Cassadee Pope To Take CMT’s Next Women Of Country Tour Overseas

Photo credit: Justin Aharoni

Cassadee Pope is set to bring the CMT Next Women of Country tour outside of the country for the first time ever with dates across the U.K. later this month.

Pope played to sold-out crowds last weekend in New York, Boston, and Washington DC on the headlining CMT Next Women of Country Tour, and will embark on the final U.S. leg of her own tour this Thursday in Evansville, Indiana. 

She will hit several festivals on tour this summer in support of her recently-released album Stages (produced by longtime collaborator Corey Crowder), with stops at the Bayou Country Superfest, Comstock Windmill Festival, The Country Fest, Country LakeShake Festival, and Faster Horses.

Cassadee Pope Tour Dates:
May 3, 2019 – Wooly’s – Des Moines, IA
CMT Next Women of Country Tour w/ Clare Dunn and Hannah Ellis
CMT Next Women of Country Tour w/ Clare Dunn and Hannah Ellis
CMT Next Women of Country Tour – UK
May 10, 2019 – Arts Club Theatre – Liverpool, UK
CMT Next Women of Country Tour – UK
CMT Next Women of Country Tour – UK
CMT Next Women of Country Tour – UK
CMT Next Women of Country Tour – UK
May 18, 2019 – Wolf Den at Mohegan Sun – Montville, CT
Bayou Country Superfest
June 21, 2019 – Country LakeShake Festival – Chicago, IL
June 20, 2019 – Hollywood Gaming at Dayton Raceway – Dayton, OH
June 21, 2019 – Faster Horses – Brooklyn, MI
June 26, 2019 – PNC Waterside Pavilion – Solomons, MD 

Cassadee Pope To Take CMT’s Next Women Of Country Tour Overseas

Photo credit: Justin Aharoni

Cassadee Pope is set to bring the CMT Next Women of Country tour outside of the country for the first time ever with dates across the U.K. later this month.

Pope played to sold-out crowds last weekend in New York, Boston, and Washington DC on the headlining CMT Next Women of Country Tour, and will embark on the final U.S. leg of her own tour this Thursday in Evansville, Indiana. 

She will hit several festivals on tour this summer in support of her recently-released album Stages (produced by longtime collaborator Corey Crowder), with stops at the Bayou Country Superfest, Comstock Windmill Festival, The Country Fest, Country LakeShake Festival, and Faster Horses.

Cassadee Pope Tour Dates:
May 3, 2019 – Wooly’s – Des Moines, IA
CMT Next Women of Country Tour w/ Clare Dunn and Hannah Ellis
CMT Next Women of Country Tour w/ Clare Dunn and Hannah Ellis
CMT Next Women of Country Tour – UK
May 10, 2019 – Arts Club Theatre – Liverpool, UK
CMT Next Women of Country Tour – UK
CMT Next Women of Country Tour – UK
CMT Next Women of Country Tour – UK
CMT Next Women of Country Tour – UK
May 18, 2019 – Wolf Den at Mohegan Sun – Montville, CT
Bayou Country Superfest
June 21, 2019 – Country LakeShake Festival – Chicago, IL
June 20, 2019 – Hollywood Gaming at Dayton Raceway – Dayton, OH
June 21, 2019 – Faster Horses – Brooklyn, MI
June 26, 2019 – PNC Waterside Pavilion – Solomons, MD 

BMI Austin Makes First Songwriter Signing

Pictured (L-R): Mitch Ballard (BMI), Triston Marez, Alex Torrez (Torrez Music Group)

Country singer Triston Marez is the first songwriter added to the new Austin roster of Broadcast Music, Inc. (BMI). The performing rights organization announced the opening of its new creative office in Austin in a press conference with Texas governor Greg Abbott in March. Marez’s EP That Was All Me was released in January, and he continues to tour throughout the state.

“It’s rare that you find an artist who has made such an impact in such a short amount of time. Making an impact in Texas is a great barometer for success,“ says Mitch Ballard, Senior Director, Creative, Austin. “Triston is not only a great songwriter; he’s incredibly hard working. Every bit of his success can be attributed to a great combination of talent and determination. We are thrilled to welcome him to the BMI family.”

A Houston native, Marez’s EP debuted in the top five on the iTunes country chart. Since its release on Jan. 25, the singer-songwriter has reached a combined one million streams on all platforms. His new single, “Darlin’,” has surpassed 50,000 streams in two weeks.

“It is quite an honor to be a part of the BMI family and the first artist signed to the roster at the new office in Austin, Texas; the state that I call home,” Marez said. “The team at Torrez Music Group and I have worked very hard to get the momentum we have today and knowing we have BMI on board, who have supported and impacted the growth and success of many artists from Texas who I look up to, is a great feeling. I truly am thankful for everyone at BMI, including Mr. Ballard, for giving me this opportunity.”

BMI Austin Makes First Songwriter Signing

Pictured (L-R): Mitch Ballard (BMI), Triston Marez, Alex Torrez (Torrez Music Group)

Country singer Triston Marez is the first songwriter added to the new Austin roster of Broadcast Music, Inc. (BMI). The performing rights organization announced the opening of its new creative office in Austin in a press conference with Texas governor Greg Abbott in March. Marez’s EP That Was All Me was released in January, and he continues to tour throughout the state.

“It’s rare that you find an artist who has made such an impact in such a short amount of time. Making an impact in Texas is a great barometer for success,“ says Mitch Ballard, Senior Director, Creative, Austin. “Triston is not only a great songwriter; he’s incredibly hard working. Every bit of his success can be attributed to a great combination of talent and determination. We are thrilled to welcome him to the BMI family.”

A Houston native, Marez’s EP debuted in the top five on the iTunes country chart. Since its release on Jan. 25, the singer-songwriter has reached a combined one million streams on all platforms. His new single, “Darlin’,” has surpassed 50,000 streams in two weeks.

“It is quite an honor to be a part of the BMI family and the first artist signed to the roster at the new office in Austin, Texas; the state that I call home,” Marez said. “The team at Torrez Music Group and I have worked very hard to get the momentum we have today and knowing we have BMI on board, who have supported and impacted the growth and success of many artists from Texas who I look up to, is a great feeling. I truly am thankful for everyone at BMI, including Mr. Ballard, for giving me this opportunity.”

Weekly Chart Report (5/3/19)

Click here or above to access MusicRow’s weekly CountryBreakout Report.

Weekly Chart Report (5/3/19)

Click here or above to access MusicRow’s weekly CountryBreakout Report.

Spirit Music Group Appoints Frank Rogers As CEO, Spirit Music Nashville

Frank Rogers

Spirit Music Group has appointed Frank Rogers to Chief Executive Officer, Spirit Music Nashville. Rogers will be responsible for overseeing all aspects of Spirit Music Nashville’s creative and operational activities. Daniel Hill will exit the company.

“Frank Rogers is a rare talent—from his ability to produce and write No. 1 hits, to his amazing business acumen,” said Jon Singer, Chairman, Spirit Music Group. “Frank has a vision for Spirit Music Nashville and I have no doubt he will execute on that vision and exceed expectations. We are fortunate to have Frank lead our talented writers and staff in this next chapter. I also want to thank Daniel Hill for all of his years of service and have the utmost respect for him.”

“I am excited to have the opportunity to lead the talented staff and roster at Spirit Music Nashville,” said Rogers. “The entire Spirit Music Group team has been wonderful partners for myself and Fluid Music Revolution. I look forward to continuing to build something special with both the Spirit and Fluid teams.”

“Songwriters and songs are my passion and I am honored and grateful to have worked alongside some of the best at Spirit,” said Hill. “I am proud of the Spirit team and our many accomplishments, and I look forward to even more successes for us all.”

Frank Rogers is a multi-platinum producer and songwriter who has won MusicRow’s Producer of the Year award four times and Billboard’s No. 1 Hot Country Producer Award from 2006 – 2010. His work to date has resulted in thirteen Country Music Association award nominations, including a win for Album of the Year for Time Well Wasted with Brad Paisley. Rogers also has credits with Trace Adkins, Josh Turner, Darius Rucker, Phil Vassar, Darryl Worley, and Scotty McCreery, and has received five Academy of Country Music awards.

Rogers has also co-written several No. 1 songs, including: “I’m Gonna Miss Her (The Fishin’ Song)” by Brad Paisley, “Alright” and “This” by Darius Rucker, “Five More Minutes” and “This Is It” by Scotty McCreery, and “Backroad Song” by Granger Smith.

Rogers moved to Nashville in 1990 and got his Music Business degree from Belmont University, where he met friend and future collaborator Brad Paisley. Rogers then worked for EMI Nashville Production and opened Nashville independent publisher Sea Gayle Music with Paisley and Chris DuBois.

In 2016, Spirit Music Group formed a multi-faceted deal with Rogers and together established Fluid Music Revolution. Through the agreement, Spirit acquired Rogers’ one third interest in certain copyrights of the respected Sea Gayle Music. The deal also leveraged Rogers’ executive abilities and creative talent. Spirit’s venture with Rogers empowered him to bring new artists, producers, and writers to the company. He also joined Spirit’s roster as a songwriter, and the company exclusively administers all of his new compositions worldwide.

In addition to its deal with Rogers, Spirit’s deals in the country music landscape have included a deal with Zach Crowell that included the acquisition of his I Love Pizza Music catalog, which features many No. 1 hits. Spirit also formed a co-publishing venture with Crowell along with Ashley Gorley’s Tape Room Music, that encompasses Crowell’s future compositions. Spirit also made a deal with Grammy-winning Nashville songwriter Josh Osborne to acquire his co-published catalog, which features 500 songs. Spirit Music Nashville and Fluid Music Revolution also completed deals with Justin Adams, Derek George, Jason Lehning, Monty Criswell, Kyle Rife, Erik Belz, Marcus Hummon, Palmer Lee, Mike Fiorentino, Phillip White, and SESAC Songwriter of the Year Cary Barlowe. The company acquired the successful Nashville-based independent music publisher, production, and artist management company, Cal IV Entertainment, which brought top country writers, artists, and staff into the fold along with 25 No. 1 country copyrights and top ten singles. Spirit also acquired the StyleSonic catalog, bringing another four No. 1 country songs to its portfolio as well as over fifteen Top 20 country songs spanning the last decade.

Recent successes by Spirit Music Nashville and Fluid Music Revolution include a publishing interest in ASCAP’s Song of the Year (“Body Like a Back Road” by Sam Hunt, Zach Crowell and Josh Osborne); SESAC’s Song of the Year (“It Don’t Hurt Like It Used To” by Billy Currington); CMA Song of the Year (“Blue Ain’t Your Color” by Keith Urban) and CMA Album of the Year From a Room: Volume 1 by Chris Stapleton); and a publishing interest in ACM nominations for Song of the Year (“Whiskey & You” by Chris Stapleton); Single of the Year (“Broken Halos” by Chris Stapleton and “Drinkin’ Problem” by Midland) and Songwriter of the Year (Josh Osborne).

 In January, Spirit Music Group executives Jon Singer and Ross Cameron formed Lyric Capital Group to take ownership of Spirit Music Group and secure a recapitalization of over $350 million. Now wholly-owned by the newly formed Lyric Capital Group, Spirit Music Group remains a strong, independent publisher.

Spirit Music Group Appoints Frank Rogers As CEO, Spirit Music Nashville

Frank Rogers

Spirit Music Group has appointed Frank Rogers to Chief Executive Officer, Spirit Music Nashville. Rogers will be responsible for overseeing all aspects of Spirit Music Nashville’s creative and operational activities. Daniel Hill will exit the company.

“Frank Rogers is a rare talent—from his ability to produce and write No. 1 hits, to his amazing business acumen,” said Jon Singer, Chairman, Spirit Music Group. “Frank has a vision for Spirit Music Nashville and I have no doubt he will execute on that vision and exceed expectations. We are fortunate to have Frank lead our talented writers and staff in this next chapter. I also want to thank Daniel Hill for all of his years of service and have the utmost respect for him.”

“I am excited to have the opportunity to lead the talented staff and roster at Spirit Music Nashville,” said Rogers. “The entire Spirit Music Group team has been wonderful partners for myself and Fluid Music Revolution. I look forward to continuing to build something special with both the Spirit and Fluid teams.”

“Songwriters and songs are my passion and I am honored and grateful to have worked alongside some of the best at Spirit,” said Hill. “I am proud of the Spirit team and our many accomplishments, and I look forward to even more successes for us all.”

Frank Rogers is a multi-platinum producer and songwriter who has won MusicRow’s Producer of the Year award four times and Billboard’s No. 1 Hot Country Producer Award from 2006 – 2010. His work to date has resulted in thirteen Country Music Association award nominations, including a win for Album of the Year for Time Well Wasted with Brad Paisley. Rogers also has credits with Trace Adkins, Josh Turner, Darius Rucker, Phil Vassar, Darryl Worley, and Scotty McCreery, and has received five Academy of Country Music awards.

Rogers has also co-written several No. 1 songs, including: “I’m Gonna Miss Her (The Fishin’ Song)” by Brad Paisley, “Alright” and “This” by Darius Rucker, “Five More Minutes” and “This Is It” by Scotty McCreery, and “Backroad Song” by Granger Smith.

Rogers moved to Nashville in 1990 and got his Music Business degree from Belmont University, where he met friend and future collaborator Brad Paisley. Rogers then worked for EMI Nashville Production and opened Nashville independent publisher Sea Gayle Music with Paisley and Chris DuBois.

In 2016, Spirit Music Group formed a multi-faceted deal with Rogers and together established Fluid Music Revolution. Through the agreement, Spirit acquired Rogers’ one third interest in certain copyrights of the respected Sea Gayle Music. The deal also leveraged Rogers’ executive abilities and creative talent. Spirit’s venture with Rogers empowered him to bring new artists, producers, and writers to the company. He also joined Spirit’s roster as a songwriter, and the company exclusively administers all of his new compositions worldwide.

In addition to its deal with Rogers, Spirit’s deals in the country music landscape have included a deal with Zach Crowell that included the acquisition of his I Love Pizza Music catalog, which features many No. 1 hits. Spirit also formed a co-publishing venture with Crowell along with Ashley Gorley’s Tape Room Music, that encompasses Crowell’s future compositions. Spirit also made a deal with Grammy-winning Nashville songwriter Josh Osborne to acquire his co-published catalog, which features 500 songs. Spirit Music Nashville and Fluid Music Revolution also completed deals with Justin Adams, Derek George, Jason Lehning, Monty Criswell, Kyle Rife, Erik Belz, Marcus Hummon, Palmer Lee, Mike Fiorentino, Phillip White, and SESAC Songwriter of the Year Cary Barlowe. The company acquired the successful Nashville-based independent music publisher, production, and artist management company, Cal IV Entertainment, which brought top country writers, artists, and staff into the fold along with 25 No. 1 country copyrights and top ten singles. Spirit also acquired the StyleSonic catalog, bringing another four No. 1 country songs to its portfolio as well as over fifteen Top 20 country songs spanning the last decade.

Recent successes by Spirit Music Nashville and Fluid Music Revolution include a publishing interest in ASCAP’s Song of the Year (“Body Like a Back Road” by Sam Hunt, Zach Crowell and Josh Osborne); SESAC’s Song of the Year (“It Don’t Hurt Like It Used To” by Billy Currington); CMA Song of the Year (“Blue Ain’t Your Color” by Keith Urban) and CMA Album of the Year From a Room: Volume 1 by Chris Stapleton); and a publishing interest in ACM nominations for Song of the Year (“Whiskey & You” by Chris Stapleton); Single of the Year (“Broken Halos” by Chris Stapleton and “Drinkin’ Problem” by Midland) and Songwriter of the Year (Josh Osborne).

 In January, Spirit Music Group executives Jon Singer and Ross Cameron formed Lyric Capital Group to take ownership of Spirit Music Group and secure a recapitalization of over $350 million. Now wholly-owned by the newly formed Lyric Capital Group, Spirit Music Group remains a strong, independent publisher.

Tinder Launches Festival Mode For Music Festival Attendees

Tinder is rolling out a new Festival Mode feature in time for some of the country’s largest summer music festivals.

With the app’s Festival Mode, users can add a badge to their profile highlighting their planned music festival destination. Users can then match and interact with other users attending the same event.

This feature will roll out at music festivals within Live Nation’s global portfolio, including Faster Horses, Bonnaroo Music & Arts Festival, Electric Daisy Carnival (EDC) Las Vegas, Governors Ball, Parklife, Lovebox, HARD Summer and EDC Orlando, as well as AEG’s festivals in the US and UK, including Hangout Fest, All Points East, Firefly and British Summer Time.

“It’s no secret that Tinder is a must-have app for singles attending music festivals around the world. We consistently see a spike in Tinder use as tens of thousands of music fans come together, so we wanted to create a new experience that makes it easier to connect with other concert-goers before even setting foot on festival grounds,” said Jenny Campbell, CMO of Tinder. “We’ve partnered with some of the biggest names in the entertainment and events industry to make that happen, and we couldn’t be more excited to help Tinder users find their crowd during these events for the rest of 2019.”

Tinder’s presence at festivals will be more than digital this year. The app will also be producing activations on the ground for its users to meet up at select events, offering VIP upgrades, complimentary merchandise, shareable photo opportunities and more.

“In an increasingly digitized world, people around the globe are flocking to Live Nation concerts and festivals in droves to experience connection where the emotional intensity is unmatched and the moments are unforgettable,” said Maureen Ford, President National & Festival Sales, Live Nation. “Music has a long history of bringing people together, and our partnership with Tinder allows us to bridge the digital and physical worlds to facilitate more meaningful connections between fans in real life.”

“From Gulf Shores, Alabama to London, England, we strive to provide the most incredible musical festivals in the world,” said Andrew Klein, managing director for the Global Partnerships division of AEG. “By partnering with Tinder this festival season, we’re thrilled to offer such a unique service to our dedicated community of music fans.”

Festival Mode begins rolling out today (May 2) for the participating festivals. Users will have access to their event-specific badges approximately three weeks prior to the start of each event.

Tinder Launches Festival Mode For Music Festival Attendees

Tinder is rolling out a new Festival Mode feature in time for some of the country’s largest summer music festivals.

With the app’s Festival Mode, users can add a badge to their profile highlighting their planned music festival destination. Users can then match and interact with other users attending the same event.

This feature will roll out at music festivals within Live Nation’s global portfolio, including Faster Horses, Bonnaroo Music & Arts Festival, Electric Daisy Carnival (EDC) Las Vegas, Governors Ball, Parklife, Lovebox, HARD Summer and EDC Orlando, as well as AEG’s festivals in the US and UK, including Hangout Fest, All Points East, Firefly and British Summer Time.

“It’s no secret that Tinder is a must-have app for singles attending music festivals around the world. We consistently see a spike in Tinder use as tens of thousands of music fans come together, so we wanted to create a new experience that makes it easier to connect with other concert-goers before even setting foot on festival grounds,” said Jenny Campbell, CMO of Tinder. “We’ve partnered with some of the biggest names in the entertainment and events industry to make that happen, and we couldn’t be more excited to help Tinder users find their crowd during these events for the rest of 2019.”

Tinder’s presence at festivals will be more than digital this year. The app will also be producing activations on the ground for its users to meet up at select events, offering VIP upgrades, complimentary merchandise, shareable photo opportunities and more.

“In an increasingly digitized world, people around the globe are flocking to Live Nation concerts and festivals in droves to experience connection where the emotional intensity is unmatched and the moments are unforgettable,” said Maureen Ford, President National & Festival Sales, Live Nation. “Music has a long history of bringing people together, and our partnership with Tinder allows us to bridge the digital and physical worlds to facilitate more meaningful connections between fans in real life.”

“From Gulf Shores, Alabama to London, England, we strive to provide the most incredible musical festivals in the world,” said Andrew Klein, managing director for the Global Partnerships division of AEG. “By partnering with Tinder this festival season, we’re thrilled to offer such a unique service to our dedicated community of music fans.”

Festival Mode begins rolling out today (May 2) for the participating festivals. Users will have access to their event-specific badges approximately three weeks prior to the start of each event.