-voted inclusions in the CMT Awards, People’s Choice Awards and ACM Awards for artists on the WMN roster. Her previous roles include radio promotion at Word Entertainment.

“Helping artists connect directly with their fans through unique, interactive experiences is one of my greatest passions,” Hardesty says. “Being a fan is what drove me to join the music industry, and it’s a privilege to connect listeners to the artists and songs they love. I am thrilled to be a part of the Warner Music Nashville family and the leader of my incredible and hardworking team. I look forward to continuing to position our artists as leaders in the genre and digital realm.”

Weekly Register: Dierks Bentley Debuts At No. 1 With ‘The Mountain’

Dierks Bentley reaches the summit of this week’s country albums chart with his latest effort, The Mountain. The album moved 102K units in its first week (and reaching No. 3 on the overall albums chart), according to Nielsen Soundscan.

Reunited duo Sugarland also released its latest album this past week. Bigger debuts at No. 2, with 30K in total consumption. Rounding out this week’s top 5 country albums are Luke CombsThis One’s For You at No. 3 with 29K, Jason Aldean‘s Rearview Town at No. 4 with 19K, and Kane Brown‘s self-titled album at No. 5, with 17K.

Brown tops this week’s top 5 country digital songs sales, with his latest “Lose It” at No. 1 with 22K. Florida Georgia Line‘s “Simple” is at No. 2 with 20K, followed by the duo’s smash hit with Bebe Rexha, “Meant To Be,” with 19K (and more than 1.1 million to date). Dan+Shay‘s “Tequila” is at No. 4 with 18K.

Brown rounds out the Top 5 with his most recent No. 1 track, “Heaven,” moving 15K in digital sales. The song has been certified gold by the RIAA.

Kacey Musgraves Celebrates Platinum Status

Pictured (L-R): UMG Nashville EVP A&R Brian Wright, Sandbox Entertainment’s Sam Borenstein, UMG Nashville VP A&R Stephanie Wright, Kacey Musgraves, Sandbox Entertainment’s Jason Owen, UMG Nashville COO Mike Harris. Photo: Catherine Powell

Tuesday night (June 12), MCA Nashville’s Kacey Musgraves played Nashville’s Bridgestone Arena as part of Harry Styles: Live on Tour. Immediately following her performance, the singer-songwriter was surprised with a plaque for her debut album Same Trailer Different Park reaching Platinum certification by the RIAA.

The album won Best Country Album at the 2014 Grammy Awards, as well as 2014 ACM Awards. Musgraves recently released her fourth studio album Golden Hour.

Weekly Register: Luke Combs Tops Country Albums, Earns Two Top 5 Digital Sales Tracks

Luke Combs.

The deluxe version of Luke CombsThis One’s For You, which includes five new and/or additional songs, is at No. 1 this week on the country albums charts, with 55K in total consumption, according to Nielsen Soundscan.

Jason Aldean‘s Rearview Town is at No. 2 this week, with 34K, followed by Kane Brown‘s self-titled debut at No. 3 with 18K. Thomas Rhett‘s Life Changes is at No. 4 with 11K.

The top debut this week is Michael Ray‘s Amos, which moved 10.5K to land at No. 5.

On the heels of their record-breaking collaboration with Bebe Rexha, “Meant To Be,” Florida Georgia Line‘s successor “Simple” is at the top of the country digital song sales chart this week, moving 34K. Meanwhile, “Meant To Be” holds the No. 3 spot, with 20K, bringing the smash hit to 1.124 million in digital sales to date.

This week’s album chart-topper Combs has two debuts this week on the country digital sales chart. At No. 2 is “Must’ve Never Met You,” which moved 27K this week. “Houston We Gota Problem” is at No. 4, with 20K.

Dan+Shay‘s “Tequila” rounds out the top 5 with 17K.