Brothers Osborne Celebrate First No. 1 Single

Pictured (L-R): (front) ASCAP's Mike Sistad, Smack Ink's Robin Palmer, co-writer/artist TJ Osborne, co-writer/artist John Osborne, King Pen Music's Kelly King, (back row) Universal Music Group's Mike Dungan, co-writer Shane McAnally, Universal Music Publishing's Kent Earls, Warner/Chappell Music Publishing's Ben Vaughn.

Pictured (L-R): (front) ASCAP’s Mike Sistad, Smack Ink’s Robin Palmer, co-writer/artist TJ Osborne, co-writer/artist John Osborne, King Pen Music’s Kelly King, (back row) Universal Music Group’s Mike Dungan, co-writer Shane McAnally, Universal Music Publishing’s Kent Earls, Warner/Chappell Music Publishing’s Ben Vaughn.

Nashville’s music industry braved cold and rain Tuesday (March 1) to celebrate Brothers Osborne’s chart-topping tune “Stay A Little Longer,” with an ASCAP-hosted shindig at South.

The energy in the room was palpable, as “Stay A Little Longer” marks the first No. 1 as writers and artists for Brothers Osborne members TJ and John Osborne. The tune is the 15th No. 1 song for co-writer Shane McAnally. Producer Jay Joyce was not in attendance.

Among those offering glowing congratulations were ASCAP’s Mike Sistad, King Pen Music’s Kelly King (who received numerous thanks of her own during the shindig), Warner/Chappell Music Publishing’s Ben Vaughn, Universal Music Group’s Mike Dungan, Universal Music Publishing’s Kent Earls, Smack Ink’s Robin Palmer, Country Aircheck’s Lon Helton, CRB’s Holly Lane, and CMA’s Brandi Simms.

“I talk a lot about the love affair we have for our artists,” said Dungan. “There is nothing more gratifying to someone who works at a label than having a project that you deem personally to be great and that you feel moves the needle and affects the culture and I can’t tell you have wonderful and perfect it is when greatness and art intersect with commerce and it results in a No. 1 record, and I couldn’t be happier about it.”

Dungan also honored John and TJ, as well as McAnally, with what is lovingly called the “Impaler Award.”

“There is a waiver to fill out later because they are dangerous,” quipped Dungan. “Shane McAnally, 14 out of your 15 [No. 1 songs] are from us? We’ve made a lot of money together, buddy.” To Brothers Osborne, he added, “You guys are still ridiculously unrecouped, but we are getting there.”

“TJ, your voice I really do think is going to go down in history as one of the greats,” said McAnally. “They are both incredible singers, and their harmonies sound amazing, but I really do think the tone and texture and sounds you guys get together this is really historical and I’m really honored that I got to be a part of this first No. 1 of many.”

“I said this before but a lot of people talk about how much work it takes and sometimes it is a bit unnerving but to always look at everyone around you, and literally no one is ever dropping the ball and working their [butts] off,” said TJ.

TJ Osborne also offered thanks to Sistad. “Mike Sistad was one of the first people to put us on a show, when no one gave a s— about us. It was a show at the Bluebird. Also, when no one was willing to lend us any more money, Sistad stepped up with ASCAP and gave us a loan that literally saved us from totally collapsing, which we might have done anyway. He just gave us a little more drinking money, so thank you.

“It’s cool to have all this stuff handed out tonight,” he continued. “We wanted to hand out some gifts ourselves. We didn’t realize it would take so long to get a royalty check,” he quipped, to the laughter of the audience.

John Osborne also thanked lawyer Chip Petree. “We forgot to put him in our liner notes, so I want to thank him first.”

“It’s all about the people,” Osborne summarized. “You look at a song, it’s Brothers Osborne, but it wasn’t just Brothers Osborne. I cannot be more grateful. It’s hard work and a little bit of luck. I think if it all ended right now, I’d feel like the luckiest person in the world. I genuinely do. Not so much for the accolades and No. 1s, but Nashville is full of the greatest people on earth. That’s why people keep moving here, because it’s seriously great. The fact that we get to celebrate a huge milestone in our lives with people that we genuinely love, that’s the greatest thing to me. I can’t thank you all enough and I can’t wait to do this again.”

Pictured (L-R): JT Osborne, Shane McAnally, Josh Osborne. Photo: Frederick Breedon for ASCAP.

Pictured (L-R): TJ Osborne, Shane McAnally, John Osborne. Photo: Frederick Breedon for ASCAP.

Industry Ink: AIMP, Dune Grass Music, Kobalt, Americana Music Association

AIMP, Fifth Third Bank Host “The State Of Independent Music Publishing” Panel

Pictured: Row One: Steve Markland, Marc Driskill, Chris Farren, Mark Brown; Row Two: Kari Barnhart (5/3 Bank) Denise Nichols (The Primacy Firm), John Ozier (AIMP Ex. Director/ole}, Ree Guyer Buchanan (AIMP Treasurer/Wrensong Music), Randy Wachtler (Warner/Chappell Production Music), Craig Currier (peermusic), Brad Peterson (5/3 Bank), John Allen (New West Records/Publishing)

Pictured: Row One: Steve Markland, Marc Driskill, Chris Farren, Mark Brown; Row Two: Kari Barnhart (5/3 Bank) Denise Nichols (The Primacy Firm), John Ozier (AIMP Ex. Director/ole}, Ree Guyer Buchanan (AIMP Treasurer/Wrensong Music), Randy Wachtler (Warner/Chappell Production Music), Craig Currier (peermusic), Brad Peterson (5/3 Bank), John Allen (New West Records/Publishing).

The Association of Independent Music Publishers (AIMP) Nashville and Fifth Third Bank hosted a full house for “The State of Independent Music Publishing” panel. Held Feb. 24 at ASCAP’s Connie Bradley Board Room and moderated by John Allen, panelists Mark Brown (Round Hill Music), Marc Driskill (Sea Gayle Music), Chris Farren (Combustion Music), and Steve Markland (Downtown Music Publishing) discussed current trends in music publishing, changing royalty environments and plans for 2016.

 

Dune Grass Music Signs Melanie Meriney

Pictured (L-R): Neal Coty, Creative Director; Melanie Meriney; Hannah Gilbert, Creative Manager/Administration

Pictured (L-R): Neal Coty, Creative Director; Melanie Meriney; Hannah Gilbert, Creative Manager/Administration

Dune Grass Music has added Melanie Meriney to its roster of songwriters. Meriney joins fellow writers Neal Coty, Chris Harris, Jon Henderson, Eric Torres, Amber White, and recently co-published Brian Maher.

After graduating from Belmont University as a Songwriting major, Meriney showcased a number of times playing live sets on the Billy Block Show. She has been nominated for a Nashville Independent Music Award (NIMA) for Best Female Country Artist.  .

“Melanie exceeds expectations as a young and upcoming songwriter,” says Neal Coty.

Meriney adds, “I’m looking forward to joining a roster of incredible writers and making some great music we can share with the world.”

Dune Grass Music is a Nashville-based publishing company with six staff writers and offices in Berry Hill and Virginia. The company recently formed a separate publishing co-venture with renown producer/songwriter Keith Stegall’s Dreamlined Entertainment.

 

Vip Vipperman Signs Admin Agreement With Kobalt

Vip Vipperman

Vip Vipperman

Vip Vipperman and NewVIP Songs have signed a new worldwide Administration agreement with Kobalt Music Publishing, which offers music publishing royalty collections and affiliated services.

Vipperman has had hits recorded by Randy Travis, Garth Brooks, Reba McEntire, Trace Adkins, George Jones, and more.

 

Americana Music Association Reveals SXSW Lineup

Americana logo

The Americana Music Association has partnered again with Pandora for a day of music at SXSW. The association will take over The Gatsby, located at East 6th Street in Austin, Texas, on Thursday, March 17. The event is open to SXSW badge and wristband holders.

Day Party Lineup:
The Strumbellas, 2 p.m.
The Cactus Blossoms, 3 p.m.
Lydia Loveless, 4 p.m.
Jake Bugg, 5 p.m.
Nightly Showcase Lineup:
Margo Price, 8 p.m.
Sam Outlaw, 9 p.m.
Wynonna & The Big Noise, 10 p.m.
Hayes Carll, 11 p.m.
Asleep At The Wheel, 12 a.m.
Jack Ingram, 1 a.m.

 

Penny Gattis Joins Round Hill Music, Kari Smith Starts Management Company

Pictured (L-R): Penny Gattis, Kari Smith

Pictured (L-R): Penny Gattis, Kari Smith

Round Hill Music has added Penny Gattis to the position of Senior Director of A&R in the company’s Nashville office. Gattis is the former Director of Writer/Publisher Relations in BMI’s Nashville office.

While at BMI, Gattis developed new opportunities for BMI songwriters and publishers. She launched Sync THIS!, an exclusive, two-day networking and musical discovery gathering designed to connect Nashville talent and tastemakers with top music supervisors in 2013. Also, she helped create and coordinate BMI’s substantial calendar of local and national songwriter-focused showcases, seminars, and other events including Lollapalooza, Hangout, ACL, Key West Songwriter Festival, Fontanel Winter Songwriter Retreat, Maui Songwriter Festival, East Side Sounds and many more.

Before joining BMI, Gattis served as Creative Director at Tom-Leis Music and Love Monkey Music. A Wisconsin native, Gattis graduated from Nashville’s Belmont University with honors with a Bachelor of Business Administration in Music Business degree.

Gattis can be reached at pgattis@roundhillmusic.com.

Additionally, Kari Smith has exited Round Hill Music to launch management company Hear Candy Music. Smith continues to work with Round Hill Music on behalf of Marti Frederiksen’s joint venture, Riding Songs. Hear Candy’s roster includes Frederiksen, Lindsey Lee, and band Loving Mary, as well as Riding Songs.

Smith can be reached at kari@hearcandymusic.com.

Downtown Music Publishing Launches Neighbouring Rights Division

unnamedDowntown Music Publishing has launched Downtown Neighbouring Rights, a new division that enables Downtown to secure global Neighbouring Rights for performers and master holders whose songs are performed in public. This service is open to all rights holders, not just Downtown Music Publishing clients.

Neighbouring Rights ensure that artists are compensated when the recorded performance of their songs are performed in public on satellite and online radio services such as Pandora. This is comparable to songwriters being compensated for the public performance of their songs or copyright.

Downtown is just one of the handful of companies providing Neighbouring Rights services globally. Although newly launched, the division has been operational for nearly five years and formed part of the Eagle-i Music acquisition from last year.

“We are already established and are currently members of over 30 Neighbouring Rights societies; offering a full global reach for labels, performers and non-featured performers alike,” said Roberto Neri, MD of Downtown UK. “The difference now is the unique unparalleled systems at Downtown, which take our level of transparency and service to new heights and makes us the destination of choice for Neighbouring Rights collection.”

Luke Montague has been appointed Neighbouring Rights Manager. “I am extremely proud of Luke who has been key to helping build our Neighbouring Rights division. He is a real asset to the company and our clients,” said Neri.

Last year, such payouts in the United States alone amounted to over $800 million, according to Downtown Music Publishing. Internationally, Neighbouring Rights also include compensation for performances on terrestrial radio.

 

Banner Music Signs Jerry Salley

From Left to Right: James Robert Webb, Camilla Kleindienst, Jerry Salley and Daniel Kleindienst. Photo: Bev Moser/Moments By Moser

From Left to Right: James Robert Webb, Camilla Kleindienst, Jerry Salley and Daniel Kleindienst. Photo: Bev Moser/Moments By Moser

Banner Music has signed singer/songwriter Jerry Salley to its creative family.

“We are thrilled to have veteran songwriter Jerry Salley on staff at Banner Music. His career accomplishments speak to his hard work and dedication to this industry and we look forward to his continued success as part of our company,” said co-owner Camilla Kleindienst.

Salley, who co-wrote “Outlaw State of Mind” on Chris Stapleton’s Grammy-winning country album, Traveller, has penned over 400 cuts in country, bluegrass and gospel genres. His extensive talent has garnered him recordings by multiple artists such as Sir Elton John (“Where We Both Say Goodbye”—a duet with Australian artist Catherine Britt), Reba McEntire (“I’m Gonna Take That Mountain” and “Close To Crazy”), and includes the Dove Awards’ 1990 Inspirational Song of the Year, “His Strength is Perfect”, co-written with and recorded by Steven Curtis Chapman and now found in church hymnals.

“I am happy to join the creative minds here [at Banner Music] whose heart and family atmosphere mirror the passion of their work,” said Salley.

Salley, SESAC’s Country Songwriter of the Year in 2003, was also nominated in 2014 by the International Bluegrass Music Association for Songwriter of the Year.  His winning streak continued this year with his three tracks on the SteelDriver’s Grammy Award-winning bluegrass album,The Muscle Shoals Recordings.

In October of 2015, Salley released the bluegrass/gospel project Gospel From My Grassroots that includes guest vocals from Steven Curtis Chapman to Salley’s daughter, Maggie, with contributing harmonies.

Ben Caver Signs To Black River Publishing

Pictured (L-R): Kelly Bolton, Catalog Manager, Black River Publishing; Dave Pacula, Creative Director, Black River Publishing; Ben Caver, Celia Froehlig, Vice President of Black River Publishing; Gordon Kerr, CEO, Black River Entertainment.

Pictured (L-R): Kelly Bolton, Catalog Manager, Black River Publishing; Dave Pacula, Creative Director, Black River Publishing; Ben Caver; Celia Froehlig, Vice President of Black River Publishing; Gordon Kerr, CEO, Black River Entertainment.

Vice President of Black River Publishing Celia Froehlig has announced the signing of Ben Caver to the Black River Publishing roster. Ben Caver grew up in Hoover, Alabama, and moved to Nashville after graduation to attend Belmont University. Prior to signing with Black River Publishing, Caver had business relationships with Sony/ATV, UMPG, and Patrick Joseph Music.

Caver penned “Relapse” for Carrie Underwood’s Storyteller project, “Aftermath” for Rascal Flatts’ Rewind, “I Remember You” for Trisha Yearwood’s Prizefighter album, and “‘Merica,” from Kenny Rogers’ You Can’t Make Old Friends.

Black River Publishing’s Creative Director Dave Pacula stated, “I am so excited to welcome Ben Caver to the family! We look forward to sharing great success with Ben as his undeniable songs and unmistakable voice continue to draw the attention of the industry’s top artists and executives.”

Caver added, “I am beyond thrilled to be joining the Black River Entertainment family! Dave Pacula has been a friend and mentor for several years, and I am so happy to be working with him again. Thank you Celia, Dave, and Kelly for what I believe is the beginning of something great!”

NSAI Celebrates Chart-Topping Songs With Nashville Bash

NSAI Board President Lee Thomas Miller and NSAI Executive Director Bart Herbison with the Hargrove family

NSAI Board President Lee Thomas Miller and NSAI Executive Director Bart Herbison with the Hargrove family

The Nashville Songwriters Association International (NSAI) celebrated its latest #1 Party, sponsored by Klindt, Cole & Associates, on Tuesday, Feb. 23, at the Music Mill, NSAI’s Music Row headquarters.

NSAI honored 18 Nashville-associated writers whose songs topped the Billboard Airplay, Digital, Hot or Mediabase charts between August 2015 and December 2015 in both country and Christian music formats.

Additionally, the family of Linda Hargrove accepted her #1 award for “Tennessee Whiskey” on her behalf. Country artist Chris Stapleton covered the song on his album Traveller.

Songwriters and their #1 plaques

Songwriters and their #1 plaques

Songs Recognized
“Anything Goes,” Writers: Craig Wiseman, Chris Tompkins, Felix McTeigue; recorded by Florida Georgia Line
“Kick the Dust Up” Writers: Ashley Gorley, Chris DeStefano, Dallas Davidson; recorded by Luke Bryan
“Kiss You in the Morning” Writers: Justin Wilson, Michael White; recorded by Michael Ray
“Young & Crazy” Writers: Ashley Gorley, Rhett Akins, Shane McAnally; recorded by Frankie Ballard
“Hell of a Night” Writers: Jaron Boyer, Adam Sanders, Zach Crowell; recorded by Dustin Lynch
“Save it for a Rainy Day” Writers: Andrew Dorff, Matt Ramsey, Brad Tursi; recorded by Kenny Chesney
“Buy Me a Boat” Writers: Chris DuBois, Chris Janson; recorded by Chris Janson
“John Cougar, John Deere, John 3:16” Writers: Josh Osborne, Ross Copperman, Shane McAnally; recorded by Keith Urban
“Lose My Mind” Writers: Heather Morgan, Ross Copperman, Brett Eldredge; recorded by Brett Eldredge
“Strip it Down” Writers: Jon Nite, Ross Copperman, Luke Bryan; recorded by Luke Bryan
“I’m Comin’ Over” Writers: Corey Crowder, Josh Hoge, Chris Young; recorded by Chris Young
“Let Me See Ya Girl” Writers: Jody Stevens, Michael Carter, Cole Swindell; recorded by Cole Swindell
“Smoke Break” Writers: Chris DeStefano, Hillary Lindsey, Carrie Underwood; recorded by Carrie Underwood
“Tennessee Whiskey” Writers: Dean Dillon, Linda Hargrove; recorded by Chris Stapleton
“At the Cross (Love Ran Red)” Writers: Matt Armstrong, Ed Cash, Jonas Myrin, Matt Redman, Chris Tomlin; recorded by Chris Tomlin
“Fix My Eyes” Writers: Seth Mosley, Joel Smallbone, Luke Smallbone; recorded by for KING & COUNTRY
“He Knows My Name” Writers: Seth Mosley, Mia Fieldes, Francesca Battistelli; recorded by Francesca Battistelli
“He Knows” Writers: Seth Mosley, Jeremy Camp; recorded by Jeremy Camp
“Flawless” Writers: Ben Glover, David Garcia, Solomon Olds, Barry Graul, Bart Millard, Michael John Scheuchzer, Nathan Cochran, Robin Shaffer; recorded by Mercy Me

Publishing Notes: ole Signs Tony Martin, Deluge Music Signs Brennin, peermusic Writers Retreat

ole Signs Tony Martin

Independent rights management company ole has inked a deal with Nashville songwriter Tony Martin. Martin’s songs include 15 No. 1 hits, such as “Time Is Love” by Josh Turner and “Banjo” by Rascal Flatts. He has also notched eight Top 5 and five Top 10 tracks.

“I’ve been itching to find a publishing company with the reach of a major and the spirit of an indie, so when ole came calling, I knew it was the place for me,” said Martin. “I’m excited to have the freedom to focus on the creative while ole handles the rest.”

Under the deal, ole has purchased Martin’s catalog and future co-publishing rights.

Pictured (L-R): Leslie Roberts, Director, BMI;  Ben Strain, Creative Director, ole; Emily Mueller, Creative Manager, ole; Jody Williams, VP, BMI; songwriter Tony Martin, Mike Whelan, Sr. Creative Director, ole;  Shellien Kinsey, Creative Coordinator, ole;  John Ozier, GM Creative, ole.

Pictured (L-R): Leslie Roberts, Director, BMI; Ben Strain, Creative Director, ole; Emily Mueller, Creative Manager, ole; Jody Williams, VP, BMI; songwriter Tony Martin, Mike Whelan, Sr. Creative Director, ole; Shellien Kinsey, Creative Coordinator, ole; John Ozier, GM Creative, ole.

 

Brennin Signs To Deluge Music

Brennin is the latest signing to Deluge Music’s Nashville roster. “All It took was hearing his new EP and him walking in the door and I was in!” says President Mark Friedman.

Brennin is also represented by WME.

Pictured (L-R): Mark Friedman (Deluge Music), Brennin, Stephanie Greene.

Pictured (L-R): Mark Friedman (Deluge Music), Brennin, Stephanie Greene

 

peermusic Writers Go “Somewhere On A Beach” For Writer Retreat

Pictured (Front to back): Michael Tyler, artist, Reviver Records; Michael Knox, Jaron Boyer, Brandon Kinney, Jeffrey East.

Pictured (Front to back): Michael Tyler, artist, Reviver Records; Michael Knox, Jaron Boyer, Brandon Kinney, Jeffrey East.

Staff and writers with peermusic Nashville converged “somewhere on a beach” to celebrate new signings Jeffrey East and Brandon Kinney, as well as the current chart success of the single “Somewhere on a Beach” (Dierks Bentley) co-written by Michael Tyler and Jaron Boyer.

“It’s always good to get writers away from their daily routine to enjoy personal time together. It’s exciting to see these guys grow together as a team,” says Michael Knox, V.P. peermusic Nashville.

BMI’s Jody Williams Honored By Texas Heritage Songwriters Association

Pictured (L-R): Photo: Ted Parker Jr.

BMI’s Jody Williams, songwriter Nicolle Galyon, Karen Williams, Raul Malo, Ed Williams, and songwriter Rodney Clawson

BMI’s Jody Williams has been named the recipient of the Darrell K Royal Texas Music Legend Award, which honors those who provide recognition and support to songwriters.

The award is named for the late University of Texas football coach Darrell K Royal, who was known for his appreciation for musicians and songwriters.

BMI Jody Williams Texas Heritage 2016

BMI’s Jody Williams accepts the Darrell K Royal Texas Music Legend Award. Photo: Ted Parker Jr.

Williams was honored during the Feb. 20 ceremony at the Bob Bullock Texas History Museum, where he was recognized for his work with Texas Heritage Hall of Fame members Robert Earl Keen, Whitey Shafer and Larry Gatlin, as well as musicians like Shakey Graves, Maren Morris, Gary Clark Jr. and more.

The winner is inducted alongside four songwriters into the Texas Heritage Songwriters Association. Joe Ely, Will Jennings, Roy Orbison and J.D. Souther were the songwriters selected for his year’s induction.

Texas Governor Greg Abbott spoke at the event, and Raul Malo, Nicolle Galyon and Rodney Clawson were among the performers.

Pictured (L-R): BMI's Jody Williams and Texas Governor Greg Abbott.

Pictured (L-R): BMI’s Jody Williams and Texas Governor Greg Abbott. Photo: Ted Parker Jr.

Thomas Rhett Celebrates Chart Success With Double No. 1 Party

Photo Caption (L-R): Producer Dann Huff, “Die A Happy Man” Songwriter Sean Douglas, Thomas Rhett, “Die A Happy Man” Songwriter Joe London, Producer/”Crash And Burn” Songwriter Jesse Frasure. Photo: Erika Goldring

Photo Caption (L-R): Producer Dann Huff, “Die A Happy Man” Songwriter Sean Douglas, Thomas Rhett, “Die A Happy Man” Songwriter Joe London, Producer/”Crash And Burn” Songwriter Jesse Frasure. Photo: Erika Goldring

The Valory Music Co. artist Thomas Rhett and his fellow songwriters had plenty to celebrate Monday (Feb. 22) as music industry members gathered to honor Rhett’s two latest No. 1 singles (bringing his total as an artist to five consecutive No. 1 songs) with a BMI-hosted shindig at Nashville’s BarTaco, a favorite dining spot for Rhett and his wife Lauren.

“Die A Happy Man” spent six weeks atop the country songs rankings, the first song since 2008 to manage that feat. BMI’s Leslie Roberts noted that the song went from being written to topping the country chart within one year. The song followed Rhett’s previous No. 1 “Crash and Burn,” penned by Jesse Frasure and Chris Stapleton.

Though Rhett was celebrating his third No. 1 song as a songwriter (“Die A Happy Man”), the party was a first for many of his fellow songwriters.

Though songwriter, producer, and Major Bob Music VP of A&R Frasure penned his first No. 1 song with Florida Georgia Line’s “Sun Daze,” his attendance at the party for “Crash and Burn” marked his first time being honored as a songwriter during a No. 1 party. BMI gave Frasure a BMI guitar to commemorate his first No. 1 song.

The multi-talented Frasure has written for FGL, Meghan Trainor, and Kenny Chesney, produced for TobyMac, and also serves as VP of A&R for Major Bob Music and remains an in-demand DJ for artists like Nicki Minaj and Cee Lo Green.

Jesse Frasure thanked his co-writer Stapleton, who could not attend. “Me and Chris are the ultimate odd couple. I’m so proud of him. It’s been wild to watch this ride, and I’m honored to call him a friend and a co-writer. I don’t ever quite feel justified to be in the same room with him. We have this motto that says, ‘Sad Songs For Dance Floors,’ that’s what we write.”

The party was also a first for Rhett’s “Die A Happy Man” co-writers Joe London and Sean Douglas, who are based in Los Angeles and had never attended a Nashville-style No. 1 party.

London, a producer and songwriter, has had hits including Pitbull’s “Pitbull” and “Day Drinking,” as well as Fifth Harmony’s “BO$$” and Jason Derulo’s “Wiggle.” Meanwhile, Douglas has penned “Heart Attack” for Demi Lovato, and Derulo’s “Wiggle” and “Talk Dirty.” Douglas is also the son of actor Michael Keaton.

“This is one of the most special songs I’ve been a part of,” said Rhett. “I feel like I found myself on this record process, and in my life right now, just in rooms of people that don’t make any sense and should never have a chance of working.” The writers each thanked their wives for inspiring the R&B-influenced song.

(L-R): Back Row – Producer Dann Huff, EMI Blackwood’s Troy Tomlinson, BMI’s Jody Williams, Warner Chappell’s Marc Wilson, BMI’s Leslie Roberts, The Valory Music Co.’s George Briner Front Row – Big Deal Music’s Pete Robinson, “Die A Happy Man” songwriter Sean Douglas, Thomas Rhett, “Die A Happy Man” songwriter Joe London, Big Deal Music’s Casey Robinson, Producer/”Crash And Burn” songwriter Jesse Frasure

(L-R): Back Row – Producer Dann Huff, EMI Blackwood’s Troy Tomlinson, BMI’s Jody Williams, Warner Chappell’s Marc Wilson, BMI’s Leslie Roberts, The Valory Music Co.’s George Briner
Front Row – Big Deal Music’s Pete Robinson, “Die A Happy Man” songwriter Sean Douglas, Thomas Rhett, “Die A Happy Man” songwriter Joe London, Big Deal Music’s Casey Robinson, Producer/”Crash And Burn” songwriter Jesse Frasure

Meanwhile, Sony/ATV’s Troy Tomlinson welcomed Rhett’s wife Lauren to the stage and thanked her for providing Rhett’s inspiration for “Die A Happy Man.” He also presented Lauren with a gift from Tiffany & Co.

Among those celebrating Rhett’s two chart-toppers were Warner/Chappell’s Ben Vaughn and Marc Wilson, CMA’s Brandi Simms, Country Radio Broadcasters’ Ashley Silver and Charlie Cook, producer Dann Huff, Big Deal Music’s Pete Robinson, and Valory Music Company’s George Briner.

Avenue Bank’s Ron Cox announced the bank would make two donations on behalf of the writers of both songs to 147 Million Orphans, a charity supported by Thomas Rhett and Lauren.

Thomas Rhett is aiming to add to his chart-topper total with his latest single, “T-Shirt,” a song he has been eager to include on an album for several years.

“I really wanted to cut it on the first album. So this song has been with me for a long time. It was one of my wife’s favorite songs that I put on hold that I didn’t write. It’s just fun and if there was ever a time to put out a song that I always wanted to put out, why not do it after that one? I think it’s a great song to lead into the summertime, and we love playing it live. We’ve been playing it live for like three years, so for it to finally get the recognition that I’ve wanted it to for a long time, this was our shot so we went for it,” he said.

Though Rhett says his team is likely to follow “T-Shirt” with another single from Tangled Up, he is already thinking ahead to the next album.

“[Tangled Up] came out in September, and by the time ‘Die A Happy Man’ had gone Number One, the album had been out for like three months. As an artist I think you feel like you have to turn things around so fast,” he said. “You really do have time to be creative. If you don’t take that time to be creative, then you are going to put something out that’s not worth anybody’s time, in my opinion, at least for myself. I’ve already been out on the road writing a ton and I’m not even writing for me, I’m just writing songs to figure out what direction my brain wants to go, what kind of songs I want to write, where I’m at in my life right now, what kind of content I want to write, so it’s just really fun to get back in and be creative again and start that process again.”