Leadership Music Names New Board

Lori Badgett has been elected President of the Leadership Music Board of Directors.


Lori Badgett, VP Entertainment at City National Bank, has been elected President of the Leadership Music board of directors.
Additional Officers include
President-Elect—Jeff Gregg, Agent, CAA
Secretary—Linda Bloss-Baum, VP Public Policy, Time Warner
Treasurer—Drew Alexander, Dir. of Publishing, Curb Music Group
Joining them on the Executive Committee will be Past President Jamie Cheek, Business Manager/Partner of Flood, Bumstead, McCready & McCarthy.
New board members elected to three-year terms include John Allen, VP, Bug Music Publishing; Carey Nelson-Burch, TV/Film Agent, My Own Shingle; and Lynn Morrow, Partner, Adams & Reese LLP.
Continuing board members include Mitch Bainwol, Chairman & CEO, RIAA; John Beiter, Attorney, Shackelford, Zumwalt & Hayes; Fred Buc, General Manager, Tuned In Broadcasting/WRLT-FM; Karen Clark, Sr. VP/Financial Advisor, Pinnacle Financial Partners; Pat Collins, President & COO, SESAC, Inc.; Fletcher Foster, Manager, Red Light Management; Jay Frank, Sr. VP Music Strategy, CMT; Garth Fundis, Record Producer, GMF Music; Bill Lee, Sr. VP Licensing Operations, SESAC; Mark Montgomery, Founder, FLO {thinkery} | EIR :. Claritas Capital; Ken Paulson, President & COO, Newseum, Freedom Forum and First Amendment Center; Larry Stessel, President, Revolver Marketing Group; John Styll, President/COO of Far Further LLC; Bethel “Bo” Thomas, VP University Advancement, Belmont University; Randy Wachtler, EVP, 615 Music Companies; Stacy Widelitz, President, Stacy Widelitz Music, Inc.; and Sally Williams, General Manager, Ryman Auditorium.
Leadership Music’s executive director Karen Oertley continues to serve as an ex-officio member of the board.

Hot Times At Jake On The Lake

Sony salutes the Gold digital certifications of two Jake Owen hits. Pictured (L-R): Sony SVP Promotion Skip Bishop, SVP Marketing Paul Barnabee, Jake Owen, Assoc. Director Sales Caryl Healey, and VP Promotion RCA Keith Gale.


Jake Owen treated music tastemakers to an afternoon retreat on Tuesday (8/2) at Jake On The Lake. The Nashville press corps and industry execs braved the heat and gathered on Music Row to board buses bound for Old Hickory Lake in Hendersonville, Tenn.
At Anchor High Marina, Owen performed songs from his upcoming release Barefoot Blue Jean Night and shared details about the project which has tracks produced by Joey Moi, Rodney Clawson, and Tony Brown. Against a backdrop of sweltering summer heat and squawking ducks on the lake, Owen candidly told about his background and journey to Nashville.
Particularly he spoke about his search for outside songs for his third studio set. For example, the lead single and title track from the pens of Eric Paslay, Dylan Altman and Terry Sawchuk, has turned out to be the fastest rising single of Owen’s career. It lands at No. 7 this week on MusicRow’s CountryBreakout chart.
“I’m from Florida and I ran around barefoot my whole life,” says Owen of the song. “I think all music fans crave authenticity and this song is as realistic as it gets.”
After his performance, Sony execs surprised him with gold digital single plaques for 500,000 downloads of “Barefoot Blue Jean Night” and “Eight Second Ride,” from his previous album Easy Does It.
Guests at the Sony-fest enjoyed a southern smorgasbord of fried chicken, catfish, hushpuppies and coleslaw. Cool drinks were from Island ROX, a new frozen cocktail mixer from the brains behind Dippin’ Dots.
Owen will perform Saturday night (8/6) in Nashville as the special guest on the U.S. leg of Keith Urban’s Get Closer 2011 World Tour.

Thursday Thoughts

>>NSAI and CMT will partner again to present the 12th Annual NSAI Song Contest. The annual event starts Aug. 1 and runs through Oct. 31, 2011. Aspiring songwriters in any genre are encouraged to send their best songs to be judged by a panel of experts, and a new Lyric-Only category has been added this year. The Grand Prize includes a mentoring session with songwriter/musician/industry icon Charlie Daniels!
A grand prize winner will be named, plus a Lyric-Only winner and a CMT Listener’s Choice Winner. The entry fees are $35.00 (Current NSAI members) and $45.00 (Non-Members) per song submitted. Songwriters may submit as many songs as they would like, but the preceding fees apply to each song submitted. Entries will be accepted from August 1 until October 31, 2011. For details on submitting songs as well as the official prizes and rules & regulations go to www.nsai.cmt.com.
>>RPM Transportation Consultants has moved from Brentwood to Music Row, 1101 17th Ave. S. The company which designs bicycle lanes and contributed to the Music Row roundabout, has 12 employees in the new location. RPM President Bob Murphy told the Nashville Post, “Our new location on Music Row brings us closer to our clients than ever before. With innovation and sustainability part of our mission statement, we now have better access to public transportation and bike routes for travel to and from the office. What better way to continue work on Nashville’s transportation future than to be here in the heart of the city?”
>>New industry career group, the Young Entertainment Professionals (YEP) began last January to help members of the industry network, and has grown to over 700 members by organizing mixers and educational events. YEP is headed by Executive Director/founder Andrew Cohen. “We hold mixers and showcases for young, up‐and‐coming talent [at venues] around town such as Tin Roof, Roosters BBQ, The Gold Rush, etc. as a way for people to develop one on one relationships with similar people who are looking to make their mark in the industry,” explains Cohen. YEP’s Board includes ten directors from various labels, publishers and other companies. “Our events are open to anyone,” says Cohen. “The next YEP mixer, will be held in tandem with the successful Whiskey Jam series at Winner’s Bar on Monday, August 22nd at 6pm. Visit the “Young Entertainment Professionals – Nashville Network” group page on Facebook for more information on upcoming events.
 

Photos: Rising Artists Making The Rounds

Mandisa Celebrates First No. 1
On Monday (8/1) ASCAP celebrated the writers and publishers of “Stronger,” Mandisa’s No. 1 hit on the Billboard Hot Christian Songs chart, with a reception in Franklin, Tenn. Written by Ben Glover, David Garcia and Chris Stevens, the song marks Glover’s eleventh trip to the top of the charts and Garcia’s first. Publishers Brentwood-Benson Publishing and EMI CMG Publishing were also honored. “Stronger” is Mandisa’s first trip to No. 1 and is the lead single from her third studio album on Sparrow/EMI CMG, What If We Were Real.

Pictured (L-R): EMI CMG Label Group's Peter York, EMI CMG's Bill Hearn, ASCAP's Tim DuBois, Ben Glover, EMI CMG Publishing's Matt Ewald and Eddie DeGarmo, Mandisa, Brentwood-Benson Publishing's Dale Mathews and John Andrade, David Garcia, ASCAP's Michael Martin, Brentwood-Benson's Stacey Willbur, EMI CMG Label Group's Brad O'Donnell, Brentwood-Benson's Eric Hurt, EMI CMG Label Group's Karrie Hardwick. Photo: Cami Steger


 
UMPG Inks Striking Matches
Universal Music Publishing Group Nashville recently signed Sarah Zimmermann and Justin Davis of Striking Matches (formerly Common Thread) to an Exclusive Songwriter & Publishing Agreement. The duo is managed by John Grady of Crush Management. Philadelphia native Zimmerman met Atlanta native Davis when a professor at Belmont University paired them to perform for a classroom full of guitar majors. Their wide-ranging influences include Jerry Reed, The Beatles, John Mayer and Patsy Cline.

Pictured (L-R): seated: Striking Matches’ Justin Davis and Sarah Zimmermann. Back row: Universal Music Publishing’s Kent Earls, Pat Higdon, Crush Management’s John Grady and Universal Music Publishing’s Cyndi Forman. Photo: Rory White


 
Brett Eldredge Visits CMA
Atlantic Records’ Brett Eldredge stopped by the CMA offices this week to perform several songs from his upcoming debut album including the Top 25 single “Raymond” as well as his recently released “It Aint’ Gotta Be Love.”

Pictured (L-R): Violator Nashville Manager, Brad Kennard; Warner Music Nashville VP of Publicity, Tree Paine; Violator Nashville GM, Rob Baker; CMA Sr. Manager of Membership & Balloting, Brandi Simms; Brett Eldredge; CMA Chief Executive Officer, Steve Moore; CMA VP of Strategic Partnerships, Sheri Warnke; CMA Sr. Coordinator of Member and Industry Relations, Betsy Walker; Warner Music Nashville VP of Marketing, Kelli Cashiola; and BMI Director of Writer-Publisher Relations, Bradley Collins. Photo: Amanda Eckard / CMA

Pinky Gonzales BubblesUp In Oregon

Pinky Gonzales


Digital services company BubbleUp has tapped music marketer Pinky Gonzales to lead a company expansion in the Pacific Northwest. He is a former partner at echomusic and Belmont University Adjunct Professor.
The new office will compliment the company’s existing operations in Tennessee, Texas and Connecticut where they handle digital services for Margaritaville, Keith Urban, Zac Brown Band and BB King’s Blues Clubs.
BubbleUp CEO Coleman Sisson explains the expansion: “Portland is a great town full of technical and creative talent to compliment our existing operations. With the addition of Pinky Gonzales, a guy we’ve done a lot of business with over the years, we’re hitting the ground running. It’s an exciting move for all of us.”
Several new hires are planned for the Portland office, specifically tech and design talent.
Gonzales will also play a role in the recently announced Portland Incubator Experiment (PIE), an entrepreneurial endeavor led by ad agency Wieden + Kennedy and sponsored by Google, Nike, Target and Coca Cola.
Contact info:
Pinky Gonzales, West Coast Operations BubbleUp™
(615) 513-­5607
[email protected]

Rascal Flatts Feted For No. 1 Single, Platinum Album

MusicRow Pres./Owner Sherod Robertson (R) presents a plaque to Jason Sellers (L) for the song reaching No. 1 on MusicRow's CountryBreakout chart. Photo: Christie King


Music executives gathered last night (8/3) to celebrate the recent chart-topping success of the Rascal Flatts hit “I Won’t Let Go,” from the pens of songwriters Jason Sellers and Steve Robson. It was the band’s 13th career No. 1 single.
ASCAP and the Flatts’ label home Big Machine Records hosted the evening at Nashville’s downtown Hard Rock Cafe. Big Machine boss Scott Borchetta upped the ante when he shared news that Rascal Flatts’s Nothing Like This album has been certified platinum.
“As we all know, the one-million sales mark of any album by any artist in the current environment is a big, big deal and I’m proud as can be that our first album with Rascal Flatts has hit this milestone,” said Borchetta. “Working with Gary, Joe Don and Jay over the last year has been an absolute blast and I look forward to making a lot more great Rascal Flatts music with them. They are consummate professionals, are ridiculously talented and it seems that they are having more fun than ever being in Rascal Flatts. I’m honored to have them with us at Big Machine.” Since 2000, the band has sold more than 20 million albums.
Publishers were on hand to salute the songwriters behind the “I Won’t Let Go.” Sony/ATV’s Troy Tomlinson toasted Sellers, and BMG Chrysalis’s Darrell Franklin read a letter from Robson, who was in London with his family and unable to attend.
Jay DeMarcus spoke for the band, “With God’s help we have been able to bring together a wonderful group of people to surround and reinvigorate our career. We are living a dream come true.”

Jay DeMarcus, Jason Sellers, Joe Don Rooney, Gary LeVox and Scott Borchetta. Photo: Ed Rode


 

American Idols Talk Recording, Touring

Lauren Alaina and Scotty McCreery


The 2011 American Idols Tour made its Nashville stop on Saturday (7/30), thanks to Music City resident and Top 10 finalist Paul McDonald. Show winner Scotty McCreery and runner up Lauren Alaina are, of course, also pursuing musical careers through Nashville. The trio of performers all sat down with local press to share some thoughts on life, post-Idol.
Life for all three, particularly teenagers McCreery and Alaina, has changed forever. One year ago when they first auditioned, the latter two were average high schoolers on summer break. Now they’re playing to audiences of thousands on a massive arena tour and hearing their songs being spun on country radio. While they may be young, the differences between the Idol show process and the difficult task of becoming a major label star are not lost on them.
“For the album, I look for songs that I can relate to so that I can feel it and sing my heart out,” says McCreery, whose upcoming Mercury release is due sometime this fall. “The audience that listens will feel that and appreciate it. For the [American Idol] show, you can pick songs that you can sing but if the audience doesn’t like it you’re done for and you’re going home next week.”
“I feel like my album has a lot of different types of songs,” adds Alaina, who is recording with Byron Gallimore. “Sweet ballads with good stories, and some really fast songs people can dance to. We still have to listen to all the songs and decide which ones will make the album.”

Paul McDonald


Paul McDonald, on the other hand, is nearly 10 years older than McCreery and Alaina and had already been making a go at a musical career prior to Idol. But the show has definitely afforded him considerable visibility and a big springboard for whatever his next step will be.
“Last year I was touring with my band across the country,” he recalls. “Doing all my original music, in a 15 passenger band, trying to make it the old-fashioned way. It’s a different scene these days. I was loading my gear in the venues, opening for bigger acts, and now we’re playing arenas.”
The 2011 Idol tour has been on the road for long enough now that even the less seasoned contestants have started to get a good feel for the life of a touring artist. Prior to the Nashville stop, the tour hit McCreery’s homeland in Raleigh, NC.
“Raleigh was incredible! They were seated all the way to the rafters,” he says. “All the Idols had a great time there, saying how energetic and crazy it was. It was also nice to get back and see friends and family in the crowd.”
“I’m always looking in the crowd and judging if they’re on their feet or I’m gonna have to work,” he continues. “Mainly I’m just thinking it’s great to be here. It’s amazing I get paid to do it.”
Nashville, being an industry town and the home of their label, is a slightly different animal. The artists all expressed a need to perform well in front of their industry peers, but have now gained enough stage and screen experience to not let it rattle them.
“There’s definitely a lot of people I’m looking to impress,” says McCreery, “but I don’t look at it as pressure. I just look at it as incentive to have more fun. That’s when you put on a good show, when you have fun and people see that.”
“When I get on a stage it’s like my body flips a switch and I’m in stage mode,” explains Alaina. “I’m more comfortable on the stage than anywhere. I’m a little nervous about tonight because this is where my label is and all the really important people that are part of my career are here. My whole family is also here. I perform better in front of people I don’t know than people I do.”
During the Idol show, the contestants had weekly mentoring sessions with Interscope head Jimmy Iovine and an assortment of popular artists and producers. The prevailing sentiment that they’ve taken away is that it’s important to know who you are artistically, and to hold fast to that as creatively as possible.
“Just be yourself,” says McDonald. “I wanted to sing Ray LaMontagne and Jimmy [Iovine] said ‘No one knows that, you should sing James Blunt ‘You’re Beautiful.’’ I said, ‘I don’t know man, do you want me to go shirtless too?’ Stick to your guns, no matter what. You can get intimidated really easily by the mentors. I’ve been doing it for so long, I kinda knew who I was. [Producer] Don Was said ‘Dude you’re record’s a whole lot cooler than what you’re doing on the show. Why don’t you do this stuff? I was like, ‘I’m trying!’”
“Stay in your lane and be you,” concurs McCreery. “Don’t change it up. I could have been country one week, and been Frank Sinatra another, but I didn’t want to do that. I wanted to sing country and stay true to my roots and what I grew up with.”
McCreery’s determination to stay true to himself already seems to be paying off. His debut single “I Love You This Big” has hit Top 20 on all charts, and the video is on the way. The jury might still be out on how successful he will be, but the 17-year-old has a pragmatic outlook on the crazy jigsaw puzzle of building an artistic career.
“I have plenty more to learn,” notes McCreery. “I’m young and it’s early to get in this business. You have to pick the songs, relate to the audience, and do a lot behind the scenes to make the process smooth. We had a team meeting two days ago to lay down the groundwork. We set goals up and said ‘This is what we want to do, and this is how we’ll get there.’ Hopefully it works out.”
Hey man, we’re rooting for you.

My Good Girl Music Revamps With Name Change

Stephanie Greene and Mark Bright today (8/4) announced exclusively with MusicRow a renaming of their publishing company, previously known as My Good Girl Music. Going forward the company will be known as Chatterbox Music.
The publishing house will continue its joint venture with Sony/ATV, and all staff and songwriters will remain in place.
Chatterbox songwriters include Mallary Hope, Jamie Teachenor, Jason Saenz, Allison Veltz, and recent signing April Geesbreght.
Stephanie Greene and Ashley Hertzog can be reached at their new email addresses:
[email protected]
[email protected]

The Chatterbox team pictured earlier this summer signing new writer Allison Veltz. (L-R): Mark Bright, Ashley Hertzog, Allison Veltz, Sony/ATV's Troy Tomlinson, and Stephanie Greene.

Strait Bringing The Good Time This September

George Strait has a Sept. 6 release date for his new studio album, Here For A Good Time. The title track is already No. 10 on MusicRow’s CountryBreakout chart eight weeks after release. Written by Strait, his son Bubba Strait, and revered songwriter Dean Dillon, it is the artist’s 89th career single. As if that wasn’t enough testament to Strait’s longevity, the upcoming album will be his 39th studio set for MCA.
The Country Music Hall of Famer teamed with Bubba and Dillon for seven of the album’s 11 tracks. He co-produced the project with longtime collaborator Tony Brown at Shrimpboat Sound Studio in Key West, FL where they have recorded his last three albums.
GeorgeStrait.com is offering an exclusive album pre-order package that includes the full length Here For A Good Time CD, a limited edition T-Shirt, poster and instant download of the single.
During his 30-year career, Strait has sold nearly 69 million records.
Here For A Good Time tracklist:
1.  Love’s Gonna Make It Alright, Al Anderson/Chris Stapleton
2.  Drinkin’ Man, George Strait/Bubba Strait/Dean Dillon
3.  Shame On Me, George Strait/Bubba Strait
4.  Poison, Chuck Cannon/Allen Shamblin
5.  Here For A Good Time, George Strait/Bubba Strait/Dean Dillon
6.  House Across The Bay, George Strait/Bubba Strait/Dean Dillon
7.  Lone Star Blues, Gary Nicholson/Delbert McClinton
8.  A Showman’s Life, Jesse Winchester
9.  Three Nails And A Cross, George Strait/Bubba Strait/Dean Dillon/Bobby Boyd
10. Blue Marlin Blues, George Strait/Bubba Strait/Dean Dillon
11. I’ll Always Remember You, George Strait/Bubba Strait/Dean Dillon

Industry Ink Wednesday (8/3/11)

Preston signing Dolly Parton to BMI in the late 1960s. (seated) Porter Wagoner and Dolly Parton. Standing Bill Earl Owens, and Preston. Photo: BMI.com


Living Legends Meet
Revered music exec Frances Preston will be the featured guest on One on One with John Seigenthaler Friday, Aug. 5 at 7:00 p.m. on NPT-Channel 8. The half-hour interview with the acclaimed journalist focuses on Preston’s storied career as President and CEO of BMI, and touches on many of the songwriters and dignitaries that she has worked with.
HFA Inks ONErpm
The Harry Fox Agency has announced licensing and Administration Services agreements with ONErpm. ONErpm is a global digital distribution solution and direct-to-fan music store for independent artists, and labels. Under the licensing arrangement, HFA will clear songs on behalf of ONErpm’s clients for distribution to key digital music stores in the U.S. ONErpm also recently announced the launch of a Facebook application which enables musicians and labels to market and sell their music from their Facebook page.


Odie Blackmon


 
Blackmon Leading Songwriting Class
Hit songwriter Odie Blackmon will teach a class at Vanderbilt’s Blair School of Music starting Aug. 25. “The Nashville Number System for Songwriters” will be held 15 Thursday evenings at 7 p.m. and is for adults and teens who write songs, sing, or play an instrument but may not read traditional music. Blackmon is a Grammy nominee whose hits include George Strait’s “She’ll Leave You With A Smile,” Lee Ann Womack’s “I May Hate Myself In The Morning,” and Gary Allan’s “Nothing On But The Radio.” Details here.
Bomar Contact Update
Woody Bomar’s Green Hills Music Group has a new phone number: 615-478-0313. Green Hills is working with writers Paul Duncan, and Dave Rivers, and maintains catalog from Bonnie Baker, Bob Regan, Rick Giles, Georgia Middleman, and Steve Williams. The company has cuts on upcoming releases from Eden’s Edge, The Dirt Drifters, Hunter Hayes, and songs on current albums by Rascal Flatts, George Strait, Jake Owen and Rachel Holder. The address remains 1231 17th Ave. S. Nashville, TN 37212, and [email protected]
Execs To Be Honored
Industry execs Martha and Mike Borchetta, and Bonnie Garner will receive WHINNY awards this October from the Women’s Horse Industry Network for their efforts and involvement in the equine industry.
Williams Working With Weirs
Bob Weir of the Grateful Dead and his two daughters were working in Nashville this week. Among their appointments was a session with vocal coach Renee Grant-Williams. Weir has been training with Williams since the 1980s.