Blanco Brown Rises Into Top Five On MusicRow Top Songwriter Chart

BBR artist Blanco Brown moves into the Top Five at No. 5 this week on the MusicRow Top Songwriter Chart with the success of his catchy “The Git Up.” Ashley Gorley spends his third consecutive week at No. 1 this week, with Michael Hardy following him at No. 2, Hillary Lindsey at No. 3 and Bobby Pinson at No. 4.

The MusicRow Top Songwriter Chart, published every week, uses algorithms based upon song activity garnered from airplay, digital downloaded track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Warner Chappell Music Signs Mickey Guyton

Pictured (L-R): Erik Peterson (Borman Entertainment), Will Overton (WCM), Mickey Guyton, Ben Vaughn (WCM), Christina Wiltshire (WCM), Duane Clark (FBMM), Paul Barnabee (FBMM)

Warner Chappell Music Nashville has signed an exclusive worldwide publishing deal with Capitol Records Nashville recording artist, Mickey Guyton.

“Mickey’s authenticity and honesty comes through in her powerful songwriting, and really resonates” said Ben Vaughn, President and CEO, Warner Chappell Music Nashville. “She’s an incredible person, vocalist and entertainer. We are so excited to welcome her to the Warner Chappell Music family.”

“I have spent the last few years challenging myself to be more honest with my songwriting,” shares Mickey. “I’m so proud and honored that Ben and his team have recognized the work I have done on this soul-searching journey and have welcomed me into their family.”

Guyton’s latest release, “Sister,” brims with female solidarity and empowerment. In 2016, Guyton was nominated for the ACM’s New Female Vocalist honor, and earlier this year, she joined in an all-female rendering of “I’m Standing With You,” from the Breakthrough soundtrack, alongside Chrissy Metz, Carrie Underwood, Lauren Alaina and Maddie & Tae.

Eli Young Band Celebrate Fourth Career No. 1 “Love Ain’t”

Back Row (L-R): BMI’s Josh Tomlinson, Sony Atv’s Josh Van Valkenburg, Sony Atv’s Jon Platt, Warner Chappell’s Ryan Beuschel, The Valory Music Co.’S Chris Palmer, Endurance Music Group’s Michael Martin, Ascap’s Beth Brinker, Triple 8 Management’s George Couri, Big Machine Label Group’s Allison Jones, The Valory Music Co.’S George Briner, Smack’s Robert Carlton, Combustion’s Chris Farren Front Row (L-R): The Valory Music Co.’S Ashley Sidoti, Bmi Songwriters Ross Copperman And Eli Young Band, Ascap Songwriter Ashley Gorley, Gmr Songwriter Shane McAnally, Big Machine Label Group’s Scott Borchetta Photo Credit: Steve Lowry

The Eli Young Band celebrated their fourth career No. 1, “Love Ain’t,” along with some of Nashville’s most decorated songwriters on Monday afternoon (July 15) at the Sutler. The Valory Music Company band commemorated their near 20-year journey and their first No. 1 song in almost six years.

Co-writers Shane McAnally, Ashley Gorley and Ross Copperman were all in attendance. To quote SMACKSongs’ Robert Carlton; “It’s no surprise to see another No. 1 hit for you guys, I think it’s a bigger surprise that we got you all in one place at one time!” Producer Dann Huff was there in spirit.

ASCAP’s Beth Brinker and BMI’s Josh Tomlinson traded off as hosts of the gathering. Brinker got everything started by speaking on the six-time ASCAP Songwriter of the Year winner, Ashley Gorley. She announced that Gorley’s tally has climbed to 42 No. 1 songs. “It is so fun to think of new things to say about you,” Brinker said with a grin to Gorley. “I think it’s the hardest job on Music Row and I have it. Give it up for me!” she quipped.

Tomlinson stepped up to the mic to speak on Copperman and the Eli Young Band. Copperman, the two-time BMI Country Songwriter of the Year, had notched his nineteenth No. 1 with “Love Ain’t.”

“For those of you who have been living under a rock for the last two decades,” Tomlinson said of the band. “These guys continue to impress and stay incredibly relevant. They maintain an authentic sound on country radio with ‘Love Ain’t’ being the latest addition to their long list of success. BMI is incredibly proud to represent you guys.”

Pinnacle Bank’s David Smith announced that they had made a donation to St. Jude’s Children’s Hospital in honor of the hit. The philanthropic efforts continued with Endurance Music Group’s Michael Martin announcing a donation in honor of the Eli Young Band to the Wounded Warrior Project and in honor of Copperman to ACM Lifting Lives; Round Hill Music made a contribution to My Life Speaks in honor of Gorley; and SMACKSongs made a donation to Wounded Warrior Project.

Sony/ATV’s Josh Van Valkenburg was on hand to speak about Copperman. “Ross continues to be one of the hardest working guys on Music Row. He’s such a talent as a songwriter, as a producer and as an artist. I think that’s why he’s able to get deep down with these songs and these artists and these producers. Ross, as always, we’re so thankful to get to work with you,” he said.

Combustion Music’s Kenley Flynn spoke on behalf of Gorley. “We’ve been lucky enough to be up here several times with Ashley,” he said. “It’s always an honor. We’re so proud and grateful for our partnership over the years.”

Big Machine Label Group’s Scott Borchetta spoke very highly of the Eli Young Band, saying: “What Eli Young Band has done now for 20 years, how do you keep your band cool for 20 years? Well, you never veer from your artistic vision or the integrity of every note that you play.”

Borchetta also made sure to recognize J.R. Schumann at SiriusXM; George Couri and Triple 8 Management; and Allison Jones, Sr. VP, A&R at BMLG, for championing the song.

He also invited Valory Music Co. radio promotion leaders Ashley Sidoti and Chris Palmer to the stage. “I speak on behalf of the entire team when I say that we’ve been long fans of the Eli Young Band,” Sidoti said. She also recognized Brooke Nixon and Christy DiNapoli from the radio promotion team; and a life-size cut out of Valory Music Co. leader, George Briner, appeared from side stage.

“It takes a village!” she said. “Thank you to Allison for finding the hits, Scott for letting us work them, and Mike Rittberg and your team for helping spread the story far and wide with our streaming partners, and all of our marketing efforts.”

“As promo people, when you get a song written by great writers, sung by a great artist, and produced by a great producer, it’s just a sigh of relief,” Palmer said. “Names we look for would be Ross, and Ashley, and Shane, and Dann Huff. To have all four involved on the same record, it was like Christmas day for us. All of us rallied around the song and the band worked their ass off. We couldn’t be more proud to be standing up here.”

When it came time for the co-writers and the band to speak, Copperman kicked it off. “When you write a song with Shane McAnally and Ashley Gorley, you know it’s going to be the best song of all time because these guys are the best writers I think to ever come through Nashville. When you have Dann Huff produce it, and you have Scott Borchetta, and you have Allison Jones and the entire radio team, and you have George Couri calling the label probably every week, and you have one of the best bands in our genre performing the song; you can’t go wrong,” Copperman said.

Gorley listed his family and God first when he stepped up to the mic. He also thanked his army of publishing partners. “This is a special one because more and more as time goes by, there’s mini camps where we’re writing directly with artists or project-focused but this song just kind of serves as a reminder to me, and all of us writers, that if you get together and you just try to write the best song in the room that day…it’s an encouragement to us to continue to just write whatever we can write that day and trust you guys with the results.”

Gorley and Copperman both commented on Mike Eli‘s vocal performance on “Love Ain’t,” with Copperman saying it was made for country radio.

“We are so lucky that this is our job,” McAnally said. “I’m going to echoing what everyone has said but we’re dealing with a real A&R person in Allison Jones. She listens to the songs, and she knows that it’s not ‘one song fits every artist.’ When you hand her a song, I know it’s going to be handled with care and I know that what you tell us is going to be the truth about it.

“That’s also a testament to you, Scott,” McAnally continued. “When Scott Borchetta says something’s going to happen with a song, and that he’s going to get behind it, he does what he says. We obviously can’t predict where these things go beyond that, but you guys always do what you say you’re going to do and I really appreciate that.”

Finally, it was time to hear from Eli Young Band. Mike Eli shared onstage, “Something that we’ve been living by for a long time is, ‘Nothing comes easy.’ That’s just the truth – if it’s worth anything at all.” He continued, “At the end of the day, we wouldn’t be where we are now, we wouldn’t have what we have, and we wouldn’t be involved with the people that we’re involved with—I wouldn’t trade a day in our journey for overnight success.”

Eli made sure to recognize the team that has stuck by them. “While it seems as if the last 20 years has been easy, it has not. There have been a lot of tears, there has been a lot of frustration, there’s been a lot of yelling; but then there’s been a lot of happiness and that’s what has kept us together. We believe in each other and we’re so incredibly lucky to have a lot of people that believe in us.”

Eli named his and his bandmate’s families, Brian Hill and CAA; Couri and Triple 8 Management; their road crew; Borchetta and the BMLG team; their team at Flood, Bumstead, McCready & McCarthy, Inc.; Dann Huff; Sweet Talk PR; country radio and the promotion team; and Schumann and SiriusXM.

And finally, Eli thanked Copperman, McAnally and Gorley; “I love listening to your songs whether we cut them or not,” he said. “Thank you for giving us the song. It’s an incredible tune.”

Rebekah Gordon Joins Black River Entertainment

Rebekah Gordon

Black River Entertainment has hired Rebekah Gordon as Vice President of Publishing. Gordon will oversee the operations of the publishing department and its creative endeavors. She brings more than 15 years of experience to Black River Publishing.

“Today is a great day for Black River Publishing. To have such an outstanding person join our team is an honor,” shares Black River Entertainment President & CEO Gordon Kerr. “We look forward to all of the incredible ways that Rebekah will contribute to Black River and to the songwriting community through our writers.”

In her role as Vice President of Publishing, Gordon will continue to cultivate the careers of Black River Publishing’s roster including hit songwriters-producers Bobby Huff and Josh Kerr, songwriter-artists Eddie Garcia, Willie Jones, Nikita Karmen, Anna Vaus, and Nick Wayne, songwriters Ben Caver and Jacob Davis, songwriters-Black River recording artists Abby Anderson, Carolina Story, Hannah Kerr and Josh Wilson, and promote the catalogues of hit-songwriter-Black River Recording artist Kelsea Ballerini, hit songwriters-producers Doug Johnson, Forest Glen Whitehead, and Grammy-winning songwriter Josh Osborne.

“I am beyond thrilled to begin this next chapter with Black River Entertainment and continue to build upon the stellar talent of the writers, artists and staff,” shares Rebekah. “Black River has created a truly unique and collaborative atmosphere and the results speak for themselves. This is going to be fun!”

Prior to Black River, she had stops at Rezonant and Warner Music Nashville, among others. Gordon played a vital role in placing songs for multiple artists’ projects, including Blake Shelton’s hit songs “My Eyes” and “Guy With A Girl” and Michael Ray’s debut No. 1 hit “Kiss You In The Morning,” as well as chart topper “Think A Little Less.”

Effective immediately, Gordon reports to Black River Entertainment President & CEO Gordon Kerr and can be reached at [email protected]

Chris August Signs With BMG Music Publishing

Pictured (L-R): Be Music Management’s James A. Hodgin, ASCAP’s Kele Currier, Chris August, and BMG Music Publishing’s Chris Oglesby and Kos Weaver. Photo: Cody Heckber

ASCAP songwriter-artist Chris August has signed a publishing agreement with BMG Music Publishing. The multiple GMA Dove Award-winning recording artist has also enjoyed success as a country songwriter and plans to continue to work in both genres.

August said, “Songwriting has always been my favorite part of the music creating process. After my first meeting with BMG, I knew I had found the place to really work on my craft. I’m grateful and looking forward to the opportunity to write with other songwriters I’ve followed and admired. Special thank you to ASCAP’s Kele Currier for believing in me and helping connect this relationship.”

“I have known and loved Chris’s music for years. He is an extremely gifted writer/artist with a work ethic that is second to none. We are so glad to have him become part of our BMG family,” commented BMG Vice President, Creative Chris Oglesby on the signing.

ASCAP Assistant Vice President, Strategic Services, Membership Kele Currier said, “It is rewarding to see a passionate writer like Chris August pair up with a true ‘song man,’ Chris Oglesby, and the BMG team. Their creative chemistry is undeniable and we can’t wait to see the great things that come out of this partnership.”

Ashley Gorley Reclaims The No. 1 Spot On ‘MusicRow’ Top Songwriter Chart

Ashley Gorley is back at No. 1 on the MusicRow Top Songwriter Chart this week, with seven charting titles. Michael Hardy moves down a slot to No. 2. Hillary Lindsey advances to No. 3, Bobby Pinson to No. 4 and Ben Burgess to No. 5.

Jon Nite rises into the Top 10, propelled by the songs: “I Hope” (Gabby Barrett), “Knockin’ Boots” (Luke Bryan) and “Living” (Dierks Bentley).

The MusicRow Top Songwriter Chart, published every week, uses algorithms based upon song activity garnered from airplay, digital downloaded track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

United States Copyright Office Designates Mechanical Licensing Collective

The United States Copyright Office (USCO) today designated the industry-consensus Mechanical Licensing Collective (MLC), created by U.S. music publishers and songwriters and backed by the National Music Publishers’ Association (NMPA), the Nashville Songwriters Association International (NSAI), and the Songwriters of North America (SONA), as the new entity tasked with licensing and administering rights under the Music Modernization Act (MMA).

The designated MLC’s board includes chairman Alisa Coleman (ABKCO) and directors Jeff Brabec (BMG), Peter Brodsky (Sony/ATV), Bob Bruderman (Kobalt), Tim Cohan (peermusic), Scott Cutler (Pulse Music Group), Paul Kahn (Warner/Chappell Music), David Kokakis (UMPG), Mike Molinar (Big Machine Music), Evelyn Paglinawan (Concord Music), Kara DioGuardi (Songs by KDG), Oak Felder (Crow’s Tree Publishing), Kevin Kadish (We Are Made of Music), and Tim Nichols (THiS Music). Non-voting members include NMPA EVP & GC Danielle Aguirre and NSAI Executive Director Bart Herbison.

NMPA President & CEO David Israelite praised the Copyright Office’s decision saying, “This has been a long, deliberative process and we are pleased with the result. The Copyright Office set a high bar and the team behind the MLC submission was transparent, thorough and representative of the entire music publishing and songwriting community. We look forward to seeing the benefits of the Music Modernization Act come to fruition. As we now move to the funding phase, it is critical that the digital services commit to supporting the MLC properly and become more transparent, starting with disclosing the amount of unmatched money currently at their companies.”

“American songwriters have looked forward to this advance in music licensing for years,” said Steve Bogard, award-winning songwriter and President of the Nashville Songwriters Association International (NSAI). “The MLC creates a number of historic gains for songwriters including participation in the governance of a mechanical rights agency on both board and committee levels and being guaranteed an activity-based share of unclaimed funds. We have an opportunity now to work with streaming companies to significantly advance digital mechanical licensing efficiency and transparency.”

SONA Executive Director Michelle Lewis praised the decision saying, “SONA would like to thank Karyn Temple and the US Copyright Office for their efforts and their expertise, and we welcome the designation of the coalition-led MLC as the chosen licensing collective. SONA will remain committed to being a guardian of the MMA, which we and other stakeholders worked so hard to pass. We intend to work with this MLC to help educate all songwriters on the importance of accurate registration and to ensure that a state of the art database be built, serving all entitled parties to receive the royalties they have rightfully earned.”

Now that the consensus MLC has been selected, the group will formally begin operations. This will include the negotiation of a budget with the digital streaming services who, by law, must fund the collective. It will also include partnering with a vendor to provide administration and matching services and development of a user portal through which publishers and songwriters will be able to manage rights and royalties.

The MLC plans to move quickly on all fronts in order to fully launch in January of 2021. If a funding agreement cannot be voluntarily determined, the MLC and the digital services will go before the Copyright Royalty Board which will set the MLC’s budget through an assessment proceeding. The proposal submitted by the industry consensus MLC can be viewed here.

Warner Chappell Music Nashville Signs Johnny Dailey

Warner Chappell Music Nashville has signed a worldwide publishing deal with Johnny Dailey. The Tussville, Alabama, native began playing guitar at an early age and moved to Charleston after high school, where he honed his performance chops playing original songs up and down the city’s infamous King Street. He now lives in Nashville.

Dailey is managed by Morris Higham Management, led by President and co-founder, Clint Higham.

Pictured (L-R): Kyle Quigley (Morris-Higham), Ben Vaughn (WCM), Johnny Dailey, Ryan Beuschel (WCM), Will Overton (WCM)

 

Peter Roselli Elevated To President Of Bluewater Music


Peter Roselli has been promoted to President of Bluewater Music. As President his responsibilities will consist of the management of all operations, including administration agreements, license negotiations, creative placements, general accounting services, management of collection society memberships, and development of new business opportunities.

Roselli joined Bluewater Music in 2001 as financial director after a few years as an auditor at a regional CPA firm. In 2004, he was promoted to controller. Since 2009, he has served in the role of chief operating officer, where he has led the company’s administration division. During his tenure at Bluewater, Roselli has helped to develop many automated internal control and review systems to ensure complete, accurate and timely accountings to Bluewater’s administration clients. Roselli’s efforts have been instrumental in expanding Bluewater’s extensive and diverse administration client base, signing talented clients such as G. Love, Bonnie Raitt, Dessa, Black River Entertainment, Gene Autry Music Group, Kris Kristofferson, Blue Man Group and many others.

“Peter has earned this promotion, and we share many of the same values that include focusing on maximizing the value of copyrights,” said Brownlee Ferguson, Bluewater’s founder. “I couldn’t be happier for him, and I know our songwriters and clients are in excellent hands with him and his team.”

“I feel fortunate to have spent the majority of my professional career at Bluewater – a company that Brownlee has positioned to always be ahead of the game when it comes to direct, at-source royalty collections,” Roselli says.  “I’m quite proud of what we have built thus far, and I’m thankful to be surrounded by such a talented and hard-working team. I’m looking forward to the challenges and opportunities that lie ahead.”

Michael Hardy On Top, Bobby Pinson Moves Into Top Five On MusicRow Top Songwriter Chart

Michael Hardy spends his third week at No. 1 on the MusicRow Top Songwriter Chart this week, with Ashley Gorley following closely behind. Luke Combs slides down one slot this week to No. 3, and Hillary Lindsey moves up one into No. 4.

Sea Gayle writer Bobby Pinson rounds out the top five this week, with titles propelling him including: Eric Church’s “Some Of It,” Jason Aldean’s “Rearview Town” and Jake Owen’s “Homemade.” Blanco Brown moves up three slots to No. 9 this week with the chart success of his catchy viral hit, “The Git Up.”

The weekly MusicRow Top Songwriter Chart, published every week, uses algorithms based upon song activity garnered from airplay, digital downloaded track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.