UMG Revenues Show Streaming and Subscriptons Overtaking Sales

umgStreaming and subscriptions now account for more revenue (51 percent) for Universal Music Group (UMG) than all other digital revenue worldwide.

This shift was reported Tuesday (Nov. 10) in UMG parent company Vivendi‘s third quarter financial reports in analyzing nine-month totals.

“It is still too early to tell whether or not we have reached an inflection point,” said Herve Phillippe, Member of the Management Board, CFO.

Those year-to-date figures show UMG’s recorded music at $2.97 billion, up 1.9 percent at constant perimeter and constant currency, with digital up 5.9 percent. Physical sales have been down 7.9 percent YTD, at $937 million.

Still to come, awards boosts (Eric Church, Chris Stapleton), holiday sales (Taylor Swift, Sam Smith, Maroon 5) and among new releases, that of Justin Bieber.

According to analysis from Music Business Worldwide, UMG’s specific third quarter revenue fell from the previous quarter, perhaps due to the establishment of Apple Music.

Marbaloo: Marketing Nashville’s Top Artists Through Creativity, Customization

Marbaloo founder and leader Faithe Parker

Marbaloo founder and managing partner Faithe Parker

 

Kelsea Ballerini. Photo: Jeremy Ryan

Kelsea Ballerini. Photo: Jeremy Ryan

 

For Faithe Parker, being part of the successes of Kelsea Ballerini and other Marbaloo clients is the culmination of years of big dreams and hard work. Parker formed Marbaloo (short for “Marketing Hullabaloo”) in 2010. Five years later, the company boasts work with artists including Ballerini, Toby Keith, Maddie & Tae, Tim McGraw, Luke Bryan, Miranda Lambert, and more.

“I come from an entrepreneurial bloodlines,” Parker says. “I always wanted to start my own business, but I wanted to wait until I had the right experience.”

That experience includes international marketing for Interscope Records and a role as International Marketing and Promotions Director for Universal Music Group, working with artists including Lady Gaga, All American Rejects, and 50 Cent. She also worked as VP of Creative Operations for producer and musician Dave Stewart’s production studio Weapons of Mass Entertainment. She says her experience as a label rep working with third-party marketing companies informed her decision to create Marbaloo. “I really felt like we could be a company that would be pro-record company, who could come alongside record labels and management to help market artists,” said Parker.

Luke BryanThe strategy has paid off. Earlier this year, Marbaloo collaborated with Universal Music Group Nashville and Kerri Edwards’ KP Entertainment to debut reigning CMA Entertainer of the Year Luke Bryan’s lyric video for “Kill The Lights” via risky marketing move — by debuting the clip on popular dating app Tinder. “We really try to find new ways of bringing artists to a new audience in ways that make sense,” Parker says. “It got his music in front of people who may not have heard it before. His label and management are so great about being progressive and wanting to reach more people.”

Parker and her company aim to bring that same level of creativity to each client, regardless of the artist’s star status. “The first thing we do is get to know precisely what a new client needs and what is their perspective of themselves as an artist,” Parker says. “We learn everything from how they see themselves as an artist, to how they envision their career goals. What kinds of social media platforms, if any, they are comfortable using to communicate with fans? What parts of their stories haven’t been communicated with fans? What are their other passions and hobbies? Then we use all these pieces to customize and create new marketing ideas.”

Marbaloo’s staff has expanded to 23 employees adept at marketing, project management, event promotion, tour marketing, digital strategy, integrated publicity, asset production and more. Still, the company’s growth strategy has allowed them to continue to offer each new client personalized attention. “We do have a large roster of artists that we work with, but we have grown our staff as we have grown our client roster, which gives us a larger staff-to-artist ratio than many other marketing companies in town,” Parker says.

As the company’s clientele has expanded, so has its office space. They recently moved into a suite on the 13th floor of Nashville’s L&C Building, with nearly 6,000 square feet of office space. The suite is outfitted with sleek lines and warm colors. Glass walls throughout much of the space promote a collaborative environment. Multiple cooperative areas throughout the office accommodate meetings of all sizes, from phone booth-size enclosed areas for private calls, to couches for intimate meetings, to full-size conference rooms. “We are very collaborative here. Our staffers are very creative, and often work 12- and 16-hour days, so we want it to be a space where people are comfortable and where they can focus.”

“We couldn’t do this without the teamwork of the labels, management, publicists and artists we work with,” Parker says. “We are an extension of the artists we represent, and we aim to market them as creatively as possible. We couldn’t do that without the collaborative spirit in this city.”

Bachman-Gretsch Guitar Collection Coming to CMHoF

unnamed-1

The Country Music Hall of Fame® and Museum will debut its largest exhibition of stringed instruments next year, when it explores the history of the guitar with the exhibition American Sound and Beauty: Guitars from the Bachman-Gretsch Collection.  The collection opens Jan. 15, 2016, and runs through July 2016.

The 75 guitars that will be presented as part of the exhibit will provide a look at the instrument’s evolution from the late 1920s to the early 1980s. The exhibit is also the most comprehensive look at the Bachman-Gretsch Collection ever made available to the public.

The collection was amassed by Canadian guitarist and songwriter Randy Bachman, a key member of rock bands The Guess Who and Bachman-Turner Overdrive. Bachman acquired more than 300 historic and rare Gretsch guitars in the 1970s and 1980s. His collection was purchased in 2008 by the Gretsch Foundation, the charitable arm of the Gretsch family.

Guitars from the Bachman-Gretsch Collection. Photo: Country Music Hall of Fame and Museum.

Guitars from the Bachman-Gretsch Collection. Photo: Country Music Hall of Fame and Museum.

“The Country Music Hall of Fame and Museum are incredible stewards of over two million artifacts in their own collection,” said Gretsch president Fred Gretsch. “When thinking about where to debut this collection, they were the obvious choice to both tell the Gretsch story and showcase these beautiful works of art to the world.”

“This collection of instruments tells a story of American life,” said museum CEO Kyle Young. “From the Great Depression to the social unrest of the 1960s and 1970s, music has always evolved to reflect the important issues of the day, providing a soundtrack to history. Through sound and beauty these guitars reflect that evolution and tell our story.”

Artist Updates: Jimmy Wayne, Clare Bowen, Austin Webb, Bobby Bones and the Raging Idiots

Jimmy Wayne Supports Musicians On Call

Jimmy Wayne celebrated Veterans Day with work for Musicians On Call, a non-profit that brings live and recorded music to the bedsides of patients in healthcare facilities. At the Nashville VA medical center, he serenaded veterans with songs including “Sara Smile” and his own “Do You Believe Me Now.”

The visit was the first in partnership with the Grand Ole Opry, which is celebrating its 90th anniversary, and its Circle Throwdown, which brings performances with Opry artists and a replica of the famed six-foot Opry Circle of wood symbolizing the oak center stage at the Opry House to new locations across the country.

Jimmy Wayne. Photo: Glenn Sweitzer / Fresh Films

Jimmy Wayne. Photo: Glenn Sweitzer / Fresh Films

Nashville‘s Clare Bowen Explains Her New Look

Clare Bowen. Photo: Joseph Llanes

Clare Bowen. Photo: Joseph Llanes

Nashville actress Clare Bowen recently took to social media to explain why her character has a new look. Bowen, 31, cut off her signature long blonde hair in an effort to encourage others to look beyond physical appearance. She also did it to encourage children and adults undergoing cancer treatment.

Bowen shared her own childhood experience of being diagnosed with end stage nephroblastoma, a kidney cancer that is responsible for 95 percent of kidney and renal cancers in children under the age of 14.

“I was really inspired when I heard a story about a little girl who said she couldn’t be a princess because she didn’t have long hair, and I wanted her, and others like her, to know that’s not what makes a princess, or a warrior, or a superhero. It’s not what makes you beautiful either. It’s your insides that count…even if you happen to be missing half of them,” she wrote on Facebook. “Every scar tells a story, every baldhead, every dark circle, every prosthetic limb, and every reflection in a mirror that you might not recognize anymore. Look deeper than skin, hair, nails, and lips. You are who you are in your bones. That is where you have the potential to shine the brightest from. It is where your true beautiful self lives.”

 

Austin Webb Gets Engaged

10001348_661356913920700_1335566348_nSinger-songwriter Austin Webb has revealed that he proposed to his longtime girlfriend Melanie McFarlane Payne.

“I’ve never been so sure about anything in my life,” he shared via Instagram. “The most supportive, beautiful, smart, funny, great cooking, good lookin, kind hearted woman said yes #1111#shesaidyes”

The couple has not announced a wedding date.

Webb’s singles include 2013’s “Slip On By” and 2015’s “All Country on You.”

 

Bobby Bones and the Raging Idiots To Release Children’s EP

Comedy duo and Black River Entertainment recording artists Bobby Bones and the Raging Idiots will released the children’s EP The Raging Idiots Presents-The Raging Kidiots on Nov. 20. Beginning Nov. 13, fans can pre-order the EP on iTunes.

Photo: Robert Chavers Courtesy of Black River Entertainment

Photo: Robert Chavers
Courtesy of Black River Entertainment

MusicRow Podcast Episode 3: The Band Perry

TheBandPerry_PodcastPost

The Band Perry landed a big hit with “Done,” yet that word is barely in their vocabulary. MusicRow owner/publisher Sherod Robertson catches up with one of the industry’s hardest-working bands for the third episode of the MusicRow podcast.

Naturally, the conversation covers a lot of ground — from how they learned to develop a thick skin, their endless desire to grow and develop their art, and where their strong work ethic comes from.

As a family band made up of two brothers and a sister, Kimberly, Neil and Reid Perry also explain how they go about making decisions when it comes to important moments in their career. And for this trio, the visual representation of their music is key, so they describe how they incorporate spectacle into their live show.

Signed to Big Machine Label Group’s Republic Nashville, The Band Perry was named MusicRow’s Breakthrough Artist in 2011 and they have gone on to win many awards, including trophies from the CMA, ACM and CMT, as well as a Grammy earlier this year for their rendition of Glen Campbell’s “Gentle on My Mind.” With a new single called “Live Forever,” it’s clear that The Band Perry are in it for the long haul.

Sponsored by SunTrust Bank’s Sports & Entertainment Group, this episode of the MusicRow podcast is the third in a series. All of the MusicRow podcasts are available on iTunes.

Click here to listen to episodes online.

Click here to listen on iTunes.

About the MusicRow podcast:
From Nashville’s leading music industry trade publication, The MusicRow Podcast features in-depth conversations with artists and the key industry members behind their music. Hosted by MusicRow Magazine Publisher Sherod Robertson, the series offers unique perspectives from iconic legends and rising talent to key decision makers and gatekeepers in the Nashville music industry.

Bobby Bones Joins ASCAP

Pictured (L-R): Producer Eddie; Robert Filhart, Creative Director, ASCAP; Bobby Bones; Michael Martin, VP Of Membership, ASCAP.

Pictured (L-R): Producer Eddie; Robert Filhart, Creative Director, ASCAP; Bobby Bones; Michael Martin, VP Of Membership, ASCAP.

iHeartMedia/Premiere Networks on-air personality Bobby Bones of the nationally syndicated weekday country radio morning show The Bobby Bones Show has joined ASCAP as a songwriter member. Bones is half of Black River Entertainment recording artists and comedy duo The Raging Idiots, who recently announced the track listing and Nov. 20 release date for their debut EP, The Raging Idiots Presents – The Raging Kidiots.

Comprised of Bones and “Producer Eddie” of The Bobby Bones Show, The Raging Idiots have performed record-setting sold out shows across the country and have raised more than one million dollars for various charities, including St. Jude Children’s Research Hospital. For tour dates and information on Bobby Bones and The Raging Idiots, visit ragingidiots.com.

Demolition Music Publishing Signs Megan Conner

Pictured (L-R): Abbe Nameche, plugger/consultant; Jon D'Agostino, Demolition President; Steve Bloch, plugger/consultant; Megan Conner; Shane Barrett, plugger/consultant.

Pictured (L-R): Abbe Nameche, plugger/consultant; Jon D’Agostino, Demolition President; Steve Bloch, plugger/consultant; Megan Conner; Shane Barrett, plugger/consultant.

Nashville’s Demolition Music Publishing is proud to announce the signing of songwriter Megan Conner.

“Our entire team is thrilled to have Megan on board,” said Demolition President, Jon D’Agostino. “She brings so much talent, experience and positivity to the writing room it’s insane!”

Megan has had recent cuts by Rascal Flatts, Chris Young, The Swon Brothers, and Danny Gokey.

DISClaimer: Chris Stapleton, Ryan Kinder Bring Ace Musicianship To New Singles

Pictured (L-R): Chris Stapleton, Ryan Kinder

Pictured (L-R): Chris Stapleton, Ryan Kinder

Big stars are side-by-side with complete unknowns this week.

In fact, more than half of these platters are by newcomers. Fortunately, this quantity creates no confusion about who is the best of them. The hands-down winner of the DisCovery Award is Ryan Kinder.

When dealing with the stars, the choice isn’t all that clear-cut. Miranda Lambert, Thomas Rhett, Chris Stapleton and Hank Williams Jr. all have highly engaging sounds. In a very, very close contest, I’m going with my old fave Chris Stapleton as having the Disc of the Day. He nailed “Tennessee Whiskey” on the CMA telecast, and he nails on the record, as well.

JEFF DANE/Apple Pie Moonshine
Writers: none listed; Producer: none listed; Publishers: none listed; JD
-It’s about running bootleg hooch. It has no melody.

HANK WILLIAMS JR. & ERIC CHURCH/Are You Ready For The Country
Writer: Neil Young; Producer: Julian Raymond; Publisher: Silver Fiddle, ASCAP; Nash Icon
-Packed with “outlaw” energy. An audio Red Bull jolt.

CURTIS BRALY & KIM CALDWELL/Sooner Or Later
Writers: none listed; Producer: none listed; Publishers: none listed; Studio Gold
-Duet partner Caldwell was an American Idol Season 2 finalist. But this is Braly’s show, since he is the more relaxed and believable vocalist. The song is a power ballad with loads of oomph.

CHRIS STAPLETON/Tennessee Whiskey
Writers: Dean Dillon/Linda Hargrove; Producers: Dave Cobb/Chris Stapleton; Publishers: Universal – Songs of PolyGram International, Inc.; EMI Algee Music Corp., BMI; Mercury (track)
-Part of the brilliance of Stapleton’s CMA award-winning album is that his vocals are so clear and uncluttered by production. His reworking of this 1983 George Jones hit drips with blue-eyed soul. His electric-guitar solo is just as groovy. Play and believe.

SCOTT BRANTLEY/Good Thing Going
Writers: none listed; Producer: none listed; Publishers: none listed; Studio Gold
-Merrily rollicking and mighty enjoyable. He’s deliriously in love, riding the open road and heading for home. A very tasty production and writing job, so credits would have been nice.

MIRANDA LAMBERT/Bathroom Sink
Writer: Miranda Lambert; Producers: Frank Liddell/Chuck Ainlay/Glenn Worf; Publishers: Sony-ATV Tree/Pink Dog, BMI
-Smartly written and performed with moxie. Also, it kicks serious butt.

RYAN BEAVER/Dark
Writers: none listed; Producer: none listed; Publishers: none listed; Crush
-The electro-accented production is full of echo and drama. He sings like a man possessed. He keeps drinking and descending into misery. “Bring it on; I ain’t afraid of the dark,” he cries. Gripping and passionate.

THOMAS RHETT/Die a Happy Man
Writers: Thomas Rhett/Sean Douglas/Joe Spargur; Producers: Dann Huff/Jesse Frasure; Publishers:EMI Blackwood/Cricket on the Line/Sony-ATV/Warner-Tamerlane/Eastman Pond/Music of Big Deal/Nice Life/Frederic and Ried/BMG Rights Management, BMI; Valory Music Co.
-The softly seductive r&b groove is delicious. His laid-back delivery charms with subtlety. A love-ballad gem.

SHANE MICHAEL TAYLOR & MASON DOUGLAS/Feel Good Side of Life
Writers: Shane Michael Taylor/Lorna Flowers; Producer: Lorna Flowers; Publishers: none listed; Platinum Horse
-The album is credited to Taylor, who is a wheelchair-bound cerebral-palsy patient. In actuality, he is the songwriter of the collection. Vocals are provided by Trent Jeffcoat, Clare Dunn, Josh Helms, Tiffany and, as is the cast here, Mason Douglas. The ballad has a positive, uplifting message.

RYAN KINDER/Tonight
Writers: Ryan Kinder/Luke Sheets; Producer: Paul Worley; Publishers: W.B.M. Music Corp/Crimson Garden Music/Melodies of Bigger Picture (admin by W.B.M. Music Corp.)/Curb Congregation Songs; SESAC; Warner Bros.
-I like the driving, throbbing quality in this sound. He rides atop the pounding production with vocal finesse. It’s a sophisticated booty call, and who can argue with that? Unquestionably, the finest country debut in quite some time.

 

CMT Gets Ratings Boost From ‘I Love Kellie Pickler’

Kellie Pickler.

Kellie Pickler

CMT broke two of its longstanding ratings records as more than 2.5 million total viewers tuned in to the premiere night of I Love Kellie Pickler on Thursday (Nov. 5).

The premiere episode notched an impressive .81 rating with women (18-49) and .53 rating with adults (18-49) according to Nielsen Media Research, propelling the network to its highest premiere with adults since 2012 and women since 2008. Including encores over the weekend, nearly 4 million viewers have tuned-in.

Kellie Pickler and her husband/co-star Kyle Jacobs lit up social media that night with the series ranking as the No. 2 primetime reality series on Twitter, while the premiere drove a staggering 105% week-over-week increase in visitors and 96% week-over-week increase in total visits to CMT.com. New episodes of I Love Kellie Pickler premiere on Thursday nights at 10 p.m. ET/PT.

CMT is building a successful block of original programming on Thursday nights as the 10th season of Dallas Cowboy Cheerleaders Making the Team concluded its season as the highest-rated to date with adults 18-49, garnering nearly 3 million total viewers, while Party Down South, returning January 7, remains the network’s highest-rated series.

I Love Kellie Pickler is produced by Ryan Seacrest Productions with executive producers Ryan Seacrest, Eugene Young, Rabih Gholam, Lisa Tucker, Noah Moskin, Kellie Pickler and Kyle Jacobs. Jayson Dinsmore, Morgan Selzer and Matthew Trierweiler executive produce for CMT.

Justin Timberlake’s “Drink You Away” Coming To Country Radio

Justin Timberlake. Photo: Tom Munro / RCA Records

Justin Timberlake. Photo: Tom Munro / RCA Records

Pop superstar Justin Timberlake is making his way to country radio. His stirring duet with Chris Stapleton on last week’s CMA Awards (below) spurred Stapleton’s album Traveller to the pinnacle of the album sales rankings. As a result, Sony/RCA Nashville is hoping that country listeners are open to music from Timberlake.

“Drink You Away,” a track from Timberlake’s 2013 album The 20/20 Experience and one of the songs performed during the CMA duet, will be released to country radio on Nov. 23, according to the label. Timberlake is officially signed to RCA Records, a division of Sony Music Entertainment.

As a solo artist, Timberlake’s first foray into country music came in 2007 when the Memphis native teamed with Reba for “The Only Promise That Remains,” a song he produced with Reba and penned with Matt Morris for Reba: Duets. As a member of *NSYNC, Timberlake and his bandmates appeared on Alabama‘s 1999 single, “God Must Have Spent a Little More Time on You,” which peaked at No. 3 on country radio. *NSYNC performed the tune with Alabama on the CMA Awards.

This isn’t the first time “Drink You Away” has been released to country radio. Stoney Creek Records artist David Fanning released a cover of the song to radio in 2014 with his then imprint, Red Bow.

YouTube video