Emily West Takes Second On 'America's Got Talent'

Emily West.

Emily West.


Emily West made it to the season nine finale of NBC-TV’s America’s Got Talent. Edged out by magician Mat Franco, West made second place, just shy of the $1 million prize and the headlining spot in America’s Got Talent show in Las Vegas.
After the live announcement, West revealed plans for a forthcoming album, via PledgeMusic. The platform allows the performer to offer pre-orders, behind the scenes access, studio visits and more.
Judges Howie Mandel, Heidi Klum, Mel B and Howard Stern have championed the ex-Capitol Nashville artist thorough many performances. During the Wednesday (Sept. 17) finale, West performed “True Colors” with Cyndi Lauper, who had previously encouraged the rising star during a guest appearance on the 2010 season Donald Trump’s The Celebrity Apprentice.
Throughout the season, West has performed Roy Orbison’s “You Got It,” Roberta Flack’s “The First Time Ever I Saw Your Face,” Sia’s “Chandelier,” The Moody Blues’ “Nights In White Satin,” Phil Phillips’ “Sea of Love,” and Queen’s “Who Wants To Live Forever.”
After three singles with Capitol, “Rocks In Your Shoes” (2008), “That Kind of Happy” (2009) and “Blue Sky” (2010), her own major label debut never made it to store shelves.

Man Convicted in 1989 Music Row Murder Dies

candle lifenotes11Richard “Tony” D’Antonio, who was serving a life sentence at Lois DeBerry Special Needs Facility for the murder of now-defunct Cash Box magazine Chart Director, 23-year-old Kevin Hughes on March 9, 1989. D’Antonio died Sept. 10, 2014 of natural causes, MusicRow has confirmed.
He was sentenced a life sentence in 2003 after being found guilty of first-degree murder in the shooting death of Hughes. Prosecutors maintained that Hughes was shot and killed because he was attempting to clean a crooked business practice. D’Antonio had worked with Chuck Dixon, a record promoter and former Cash Box employee who died in 2001. According to testimonies, Dixon was angered that Hughes attempted to halt a scheme that allowed promoters and artists to pay Dixon for a position on the Cash Box chart. During a trial in September 2003, witnesses testified that D’Antonio collected bribes up to $2,000 to make sure a single charted.
D’Antonio was also convicted of assault with intent to commit second degree murder for the attempted murder of singer Sammy Sadler.

No. 1 Party: Lee Brice's "I Don't Dance"

(Seated, L-R): Rob Hatch, Lee Brice, Dallas Davidson. (Standing, L-R): Magic Mustang Music's Juli Newton-Griffith,  SESAC’s Tim Fink, Mike Curb Music’s Drew Alexander, Curb Record's Mike Curb, EMI Blackwood’s Tom Luteran, BMI’s Bradley Collins

(Seated, L-R): Rob Hatch, Lee Brice, Dallas Davidson. (Standing, L-R): Magic Mustang Music’s Juli Newton-Griffith, SESAC’s Tim Fink, Mike Curb Music’s Drew Alexander, Curb Record’s Mike Curb, EMI Blackwood’s Tom Luteran, BMI’s Bradley Collins


A celebration hosted by BMI and SESAC was held at The Music City Tippler in Nashville for Lee Brice and co-writers Dallas Davidson and Rob Hatch for their No. 1 song “I Don’t Dance.” BMI’s Bradley Collins and SESAC’s Tim Fink led the festivities.
Not only was the hit single a No. 1 song, it has also been nominated for Song of the Year at this year’s Country Music Association awards. Brice was commended on not only being the songwriter and singer of the song, but he was also the sole producer.
He was inspired to write the song for his wife Sara, whom he married earlier this year.  This is Brice’s fourth No. 1 as an artist, his third as a songwriter, second as a producer, and first as a sole producer.
“I have a new baby, Rob has a new little girl and Dallas has a boy on the way,” said Brice. “This is where songs like this come from. Songs come from real places and that’s why people connect to them. Thank you Curb Records for letting me just make music.”
This is Davidson’s 19th No. 1 song.  He was described as the writer of the current era of Country Music. “To put my name on a song like this is something special,” said Davidson. “I’m glad it came at a time that I can enjoy this with my wife Natalia.”
Rob Hatch now has two No. 1 songs to his credit. He had spent the last three nights in the hospital with his wife and new baby girl, so it was a special week for Hatch.
Members of the Country Music Association, and Country Radio Broadcasters also awarded the artists on stage.

Arista Nashville Promotes Elliott to Director, National Promotion

Andy Elliott

Andy Elliott


Arista Nashville has promoted Andy Elliott to Director, National Promotion. Reporting to VP, National Promotion Lesly Tyson, Elliott will assume the new role Monday, Sept. 22.
Prior to joining Arista in December 2011, Elliott worked for New Revolution Entertainment, and is an 18-year radio veteran who began his career as Program Director for KJJY and KHKI in Des Moines, Iowa.
Elliott previously served as Regional Promotion Manager for Arista Nashville. The previous position will be filled, with an announcement to be made in coming weeks.
Tyson praised, “Andy has been an amazing part of the Arista family since he joined our team in 2011. His 18 years as a program director, coupled with his innate leadership ability and respect in the radio and record communities, make him the perfect person to help lead Arista Nashville in the years to come. I am so proud to promote him to the role as one of our co-National Directors.”
Elliott can be reached at andy.elliott@sonymusic.com.

Apple's Secret Project Aims To Sell Records

Apple-Time-Beats-u2-New-Music-Service-

TIME/Sebastian Kim


The Sept. 29 cover story for Time magazine reveals details about a new music file format Apple has “secretly” been preparing with U2, expected to “prove so irresistibly exciting to music fans that it will tempt them again to buy music.”
Bono reveals the new file format is at least a year and a half away, a timeframe his band expects to follow with its subsequent album, featuring the format.
Bono tells Time’s Catherine Mayer, “[it will be] an audiovisual interactive format for music that can’t be pirated and will bring back album artwork in the most powerful way, where you can play with the lyrics and get behind the songs when you’re sitting on the subway with your iPad or on these big flat screens. You can see photography like you’ve never seen it before.”
The Irish rockers were highlighted at the Cupertino titan’s Sept. 9 announcement, both performing and distributing its latest album, Songs of Innocence, for free.
Further details on the prospective service are not available.
As of Aug. 1, Apple acquired the streaming music service Beats Music for an estimated $3 billion. The rise in streaming music can be credited for a decline in 2014 record sales, of which Country has experienced a 19.6-percent drop from the previous year.
Apple began partnering with U2 10 years ago for a series of TV commercials and the first special edition iPod, and (PRODUCT) RED.

Kennedy's Glennjoy Music Signs With Music Services, Inc.

Pictured (Seated, L-R): Phil Perkins (President/Music Services, Inc.); Gordon Kennedy. (Standing, L-R): Traci Bishir (Catalog Manager/Music Services, Inc.); Don Cason (VP/Music Services, Inc.)

Pictured (Seated, L-R): Phil Perkins (President/Music Services, Inc.); Gordon Kennedy. (Standing, L-R): Traci Bishir (Catalog Manager/Music Services, Inc.); Don Cason (VP/Music Services, Inc.)


Glennjoy Music, a publishing company owned by songwriter-producer Gordon Kennedy, has signed an exclusive administration deal with Brentwood-based Music Services, Inc. Under the new arrangement, Music Services will oversee the licensing and collection of Kennedy’s catalog, including upcoming cuts on Bonnie Raitt, Peter Frampton, and additional recordings by Ricky Skaggs and Mark Collie.
Kennedy became nationally recognized when he earned the Song of the Year honor at the 1997 Grammy awards for Eric Clapton‘s “Change The World,” which he co-wrote with Wayne Kirkpatrick and Tommy Sims.
Other artists who have recorded Kennedy’s songs include Don Henley, Bonnie Raitt, Garth Brooks, Trisha Yearwood, Bruce Hornsby, Carrie Underwood, Faith Hill, Tim McGraw, Alison Krauss, Nickel Creek, Peter Frampton, George Strait, Martina McBride, Ricky Skaggs, Joan Osborne, Wynonna, and Jerry Reed.
Music Services, Inc. also represents Centricity Records and Publishing, Fair Trade Records and Publishing, Gaither Records, Gotee Records, LifeWay, Reach Records, SeeSeeBubba Songs, Simpleville Publishing, Spring Hill Records, Tooth and Nail Records and Publishing, Wondrous Worship, Word Entertainment among many others.
 

Industry Pics: Jerrod Niemann, Jim Lauderdale, Hannah Dasher

Friday (Sept. 12), Jerrod Niemann was presented with a plaque for the RIAA Platinum certification of his chart-topping hit “Drink To That All Night.” He received the plaque backstage at his first headlining show at Nashville’s Ryman Auditorium.

Pictured (L-R): Bill Simmons (Fitzgerald Hartley), Gary Overton (Sony Music Nashville), Jerrod Niemann, Steve Emley (Fitzgerald Hartley). Photo: Ivor Karabatkovic

Pictured (L-R): Bill Simmons (Fitzgerald Hartley), Gary Overton (Sony Music Nashville), Jerrod Niemann, Steve Emley (Fitzgerald Hartley). Photo: Ivor Karabatkovic

• • •
SESAC recently hosted a gathering of industry executives to celebrate the release of The King of Broken Hearts, a documentary of the life and career of singer-songwriter Jim Lauderdale. The feature was produced and directed by Jeremy Dylan. The King of Broken Hearts, which was released Sept. 15, is available at jimlauderdale.com.
Pictured (L-R): Producer/director Jeremy Dylan, Lauderdale and SESAC’s Tim Fink. Photo: Bev Moser

Pictured (L-R): Producer/director Jeremy Dylan, Lauderdale and SESAC’s Tim Fink. Photo: Bev Moser

• • •

ASCAP singer-songwriter Hannah Dasher recently hosted a performance at historic RCA Studio B. The invitation-only event was attended by label execs, Grand Ole Opry’s Pete Fisher and other industry members. The performance included a short set by Dasher, followed by an after-party in the BMG Chrysalis parking lot.

 Pictured (L-R): Terry Lee Palmer (Guitar); Lee Francis (Bass); Howie Adams (Drums); producer Jeff Stevens; Hannah Dasher; Kos Weaver, Executive Vice President, BMG Chrysalis; Daniel Lee, Senior Creative Director, BMG Chrysalis; LeAnn Phelan, Co-head of Nashville Membership, ASCAP; Michael Martin, Co-head of Nashville Membership, ASCAP; Eddy Dunlap (Steel) About ASCAP

Pictured (L-R): Terry Lee Palmer (Guitar); Lee Francis (Bass); Howie Adams (Drums); producer Jeff Stevens; Hannah Dasher; Kos Weaver, Executive Vice President, BMG Chrysalis; Daniel Lee, Senior Creative Director, BMG Chrysalis; LeAnn Phelan, Co-head of Nashville Membership, ASCAP; Michael Martin, Co-head of Nashville Membership, ASCAP; Eddy Dunlap (Steel) 

Bobby Karl Works The Americana Music Honors & Awards

Pictured: Jason Isbell, Buddy Miller, Sturgill Simpson and The Milk Carton Kids. Photo: Getty Images for Americana Music

Pictured: Jason Isbell, Buddy Miller, Sturgill Simpson and The Milk Carton Kids. Photo: Getty Images for Americana Music


 
BOBBY KARL WORKS THE ROOM
Chapter 469
Clocking in at over three hours in length, the 2014 Americana Music Honors & Awards show was a rich pageant of sounds.
Staged at the Ryman Auditorium on Wednesday (9/17), the event featured one musical monument after another. Grand slam winner Jason Isbell (Artist, Album and Song of the Year) was soul drenched on a searing, scorching, slow-burn performance of “Cover Me Up.”
After Lifetime Performance Achievement winner Taj Mahal rolled charismatically through “Statesboro Blues,” the audience erupted in an ovation. The crowd’s sustained standing cheers for Lifetime Songwriting winner Loretta Lynn went on so long that she could barely leave the stage after singing “Coal Miner’s Daughter.”
Jim Lauderdale and Buddy Miller perform. Photo: Getty Images

Jim Lauderdale and Buddy Miller perform. Photo: Getty Images


Lifetime Instrumentalist honoree Flaco Jimenez teamed up with Ry Cooder on the lovely, lilting waltz “Ingrato Amor.” Group of the Year winners The Milk Carton Kids performed their transfixing, hushed ballad “Snake Eyes” accompanied by their rippling twin acoustic guitars.
The President’s Award went to Jimmie Rodgers. Marty Stuart & The Fabulous Superlatives saluted him by giving a rockabilly kick to “No Hard Time Blues.” Emerging Artist winner Sturgill Simpson was at his country-rocking best on “Life of Sin.”
Other highlights included Rodney Crowell’s prayer-like ballad “God I’m Missing You,” Parker Millsap’s intense tenor vocal on “Truckstop Gospel,” Rosanne Cash’s swampy “A Feather’s Not a Bird,” The Devil Makes Three’s rollicking “Hand Out Now,” Valerie June’s saucy “You Can’t Be Told,” Cassandra Wilson’s sultry “I Want To Be Loved,” Patty Griffin & Robert Plant’s hypnotic “Ohio” and Robert Ellis’s breezy yet downbeat “Only Lies.”
“What a night, huh?” said the Americana Music Association’s Jed Hilly. “I think I have the best job in the world…This night is about great music.”
Show emcee Jim Lauderdale and his pal of 34 years, Buddy Miller, kicked the evening off with a rocking rendition of Bo Diddley’s “You Can’t Judge a Book By the Cover.” Buddy, who led the house band, later won the Instrumentalist of the Year award.
The evening's big winner Jason Isbell shows off his three honors backstage. Photo: Getty Images

The evening’s big winner Jason Isbell shows off his three honors backstage. Photo: Getty Images


Kacey Musgraves and Angaleena Presley presented Loretta’s award. “We all owe a huge debt to the women who came before us,” said Kacey. “We might cry giving this award.” Added Angaleena, “Fifty-four years ago today, she graced this stage for the first time….On behalf of every woman who ever sang or wrote a country song, we present this award to Loretta Lynn.”
“When they told me I was gonna get this award, I said, ‘You’ve got the wrong one,’” said Loretta. “I was so proud when I found out they were right.” Her bus was outside the Ryman, loaded and ready to take her to a concert in Iowa.
Following Hooray for the Riff Raff’s performance of “The Body Electric,” Vince Gill and Carlene Carter presented Buddy Miller with his honor. “I can’t tell you how foolish I feel accepting an award from Vince Gill and being on the same stage with Ry Cooder,” said Buddy. “I don’t deserve this, but thank you.”
Keb’ Mo’ was clearly thrilled to be honoring Taj Mahal. “I can’t believe I get to do this,” he said. “He was ‘world music’ before there was such a thing.”
“You can’t imagine how good this does my heart,” said Taj. “This is a Big One for me.”
Jason Isbell’s first trip to the podium was for “Cover Me Up” as Song of the Year. “I wrote this song for my wife [fellow performer Amanda Shires],” said Jason. “It’s probably the hardest song I ever had to write. Do the things that scare ya: That’s the good stuff.”
The laconic folk rock of Hard Working Americans was followed by the Appalachian moan of Sarah Jarosz. “What a thrill it is to be part of this magical evening,” Sarah commented. Next up was the blue-eyed soul band from Birmingham, St. Paul & The Broken Bones.
Loretta Lynn and Angaleena Presley on the Americana Music Awards & Honors red carpet. Photo: Getty Images.

Loretta Lynn and Angaleena Presley on the Americana Music Awards & Honors red carpet. Photo: Getty Images.


Marty Stuart carried Jimmie Rodgers’s iconic railroad lantern onto the stage. It was given to him by the late Hank Snow. Marty promised the crowd that Jimmie’s honor will have a place of honor. “This award will live in the Jimmie Rodgers Museum in Meridian, Mississippi,” he said. “Go and visit.”
Jason Isbell returned to collect his Artist of the Year trophy. “Anybody who bought the record or came to a show, thank you for that,” he said. “It’s been a great year.” He also pointed out that the show was occurring on Hank Williams’s birthday.
When his Southeastern won the Album honor, he brought producer Dave Cobb to the stage. “I think the folks who are in this room make the best music in Nashville, which is to say, the best music in the world,” said Jason. “And I’m very proud to be a member of that family.”
Jackson Browne was given the Spirit of Americana Free Speech in Music Award. He said, “It’s part of the American character to say what you believe.” Then he did just that in song.
The show’s finale was Johnny Cash’s “Get Rhythm,” led by Rosanne Cash and Ry Cooder and featuring the Broken Bones, Jason Isbell, Jim Lauderdale and more joining in celebration.
The evening’s award presenters included Lucinda Williams, Elizabeth Cook, Shovels & Rope, J.D. Souther, Joe Henry, Emmylou Harris, John Paul White, Paul Thorn, Amy Ray and Josh Ritter. Joining Buddy and Ry in the house band were Brady Blade, Don Was, Joachim Cooder, Tim Lauer and The McCrary Sisters.
Hurray for the Riff Raff performs. Photo: Getty Images

Hurray for the Riff Raff performs. Photo: Getty Images


Wednesday’s Ryman event was the centerpiece of the annual Americana convention. It has a record-setting 1,900 registrants this year. Now celebrating its 15th anniversary, the AMA currently boasts more than 2,000 members. That is nearly double the number it had two years ago.
Among them, presumably, are such Ryman attendees as Tim Fink, Erika Wollam-Nichols, Sheila Lawrence, Katharine Richardson, Holly George-Warren, Michael McCall, Al Moss, Geoff Himes, Ricky Skaggs & Sharon White, John Lomax III, Craig Hayes, Don Cusic, Bill Wence, Suzy Bogguss & Doug Crider, Brian Mansfield, Michelle Goble, Kathy Russ, Jay Orr and Byron Hill.
The show was streamed live on NPRmusic.org and carried on Sirius/XM’s Outlaw radio channel. It will be edited to become an episode of Austin City Limits on PBS on Nov. 22.

Staff Changes, New Location for Patrick Joseph Music

pjmPat Higdon‘s Patrick Joseph Music has promoted Stevie Erickson to the role of Sr. Creative Director. Erickson joined PJM in 2013. Additionally, Christina Wiltshire has been hired as Creative Assistant. Wiltshire previously served internships at Warner Bros. Music and Cornman Music.
PJM recently relocated to 1012 18th Avenue South in Nashville. “With the new facility, as well as the staff promotion and new hire, Patrick Joseph Music continues to refine the level of service we provide for our writers in a boutique creative relationship,” says Higdon.
PJM was originally founded in 1989 by Pat Higdon. It was relaunched in 2012 as a partnership between Higdon and New York-based Songs Music Publishing. The roster features Matraca Berg, George Teren, Ben Carver, Kat Higgins, Jake Mitchell and Melissa Peirce.

No. 1 Party: Joe Nichols' "Yeah"

 Pictured (L-R): Producer Tony Brown, co-writer Ashley Gorley, Joe Nichols, co-writer Bryan Simpson, producer Mickey Jack Cones, (back row) BBR Music Group EVP Jon Loba and CEO Benny Brown, Warner/Chappell Music Publishing's Ryan Beuschel, Combustion Music's Chris Farren, ASCAP's LeAnn Phelan and EVP of Membership John Titta, Sea Gayle Music's Mike Owens, Red Bow Records VP of Promotion Renee Leymon, BMI's Perry Howard and Triple 8 Management's George Couri. Photo: Ed Rode.

Pictured (L-R): Producer Tony Brown, co-writer Ashley Gorley, Joe Nichols, co-writer Bryan Simpson, producer Mickey Jack Cones, (back row) BBR Music Group EVP Jon Loba and CEO Benny Brown, Warner/Chappell Music Publishing’s Ryan Beuschel, Combustion Music’s Chris Farren, ASCAP’s LeAnn Phelan and EVP of Membership John Titta, Sea Gayle Music’s Mike Owens, Red Bow Records VP of Promotion Renee Leymon, BMI’s Perry Howard and Triple 8 Management’s George Couri. Photo: Ed Rode.


“This is one of those songs that anyone could cut and have success,” said Joe Nichols at the No. 1 celebration of his Red Bow Records single “Yeah.” “Thanks to the guys for believing in me to release it.”
The songwriters, Ashley Gorley and Bryan Simpson, did believe in Nichols, but he was without a record label at the time. Nichols used his own money to record the song with producers Mickey Jack Cones and Tony Brown.
September 16 the crew gathered at the CMA offices to celebrate the No. 1 success of the title. ASCAP’s LeAnn Phelan hosted the event together with BMI’s Perry Howard. ASCAP’s EVP of Membership, John Titta, traveled from New York specifically to honor Gorley.
“Joe is unarguably one of the best voices in Nashville,” said Gorley. “We know his end result is going to sound great.”
This is the business of relationships, which were highlighted big time. Gorley and Simpson noted of their close friendship. “[Ashley and I have] lived a lot of life outside the writer room,” said Simpson.
“[Bryan was] maybe the second or third co-write of mine, ever,” recalled Gorley. “He has slept in my living room, and my kids know him as an uncle. He’s one of my best friends in the world so it’s super special to share this with him.”
Similarly Cones acknowledged his gratitude to veteran co-producer Brown, saying, “I wouldn’t be here if it wasn’t for Tony. So Thank You Tony!”
The No. 1 was special because it marked the first No. 1 for Simpson, who had previously had two top 5 songs (“Better Than I Used To Be,” “I’ll Just Hold On”). Simpson was presented with a No. 1 Epiphone guitar, marking the occasion. Sea Gayle’s VP of Creative, Mike Owens accepted on behalf of what was tallied as the publisher’s 37th No. 1.
Chris Farren of Combustion Music and Ryan Beuschel of Warner/Chappell offered remarks on behalf of Gorley. “[We have been] partners with Ashley for 14 years, he’s the best songwriter I’ve known,” acknowledged Farren, also offering a shout-out to Chris Van Belkom, who became engaged the night before.
New to his role, Beuschel noted of his initial meeting with Gorley. “Ashley wants a team around him that wants to do life together,” he said.
Red Bow’s crew also gathered. Acknowledgements were handed out left and right for the BBR staff from VP Promo Renee Leymon, including Benny Brown, Jon Loba, Shelley Hargis, and JoJamie Hahr. “We spent three weeks at No. 1,” said Leymon. “Making sure Joe is at the proper place in the format can’t happen without a team.”
Gold certification credits, matching Nichols’ previous single “Sunny and 75,” were celebrated by the promotion veteran, again with plaques for the house, including Alan Beckler of Red Distribution.