Charlie Cook On Air: Fighting In The Family

Charlie Cook

Charlie Cook


I did not have a brother growing up. I did not have anyone to fight with or one up every day. I do have a younger sister but, I’m guessing, fighting with her was not as satisfying as with a male sibling would be.
Without this firsthand knowledge I am still chalking up the very public “fight” between Zac Brown and Luke Bryan’s current song, “That’s My Kind of Night,” as fighting amongst brothers. In the end you want to still be friends and you certainly are not out to do any long-term harm to the relationship but you are making a point. With brothers it is, “I am the strong one.” With Zac? Who in the heck knows?
Often in the middle of a comment, I realize I am going in the wrong direction and stopping would be the best solution to what is sure to be a, “darn, I was so close to getting out of that situation.” Most statements that start with, “I really like ‘so and so’ but…” end badly.
I am not judging what Zac said about Luke’s song because he should be able to voice his opinion on anything he wants. He was so precise about this particular song that it is…actually fun for us who then get to comment on the brouhaha.
You might remember earlier this year, Ray Price had some choice comments about Blake Shelton. It had something to do with Blake’s head being too big to fit in any size hat.
I saw Blake in concert last week in Charleston, W.Va. and any ole hat would fit this most down to earth performer in the business. I chalk Mr. Price’s comments up to not correctly interpreting Blake’s statement that provoked the response. Additionally, this was not brothers fighting. This was more like getting lectured by your grandfather. (So that I’m not the next target, let me say that Ray Price is one of my all-time favorite singers and he too gets to say whatever the heck he wants.)
The format has evolved. The target is the ticket buying, music buying, radio listening consumer and they are ALWAYS right.
If Zac thinks, “this is the worst song I have ever heard”, he can ease the pain by trying a couple of other formats today where there isn’t a real live musical instrument in sight.
I love how Jason Aldean and Justin Moore have weighed in and come to Luke’s defense. Funny because Zac didn’t actually attack Luke so much as the song itself, but on Music Row, that is like saying your baby is ugly, because everything mastered and released is the “best song ever done.” Which of course is BS.
I like how the format is drawing lines and defining itself as broad. You can have songs about pick-ups and daisy duke shorts (and please Zac, do not wage a war on daisy duke shorts, come on, dude), as well as songs about losing a family member and pining after a loss. We can have songs about drinking and being a redneck, and songs about unrequited love. Actually there really are a lot of drinking songs in the format. Man who has that much time to drink, seriously?
Luke, the most recently crowned Academy of Country Music’s Entertainer of the Year, can withstand some playful criticism of one song. I, quite frankly, wish someone would tell him he moves like a white guy on stage. That would be more useful criticism.
(The views expressed in this article are those of the author and do not necessarily reflect those of MusicRow.)

[Update]: Willie Nelson Will Perform at Southern Ground Music and Food Festival

Willie Nelson, September 9-14, 2011

Willie Nelson


[Update]: Although it was previously announced that Willie Nelson & Family would be canceling his appearance at this weekend’s Southern Ground Music and Food Festival in Nashville, he has been confirmed to perform as scheduled on Saturday (Sept. 28), according to his publicist. They have also invited friend Warren Haynes to sit-in on a couple of songs.
Additionally, Kenny Rogers has been added to the Friday evening (Sept. 27) lineup. Rogers will make a special appearance during Zac Brown Band’s “Super Set” on Friday evening.
Nelson’s forthcoming album, To All The Girls…, comes out Oct. 22.

English Joins Warner/Chappell Production Music

Tom English

Tom English


Tom English, who resigned as GM of 650 AM WSM last week, has joined Warner/Chappell Production Music as VP, Business Development. “I can’t tell you how excited I am to get to work for and with my Leadership Music classmate and friend, President and CEO Randy Wachtler,” says English in a statement.
Warner/Chappell Production Music’s brands have composed works for well-known TV shows, films, and companies, including the “Today” Show, ESPN, Disney, Capital One, DirecTV, Major League Baseball, Cox Communications and many others.
English’s last day at 650 AM WSM is slated for Friday, Sept. 27. English was appointed General Manager of 650 AM WSM in 2012. He has served in numerous capacities during his 30-year career in broadcasting. Previously, English served as VP/Market Manager for Clear Channel Radio in Nashville (including WSIX). He was with the station for eight years, and was named Clear Channel Innovation Award-winner in 2005 and 2006. He also served as chairman of the Tennessee Association of Broadcasters in 2008.

Live Nation's Artist Nation Launches G-Major Management

LiveNation250Artist Nation, the artist management division of Live Nation Entertainment, has partnered with music manager Virginia Davis to launch G-Major Management. Davis’ client roster includes Jewel and Thomas Rhett, and most recently added Danielle Bradbery, the season four winner of NBC’s The Voice.
“We are excited to be in business with Virginia, she is a superstar. The recent signing of Danielle Bradbery is a great beginning to what we know will be a flourishing business,” stated Live Nation Entertainment’s President and CEO, Michael Rapino.
“Partnering with Live Nation will enable G-Major to offer its artists a first-rate experience in the industry. I look forward to working together with Live Nation to continue to expand the G-Major artist roster,” said Davis.

Leadership Music's Off The Record Series Features Kenny Rogers

A capacity crowd turned out to hear music icon Kenny Rogers recount his Hall of Fame career at Leadership Music’s popular Off the Record series on Thursday (Sept. 26) at Nashville’s Sambuca restaurant. Radio Hall of Fame broadcast personality, Gerry House, hosted the 60-minute career retrospective, which ranged from Rogers’ legendary chart-topping songs to his twin 9-year-old sons.

Pictured (L-R): Gerry House and Kenny Rogers

Pictured (L-R): Gerry House and Kenny Rogers


Pictured (L-R): Red Light Management's Fletcher Foster and Kenny Rogers

Pictured (L-R): Red Light Management’s Fletcher Foster and Kenny Rogers


Pictured (L-R): Former Leadership Music President Lori Badgett, Rogers, and Diane Pearson, President-elect of Leadership Music.

Pictured (L-R): Former Leadership Music President Lori Badgett, Kenny Rogers, and Diane Pearson, President-elect of Leadership Music.


Pictured (L-R): Gerry House, Leadership Music Founding Council member Joe Moscheo, Kenny Rogers and Leadership Music Founding Council member Jim Ed Norman.

Pictured (L-R): Gerry House, Leadership Music Founding Council member Joe Moscheo, Kenny Rogers and Leadership Music Founding Council member Jim Ed Norman.

CMT Chronicles Cassadee Pope's Journey

Pictured (L-R):  Jimmy Harnen (Republic Nashville President/Big Machine Label Group EVP), Leslie Fram (CMT SVP Music Strategy), Cassadee Pope and Scott Borchetta (Big Machine Label Group President/CEO). Photo: Fred Breedon

Pictured (L-R): Jimmy Harnen (Republic Nashville President/Big Machine Label Group EVP), Leslie Fram (CMT SVP Music Strategy), Cassadee Pope and Scott Borchetta (Big Machine Label Group President/CEO). Photo: Fred Breedon


In anticipation of the Oct. 8 Republic Nashville CD release, titled Frame By Frame, Cassadee Pope revealed the first episode in a six-part CMT series at an exclusive viewing at Nashville event space Ruby Wednesday night (Sept. 25).
Hosted by the Country network and the Big Machine imprint, the evening featured beverage and appetizers in the courtyard before a screening and acoustic performance in the venue’s the main hall. CMT’s Sr. VP of Music Strategy Leslie Fram welcomed the crowd, before inviting Republic Nashville’s President and EVP of BMLG Jimmy Harnen to the stage. President/CEO of BMLG Scott Borchetta also shared remarks: “This is the program I wanted to make. CMT gave us the ability to continue telling the story.”
The first episode of Cassadee Pope: Frame By Frame features recording sessions at Blackbird studios in Nashville with MusicRow Producer of the Year Dann Huff and Borchetta in addition to visits to Arizona radio stations KNIX in Phoenix and KMLE in Tempe, Ariz. Each half-hour series will reveal behind-the-scenes footage of Pope’s journey through recording her album and music video, in addition to performance preparation for the CMT Music Awards and the release her first single to radio.
To end the evening’s event, The Voice season three winner performed new songs for the Nashville crowd, including “I Wish I Could Break Your Heart,” “Champagne,” “Eleven,” You Hear A Song,” “Good Times” and “Wasting All These Tears.”
The CMT series premieres to the public Friday, Oct. 4 at 10 p.m. ET/PT on the network in advance of Pope’s album, Frame By Frame, released four days later.

ole Signs Columbia Nashville's Farr

Pictured (L-R): Haley McLemore (377 Management), Tyler Farr, John Ozier (ole GM, Nashville Creative), and Ben Strain (ole Creative Director, Nashville).

Pictured (L-R): Haley McLemore (377 Management), Tyler Farr, John Ozier (ole GM, Nashville Creative), and Ben Strain (ole Creative Director, Nashville).


ole has signed a deal with songwriter and Columbia Nashville recording artist Tyler Farr. Farr’s breakout single, “Redneck Crazy,” was penned by Josh Kear, Mark Irwin, and Chris Tompkins.
“I have been watching Tyler’s career develop over the last several years and to be able to partner with him as ‘Redneck Crazy’ is peaking is a huge honor,” says ole’s John Ozier, GM, Nashville Creative. “Tyler has an unbelievable voice and is a great artist, but his songwriting is what really enthuses us at ole. Tyler has a wonderful team of people around him and we’re thrilled to be able to join that team and to help build on the momentum he has right now. The future of ole is extremely bright, and Tyler Farr is a big part of that moving forward.”
“John Ozier has been a friend for several years,” adds Farr, “so for me to be able to team up with ole and John, makes me feel at home.”
Farr recently gave an album preview performance at Nashville club The Stage, where he thanked Ozier, Columbia Nashville and the rest of his team for their part in his rising career.

Industry Ink (9-26-13)

Cheri Cranford

Cheri Cranford


Streamsound Records has added Cheri Cranford to the label’s administration team. Cranford will serve as Office Manager and can be reached at [email protected] or 615-377-0495.
Originally from New York, Cranford moved to Nashville 35 years ago. Most of her music industry career was spent at Sony Music Nashville, formerly Arista Nashville and RCA Label Group. While at Sony, she was Manager, Office Services and Executive Assistant to the music industry’s top label-heads and handled all corporate events for Sony. Most recently, she worked as Manager, Human Resources and Executive Assistant to GM/Sr. VP, Program Sales at Rural Media Group/RFD-TV.

                                                      • • •

caa logo11Creative Artists Agency will hold its annual Young Nashville Party on Oct. 3, beginning at 9:30 p.m. The party will be held at Anthem in Nashville. Proceeds from the event will aid Communities in Schools of Nashville. Tickets are $50; for more information, visit caayoungnashville.com.

• • •

Producer and songwriter Dan Mitchell has been named the new president of Little General Records (LGR). The label, established in 2010, counts trio Taylor Made among its artists.
Mitchell co-wrote “If You’re Gonna Play In Texas, You Gotta Have A Fiddle In The Band” for Alabama and went on to write cuts by Moe Bandy, The Oak Ridge Boys, George Jones, Connie Smith and many others. Mitchell has produced projects by George Jones, Johnny PayCheck, Tiny Tim and, recently finished production on Deborah Allen‘s Christmas album, due out next month.

Pictured (left to right): Taylor Made's Greg Duckworth, Nashvill Music Media's Elise Anderson, Little General Records owner Greg Darby, Taylor Made's Wendy Williams, Dan Mitchell, and Taylor Made's Brian Duckworth.

Pictured (L-R): Taylor Made’s Greg Duckworth, Nashvill Music Media’s Elise Anderson, Little General Records owner Greg Darby, Taylor Made’s Wendy Williams, Dan Mitchell, and Taylor Made’s Brian Duckworth.

'CMA Country Christmas' To Tape in November

Jennifer Nettles

Jennifer Nettles


Jennifer Nettles is slated to host CMA Country Christmas for the fourth consecutive year; the holiday music special will tape on Friday, Nov. 8 beginning at 7:30 p.m. CT on ABC.
“It’s really a joy for me to get to host ‘CMA Country Christmas,’” Nettles said. “I have so much fun doing it! I love the holiday season, and for me to get to be a part of this show for the fourth year in a row is a really big honor. What I love about doing this gig is that it’s the closest I’ve gotten to the old classic television variety shows. It is entertainment that everybody in the family can find fun, and I hope it’s something that keeps happening for years and years and years.”
Artists scheduled to take part include Trace Adkins, Luke Bryan, Sheryl Crow, Lucy Hale, Nettles, Jake Owen, Kellie Pickler, Rascal Flatts, Darius Rucker, and Michael W. Smith.
For the second year, audience members are being encouraged to bring a new, unwrapped toy to the taping to help make the holidays brighter for Nashville area children. The Nashville-based, non-profit group Generosity, will have volunteers on site with specially marked bins to collect the toys, which will be distributed to homeless families this holiday season. In 2012, the group collected more than 5,000 toys. Volunteers from Generosity will start accepting toys beginning Friday, Nov. 8 at 1 p.m. /CT at the Bridgestone Arena Plaza (corner of Fifth Avenue and Broadway, Nashville). You do not have to have a ticket to the show to drop off a toy.
“Our artists are extremely generous and so are our fans,” CMA Board President Ed Hardy said. “It is our goal to make sure no child goes without a present this Christmas and we are grateful to our partners at Generosity for helping to make this a dream come true for children in Nashville.”
Tickets for CMA Country Christmas are on sale now and can be purchased at ticketmaster.com; by calling (800) 745-3000; or in person at the Bridgestone Arena Box Office.

[Updated]: Primetime 'Nashville': "I Fall To Pieces"

Nashville

[Updates]: Nashville’s second season premiere scored a 4.4 rating, which means that 4.4 percent of households tuned in last night for the premiere. In comparison, the show’s first season finale scored a 4.5 and its first-season premiere scored a 6.8.

[Original story]

As Season One ended of the ABC drama Nashville, the finale brought to light many of the scandals the first season only hinted at. Rising star Juliette Barnes’ (played by Hayden Panettiere) drug-addicted mother, committed suicide and murder in an attempt to save her daughter from a manipulative con artist. Country superstar Rayna Jaymes’ (played by Connie Britton) eldest daughter, Maddie (played by Lennon Stella), discovered a birth certificate with her mother’s former guitar player and love interest Deacon Claybourne (Charles Esten) listed as Maddie’s father (rather than father Teddy Conrad, portrayed by Eric Close). Meanwhile, Teddy’s relationship with flame Peggy Kenter (Kimberly Williams-Paisley) resulted in a surprise pregnancy. When Maddie revealed to Deacon that she believes he is her father, Deacon, a recovering alcoholic, delves back into drinking and confronts Rayna. When Rayna discovers Deacon has been drinking again, she confronts him outside the Bluebird Cafe, where he tries to drive away while intoxicated. She takes the wheel, and as they are fighting, they swerve to avoid a car, flipping their SUV.

Season Two Premiere
The season begins with Deacon pulling Rayna from the crumpled SUV, injuring his hand in the process. Later, with Rayna in the hospital, it is revealed that the singer has been in a coma for two weeks.
The judge sets Deacon’s bail at $1 million after some influence from Mayor Teddy, and the judge states that if Rayna doesn’t survive, Deacon’s charges will be increased to involuntary manslaughter, which includes a sentence of 10-30 years behind bars. It is later revealed that after police found that Deacon was indeed intoxicated, they ended further investigations, which would have revealed that Rayna had been in the driver’s seat.
Flashbacks abound in this episode, to reveal a young(er) Deacon and Rayna had once purchased a home together, just prior to her receiving her first CMA nomination and just after he had been released from Rehab. The home purchase was followed by a proposal from the addiction-riddled guitar player. During the flashback, Rayna accepted Deacon’s proposal, only to find that he had proposed while drunk and he didn’t remember the proposal the next morning. In one tense scene, she flings the engagement ring back at Deacon and leaves the house. Flashbacks also reveal that Rayna finds out she’s pregnant (presumably with first daughter Maddie) after the botched proposal; her sister Tandy Wyatt had talked her into keeping the pregnancy a secret from Deacon and not telling him that the child is his.

nashville season 22211111111

Rayna’s daughter visits her in the hospital.


At the end of Season One, we find Gunnar proposing to Scarlett; as evidenced by a bash that Will throws for Gunner to help him get over Scarlett, we gather that Scarlett turned down the proposal. Will and a female friend scam to distract Gunnar from his loss with a wild party that ends with Gunnar burning the couch that Scarlett owned and Will’s female friend trying to seduce Gunnar.
Peggy revealed to Teddy that she is pregnant at the end of the last season; he makes it clear that he will offer financial support but nothing more. A distraught Peggy visits the doctor alone to find out how far along she is in the pregnancy; after hearing the heartbeat, she later finds that she has suffered a miscarriage.
“My mama used to listen to you while I was in her belly,” Juliette had sneered at Rayna during the first episode of the show’s first season. Now, with Juliette’s mother dead, we find the rising singer grappling for a way to grieve with not only the loss of her mother, but the possible loss of a singer whose music created a musical connection between mother and daughter. She also has to deal with the fan response to Rayna’s accident on album sales. As Juliette nears her album release time, Rayna’s album sales are skyrocketing. “Now I have to compete with a saint in a coma,” she wails at one point. Against the wishes of her manager, Juliette holds an album release concert (at Nashville’s Parthenon) and takes the opportunity to put herself in the limelight with Rayna by dedicating the song “This Love Ain’t Big Enough” to Rayna in concert, complete with photos of Rayna (with Juliette) on the screens and fans holding up glow sticks to honor Rayna.
Meanwhile, Scarlett, the Bluebird Cafe waitress-turned-professional singer with a record deal, is celebrating the end of her time working as a waitress and her newly minted deal with Rayna James’ label. Former boyfriend Avery Barkley is on hand to help her celebrate, until Gunnar realizes he still misses Scarlett and shows up unannounced at her going away bash at the Bluebird Cafe. The two sing “Why Can’t I Say Goodnight?” (written by Kim Richey), as Avery watches. Later Avery and Gunnar acknowledge their ongoing tension. “Can’t take no for an answer, huh?” says Avery of Gunnar’s rejected proposal. “Guess that makes two of us,” Gunnar replies.
Rayna’s father Lamar Wyatt later joins Teddy in Rayna’s hospital room, blaming him for cheating on Rayna with Peggy and driving her to return to Deacon. “Don’t blame me for not waiting until my wife packed her bags,” replied Teddy, who stated he had seen the writing on the wall for marriage. Maddie, Teddy and Daphne later wait outside Rayna’s hospital room as she is slowly brought out of the coma; they are warned that she may not remember any of them. Fortunately, she seems to recognize her family members, and is later shown sitting in a wheelchair on the hospital balcony, talking with her father Lamar.
She apparently recalls enough about the accident to confirm that it wasn’t Deacon driving the vehicle, which is enough for him to be released from behind bars.
Previews for next week’s episode (Oct. 2) reveal that Lamar may have had something to do with the death of Rayna’s mother, who died in a car accident when Rayna was 12. The preview also hints that Rayna has lost her singing voice after the accident. Deacon, whose hand was badly injured in the accident, may have trouble regaining his ability to play guitar, and Juliette will get a new rival in her quest for Country music stardom.