Warner/Chappell Nashville Promotes Travis Carter

Travis Carter

Travis Carter

Warner/Chappell Nashville has promoted Travis Carter to A&R Director, Country/Pop & Rock.

In his new role, Carter will expand his A&R duties to include scouting the growing pop and rock scenes in Nashville, and will serve as Warner/Chappell Nashville’s direct liaison with the company’s A&R counterparts in Los Angeles and New York. He will continue to provide A&R resources across the publisher’s roster and catalog. Previously, he served as A&R Manager. Prior to Warner/Chappell, Carter was a touring musician. He has also worked at Love Monkey Music, Tom-Leis Music, and Sony Music.

Additionally Alison Junker has been promoted to A&R Coordinator. She will pitch Warner/Chappell songwriters’ material and help find new opportunities to develop their careers. She began her career as an A&R intern at Warner Music Group, and later became an A&R Assistant at Warner/Chappell Nashville, a role she held for nearly three years.

Alison Junker

Alison Junker

Keith Urban Celebrates No. 1 “Wasted Time” Atop Nashville’s New Westin Hotel

Pictured (L-R): BMI’s Jody Williams, ASCAP’s Mike Sistad, BMG’s Sara Knabe, Greg Wells, Keith Urban, JHart, SESAC’s Shannon Hatch and Universal’s Kent Earls. Photo: John Russell.

Pictured (L-R): BMI’s Jody Williams, ASCAP’s Mike Sistad, BMG’s Sara Knabe, Greg Wells, Keith Urban, James Abrahart, SESAC’s Shannon Hatch and Universal’s Kent Earls. Photo: John Russell.

Keith Urban celebrated his 21st No. 1 single, this time for the title “Wasted Time,” on Tuesday, Nov. 15. The gathering was hosted by three PROs: ASCAP, BMI and SESAC, respectively representing songwriters James Abrahart, Urban and Greg Wells.

Located on the 27th top level of Nashville’s recently opened Westin Hotel, overlooking 360° of Nashville. The altitude of the hotel was a fitting place for Urban’s storied success to be recognized, albeit window cleaning rigs were suspended from the roof and sounds of jackhammers and drills in the background.

“I remember the first time I came here in 1989,” recalled Urban.“It’s amazing how the city has grown. Like where the BMI building is now, looking at all the buildings around it, I was thinking if you haven’t been here in a few years your first thought would be, ‘Did they move the BMI building closer to town?’”

View of Nashville's Gulch and Music Row from the Westin. Photo: Bev Moser/Moments by Moser

View of Nashville’s Gulch and Music Row from the Westin. Photo: Bev Moser/Moments by Moser

Urban’s co-writers on the song each celebrated their first No. 1 on country radio despite substantial success in outside genres. Los Angeles-based Wells has produced and written for the likes of Adele, Katy Perry, Pharrell Williams and more. Los Angeles/Atlanta/Nashville-based Abrahart, who was referred by his nickname JHart, has worked with artists including Jusin Bieber, Jason Derulo and Usher.

“Nashville is growing because of artists like Keith and songs like ‘Wasted Time,’ said Sara Knabe on behalf of BMG’s work with Wells. “That’s the reason people come here and are moving here, and the reason we have this building. Greg is based in our L.A. office, and its his first trip to Nashville and he has a killer week of writes. We’re honored to have you here and want to work with you as much as you want to be here!”

Universal Music Publishing Group Nashville’s Kent Earls also spoke on behalf of Abrahart and Urban. Each publisher met their Los Angeles writer just one hour before the event.

ASCAP’s Mike Sistad, SESAC’s Shannan Hatch and event host/BMI’s Jody Williams all spoke. As with the publishers, the two former PRO reps remarked on only recently meeting their respective writers, Abrahart and Wells. Each offered an open open door invitation for continued success in Nashville.

“There’s nothing like a Keith Urban No. 1 Party,” said Williams of his writer. “They’re more of everything—so special and great-feeling.”

For the label, Universal Music Group’s Mike Dungan credited many staffers for the success of the two-week No. 1 and offered praise for Urban’s diligence in delivering Ripcord as a whole album.

“It’s honestly one of the best records I’ve been associated with, and I am old—I’ve been doing this a long time! It’s a two-week No. 1 and the third No. 1 single from this album,” said Dungan.

Pictured (L-R): James Abrahart, Keith Urban, Greg Wells. Photo: Bev Moser/Moments by Moser

Pictured (L-R): James Abrahart, Keith Urban, Greg Wells. Photo: Bev Moser/Moments by Moser

The writers expressed surprise at the No. 1 recognition and gratitude for Urban’s graciousness.

“This is my first big country song,” said Abrahart. “I grew up in Atlanta and always had such a deep respect for country music and jumped at the opportunity to work with Keith when Greg brought it to me. Keith is a true example of what a legendary artist is. It’s rare to have an artist that gives credit and doesn’t take credit.” Abrahart went on to note of Urban’s graciousness in mentioning the names of his co-writers at concerts.

Wells added, “There’s a downside [to working with Keith], it kinda wrecks working with any other artist. It’s so spoiling. No ego. I think he could be famous for his guitar playing alone. As a Canadian living in Los Angeles, I’ve felt a warm welcome [from Nashville]. I love that you value songwriting. It’s heartening to see this [party]. It’s unique, it doesn’t happen in LA, I’ve had other successes and we’ve never had a party for any of them. Thank you very much!”

Audience looks on during "Wasted Time" performance. Photo: Bev Moser/Moments by Moser

Audience looks on during “Wasted Time” performance. Photo: Bev Moser/Moments by Moser

Urban gave the final word, noting the privilege of recognizing his team members behind the scenes.

“Nashville is unique. It’s a beautiful thing because it’s always been about the song. The writers matter. I get to stand on stage and witness the reaction to a song. Everyone behind the scenes doesn’t get to see or feel that or certainly the acknowledgement their creativity deserves. That’s why I love these parties, because it’s a team effort.

Urban thanked his label and detailed how his early years in Nashville prepared him for his current success.

“Nashville and Music Row has given me the foundation to be able to go to a studio in L.A. and meet these two guys who I’ve never written with…and be creative with them immediately. It’s really an extraordinary gift. I love songwriting and making records. I feel really blessed to be in this town. It’s rare these moments happen and they matter.”

The CRB, Pinnacle Bank and CMA were also in attendance to present accolades.

Nashville Westin's view of the Tennessee Tower from the pool. Photo: Bev Moser/Moments by Moser

Nashville Westin’s view of the Tennessee Tower from the pool. Photo: Bev Moser/Moments by Moser

 

Nashville Westin's Northwest view. Photo: Bev Moser/Moments By Moser

Nashville Westin’s Northwest view. Photo: Bev Moser/Moments By Moser

 

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Nashville Westin’s view above the Music City Center, towards downtown. Photo: Bev Moser/Moments by Moser

Disney Music Publishing Signs Chris Lindsey

Pictured (L-R): Sarah Beth Gerlecz (DMG Nashville), Ciara Shortridge (DMG Nashville), Chris Lindsey, Beth Brinker (ASCAP), Patrick Clifford (DMG Nashville), Austen Adams (Dickinson Wright PLLC).

Pictured (L-R): Sarah Beth Gerlecz, DMG Nashville; Ciara Shortridge, DMG Nashville; Chris Lindsey; Beth Brinker, ASCAP; Patrick Clifford, DMG Nashville; Austen Adams, Dickinson Wright PLLC

Chris Lindsey, a songwriter and producer responsible for hits such as Lonestar’s “Amazed” and Martina McBride’s “This One’s For the Girls,” has inked an exclusive worldwide agreement with Disney Music Publishing.

Other artists who have recorded Lindsey’s songs include Taylor Swift, Blake Shelton, Lee Brice, The Civil Wars, Adam Lambert, Carrie Underwood, Kenny Chesney, Kellie Pickler, Keith Urban, Tim McGraw, Faith Hill, Sara Evans, and more.

Disney’s VP Music Publishing and A&R Patrick Clifford says, “It is with great pride and grand enthusiasm that we welcome Chris Lindsey to Disney Music Publishing and the Disney Music Group. Chris, as a producer and writer, has a great pedigree in this town and beyond, and we believe he is about to experience a great new chapter in his creative career.”

Lindsey says, “I am so excited to be writing for Disney Music Publishing! It is so great to experience such a warm and welcoming atmosphere. I feel so fortunate to be working with such a talented and passionate team and I honestly feel like the sky is the limit!”

Mike Fiorentino Signs With Spirit/Fluid

Mike Fiorentino

Mike Fiorentino

Mike Fiorentino has signed a publishing deal with Spirit/Fluid, the Nashville-based joint venture between Spirit Music Group and Frank Rogers’ Fluid Music Revolution.

Since moving to Nashville in 2007, Fiorentino has penned and arranged numerous songs for Hasbro for use in toys, commercials, and network television, founded an independent record label/production team with longtime friend Kyle Cook, guitarist of Matchbox 20, and collaborated with production team Phivestarr writing for artists like Bubba Sparxxx and Colt Ford. He also topped the iTunes chart with “Wasted Love,” performed by The Voice Season 7 runner-up, Matt McAndrew, which also debuted at No. 14 on the Billboard Hot 100 chart.

“It’s such an honor to be working with the entire team at Fluid/Spirit!” Fiorentino said. “Working along side, and learning from Frank Rogers is something every writer/producer dreams of. AJ has been a great friend and champion of mine for several years, and am thrilled to be able to continue working with him.”

“Mike and I have been working together off and on over the past five years and we could not be happier to officially welcome him into the Fluid Music Revolution and Spirit Music Nashville family. We are excited to be a part of this new chapter with Mike,” said AJ Burton, Vice President, Fluid Music Revolution.

Air Hawg Music Publishing, Sea Gayle Team To Sign Dave Turnbull

Pictured (L-R): Air Hawg Music’s Cory Lovelace; Sea Gayle’s Marc Driskill; Lovelace, Air Hawg Music’s Karen Lovelace; Turnbull; DuBois; Sea Gayle’s Jake Gear and Christina Wiltshire

Pictured (L-R): Air Hawg Music’s Cory Lovelace; Sea Gayle’s Marc Driskill; Air Hawg Music’s Kelley Lovelace and Karen Lovelace; Dave Turnbull; Sea Gayle’s Chris DuBois, Jake Gear and Christina Wiltshire

Air Hawg Music Publishing, a newly-launched publishing company led by Kelley Lovelace, has signed songwriter Dave Turnbull as its first writer, in conjunction with Sea Gayle Music.

Turnbull achieved a Triple Play Award from the CMA for his 2012 hits Kenny Chesney’s “The Boys of Fall,” Brad Paisley’s “Anything Like Me” and “Old Alabama” featuring Alabama. He has also had hits with artists including Montgomery Gentry, Blake Shelton, Trace Adkins and Craig Campbell’s charting single, “Outskirts Of Heaven.”

Turnbull said, “I couldn’t be more excited to partner with Air Hawg and Sea Gayle. Kelley Lovelace was the first person to ever believe in me as a writer in this town and give me a shot at a publishing deal almost 20 years ago, and Chris DuBois was the second. They are the two people I respect the most in terms of creative input and it’s a true pleasure to be working with them together in this new venture. I’m also extremely excited to be working with Marc Driskill, Jake Gear, Mike Owens, Christina Wiltshire and Brandon Gregg and certainly all the writers at Sea Gayle who have been so welcoming to me.”

“God is good and timing is everything!” says Kelley Lovelace. “After 20 years of friendship and ‘big talk’ of starting a publishing company, we finally did it! I’m so humbled and proud that a veteran hit songwriter like Dave has blessed Air Hawg Music Publishing by signing as our first writer. Also, we are extremely thankful to partner with my lifelong friends Brad Paisley, Chris DuBois and Marc Driskill at Sea Gaye Music. And we are anxious to work with the rest of the team at Sea Gayle, Mike Owens, Jake Gear, Christina Wiltshire and Brandon Gregg, to help Dave continue his incredible success. He is writing better than ever and I truly believe his best songs are brewing right now.”

Sea Gayle’s Chris DuBois added, “We are so thankful and excited for the opportunity to partner with Kelley Lovelace and Air Hawg Music in signing Dave Turnbull as their first writer. Kelley and Dave are two of my closest friends and favorite writers in town. They have always felt like family to everyone at Sea Gayle, so we couldn’t be happier to make it official. We look forward to working closely with Kelley to help grow Dave’s career and add to his already impressive list of awards.”

Industry Ink: Writer’s Den Music Group, Academy of Country Music

Writer’s Den Music Group Hosts Second Unsigned Writer’s Retreat

Pictured (L-R): Aby Gutierrez, Betsy Lane, Anna Vaus, Brittany Kennell, Emily Hackett, and Andrew Tufano

Pictured (L-R): Aby Gutierrez, Betsy Lane, Anna Vaus, Brittany Kennell, Emily Hackett, and Andrew Tufano

Writer’s Den Music Group recently hosted their second Unsigned writer’s retreat at Bell Bottom Farm in Cedar Hill, Tennessee. Songwriter’s participating were Anna Vaus, Aby Gutierrez, Andrew Tufano, Betsy Lane, Brittany Kennell and Emily Hackett.

 

ACM Welcomes River House Artists/Columbia Nashville’s Luke Combs

Pictured (L-R): Lynn Oliver-Cline, River House Artists; Erick Long, ACM; Luke Combs; Brooke Primero, ACM. Photo: Michel Bourquard/Courtesy of the Academy of Country Music

Pictured (L-R): Lynn Oliver-Cline, River House Artists; Erick Long, ACM; Luke Combs; Brooke Primero, ACM. Photo: Michel Bourquard/Courtesy of the Academy of Country Music

The Academy of Country Music welcomed River House Artists/Columbia Nashville recording artist Luke Combs to the office while he was in Los Angeles recently. While at the Academy, Combs previewed songs from his upcoming album This One’s For You, along with his current single, “Hurricane.”

Nick Donley Inks With MV2 Entertainment

Top Row (l-r): Tony Harrell, Kendall Lettow, Clay Myers Bottom Row: (l-r) Nick Donley photo credit- MV2 Entertainment

Top Row (L-R): Tony Harrell, Kendall Lettow, Clay Myers; Bottom Row (L-R): Nick Donley. Photo: MV2 Entertainment

Nick Donley has signed a publishing deal with MV2 Entertainment. Hailing from Oak Hill, Ohio, Donley began writing songs in college and began his career at Clear Channel Communications in Columbus, Ohio, writing commercials for radio. He moved to Nashville in 2006 to pursue a career in music.

MV2 Entertainment General Manager Tony Harrell shared, “We are so proud to have Nick on our team! He brings a unique and fresh approach with great songs.” 

MV2 Entertainment publishing’s songwriting roster now includes Bart Allmand, Thomas Archer, Robert Arthur, Nora Collins, David Fanning and Terry McBride.

Rezonant Music Publishing, MusInk Sign Writer Isaac Fox

Pictured, back row (L-R): Tim Wipperman, Rezonant; Josh Green, Raven Capital Management; Jeremy Tucker, Raven Capital Management; Denise Stevens, Loeb and Loeb and Richard Orga, MusInk. Seated: Isaac Fox

Pictured, standing (L-R): Tim Wipperman, Rezonant; Josh Green, Raven Capital Management; Jeremy Tucker, Raven Capital Management; Denise Stevens, Loeb and Loeb; Richard Orga, MusInk. Seated: Isaac Fox

Songwriter Isaac Fox has been signed to a joint venture between MusInk and the recently-launched Rezonant Music Group. Fox, who resides in Nashville, was trained at the Royal College of Music in London (violin) while making a name for himself in the UK as a go-to multi-instrumentalist for UK-based pop/rock acts, including Irish pop artist Shane Filan.

“From the beginning, Rezonant’s plan was to be a multi genre publishing company,” Rezonant CEO Tim Wipperman said. “Our team sees great potential in Isaac. He’s a 24-year-old musical prodigy and has a great pop song sensibility. We are also excited to go into this co-venture with Richard Orga and MusInk. Partnerships such as this will help us create a strong foundation and allow us to accomplish our goals in a smart and creative way.”

Rezonant Music Publishing was established in 2016 by founding partners and music publishing veterans Wipperman (Nashville) and Garry Velletri (New York), along with financial consultant Alan Walter (Los Angeles). Within the company’s first several months of operation, it signed songwriter and producer Ross Copperman. Rezonant also acquired rights to songwriter Matt Jenkins’ catalog and will be working in conjunction with Combustion Music and Warner/Chappell to exploit those works.

Industry Pics: WME, Warner/Chappell Music, CMS Nashville

WME Celebrates CMA Awards Week

WME Nashville co-heads Greg Oswald and Rob Beckham celebrated CMA Awards week during the pre-BMI cocktail party.

Pictured (L-R): WME Nashville co-heads Greg Oswald and Rob Beckham, Chairman & CEO Warner Music Nashville John Esposito, WME | IMG Co-CEO Patrick Whitesell and WME partner Jay Williams. Photo: Alan Poizner.

Pictured (L-R): WME Nashville co-heads Greg Oswald and Rob Beckham, Chairman & CEO Warner Music Nashville John Esposito, WME | IMG Co-CEO Patrick Whitesell and WME partner Jay Williams. Photo: Alan Poizner.

 

 

Warner/Chappell Music Toasts Wins During CMA Awards Week

Back row (L-R: Jon Platt, Alison Junker, Travis Carter, Will Overton, Ben Vaughn, BJ Hill, Matt Michiels, Phil May. Front row (L-R): Alicia Pruitt, Jessi Vaughn, Karen Harrison-Hite, Neena Wright, Patricia Ragan-Mainello, LuAnn Inman, Steve Butler

Back row (L-R: Jon Platt, Alison Junker, Travis Carter, Will Overton, Ben Vaughn, BJ Hill, Matt Michiels, Phil May. Front row (L-R): Alicia Pruitt, Jessi Vaughn, Karen Harrison-Hite, Neena Wright, Patricia Ragan-Mainello, LuAnn Inman, Steve Butler

Earlier this week, Warner/Chappell Music was named ASCAP Publisher of the Year for the fourth year in a row, and its songwriters took home 38 country music awards from the three major performing rights organizations, including: 18 ASCAP “Most Performed Song” Awards, 15 BMI “Top Song” Awards, and five SESAC “Country Performance Activity” Awards.

Additionally, Ashley Gorley won ASCAP Songwriter of the Year for a third consecutive year. WCM songwriter Chris Stapleton earned ASCAP’s Vanguard Award, while Brothers Osborne earned ASCAP Song of the Year for “Stay A Little Longer.” WCM songwriter Josh Mirenda co-wrote SESAC Song of the Year “Somewhere On A Beach,” while Sean Douglas won BMI Song of the Year for Thomas Rhett‘s “Die A Happy Man.”

 

 

CMS Nashville Celebrates Top Songwriters

(Back Row, L-R): CMS Nashville Chairman and CEO Chris King and Jostens VP Curt Bruns, (Front Row, L-R): CMS Nashville Songwriter of the Year honorees Ross Copperman, Josh Hoge, and Ashley Gorley. Photo: Rick Diamond/Getty Images for CMS

(Back Row, L-R): CMS Nashville Chairman and CEO Chris King; Jostens VP Curt Bruns. (Front Row, L-R): CMS Nashville Songwriter of the Year honorees Ross Copperman, Josh Hoge, and Ashley Gorley. Photo: Rick Diamond/Getty Images for CMS

CMS Nashville celebrated several top songwriters at its party held in Nashville last night, featuring DJ Mata and a performance from all-female country group Farewell Angelina.

Yamaha gave away a S970 keyboard to each of the Songwriter of the Year recipients as well as one lucky attendee. The highlight of the evening was the year’s top songwriter honorees — Ross Copperman/BMI, Ashley Gorley/ASCAP, Josh Hoge/SESAC — being presented Jostens Super Bowl style gold rings by CMS Nashville’s Chairman and CEO, Chris King.

Tyler Farr and Jerrod Niemann also performed, helping to raise $100,000 to benefit Folds of Honor, including $15,000 from presenting partner NRA Country.

Hitmakers Tyler Farr and Jerrod Niemann performed for the standing room only crowd in support of Folds of Honor. Photo: Rick Diamond/Getty Images for CMS

Hitmakers Tyler Farr and Jerrod Niemann performed for the standing room only crowd in support of Folds of Honor. Photo: Rick Diamond/Getty Images for CMS

NMPA, NSAI Submit Streaming Rates Proposal to Copyright Royalty Board

NMPA

The National Music Publishers’ Association and the Nashville Songwriters Association International submitted a proposal today (Nov. 1) to the Copyright Royalty Board to determine the interactive streaming services rates payable by services like Pandora, Spotify, and others for 2018-2022. NMPA’s full brief can be seen here and proposed rates and terms here.

“Interactive streaming is becoming the dominant way in which consumers listen to music,” said NMPA President and CEO David Israelite. “This trend will continue, therefore it is imperative that we improve the rates paid by streaming services like Spotify to ensure that the songwriters who create the songs on which these platforms are built, are paid fairly.  The current licensing model is structured as a percentage of revenue, and we must change this to a structure where songwriters are paid in accordance with the inherent value – and popularity – of their work instead of the success of a given service’s business model. We are laser-focused on achieving royalty rates that are set on a per-play and per-user basis. While we remain open to achieving a settlement with the digital services to avoid a trial as we have done in the past, we are ready to fight for exactly what songwriters deserve.”