Disney Music Publishing Signs James Slater

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(back row, L-R): Mike Daly, Director, A & R, Disney Music Group; Ciara Gardner, A&R Coordinator, Disney Music Publishing; Patrick Clifford, VP Music Publishing and A&R Nashville, Disney Music Publishing; Lynn Morrow, Partner, Adams and Reese LLP; Jody Williams, VP, Writer/Publisher Relations, BMI; front row: James Slater, songwriter


Disney Music Publishing has signed songwriter James Slater to an exclusive worldwide agreement. Slater has penned songs including “In My Daughter’s Eyes” (Martina McBride), as well as songs recorded by Tim McGraw, Willie Nelson, Carrie Underwood, Lady Antebellum, Lucy Hale, Enrique Iglesias, Chris Brown, Kenny Chesney, Reba, Phil Vassar and more.
On Disney’s newest writer, Patrick Clifford says, “James is an extraordinary talent, as well as a pillar in the Nashville and international music communities. We are excited and honored to welcome him into the Disney Music Group family.”
Slater, a native of Durham, N.C., studied music at the University of Miami, and later moved to Los Angeles and then to Zurich, Switzerland, where he toured with Belgian group Vaya Con Dios for six years. In 2002, he moved to Nashville to work as a songwriter.

New Album Commemorates Battle of Franklin

1861 projectSierra Hull, Bobby Bare, Jason Ringenberg, Kim Richey and Ron Block are among the musicians and artists who appear on the third and final installment of The 1861 Project, a series of albums about the Civil War.
The 1861 Project, Volume 3: Franklin commemorates the battle south of Nashville that was one of the Civil War’s most brutal conflicts and one of the final blows to the Confederate army. Cohesion Arts, the creative artists’ collective behind the project, is releasing it to coincide with the Sesquicentennial of the Battle of Franklin in November 2014.
Producer Thomm Jutz recorded the series at his studio near Nashville. Also appearing on the album are drummer Lynn Williams, multi-instrumentalist Justin Moses, bassist Mark Fain, and West Coast country stalwart Herb Pederson.
The 1861 Project, Volume 3: Franklin follows the 2011’s Volume 1: From Farmers To Foot Soldiers, and 2012’s Volume 2: From The Famine To The Front, chronicling the Irish immigrant experience during the war.

Industry Ink (6/24/14)

bmi-logo1111featuredBMI is accepting applications for the role of Public Relations Director. The role will be based in Nashville. The Public Relations Director plans, directs, and coordinates public relations functions, including showcases, No. 1 parties, dinners, panels, workshops and other special events. Additionally, the Public Relations director will develop press materials and assist in national publicity campaigns for BMI as directed, among other duties.
Requirements include a minimum of five years experience in the music/entertainment industry within public relations, promotions and event management. For a full list of responsibilities and requirements for this role, and to view other openings at BMI, visit bmi.com.

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Brent Daughrity

Brent Daughrity

Anderson Benson Insurance & Risk Management has added Brent Daughrity as a broker focusing on entertainment, hospitality, commercial and personal clients. He recently worked as an insurance advisor with Tennessee Farmers Mutual Insurance. Daughrity is a member of the Association of Independent Music Publishers, was involved in the 19th annual Key West Songwriters Festival.

His wife, Frannie Preston Daughrity, is the granddaughter of long-time CEO of BMI Frances Williams Preston.

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brooke diaz1

Brooke Diaz


Big Machine Records has welcomed Brooke Diaz as a new West Coast regional. Brooke previously served as MD/Morning Show Co-host for KWOF in Denver. She fills the vacacy left by Kris Lamb, who has moved to Dot Records as National Director. Diaz will begin in her new role on June 30.
“I am ecstatic to join the Big Machine family. I love radio but music surrounds that passion. I can’t wait to get started representing this powerhouse Big Machine artist roster,” stated Brooke.
She can be reached before June 30 at [email protected], and at [email protected] beginning June 30.

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biscuit love truck11Fans of Biscuit Love Truck can soon enjoy their tasty creations in a brick and mortar store. Biscuit Love Brunch will open in the Gulch this fall.
Owners Sarah and Karl Worley plan to open Biscuit Love Brunch (“A Brunch Place Born in the South”) in the Gulch this fall. Biscuit Love Brunch will open at 316 11th Ave. S., and hours will be from 7 a.m. until 3 p.m. daily, with late-night hours on Fridays and Saturdays.

Steve Shaw Named President of Westwood One

westwood oneSteve Shaw has been promoted to President of Westwood One. His role as head of national spot sales for Cumulus owned-and-operated stations will now include all national and digital sales for Westwood One.
He will oversee Westwood One Networks, Westwood One Sports, and Westwood One Digital, including Rdio and Cumulus National Sales, which will be renamed Westwood One Media Group.
“Steve will drive the integration of our large stable of national media assets and advertising products under the Westwood One brand,” says CEO Lew Dickey. “His track record of success in both broadcast radio and digital media will be instrumental as Cumulus and Westwood One combine to provide a compelling new set of ad packages designed to meet the rapidly evolving needs of our advertisers.”
Shaw previously served as President of Katz Radio Group, and President of Cox Digital Solutions.

5 Questions with UMGN President Cindy Mabe

Cindy Mabe

Cindy Mabe


Cindy Mabe was recently promoted to the role of president at Universal Music Group Nashville, including Capitol Records Nashville, EMI Records Nashville, MCA Nashville, and Mercury Nashville. Previously Sr. VP of Marketing, the North Carolina native and Belmont University graduate has overseen marketing, digital marketing, media marketing, creative services, production and international strategies for Capitol Records since 2007.
In 2013, Mabe was honored as one of MusicRow’s Rising Women on the Row.
Prior to her work at UMG Nashville, she oversaw marketing and day-to-day strategy at Arista Nashville, where she was instrumental in the careers of Alan Jackson, Carrie Underwood and Brad Paisley.
How will your responsibilities change in this new role?
I will continue to run marketing for Universal, but now all other departments will also report to Mike Dungan and me. My hope is that this position will allow us to not only be more in sync with the day-to-day planning and investments in our artists but ultimately, we will start building the infrastructure for what the future music business will look like over the next few years. People are consuming music differently and in the next five years, it will look completely different than it does now. Car companies, smartphones and technology are changing the way we listen, discover and invest in music. This position was created to help strategically build the groundwork for the consumer shift.
Pictured (L-R): Capitol Records Nashville SVP Promotion Steve Hodges, COO Tom Becci, LBT’s Phillip Sweet, Kimberly Schlapman, Karen Fairchild, Jimi Westbrook, Capitol Records Nashville SVP Marketing Cindy Mabe, President and CEO, EMI Christian Music Group Bill Hearn.

Little Big Town previews Tornado at Nashville’s Schermerhorn Symphony Center. Pictured (L-R): Capitol Records Nashville SVP Promotion Steve Hodges; UMGN COO Tom Becci; LBT’s Phillip Sweet, Kimberly Schlapman, Karen Fairchild, Jimi Westbrook; Cindy Mabe; President and CEO, EMI Christian Music Group Bill Hearn.


What are some of the biggest challenges today in overseeing artist marketing?
Country radio has been the primary marketing machine for so long and it continues to be our most cost efficient, key driver. But for many artists, particularly traditional [sounding] artists, females and new artists, it’s harder to fit within the boundaries of what Country radio will play and it can take an enormous amount of time to get one song to connect with a mass audience. It can be painful to run a business solely on that.
We look at the partners that best fit each artist and build the strategy differently every time. There are more music discovery platforms than ever before with streaming services and new subscription models. Brand partners want to be in the entertainment business and there are more TV shows completely built on music discovery. Retailers are investing in their own content platforms to help consumers discover new releases. Satellite radio and Internet radio present opportunities for breaking new artists.
With that said, marketing is still about answering the same question: “Why should I care [about this artist]?” Ultimately our job is to show why these artists are unique, and find the people who are drawn to them and their music. We make sure we have presented them in a way that is key to exposing their music and building the legions of fans who will recite their brand message and buy their music.
Cindy Mabe (front row) is honored as one of MusicRow's Rising Women on the Row in 2013.

MusicRow staff with 2013’s Rising Women on the Row. Pictured (L-R, Front Row): Brandi Simms, Cyndi Forman, Cindy Mabe. (L-R, second row): Cindy Hunt, MusicRow‘s Jessica Nicholson and Sarah Skates, Caitlin Rantala, Mary Ann McCready, Beth Laird. (L-R, Back Row): MusicRow‘s Sherod Robertson and Eric Parker.


UMG is home to Luke Bryan and Eric Church–two successful artists with very different brands. What do you see as the next step in the development of each of their brands?
It’s been really fun and challenging to be a part of these guys’ careers over the past seven years. They are both unique cases in artist development. When you know you have something that special, you can never quit trying. Judging from the first or second albums from either of them, wouldn’t have given you great confidence that they’d be where they are now.
Luke is touring stadiums. His brand really is an extension of his life. When you see him on stage, he doesn’t take himself too seriously and he echoes his brand message of ‘Leave your problems at the door.’ He is a guy who lives to love his life and enjoy every day. In the world we live in, that message cuts through and resonates with the fans.
Eric’s songwriting and live showmanship separate him from everyone. He’s Nashville’s quality control guy. No matter how far he pushes the boundaries of the musical sound, he is so lyrically adept that you will follow him. Eric is never going to make a record that bores anyone and he will always challenge the walls around him because he will never fit in the box. That’s why his fans are diehard fans and that’s why Nashville needs him so desperately. He keeps us all interested.
Celebrating the platinum certification of Eric Church's project Chief. Pictured (L-R): Producer, Jay Joyce; Q Prime’s John Peets; Capitol Nashville’s Steve Hodges; Eric Church; Capitol Nashville’s Tom Becci, Capitol Nashville’s Cindy Mabe. Photo: Alan Poizner

Celebrating the platinum certification of Eric Church’s project Chief. Pictured (L-R): Producer, Jay Joyce; Q Prime’s John Peets; Capitol Nashville’s Steve Hodges; Eric Church; Capitol Nashville’s Tom Becci; Cindy Mabe. Photo: Alan Poizner


New artist Sam Hunt was recently signed to MCA Nashville. How do you go about differentiating him from the numerous other male solo artists that are dominating the Country radio charts right now?
Sam separates himself in the way he writes, his phrasing, the R&B soulfulness he brings to his music. He’s a dynamic live performer, he is a very visual creator of video, music and performance.
When we were in the process of signing Sam, every discussion was about how we could get music to the fans in a different timeline than the typical 35-week single to album launch mentality. He had already put out an acoustic mix tape on his website for fans to find him. We put a little more strategy into the game plan but it all came from Sam’s original thought that his music is more dynamic than just one single will show. When fans are discovering an artist, you want as much music content as they can have to keep them invested.
We have followed that strategy with our set up. We have had partners like Spotify and Sirius/XM who have invested their own money and time in Sam before we ever had a single at Country radio. We have pushed video content out that is super-serving the young fan base he is building and as he goes in to play each market, they already know multiple songs despite the fact we just went for adds at Country radio. Clear Channel and CBS have both stepped out of the box on our first single “Leave the Night On.” Many more programs and partners are stacked up for the next couple of months and he will be the guy we’re talking about for a long time.
You are the first woman to hold the title of president of a major label in Nashville. How does that make you feel?
I never wanted to get here just because I am a woman, but I am certainly proud to be one in this role. I want to make a difference.

Bobby Karl Works A Weekend In Austin

Bobby Karl caught tunesmith Allen Shamblin at Saxon's Pub during an event for the Texas Heritage Songwriters Hall of Fame.

Bobby Karl caught tunesmith Allen Shamblin at famed Saxon’s Pub during an event for the Texas Heritage Songwriters Hall of Fame.


MusicRow’s beloved party goer shares where to dine and unwind in Austin, Texas. He was there to attend the Texas Heritage Songwriters’ Association’s Hall of Fame inductions. Read his exclusive coverage of that weekend-long experience here.
FRIDAY
To take maximum advantage of the weekend, we flew in early. That meant breakfast was the first thing on the agenda. We headed for Austin’s hipster district on South Congress and popped into The Magnolia Café. Everybody in there seemed to be a musician talking about the previous night’s gig. You can understand the joint’s appeal. One outside sign reads, “Sorry, We’re Open,” and another says “24/8.”
Also on South Congress is the legendary Continental Club. Opened in 1957, it showcases all kinds of roots music. It’s so famous that it even has music during the daytime, plus a groovy little gallery/lounge upstairs. We caught part of a blues combo’s set.
SATURDAY
We lucked out with breakfast again. In the University of Texas district north of downtown, we happened upon Kerbey Lane Cafe, located on Guadalupe Street in another hipster zone. Delicious, and full of young beatniks with facial hair and/or tattoos.
We did lunch at yet another legendary venue, Threadgill’s. Located on North Lamar, it opened in 1933 in an old Gulf gas station. By the 1960s, the restaurant/beer joint was staging hootenannies. This is where Janis Joplin first sang, and there’s a room there featuring photos, newspaper clips and other mementos about her early years. There’s live music here every Wednesday night and a bluegrass brunch on Sundays.
Owner Kenneth Threadgill (1909-1987), later a recording artist, was a tolerant kind of guy, so hippies and rednecks mingled at his place. This led to Eddie Wilson establishing the Armadillo World Headquarters in South Austin, 1970-1980. Willie and Waylon famously launched country’s “outlaw” movement there. Today, a second Threadgill’s occupies this location, where it continues the Armadillo’s live-music tradition.
SUNDAY
The Four Seasons Hotel downtown has a restaurant where you can dine on a patio overlooking the Colorado River. It’s expensive, but what do you expect from a buffet menu that includes crab claws, prime rib and pork loin, sushi, jumbo shrimp, garlic mashed potatoes, asparagus spears, three kinds of green salads, grilled cauliflower, caprese mozzarella & tomato, smoked salmon, caviar, fruit, eggs benedict over short ribs, hash browns, Italian sausage and customized omelets, not to mention deserts including raspberry mousse, crème brule, cheesecake, strawberry truffles and German chocolate cake? There was more, but that’s as much as I can remember.
Eat as much as you like. Then stroll on the Riverwalk to the Ann Richards bridge over the river that connects North Congress and South Congress and features a huge, and much-celebrated, bat colony.
We ran into Monte Warden, who informs that The Wagoneers have recorded a new album and are label shopping. A&R folks, take note. Warden knew all about Hope Gardens, a wacky series of hillside walls that is a block-long, on-going public art project where citizens are continually spray painting designs and slogans. There’s a house shaped like a castle on top of it.
MONDAY       
South Lamar Blvd. is home to the famed vintage dancehall The Broken Spoke. Don’t miss its memorabilia room, filled with photos, hats and other Country music treasures. The new location of the blues/r&b mecca Antone’s is in this vicinity, too. Also don’t miss the Stevie Ray Vaughan statue in the riverside park on the south side of the city.
Time to go home. But first, a barbecue brunch. Many locals recommended Salt Creek, but the first word in that brand told the tale. The Iron Works is famed for its brisket. But we like Stubbs. Besides, it has live music.
Bruce Channel and Sonny Throckmorton saxon pub

Bruce Channel and Sonny Throckmorton also entertained at Saxon’s.

Tischker Named Sr. VP, A&R for Kemosabe Records

Beka Tischker

Beka Tischker


Beka Tischker has been named Sr. VP of A&R for Dr. Luke’s Kemosabe Records, and Sr. VP, Publishing at Prescription Songs, according to the Hollywood Reporter. In her new role, she will oversee the A&R operations of Kemosabe Records and the entire operation of Prescription Songs.
Tischker was instrumental in bringing Big Machine Publishing and Prescription Songs together as a joint venture.
“I’m honored and excited to continue to work with Luke and the amazing team at Kemosabe and Prescription,” said Tischker. “Luke is an inspiring leader and I am excited to continue to build on what we have started with these amazing and talented artists.”
Tischker has worked in music publishing in Nashville, New York and Los Angeles, beginning her career at Deston Songs, followed by Major Bob Music. She moved to New York in 2004, working in writer/publisher relations at BMI, and then moved to the A&R department at Columbia Records. She later worked at Razor and Tie before joining Advanced Alternative Media (AAM) as a manager for writers and producers, and to oversee Prescription Songs.
While at AAM, she has worked with songwriters including Mozella, Noel Zancanella, Julia Michaels and Lindy Robbins, opening the Nashville office of the company to grow the company’s signing presence in Music city.
Prescription Songs’ roster of more than 50 songwriters includes Katy Perry, Kesha, Benny Blanco and more. Prescription inked JV deals with Diplo’s Mad Decent and with Big Machine Publishing, which recently signed Joe Don Rooney of Rascal Flatts.

Bobby Karl At The Texas Heritage Songwriters Assoc. Hall of Fame

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This statement will come as a surprise to none of you: Texans like to do things BIG.
I offer as a case in point, last weekend’s induction into the Texas Heritage Songwriters’ Assoication’s (THSA) Hall of Fame. This isn’t just a gig, it’s three-day fiesta. Bobby Karl put the event on his radar this year, although the organization that tosses these bashes is 10 years old. It took place on June 20, 21 and 22 in Austin.

Larry Gatlin plays.

Larry Gatlin plays at Saxon’s Pub.


FRIDAY
Friday evening was the opening event of the Texas Heritage Songwriters Hall of Fame weekend. It took place south of town, at Saxon’s Pub on South Lamar. You can’t miss it: There’s a giant suit of armor out in front. This venue is legendary.
“This club is 24 years old, and 30,000 artists have performed here,” said owner Joe Ables, who hosted the show. Favorites there have included such Texas tunesmiths as Ray Wylie Hubbard, Rusty Weir, Joe Ely and the late Stephen Bruton. On this night, Ables’ stage featured banners reading, “Music In Its Purest State” and “2014 Homecoming Weekend.”
That’s because the starring writers were prior Hall of Fame inductees Aaron Barker (who is from San Antonio), Sonny Throckmorton (Wichita Falls), Bruce Channel (Grapevine), Larry Gatlin (Seminole) and Allen Shamblin (Huffman), plus Bonnie Bishop, Kevin Welch, Dustin Welch and newcomer Mignon Grabois.  
Working the packed room and grooving on the tunes were such familiar Nashville names as Waylon Payne, Susan Nadler, Mary Miller, Connie Nelson and Evelyn Shriver.
Bonnie Bishop performs at Saxon's Pub.

Bonnie Bishop performs.


SATURDAY
The second THSA event occurred the following evening. It took place in the fabulous Bob Bullock Texas State History Museum. From the 40-foot bronze Lone Star towering over its plaza to the observatory-dome top floor, from the terrazzo floor depicting Texas history to the IMAX theater, this facility puts other state museums to shame. Tennessee legislators need to visit and take notes. I know Texas is a much bigger state, but at the very least our museum needs it own building.
Gov. Rick Perry honors Bill Mack

Gov. Rick Perry honors Bill Mack


Anyhow, the Saturday evening event was billed as “The Darrell K. Royal Songwriters Homecoming,” an elegant reception and show. Organizer Bill Schneider was the best bud of Darrell Royal (1924-2012), the legendary football coach who led The University of Texas to three national championships. Royal was also a huge songwriter fan, who always hosted guitar pulls at the golf tournament he co-hosted with Willie Nelson for years. This whole weekend grew from Royal’s enthusiasm.
The reception in the museum lobby was attended by 400+ VIPs, including Jody Williams, Bill Thornbury, Stan Moress, Gary Nicholson, Colleen Fisher, Freddy Powers, Dean Miller, Perry Howard, Amos Brown, Kelly Gonzales, Mason Hunter and more.
The cocktail supper featured chicken quesadillas, pork belly with apple chutney, jalapeno-chicken and pulled-pork sliders, grilled Mexi-corn cups and watermelon agua fresca with goat cheese. You could also indulge in pecan-pie diamonds and/or donuts with chocolate dipping sauce.
Emcee Terry Boothe brought on Schneider, who presented a Darrell Royal autographed “game ball” to THSA executive director Michelle Johnson.
Gov. Rick Perry appeared and got a standing ovation. “When you think about this state, this songwriters’ association gets to the heart of who we are as a people,” said Perry. “I don’t think there’s anybody who loved country music and its people more than your husband,” he said to widow Edith Royal. Perry presented the Darrell K. Royal Texas Music Legends Award to iconic radio broadcaster and hit songwriter Bill Mack (WBAP, Sirius/XM, “Drinking Champagne,” “Blue”).
“We live in the greatest state,” said Mack. “I’m so glad that Rick Perry is our governor.
“This isn’t political,” Mack added, before plugging Perry for President. In that very week, Perry had asserted that homosexuality was the same thing as being genetically pre-disposed to alcoholism (it isn’t) and that terrorists from Syria were coming across the border from Mexico into Texas (they aren’t).
The genial, likable Perry proclaimed Jessi Colter, as well as Natalie Hemby, Rhett Akins and Luke Laird to be honorary Texans. Larry Gatlin introduced the three Nashville songwriting stars. “I’m kind of the Susan Lucci of the Nashville Songwriters Hall of Fame,” said Gatlin. “Because I’ve been nominated six times. But the way I look at it is, the best songwriters in the world are from the state of Texas.” He is, needless to say, a Texas S/W Hall of Fame member. Gatlin sang “Strings Attached” and “Johnny Cash Is Dead and His House Burned Down,” before turning over the show.
Laird (“Give Me Back My Hometown,” “Drink in My Hand,” “Keep It to Yourself”), Hemby (“Baggage Claim,” “White Liar,” “Drinks After Work”) and Akins (“That Ain’t My Truck,” “Honeybee,” “Take a Back Road”) were stellar. “Thank y’all for having us cats from Nashville crash your party,” said Atkins. Booked for the gig by BMI, all three did Music City proud.
Texas State History

Texas State History Museum


SUNDAY
Next on our THSA agenda was a VIP reception in the mezzanine lobby of the Moody Theater at Austin City Limits downtown. The walls were completely covered with photos of ACL performers, from Sheryl Crow, B.B. King, Pearl Jam, Dave Matthews and Elvis Costello to Dolly Parton, Merle Haggard, Keith Urban, Rosanne Cash and Bill Monroe. Not to mention Willie Nelson, a bronze statue of whom  also smiles benignly on the theater’s entry plaza.
Willie Nelson statues were presented.

Willie Nelson statues were presented.


The theater itself, is a marvel. With no columns anywhere, the sight lines are flawless. The sound is sterling. You’ve seen it on TV, and it’s just as cool in real life.
“There is no place I’d rather be than right where we are,” said show host Red Steagall. “There are only three kinds of Texans – those who were born here; those who got here as fast as they could; and those who are on their way.
“Darrell K. Royal…brought a group of us together and created a family. This is a continuation of that family.”
Inductee K.T. Oslin received a standing ovation before she uttered a word or sang a note. “Texas, I’m home!” she exclaimed. She sang “Cornell Crawford,” explaining, “This is the first song I ever wrote. All those years in New York just went away, and out came Texas.”
Oslin was transcendent, enthralling the crowd with “Do Ya,” “Hey Bobby,” “New Way Home,” “Hold Me” and “80s Ladies” in much the same way that she did at her Franklin Theater comeback show in November. “What an honor this is for me,” she said.
Lee Roy Parnell sang for inductee Buck Owens (1929-2006). “Buck was my friend,” Parnell said. “This is a particular honor for me. The greatest night of my life was when I was inducted, and tonight is up there with ‘em.” With Bonnie Bishop doing Don Rich-style harmonies, Parnell performed “Under Your Spell Again,” “Crying Time,” “Together Again,” “Tall Dark Stranger” and “Love’s Gonna Live Here.” He promised to place the award on display at Owens’ Crystal Palace nightclub in Bakersfield.
Kris Kistofferson was first up to honor inductee Waylon Jennings (1937-2002). “I’ve been a fan of Waylon ever since the first time I heard him sing at a demo session for one of Harlan Howard’s songs,” said Kristofferson. “I’d never heard anything like him, and I still haven’t.”
Son Shooter Jennings did “Sad Songs and Waltzes,” “Lonesome On’ry and Mean” and “Belle of the Ball.” Then widow Jessi Colter provided her own “I Ain’t the One” and “Storms Never Last” to the proceedings. She and Shooter brought this tribute section to a close with a rocking “Why You Been Gone So Long.”
All three tribute segments featured video testimonials. Among those appearing on screen were Joe Galante, Guy Clark, Bill Anderson, Miranda Lambert, Tim DuBois, Rodney Crowell, Dwight Yoakam, Vince Gill, Richie Albright, Ralph Emery and Ringo Starr. It’s also essential to mention that Johnny Nicholas & Hell Bent, featuring dobro/steel sizzler Cindy Cashdollar, were a superb backing band throughout the show. These folks are also Saxon Pub regulars.
The evening concluded with a 71st birthday celebration for Kristofferson, who led everyone in singing “Me and Bobby McGee.” Schmoozing at the gig were Texas boosters Kimmie Rhodes, Ray Benson, Tamara Miller, Charlie Stewart, Turk Pipkin and Lisa George.
“God bless Texas!” said Red Steagall. “Will you join us again next year?” Loving songwriters as I do, I just might do that.
Read about Bobby Karl’s favorite Austin restaurants.
 
Kris Kristofferson, Jessi Colter and Shooter Jennings with other attendees.

Kris Kristofferson, Jessi Colter, Shooter Jennings, and Bill Mack with other attendees.

Blue Chair Bay Rum Presents 'Hit Makers & Rum Chasers'

Screen shot 2014-06-24 at 10.02.26 AM1Kenny Chesney‘s Blue Chair Bay Rum has signed on as the presenting sponsor for “Hit Makers & Rum Chasers,” a seasonal songwriter series at the Reichhold Center for the Arts in St. Thomas, USVI.
Songwriters Danny Myrick, Marti Frederiksen and Paul Jenkins are slated to return to the island for an evening of acoustic performances on Saturday, July 19.
“We are proud to support the Hit Makers project, and nothing goes better with a great song than a great cocktail made with one of our Blue Chair Bay Rums,” said Mark Montgomery, CEO of Fishbowl Spirits, parent company of Blue Chair Bay Rum.
Myrick has penned a number of hits including Craig Morgan‘s “International Harvester” and Jason Aldean‘s “She’s Country.” Frederiksen’s songs have been recorded by Carrie Underwood, Gavin Rossdale, Daughtry, Aerosmith and more. Jenkins boasts writing credits including Blake Shelton‘s “Over,” Thompson Square‘s “If I Didn’t Have You,” and more.
In addition to Blue Chair Bay Rum (distributed by Glazer’s Premiere Distributors), “Hit Makers & Rum Chasers” is sponsored by Virgin Islands Lottery, Southland Gaming, Westin St. John, Eco Green Caribbean, 93.5 Caribbean Country, and Love City Radio.
For more information, visit hitmakersandrumchasers.com.

Urban, Lopez, Connick To Return to 'Idol;' Nashville Audition Set

rs_560x415-130903171653-1024.2american-idol-urban-loprz-connick.ls.9313Jennifer Lopez, Keith Urban and Harry Connick Jr. will return as judges and Ryan Seacrest will host American Idol for its 14th season.
Auditions for American Idol XIV will take place in New Orleans (June 25); Uniondale, N.Y. (July 23); Nashville, Tenn. (July 30); and San Francisco (Sept. 29). Additionally, the American Idol XIV will launch a bicoastal bus tour July 9 both in Portland, Me., and Portland, Ore. Hopefuls can also submit auditions online through social media using #TheNextIdol.
“Jennifer, Keith, Harry and Ryan are the very best in the business at what they do, and I’m absolutely ecstatic that they are returning to American Idol for another season. Each brings unique qualities and expertise to the team, but they all share the same passion for helping undiscovered singers achieve the American dream,” said David Hill, Senior Executive Vice President, 21st Century Fox.
“I am thrilled our consummate host, Mr. Ryan Seacrest, is returning for Season 14, together with Jennifer, Harry and Keith,” said American Idol creator and executive producer Simon Fuller. “Their interaction, warmth and experience made them an absolute joy to watch. I can’t wait to see their evolution together continue next season.”