Session Great Henry Strzelecki Passes

henry_strzelecki_photoOne of the greatest session musicians in Nashville recording history has passed away.

Henry Strzelecki, 75, died on Dec. 30. From the 1960s to the present, he played bass on records by many of music’s most famous names. Discs by Bob Dylan, Joan Baez, Ray Charles, Elvis Presley, Gordon Lightfoot, Carl Perkins and Roy Orbison all feature Strzelecki’s work. His playing can also be heard on hits by more than 25 members of the Country Music Hall of Fame.

He was a native of Birmingham, AL who began recording with singer-songwriter Baker Knight on Decca Records in the 1950s. Strzelecki toured throughout the South as a member of The Four Flickers in the late 1950s. In 1959, the group became the first to record his novelty song “Long Tall Texan,” which became a minor classic.

“Long Tall Texan” was subsequently recorded by Jerry Woodard (1960) and by Murry Kellum (1963), who was the first to make the charts with the tune. The Beach Boys recorded it in 1964, and it became a widely loved song in the group’s repertoire. The Kingsmen also recorded it that year.

The song achieved renewed attention in 1996 via versions by Lyle Lovett and by Doug Supernaw with The Beach Boys. Others who have recorded “Long Tall Texan” include Pee Wee Crayton, The Rhythmtones, Leroy VanDyke, The Gestures and Sleepy LaBeef.

As an instrumentalist, Henry Strzelecki worked with guitar legend Hank Garland in the early 1960s. Then Chet Atkins took him under his wing, using Strzelecki as both a touring sideman and a session musician.

The bass player soon moved to the front ranks of Nashville’s recording-session regulars. He worked with practically every artist who made records on Music Row.

Among the country Hall of Fame members he worked with are Eddy Arnold, Bobby Bare, Johnny Cash, Patsy Cline, Flatt & Scruggs, Lefty Frizzell, Don Gibson, Merle Haggard, Tom T. Hall, Ferlin Husky, Waylon Jennings, George Jones, Grandpa Jones, Loretta Lynn, Charlie McCoy, Ronnie Milsap, Willie Nelson, Charley Pride, Jim Reeves, Marty Robbins, Connie Smith, Hank Snow, George Strait, Ernest Tubb, Conway Twitty, Porter Wagoner, Tammy Wynette and Faron Young.

Orbison’s “Oh Pretty Woman,” Dylan’s “Blonde on Blonde” and George Jones’s “He Stopped Loving Her Today” all feature bass playing by Henry Strzelecki.

So do recordings by Johnny Paycheck, The Oak Ridge Boys, Levon Helm, John Anderson, k.d. lang, Elvis Costello, Dottie West, Hank Williams Jr., The Browns, Janie Fricke, David Allan Coe, Hank Locklin, Jerry Reed, Jerry Jeff Walker, Al Hirt, Gene Watson, Louis Armstrong, Larry Gatlin, Johnny Rodriguez and hundreds more.

Among the other artists who recorded Strzelecki’s songwriting efforts were Mundo Earwood (“I Can’t Quit Cheatin’ on You”), Charlie Rich (“Where Do We Go From Here”), Johnny Winter (“The Mistress”) and David Wills (“Happy Hour”).

Henry Strzelecki was reportedly taking a walk when he was struck by a car on Dec. 22. He went into a coma from which he never recovered.

“A Celebration of Life for Henry Strzelecki” is scheduled for 2 p.m. on Jan. 17 at Pennington United Methodist Church. The church is located at 2745 Pennington Bend Road, Nashville, TN 37214 in the Opryland area.

Henry Strzelecki memorial

Industry Mourns Jimmy Dickens

Grand Ole Opry star Little Jimmy Dickens. Photo: Chris Hollo

Grand Ole Opry star Little Jimmy Dickens. Photo: Chris Hollo

The public is invited to celebrate the life of the late, legendary Jimmy Dickens at both his visitation and his funeral service.

The visitation is scheduled for Wednesday, Jan. 7, at the Woodlawn-Roesch-Patton Funeral Home from 4-8 p.m. The building is in Woodlawn Cemetery at 660 Thompson Lane. A Celebration of Life service will be held at the Opry House on Thursday, Jan. 8, at 11 a.m. Friends, family and the public are welcome at both events.

Jimmy Dickens passed away Friday afternoon, Jan. 2, due to a cardiac arrest. A trouper to the end, Dickens turned 94 years old on Dec. 19 and performed on the Grand Ole Opry the following day,  singing his hit “Out Behind the Barn” and delivering his trademark jokes. He suffered a stroke five days after his final performance and died a week later.

The Country Music Hall of Fame inductee was the oldest member of the Opry cast. The widely loved entertainer was the show’s goodwill ambassador, as well as its elder statesman.

Last Friday’s Grand Ole Opry show was dedicated to Dickens by Opry manager Pete Fisher, who eulogized the star by saying he was, “one of the most legendary, entertaining and beloved artists in country music history.” Fisher choked back tears as he added, “We will never forget….”

Bill Anderson saluted his fellow Opry cast member on Friday’s show by performing the 1958 Dickens favorite “Family Reunion.”

Marty Stuart called Dickens, “the heart, the soul and the spirit of the Grand Ole Opry.” Brad Paisley said Dickens was, “my hero,” and added, “I think everyone who ever met him loved him instantly and forever.” Both Paisley and Vince Gill featured Dickens in their music videos and sang with him.

“I’ve always related to him and loved him as a person, as a friend and as an entertainer,” said Dolly Parton. Both Parton and Martina McBride performed the late star’s 1950 tune “I’m Little But I’m Loud” during their careers.

“He just knew how to entertain,” said Ricky Skaggs. “His country charm, sharp wit and graciousness made him a star that everyone wanted to meet.”

During the weekend, eulogies and remembrances of Dickens poured in from dozens of country entertainers. Fellow Opry cast members Mel Tillis, Larry Gatlin, Doug Green of Riders in the Sky, Carrie Underwood, Pam Tillis, Rascal Flatts, Alan Jackson, Reba McEntire and Charlie Daniels were among them.

James Cecil Dickens was born in the tiny hamlet of Bolt, West Virginia into a clan of coal miners. He was the oldest of 13 children. Everyone in his family was musical, and Dickens dreamed of a country-music career from an early age. He began performing on West Virginia radio stations in 1939-40.

He joined station WLW in Cincinnati in 1945. Opry superstar Roy Acuff recalled that Dickens stole a show from him there. He encountered Dickens again at WKNX in Saginaw, Michigan, three years later. Impressed once more, Acuff arranged for Dickens to come to the Opry and to Columbia Records.

Jimmy Dickens in 1971.

Jimmy Dickens in 1971.

Billed as “Little” Jimmy Dickens because of his 4’11” stature, he became a Grand Ole Opry member in 1948 and scored his first Columbia hit in 1949 with the humorous novelty “Take an Old Cold ‘Tater (And Wait).” His friend, Hank Williams, nicknamed him “Tater” as a result. Williams penned “Hey Good Lookin’” for Dickens, but decided to record it himself, instead.

Dickens became well known for novelty ditties such as 1950’s “A-Sleepin’ at the Foot of the Bed” and 1954’s “Out Behind the Barn.” But he was also capable of heart-tugging sentiment, as in 1949’s “My Heart’s Bouquet” and “Pennies for Papa.”

His ballad mastery was evident in “Life Turned Her That Way,” “Farewell Party,” “Take Me As I Am (Or Let Me Go)” and “We Could,” all of which he originated but later became hits for others.

During the 1950s, Jimmy Dickens had one of country music’s most fiery and exciting bands. His Country Boys group featured a loud, twin electric-guitar attack that pre-figured the rise of rockabilly music, as well as the 1970s sound of The Allman Brothers. Hot singles such as 1950’s “Hillbilly Fever,” 1953’s “You All Come,” 1954’s “Rockin’ with Red” and 1958’s “I Got a Hole in My Pocket” showcased his band’s prowess.

Dickens musicians included such future instrumental greats as Grady Martin, Buddy Emmons, Thumbs Carlille, Bob Moore and Walter Haynes. Those weren’t the star’s only lasting contributions. With 1949’s “Country Boy,” Jimmy Dickens introduced Hall of Fame songwriters Boudleaux and Felice Bryant. In 1951, Dickens discovered Marty Robbins and brought him to Columbia Records.

He was also a Nashville pioneer in costuming. Dickens was one of the first Opry artists to sport flashy, rhinestone-bedecked suits crafted by tailors such as Nudie Cohen. “Nudie” suits later became synonymous with country stardom.

Jimmy Dickens left the Opry in 1957. His hits resumed with the ballads “The Violet and the Rose” (1962) and “Another Bridge to Burn” (1963).

In 1964, he became the first country artist to circle the globe on tour. His extensive overseas activity was partly because of his commitment to entertaining at U.S. military bases. He performed several times for the troops during the Vietnam War, even in combat zones.

Dickens returned to novelty material with 1965’s “May the Bird of Paradise Fly Up Your Nose,” which became his biggest hit. The pop and country smash led to TV showcases on The Tonight Show, Hullabaloo and Where the Action Is. Dickens also appeared in the films Tennessee Jamboree (1964) and Second Fiddle to a Steel Guitar (1966).

In 1964, George Jones saluted the star with the tribute LP George Jones Sings Like the Dickens! Ricky Van Shelton, Ray Price, Mel Tillis, Charley Pride, Wanda Jackson and Gene Watson are among the other stars who have revived Dickens songs.

“When the Ship Hit the Sand” (1966) and “Country Music Lover” (1967) became his last top-40 hits, but Jimmy Dickens continued to tour relentlessly in the 1970s and 1980s. He honed his comedic skills and became renowned for his quips, jokes and wisecracks.

Nevertheless, he released his biggest tear-jerker in 1970. This was the dead-child recitation “Raggedy Ann,” which remained in his repertoire for the rest of his life.

Dickens rejoined the Opry cast in 1975. He was elected to the Country Music Hall of Fame in 1983. Another recitation, “Forgive Me Santa,” became a video hit during the 1987 Christmas season.

Jimmy Dickens in 1955

Jimmy Dickens in 1955

In 1996, Jimmy Dickens and his wife Mona celebrated their 25th anniversary by renewing their vows on the Opry stage. After more than 50 years as a travelling entertainer, he finally retired from the road in 1997.

The Academy of Country Music gave him its Pioneer Award in 2006. Brad Paisley and Trace Adkins were among those honoring Dickens in 2008 on the 60th anniversary of his Grand Ole Opry induction. Adkins, Diamond Rio, Little Big Town and Old Crow Medicine Show were among those Dickens welcomed into the Opry cast in later years.

He survived several serious health crises during the past decade. He was hospitalized in 2004, 2008, 2009 and 2013 for various ailments.

Jimmy Dickens is survived by his wife Mona, daughters Pamela Detert and Lisa King, grandchildren Amanda Detert and April Remick and great-grandchildren Keylee Remick, Tanner Remick and Tyler Remick, as well as three sisters.

His Thursday entombment in the Woodlawn Cross Mausoleum will be private for the family.

 

Jack White’s ‘Lazaretto’ Tops Vinyl Sales for 2014

lazaretto1

Jack White

While overall music sales continued to decline in 2014, one bright spot was been the continuing resurgence in vinyl sales, led by Nashville’s own Jack White. In 2014, 9.2 million vinyl albums were sold, marking a 52 percent increase from 2013. The sales numbers also mark the first time vinyl albums surpassed 9 million units in more than 20 years. Vinyl sales accounted for nearly four percent of all album sales in 2014.

White’s Lazaretto album was the best-selling vinyl album in 2014, moving nearly 87,000 units in United States, and garnering worldwide sales of more than 150,000. Those sales numbers also notch Lazaretto as the top-selling vinyl album in any year since Nielsen SoundScan began tracking vinyl sales in 1991.

The multi-talented musician will make a tour stop at Nashville’s Bridgestone Arena on Jan. 28. Country legend Loretta Lynn is also on the bill.

Nashville-based Documentary Highlights Reality of Working Musicians

Band on the Brink

The Tennessean will premiere a documentary film focusing on the reality of Nashville’s working musicians on Jan. 27 at the Belcourt Theatre. The premiere will begin at 6 p.m.

The project features the folk-rock band New Dylans and a take on the reality of working musicians in Nashville today. The Tennessean launched a blog series titled Band on the Brink in December 2014 that chronicled the day-to-day working life of the band. The band New Dylans were lauded by various media outlets and radio in the 1980s and 1990s, only to wind up broke and broken up by 1996. After an 18-year hiatus, the band reunited to begin making music in Nashville.

The Belcourt Theatre premiere will be followed by a live performance from the New Dylans, as well as a panel discussion with industry experts Chris Keaton, owner of Keaton Music Ventures; Bart Herbison, executive director of Nashville Songwriters Association International; Mark Montgomery, music and tech entrepreneur; and Charles Alexander, songwriter and entrepreneur. The panel will be moderated by The Tennessean reporter Nate Rau.

“A lot of people come to Nashville expecting to become royalty and then they end up becoming working class musicians. It’s a very ugly business, yet we’re kind of stuck in it, but if you want to do it, you have to play the game. It’s Music City, but it’s Music ‘business’ City,” says Jim Reilley of New Dylans.

Tickets for the event are now on sale on the Belcourt’s website which you can access directly from the project’s official website at tennessean.com/newdylans. Tickets are $15 online and $18 at the door, plus the Belcourt’s preservation fee. Ticket include 2 drink tickets courtesy of Mayday Brewery.

New U.S. DOT Ruling a Welcome Change for Traveling Musicians

U.S. DOT logoTraveling by plane just got a little easier for some musicians, thanks to the U.S. Department of Transportation.

The DOT issued a final rule to implement section 403 of the FAA Modernization and Reform Act of 2012. The rule requires airline carriers to allow passengers to carry on small musical instruments, including violins and guitars. The instruments must be stowed in the overhead bin, under the seat or in a baggage compartment. Airlines cannot charge a fee above a usual carry-on fee for bringing instruments into the cabin.

The new ruling will go into effect at the end of February 2015.

“During the past year, the department has been engaged in dialogue with musicians, as well as representatives of airlines and industry associations, to address the difficulties musicians face when traveling by air with musical instruments,” the Department of Transportation stated. “Several members of various musician organizations described problems that musicians encounter when traveling by air with their musical instruments.”

“At DOT, we know how important instruments are to musicians and are committed to doing everything we can to ensure that they are not damaged while being transported on airlines,” said U.S. Transportation Secretary Anthony Foxx.  “This final rule implements the statute, and it will go a long way towards keeping instruments safe when they fly – from allowing them in the cabin if there’s space for safe stowage, to letting passengers buy a seat for certain large instruments.”

Travel tips were also offered for musicians, including paying for priority boarding to ensure they board the plane before storage space for instruments runs out. “Because the rule does not require that musical instruments be given priority over other carry-on baggage, we encourage passengers traveling with musical instruments to take steps to board before as many other passengers as possible to ensure that space will be available for them,” the DOT said.

Mark Your Calendar – January 2015

Austin-WebbSingle Add Dates

January 5
Austin Webb/All Country On You/Streamsound
Downday/Stuck On 17/Render

January 6
Reba/Going Out Like That/Nash Icon

January 12
Mickey Guyton/Better Than You Left Me/Capitol Nashville
Frankie Ballard/Young & Crazy/Warner Bros.-WAR
Corey Cox/Wake Up Drunk/Markle Music Group
The Vic Harris Band/Rowdy Ass Cowboy/Airwave
New Black Seven/Fine Wine/SMG Records-Nashville

January 19
Big & Rich/Run Away With You/New Revolution
Davisson Brothers Band/Jesse James/Star Farm Nashville
Chase Likens/Playing It Safe/HMG
Rachele Lynae/Whole Lotta Nothin’/Momentum-in2une
A Thousand Horses/Smoke/Republic Nashville
Chris Dags/Misery/SMG Records-Nashville

January 26
Mo Pitney/Country/Curb Records
Brooklyhn Woods/(When You Love A) Wild Thing/PCG Nashville-Nine North Records
Iron Cowboy/I’m Just A Truck/SMG Records-Nashville

unnamedAlbum Release Dates

January 19
Dr. Ralph Stanley/Ralph Stanley & Friends: Man of Constant Sorrow/Cracker Barrel

January 13
Nate Green/Road Map [EP]/Conway Records-GMV Nashville

January 27
T. Graham Brown/Forever Changed/Mansion-Sony Red


Industry Events

Scott-Borchetta-American-IdolJanuary 7

  • 2015 People’s Choice Awards on CBS
  • American Idol Season 14 Premiere

January 16-18
6th Annual 30A Songwriters Festival in South Walton County, Fla.

January 20
ACM Second Round Ballot Closes

January 26
Nashville Chapter’s Grammy Nominee party at Loews Vanderbilt Hotel (invitation-only)

Sunset Grill Closes After Nearly 25 Years in Nashville

Sunset Grill Staff. Photo: Facebook

Sunset Grill Staff. Photo: Facebook

Sunset Grill, a mainstay kitchen in Nashville’s Hillsboro Village, will close its doors today (January 1, 2015) just after celebrating its final New Years Dinner from 6-10pm last night. Just prior to celebrating Sunset Grill’s silver anniversary, Randy Rayburn, who additionally helms Midtown Cafe and Cabana, has decided to shutter his dining facility after seeing declining revenue since 2007, reports the Tennessean.

Previous executive chef and partner Chris Cunningham has moved to helm the kitchen of FLIP Burger after spending nine years with Sunset Grill.

Additional eateries, Boscos and Boca Loca Cantina, have also shuttered in the morphing neighborhood recently.

For property lease or sales, contact Robbins Properties at 615-301-6571.

LifeNotes: Songwriter/Producer Ed Penney Dies

Ed Penney

Ed Penney

Veteran Nashville songwriter and producer Ed Penney died peacefully at home on Dec. 29 at age 89.

Penney is best known as the producer and co-writer of 1980’s “Somebody’s Knockin’” by Terri Gibbs. It earned her the 1981 CMA Horizon Award and a Grammy nomination.

Penney also co-wrote and produced the singer’s singles “Ashes to Ashes” (1982) and “Some Days it Rains All Night Long” (1982). In addition, he produced the Gibbs follow-up hits “Rich Man” (1981), “I Wanna Be Around” (1981), “Mis’ry River” (1982) and “Baby I’m Gone” (1983).

Born in Cambridge, MA in 1925, Ed Penney served in the U.S. Marines in the Pacific Theater during World War II. In the 1950s, he became a personality on Boston radio, hosting the popular program  “Penney Serenade.” During this period, Variety named him one of the 10 most influential disc jockeys in America.

In 1960, he launched Ed Penney & Associates as a public relations firm representing entertainers, sports figures, music publishers and movie companies.

Ed Penney moved to Nashville in 1971 to pursue his passion for songwriting. During the next two years, his songs were recorded by Jim Ed Brown, Brian Collins, Anne Murray, Barbi Benton and others. Jerry Wallace released Penney’s “The Song Nobody Sings” as a single in 1973.

He had his first songwriting hit when Barbara Mandrell recorded his “That’s What Friends Are For” in 1976. Dottie West released his “That’s All I Wanted to Know” as a single in 1977, and a year later Moe Bandy’s version of “Two Lonely People” became Penney’s first top-10 hit as a writer.

Following his string of successes with Terri Gibbs in the 1980s, Penney retired from music. Even so, his songs continued to be recorded by Jerry Lee Lewis, Lee Greenwood, Judy Lindsey and even rapper DMX.

Burl Ives, Eddy Arnold, Beth Williams, Hank Williams Jr. and Glen Campbell are among the other artists who have recorded his songs. Ed Penney served on the boards of the Recording Academy, the NSAI and The Songwriter Guild.

During his retirement from music, Penney owned and operated Dad’s Old Bookstore in Green Hills. Opened in 1984, this business indulged his interest in rare books and autographs for many years.

He is survived by his wife Patricia and by children Linda Floyd, Edward Penney, Wayne Penney, Diane Penney, Elaine Eskew, Kathleen Penney and Kevin Penney as well as 11 grandchildren and six great-grandchildren.

Visitation was scheduled for Saturday, Jan. 3 at 9:15 to 10:00 a.m. at Christ the King Church, 3001 Belmont Blvd. Eulogies were set for 10-10:30 a.m., with his celebratory mass at 10:30 a.m. Internment is in Harpeth Hills Memorial Garden, 9090 Highway 100. In lieu of flowers, contributions may be made to Vanderbilt Children’s Hospital.

The Inside Story: Belmont Students Score With Mash-Up of Swift Songs

YouTube video

 
A few weeks ago singer and Belmont University student Louisa Wendorff had a ticket to fly home, but bumped the flight so she could stay in Nashville and finish up her latest passion project. Instead of boarding a plane, she ventured to Lieper’s Fork with Belmont pals Devin Dawson and Blythe Thomas to record a video of their mash-up of two Taylor Swift songs. It was a life changing decision.

BlytheThomas

Blythe Thomas


The video blending “Blank Space” and “Style” went live Dec. 23 on Wendorff’s YouTube channel. On Dec. 27 Swift shared it, along with the word “OBSESSED,” with her 49.4 million Twitter followers. The next day Swift posted it on Facebook, where she reaches almost 73 million fans.
Almost instantly the video’s popularity exploded. It has been viewed nearly 3 million times, covered by countless national media outlets, and Wendorff’s EP, Arrow, shot to No. 2 on iTunes’ singer/songwriter chart.
The idea for the mash-up originated during Thanksgiving weekend. Thomas recalls, “Louisa, Devin and I hung out. They got a guitar and started working on it that night.”
“It came together naturally and easily,” says Wendorff. “Devin’s an awesome friend. He’s a musical genius with writing, singing and everything. I love working with him, and had pulled him in on a previous video we did.”
JacobDurrett

Jacob Durrett


Dawson (full name: Devin Dawson Durrett) turned to twin brother/Belmont student Jacob Durrett for the sound recording. Durrett says, “We started recording guitar, and Devin recorded his harmonies before Louisa recorded her top-line. They had rehearsed it so much that they knew exactly what they wanted to do. They had all the harmonies and pretty much the whole song was done by the time Louisa came in to do her vocal part.”
Dawson and Durrett worked on the recording until 3 a.m. the night before the video shoot. “We were so excited and passionate about it,” says Dawson.
That same night, Thomas graduated from Belmont and finalized the video treatment. She says, “The idea for the video came after Louisa and Devin played the mash-up for me. We had the same idea at the same time. Louisa said, ‘What if we were standing face to face and singing the song?’ And I said, ‘Well, what if you guys were standing back to back?’ And at the same time we were like, ‘We should have the camera spin around you.’ We wanted it to build as the video progressed. We walked in circles around them for five or six takes to get the video.”
Everyone who worked on the project says they have benefited from Belmont’s collaborative environment. “We literally all need each other,” says Dawson. “At Belmont there are performers, and there are people in the background like engineers. It’s like a smaller version of the music industry, and we’re a family for four years of our lives. We all grow together and it cultivates collaboration.”
Wendorff agrees, “The community there is unlike anything I’ve ever experienced, all the support we’ve received from fellow Belmont students and friends—people we know and don’t know—is so humbling and truly encouraging. I’m so blown away. We’re working hard and it’s definitely going to keep going from here.”
Screen Shot of Taylor Swift Twitter 2014

Screen shot of Taylor Swift’s Tweet about the video.

20 New Country Artists Spotlighted By Spotify

Spotify SpotlightAs part of its Spotify Spotlight playlist series, the hotly contested music streaming service has released the Spotlight on Country, a playlist of 20 new artists it projects will be hottest next year in the genre.
Major label and independent artists make up the list, including UMG Nashville’s Clare Dunn, Canaan Smith and Mickey Guyton; Mo Pitney (Curb); Kelsea Ballerini (Black River); Old Dominion; Sony Music’s Logan Mize and Steven Lee Olsen; Big Loud Mountain’s Chris Lane and Dallas Smith; and Caitlyn Smith (Cornman Music).
According to Spotify, the lists have been based on new global artists who had a strong showing on Spotify’s viral charts throughout the year, and who Spotify have been working with and supporting over recent months. Just over 16k have followed the 2015 playlist. Over 700k follow a separate Top 100 Country Tracks playlist, updated weekly by Spotify.
Spotify reports it is available in 58 markets with over 12.5 million paying subscribers and over 50 million users active on the ad-supported service in the past 30 days.