In Pictures: Jason Isbell, Brett Young, Country Music Hall Of Fame and Museum

Jason Isbell Continues Country Music Hall of Fame and Museum Residency

Pictured (L-R): The 400 Unit’s Jimbo Hart and Chad Gamble, Country Music Hall of Fame and Museum’s Peter Cooper, the 400 Unit’s Sadler Vaden, Country Music Hall of Fame and Museum CEO Kyle Young, Jason Isbell, Amanda Shires, the 400 Unit’s Derry deBorja, and NS2 CEO Darin Lashinsky. Photo: Rick Diamond/Getty Images

Jason Isbell continued his residency at the Country Music Hall of Fame® and Museum this week, with the second of three intimate and unique performances hosted in the museum’s CMA Theater which featured an acoustic set with Isbell’s band the 400 Unit. Amanda Shires returned Tuesday night as a member of the 400 Unit, joining band members Kerry deBorja on piano, organ, and accordion; Chad Gamble on drums; Jimbo Hart on electric bass; and Sadler Vaden on acoustic guitar. Isbell will conclude his sold-out residency on Dec. 19, at 7 p.m., with an evening of surprise special guests.

 

Brett Young Scores Gold With “Like I Loved You”

BMLG Records President/EVP Big Machine Label Group Jimmy Harnen surprises Brett Young with a plaque to celebrate Young’s GOLD single “Like I Loved You” at House Of Blues in Dallas

Brett Young was recently surprised by BMLG Records President/EVP Big Machine Label Group Jimmy Harnen at his sold-out Caliville Tour show at House of Blues in Dallas. Harnen gave Young the news that his current single, “Like I Loved You,” is certified Gold. The song follows his Platinum-certified “Sleep Without You” and 2x Platinum “In Case You Didn’t Know,” as well as his Gold-certified, self-titled debut album.

 

Heads Up Penny Foundation Raises $2K For CMHoF Songwriting Camp

Pictured (L-R): Country Music Hall of Fame and Museum’s VP of Development Lisa Purcell, Heads Up Penny Foundation Founder Tad Bryant and his mother Carolyn Bryant.

On Sunday, Dec. 3, the Heads Up Penny Foundation’s cookie decorating party, hosted by Foundation founder, 13-year-old Tad Bryant, generated more than $2,000 in scholarships for the Country Music Hall of Fame and Museum’s summer Songwriting Camp. The camp offers a unique experience where budding songwriters (ages 11-18) can hone their craft and learn from professionals. Camp includes one-on-one mentoring sessions, instrument instruction, performance coaching, demo recording experiences, workshops led by special guests, and much more. Registrations for the camp open Jan. 8, 2018, and Songwriting Camp will take place June 11-15, 2018.

Cumulus Media Launches Amazon Alexa Skills For 300 Local Stations

Cumulus Media has launched Amazon Alexa skills for 300 local radio stations, Westwood One brands, plus the leading dedicated Christmas Radio Skill, Christmas Radio. This is the largest collection of custom skills available with Amazon Alexa in the U.S.

To sample a Cumulus local station skill, users can ask Alexa to enable a specific radio station skill (for example, for rock station KLOS, users can say, “Alexa, enable Ninety-Five Five, KLOS skill”). After the skill is enabled, users can then open the skill in Alexa.

Cumulus has also launched a national consumer marketing campaign designed to educate listeners on how to find and enable skills, fueled by local on-air, video and social promotion. Individual stations will create localized messaging that speaks directly to their unique listenership. The custom skills can be enabled vocally by using unique key phrases for each radio station; top Cumulus markets including New York City, Los Angeles, Washington D.C., Chicago, Atlanta, San Francisco, and Dallas stations are now available.

“Voice-interactive technology is bringing radio listening back into the home and office, and will enable interactivity with our stations in the connected car,” said Mike McVay, EVP, Programming and Content, Cumulus Media. “Our strategy to create a custom skill for individual radio stations and programs, while educating consumers, is critical as smart speakers have created an entirely new, and rapidly growing platform to consume audio content.”

“At an aggregated network level we will have access to valuable data and insights on this rapidly-evolving audio ecosystem,” said Suzanne Grimes, EVP, Corporate Marketing, Cumulus Media and President, Westwood One. “We are dedicated to educating, testing, and learning to evolve the listening experience for our listeners and brand partners.”

Kassi Ashton Inks Joint Deal With Interscope/UMG Nashville

Pictured (L-R): Interscope Geffen A&M Records Chairman & CEO John Janick, Kassi Ashton, UMG Nashville Chairman & CEO Mike Dungan

Kassi Ashton has signed with UMG Nashville in conjunction with Interscope Records. The California, Missouri native is currently working on new music expected in early 2018, and MCA Nashville will be servicing her single to country radio.

“You don’t have to be around her very long before you are struck by the ‘otherworldly spirit’ that rides alongside what is an otherwise kooky, fun soul,” shares UMG Nashville’s Chairman & CEO Mike Dungan. “And after about 90 seconds of hearing her sing, you know that you are in for a ride.  The music is fresh, unique, and rich in lyrical landscape far beyond her years.  Hallelujah!”

“I knew within seconds of meeting Kassi that she’s the real thing,” comments Interscope Geffen A&M Chairman and CEO John Janick. “A talented, driven singer and songwriter who pours her soul into her music. She’s a badass.”

Within 5 minutes of meeting the people at Universal Nashville and Interscope, I knew that together they were the perfect team to help me move the needle,” says Kassi. “My happiness and readiness are beyond words.”

Kassi Ashton is represented by Creative Nation for both management and publishing.

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Ben Gallaher Gives Back On Seventh Annual Barbed Tour

Ben Gallaher launched his 2017 Barbed Tour this week. The Pennsylvania native has spent the past seven years performing for inmates at correctional institutions in his home state. Gallaher will perform tunes from his five-song, self-titled debut Sony Music Nashville EP, which was produced by Julian King and Jim Catino, and released in August.

“I started touring Pennsylvania State Prisons in 2011 when I was 19 after a friend who worked at SCI Camp Hill reached out to see if I’d consider performing there,” said Gallaher. “I jumped at the opportunity, even though I’d never been to a prison before. After that first solo acoustic performance, it just spread from one state prison to another. I titled it the Barbed Tour and each year I love going back to play behind bars. It’s such an unscripted experience. Music is so universal. It doesn’t matter where; whether you are in a bar, in a church, or in a prison, music has a powerful effect.”

Barbed Tour Dates:
Monday, Dec. 11 – Frackville
Tuesday, Dec. 12 – Fayette
Thursday, Dec. 14 – Camp Hill
Friday, Dec. 15 – Graterford
Tuesday, Dec. 19 – Retreat
Wednesday, Dec. 20 – Chester

‘CMA Country Christmas’ Re-Air Date Moved

Chris Young

The encore broadcast of the CMA Country Christmas TV special has been moved to Thursday, Dec. 21 at 8 p.m. CT on ABC.

The eighth annual holiday special returns with first-time host Reba McEntire and includes two hours of festive performances from the Grand Ole Opry House by Kelsea Ballerini, Luke Bryan, CB30, Dan + Shay, Brett Eldredge, Alan Jackson, Lady Antebellum, Little Big Town, Dustin Lynch, Reba, CeCe Winans, Trisha Yearwood and Chris Young.

CMA Country Christmas was executive produced by Robert Deaton, directed by Paul Miller, and written by Jon Macks.

Industry Ink: Starstruck Entertainment, Provident Distribution, Bluebird Cafe

Starstruck Entertainment Names Digital Strategy Manager

Cooper Anstett

Starstruck Entertainment has named Cooper Anstett as Digital Strategy Manager. Anstett joins the Starstruck team to direct the use of promotional content and audio/visual media to grow the digital market of Starstruck artists.

“Each artist that we develop at Starstruck deserves a unique online presence,” said Starstruck Director of Digital Strategy, Jeremy Gold. “Cooper brings an understanding of content, streaming, and socials that we need to build a strong digital strategy for our roster.”

From Detroit, Anstett interned on the A&R teams at Interscope Los Angeles in 2015 and Warner Nashville in 2016. After graduating from the University of Michigan School of Information, he moved to Nashville to start up Digital Natives Social Agency, helping artists with their digital and social media footprint.

 

Provident Distribution Re-Signs Distribution Deal With Cedarmont Kids

Pictured (Front row,  L –R): Sue Gay, Co-Founder Cedarmont Kids; Mike Gay, Co-Founder Cedarmont Kids; Terry Hemmings, CEO Provident Music Group.  Pictured (Back row, L-R): Scott Knight, VP Business Affairs, Provident Music Group; Darren Elrod, COO, Provident Music Group; Jimmy Wheeler, VP Sales & Distribution, Provident Distribution

Provident Distribution has opted to continue its longstanding distribution agreement with Cedarmont Kids. Selling more than 22 million units, Cedarmont has scanned more units than any other Christian artist and has four titles, Bible Songs, Sunday School Songs, Action Bible Songs, and Toddler Tunes, that have been on the Soundscan charts for over 1,000 consecutive weeks.

As their only distribution partner in their successful 24 years, Provident Distribution is looking forward to the continued relationship with the No. 2 kids audio label behind Disney.

 

Trent Harmon Makes Bluebird Café Debut

Trent Harmon made his Bluebird Café debut on Saturday (Dec. 9) alongside family, friends and industry.

Pictured (L-R): Jimmy Robbins, Trent Harmon, Laura Veltz and Justin Ebach

WME Bolsters Rock Roster With 13 New Signings

WME has added 13 new acts to its rock roster, including Rodrigo y Gabriela, Iron & Wine, The Record Company, The Sherlocks, Rival Sons, NAWAS, Marc Scibilia, Devon Gilfillian, The War and Treaty, Low Cut Connie, Kathleen Edwards, Ida Mae and Amasa Hines. These bands will be represented by teams of agents across all areas including music, film, television, books, and endorsements.

These acts are the latest to be added to WME’s growing rock roster. This news follows last month’s announcement that Scott Clayton joined WME to run its rock division and serve as Co-Head of its Nashville office. Joined by longtime colleagues, Matthew Morgan, Buster Phillips and Brandi Brammer, Clayton and his team continue to sign some of the world’s most talented and well known artists. Earlier this month, WME announced the signing of Dead & Company, Gov’t Mule, Kings of Leon, Michael Franti, My Morning Jacket, and Train.

Newsboys Welcome Back Peter Furler, Phil Joel For New Spring Tour

The Newsboys are welcoming back former bandmates Peter Furler and Phil Joel for the Newsboys United Tour, which will showcase “all the hits… under one roof… for one tour.”
 
Led by frontman Michael Tait and longtime members Duncan Phillips, Jeff Frankenstein and Jody Davis, Newsboys United will see Furler and Joel join the group for many of the most popular hits of the band’s three-decade career. The Newsboys United Tour will also feature special guest Word Worship recording artist Zealand, which is founded and fronted by Joel.

The tour will hit more than 40 cities in the spring including Los Angeles, Houston, Minneapolis, Dallas and Orlando, and tickets will be available Dec. 14 via an exclusive Spotify pre-sale campaign. Regular pre-sales are slated to begin Dec. 15, with general ticket sales on Dec. 18.

“We’re so excited for Peter and Phil to join us on the road next year,” said member Michael Tait. “Taking the stage with two men who indelibly shaped the history of this band will be an unforgettable experience for us all. We can’t wait to share these special moments with our fans as well.”

Furler, a founding member of Newsboys and the group’s former drummer and lead vocalist, embarked on a successful solo career in 2009. During his tenure, the band earned five Gold albums and released such classics as “Shine,” “Breakfast” and “He Reigns.” As Newsboys’ bass player, Phil Joel was featured on multiple albums and sang lead on the group’s hit single “Entertaining Angels.” Since his departure, Joel has bowed seven recordings as well as 2015’s acclaimed Word Worship set, Zealand Worship – The EP.
 

 

Mountain Music Museum Plans Reopening Celebration In January

The Mountain Music Museum is gearing up to reopen at its new home at 316 Broad Street in Kingsport, Tennessee, with a celebration featuring special guests and new exhibits on Jan. 27The event will include a live performance by Grammy-winner Ralph Stanley II & the Clinch Mountain Boys. Other performers throughout the day will include Tim White, Kaitlyn Baker, and more. Admission to the museum will be free during the grand reopening on Jan. 27; admission is normally $5.

The Mountain Music Museum in Kingsport celebrates the evolution of country music by reaching farther back in history, to when immigrants settled in the surrounding mountains in the 1800s, bringing their Irish, Scottish and African rhythms with them.

“Our region is rich in the traditions of mountain music,” said Kingsport Mayor John Clark. “From bluegrass to gospel to old time and classic country music, we are excited to see them on display in Downtown Kingsport. The Carter Fold is just across the ridge on the ‘sunny side’ of Clinch Mountain in Hiltons, Virginia, and their instruments were purchased right here on Broad Street. The Country Music Hall of Fame in Nashville has the lyrics of the Carter Family song ‘Will the Circle Be Unbroken’ etched on its walls. Today, country music a multi-billion industry. That started here. I’m excited to see it come full circle.”

One new exhibit at the museum will be a collection of memorabilia related to the late Dr. Ralph Stanley, who lived in McClure, Virginia, about 60 miles north of Kingsport. In addition to historical exhibits, the Mountain Music Museum will also features live music on a regular basis, most notably “The Pickin’ Porch,” a weekly show hosted by Rick Dollar. Performances by national artists will take place at the Kingsport Renaissance Arts Center, while emerging artists will perform at the museum. Additionally, the museum is planning an outdoor concert series called Bluegrass on Broad. Details will be announced at a later date.

Kix Brooks Pens Open Letter To Save Fort Negley

Kix Brooks

Kix Brooks has weighed in on the ongoing controversy surrounding Nashville’s Fort Negley, opposing Nashville Mayor Megan Barry‘s proposed plan to redevelop the Greer Stadium site, which backs up to Fort Negley. The redevelopment of the site, part of the Cloud Hill development spearheaded by music producer T Bone Burnett along with developer Bert Matthews and Tom Middleton, would offer additional housing and retail.

In December of 1862, Fort Negley was completed by more than 2,000 African Americans, both slaves and freed, who were directed by the Union to build the fort. Fort Negley is the only stone fort built during the Civil War.

“The importance of this story is well documented and is becoming more widely known thanks in part to the ‘looming battle’ over its future,” Brooks said in a lengthy Facebook post. “It all comes down to what will happen to 21 acres of valuable ‘dirt’ at the base of the Fort. On these 21 acres lived the recently freed African Americans who were forced by Union troops, to build this fort. On this piece of dirt, they lived, died, and some most likely were buried.”

In 1928 the city of Nashville purchased the land making it into a park, which Brooks advocates turning it back in to, rather than giving the land over to developers.

The Cloud Hill development plans are currently on hold, while an archaeological firm reviews the site for potential human remains.

Brooks’ full open letter is below:

SAVING FT NEGLEY

There is a battle looming in Nashville.

The skirmish lines are in place.

The fight for territory is ongoing.

Both side are searching for intelligence on the strengths and weaknesses of the opposition.

All this is happening much the way it did in Nashville just over 150 years ago…

When I moved to Nashville in 1980 to become a songwriter, the city looked much different. Downtown was more or less an embarrassment. Broadway was not much more than a showcase for porn stores and what would be considered “the wrong element.” So what happened? I honestly feel it was the vision and hard work of our previous mayors and civic leaders. It was what most would call progress, and for the most part, it’s a good thing. I served on the Convention & Visitors Board (CVB) and saw first hand the caring steps that were taken to ensure progress was made with caution. We now have sports teams and a beautiful civic center and on and on. These days some folks are looking around and saying “What’s next?” while others are looking around and saying “Where does it stop?” and that’s what concerns me now…

Back in the early 80’s after attending a Sounds baseball game, I noticed the two giant stone columns that are the entrance to Fort Negley. I was curious and came back the next day to hike the hill and was amazed at what I found: populated only by a few vagrants, I saw what was left of a stone fort built during the Civil War. I walked around and through it in amazement. It was grown over in weeds and brush, but it was still there. . How was this treasure left so unattended?
As I researched more in the days ahead, I found out it is the only one of it’s kind and the only STONE fort built during the entire war.

There is a long history about the ups and downs and ebbs and flows in the fight to maintain Fort Negley, but the important thing is, that for decades a lot of hard-working people, who care about the history of this city and the importance of preserving the sacrifice that got us where we are today, have stepped up and made possible the refurbishing of this Fort. There is now a beautiful visitors center, and easy access to view the structure with boardwalks throughout. It is now a safe place to come and learn about, not only the key role this city played in the conclusion of the Civil War, but also one of the most important stories of the sacrifice and courage of African Americans in their effort to achieve and find their deserved place within their newly “promised” freedom.

The importance of this story is well documented and is becoming more widely known thanks in part to the “looming battle” over its future. It all comes down to what will happen to 21 acres of valuable “dirt” at the base of the Fort. On these 21 acres lived the recently freed African Americans who were forced by Union troops, to build this fort. On this a piece of dirt, they lived, died, and some most likely were buried.

This piece of dirt ended up in the hands of the Overton family, and years later was sold by them to the city with the intention of making it a public park for Nashville’s citizens to enjoy. This is where is stood for many years. How this property transitioned into the site of a minor league baseball stadium is another story, but we now have a rare opportunity to return this place to the use for which it was intended—a green space for the citizens of this city. No deed was changed. We, the citizens, own this piece of dirt!

I think we have a good, well-intentioned Mayor. I can understand that Mayor Barry wants to get rid of the eyesore that is now Sounds Stadium before the potential liability that a derelict stadium represents is realized, and while there is someone ready to take it on and build something new. Why not replace it with a Gulch-like development—vibrant and alive and popping with retail and condos?

I understand the appeal when our city’s growth is presenting her with so many challenges, but what my gut is telling me is, if this happens we will look back at all the retail and condos and development around this sacred ground and think “that was our last chance at having a “central park”—a place this close to downtown, where people could have come to relax and appreciate a peaceful spot in the middle of the chaos, and we blew it.”

The folks behind this proposal are credible people. T Bone Burnett makes great records and I’m sure he can do his part for making this an entertainment center, and Bert Mathews is a respected developer. However, I feel this is a time for patience and careful thought. They have the money to do this now, and if the city gives them the land (yes, I said GIVES), and if the council passes it, there’s a good chance it’s going to happen.

For those of us who would like to see a big open park for all citizens to enjoy, we know this chance will never come again.

If we can win this battle we have work to do. We will be responsible for cleaning up the mess and putting our money and effort where our passion for stopping this development this now lies. We will have to raise the money to tear down the stadium—less than a million dollars—and we will have to raise money to help create the alternative plan for a green space park that is devoted more to history than economic impact.

First, however, we must win what I hope will be the Last Battle of Fort Negley—the fight to save it and to return a very important piece of that site to be the park that was originally intended for the citizens of Nashville.

I have a vision also – of being an old man walking with pride through a piece of history that we all helped save !

The battle is looming – hopefully there is a solution that results in our city doing the “right thing” – this is one we cannot afford to lose – Nashville is special, we cannot forget why!

Kix Brooks