Weekly Register: Tyler Farr Makes Country Go Redneck Crazy

tyler farr11Overall album sales are down 7 percent from last week, but Country album sales are up 4 percent this week, with several noteworthy debuts. Tyler Farr’s Redneck Crazy debuts at No. 2 (No. 5 overall), selling 28k units in its first week. The 29-year-old newcomer is currently touring in promotion of his debut album. 

Meanwhile, Hank 3’s Brothers of the 4×4 debuts at No. 10 (No. 61 overall) selling 6k units, while Randy TravisInfluence Vol. 1: The Man I Am debuts at No. 19 (No. 120 overall) selling 3k units. Other noteworthy Country debuts include the Wood BrothersMuse at No. 22 (3k) and Charlie Robison’s High Life at No. 48 (1.1k). Pre sales for Joe Nichols’ Crickets landed the singer at No. 41 with 1.3k units sold.

AlbumsTracksLuke Bryan’s Crash My Party remains the top Country album (No. 4 overall), selling another 32k this week (over 1 million RTD). Justin Timberlake’s 20/20 Experience Complete is the top overall album this week, selling 349k units. YTD album sales are down 6.2 percent, while Country album sales are down .9 percent.

Bryan’s “That’s My Kind Of Night” is the top Country track again (No. 14 overall), selling another 74k units (869 RTD). Lady Antebellum’s “Compass” is the top Country debut, coming in at No. 35 (No. 142 overall) with 9.7k units sold this week.

Lorde’s “Royals” continues to reign as the top overall track, selling another 308k units this week (2 million RTD). Overall tracks are down 3.7 percent from last year, while Country tracks are up 3.5 percent, yet slowly declining.

The charts will be hit with several Country debuts next week, including Cassadee Pope’s Frame By Frame, Kenny RogersYou Can’t Make Old Friends, Patty Griffin’s Silver Bell, Gretchen Wilson’s Christmas In My Heart and more.

Taylor Swift Breaks NSAI Record, To Open CMHoF Education Center

Taylor Swift accepts her Songwriter/Artist of the Year trophy from NSAI in 2011.

Taylor Swift accepts her Songwriter/Artist of the Year trophy from NSAI in 2011.


Taylor Swift will take home her record sixth NSAI award as Songwriter/Artist of the Year this Sunday (Oct. 13), and that award and many of her others will soon have a new home when the Taylor Swift Education Center opens inside the Country Music Hall of Fame and Museum on Saturday (Oct. 12). The new center was born out of a $4 million donation Swift pledged to the Hall in 2012 – the largest single donation by an artist in the museum’s 46 years.
The center gives the museum seven times more space for new programs and includes three classrooms and a learning lab, as well as an interactive children’s gallery slated to open next year. Kids will be able to test out a variety of instruments in the museum’s “petting zoo” and get messy doing Hatch Show letterpress art; future offerings planned include songwriting workshops, dance classes, and a Hatch Show-led letterpress program.
A big part of Swift’s musical story is intertwined with the Hall of Fame. She inked her record contract there as a teen, gave one of her first public performances on the building’s plaza, and has performed at several of the museum’s “All For The Hall” fundraisers. Her stand-alone, multi-media exhibit there has drawn crowds for years, and the exhibition on her Speak Now tour was the first-ever of its kind.
When she receives her sixth NSAI award on Sunday, Swift will have broken another record, surpassing five-time winners Alan Jackson and Vince Gill, and she’s also the youngest artist ever to have won the award at 17. The award is determined by chart performance and songwriting credits. Taylor’s six NSAI Awards will be on special display in the foyer of the new Education Center.

DISClaimer: Day of Duets

keith urban fuse album cover1Superstars ruled the day in this edition of “DisClaimer.” The duets by Kenny & Dolly and Keith & Miranda are as good as it gets. Sheryl Crow is back, stronger than ever. Hit maker Justin Moore returns. The stellar pop/rock group Little River Band is knocking on country’s door.
All of these folks have platters that deserve your attention. The best of them belongs to the hottest of them. Keith Urban & Miranda Lambert’s “We Were Us” is undeniable as the Disc of the Day. Three of the four newcomers in today’s listening session were women. And one of them, the excellently named Breelan Angel, is our DisCovery Award winner.
TIM ASH/Broke
Writers: none listed; Producer: Tim Ash; Publisher: none listed; SMG (track)
-It’s that typical “modern country” sound, a rock track with a banjo on it. He sort of half-sings on the verses, but it’s not exactly hick-hop. He does open up with a convincing tenor vocal on the broken-hearted choruses. Another plus is the fact that the track is imaginatively produced.
SHERYL CROW/Callin’ Me When I’m Lonely
Writers: Rodney Clawson/Brent Anderson; Producers: Sheryl Crow and Justin Niebank; Publishers: Big Red Toe; Big Loud Bucks; Amarillo Sky; House of Sea Gayle; BMI/ASCAP; Warner Bros.
-Crow’s second country single is just about as lilting and catchy as her debut was. It is also further proof that she is as good as any established country artist, and maybe better. I think the thing I like best about this track (and indeed her whole album) is the fact that you can hear what a superb singer she is, now that she’s not buried in pop/rock volume.
KENDALL BEARD/Drinkin’
Writers: Kendall Beard/A.J. Vallejo/Alex Vallejo; Producer: A.J. Vallejo; Publisher: none listed; VMG (track)
-The production lacks polish, and her vocal is recorded too dry. The wordy song takes forever to get to the hook.
JUSTIN MOORE/Lettin’ The Night Roll
Writers: Justin Moore/Jeremy Stover/Rodney Clawson; Producer: Jeremy Stover; Publisher: none listed; Valory (track)
-Another solid, straight-ahead county performance by this dependable fellow. He’s driving his gal around aimlessly, waiting to see what romantic adventures await.

Breelan Angel

Breelan Angel


BREELAN ANGEL/Halfway To Wasted
Writers: Breelan Angel/Clay Mills; Producer: none listed; Publishers: Breelan Angel/Hit Me Again, BMI/ASCAP; MisBHavin’
-She has an instantly gripping, penetrating, slightly sharp delivery that perks up your ears. The lyric is about drinking away a heartache while listening to honky-tonk tunes, and who can’t relate to that? Well written, well produced and well sung.
KEITH URBAN & MIRANDA LAMBERT/We Were Us
Writers: Jimmy Robbins/Nicole Galyon/Jon Nite; Producers: Nathan Chapman and Keith Urban; Publishers: Universal/Extraordinary Alien/Warner-Tamerlane/EMI April/Jon Mark Nite, ASCAP/BMI; Capitol
-This exciting, crunchy country rocker gives both performers plenty of space to strut their stuff vocally. They both phrase brilliantly, and the stunning production cooks with gas.
KENNY ROGERS & DOLLY PARTON/You Can’t Make Old Friends
Writers: Ryan Hanna King/Caitlyn Smith/Don Schlitz; Producer: Dann Huff; Publishers: Hanna/Music of Stage Three/Songs of Cornman/House of Sea Gayle/Yorick, ASCAP; Warner Bros.
-Immensely tender and heart tugging. The ballad ponders the irreplaceable loss of someone close, and both of these master storytellers draw out every ache. Beautifully done.
OLD CROW MEDICINE SHOW/Dixieland Delight
Writers: R. Rogers; Producer: Ted Hutt; Publishers: Keats and Shelly/Sony-ATV Tree; BMI; ATO (CDX)
-The Grand Ole Opry’s newest members are in the cast of High Cotton, one of two current CDs saluting Alabama. The string band’s take on Alabama’s 1983 smash is jaunty, acoustic and stripped down. Things really take off when OCMS rips into the fiddle hoedown finale, complete with whoops of joy.
LITTLE RIVER BAND/You Dream, I’ll Drive
Writers: Jack Williams, Thomas Conners, Troy Johnson; Producers: Rich Herring & Wayne Nelson; Publishers: Hopportunity/Bluebonnet Tattoo/Yacht Haven, ASCAP/BMI/SESAC; Frontier (CDX)
-This Aussie group scored lots of big pop hits in the ‘70s and ‘80s with “Lonesome Loser,” “Cool Change,” “Man on Your Mind” and the like. Its catchy, ultra-melodic, harmony-laced sound hasn’t changed all that much, they’re just pitching it to a different audience. Highly listenable.
KASEY LANSDALE/Sorry Ain’t Enough
Writers: Kasey Lansdale/Derek George/Tim Owens; Producer: Kasey Lansdale; Publishers: Big Spaces/Panda Red/Pedal Down/Lux Et Veritas/Trejuilla/Amplified Administration, BMI/ASCAP; Blue Siren
-It’s a cool, bluesy, female “attitude” number. He’s begging to come back, but she’s not buying what he’s selling. Very promising.

Keith Urban Joins Grammy Nominations Special

image002The Recording Academy has announced the first round of performers for the upcoming “Grammy Nominations Concert Live!! – Countdown To Music’s Biggest Night,” which will take place Dec. 6. Keith Urban will join Drake, Macklemore & Ryan Lewis, and Robin Thicke on the one-hour special, which is hosted again this year by LL Cool J from L.A.’s Nokia Theater. Guests will be treated to an exclusive concert by Thicke as well following the broadcast. The special will air on CBS beginning at 10 p.m. ET.
The program will include performances by past Grammy winners or nominees, and several nominations will be revealed live during the duration of the show as well. This concert marks the sixth time nominations for the annual Grammys will be announced live on primetime television. Tickets for the special go on sale to the general public on Thursday, Oct. 17, and will be available online at axs.com or by phone at  888-929-7849. 

The 56th Annual Grammy Awards will be held live from the STAPLES Center in Los Angeles on Sunday, Jan. 26, 2014, and broadcast  on CBS at 8 p.m. ET.

Musicians On Call Anniversary Event To Feature Clarkson

Kelly Clarkson. Photo: Jill Greenberg

Kelly Clarkson. Photo: Jill Greenberg


Musicians On Call (MOC) Nashville is celebrating six years in Music City with an anniversary benefit concert featuring GRAMMY Award-winning superstar Kelly Clarkson. The Nov. 14 event presented by Citi Private Pass will feature Clarkson at Nashville’s Hard Rock Cafe, located at 100 Broadway. Tickets will be available for purchase exclusively by Citi Private Pass members for a limited time beginning at 10 a.m. CT Wednesday, Oct. 9 with general on sale opening at noon Friday, Oct. 11. Tickets start at $160 and include a VIP Cocktail Reception provided by Hard Rock Cafe and valet parking provided by Eagle Parking.
The evening will also feature a silent auction; all proceeds go to MOC Nashville. Since MOC’s expansion into Nashville in April 2007, more than 70,000 patients, families and staff in the Middle Tennessee area have benefited from 12 weekly programs in seven area healthcare facilities.
Last year, Clarkson surprised patients at Monroe Carell Jr. Children’s Hospital at Vanderbilt with an impromptu holiday performance. The singer will release her first Christmas project, Wrapped in Red, on Oct. 29.
For more information on the MOC Nashville Sixth Anniversary Concert, visit musiciansoncall.org/kellyclarkson.

Paisley, McBride and Others Added To Jones Nashville Tribute

the final no show1111Brad Paisley, Martina McBride, Big & Rich, Loretta Lynn, Lee Ann Womack, Craig Morgan, Thompson Square, Ronnie Milsap, Bill Anderson and rockers Megadeth have all been added to the bill for what would have been George Jones‘ final concert in Nashville, Tenn. on Nov. 22. The concert is now a tribute to the legendary singer. “Playin’ Possum! The Final NO Show” has been slated as the official name of the event.
“The evening of George Jones songs is going to be the best musical tribute Nashville has ever seen,” says Nancy Jones. “We have many surprises planned, and I just wish George could be here to see what we are doing for him.”
Previously announced performers include Kid Rock, George Strait, Blake Shelton, Miranda Lambert, Eric Church, Alan Jackson, Dierks Bentley, Reba McEntire, Alabama, Travis Tritt, Tanya Tucker, Josh Turner, The Oak Ridge Boys, Charlie Daniels, Jamey Johnson, Montgomery Gentry, Sam Moore, and others.
Jones was on his farewell tour titled The Grand Tour, when he passed away on April 26. The icon’s hits include “I Don’t Need Your Rockin’ Chair,” “Who’s Gonna Fill Their Shoes,” “White Lightning” and “He Stopped Loving Her Today.”

Hunter Hayes Previews Headlining Tour

Pictured (L to R): John Esposito (President & CEO, WMN), Dan Huff, Hunter Hayes, Scott Hendricks (SVP A&R, WMN), Peter Strickland (EVP & General Manager, WMN)

Pictured (L to R): John Esposito (President & CEO, WMN), Dan Huff, Hunter Hayes, Scott Hendricks (SVP A&R, WMN), Peter Strickland (EVP & General Manager, WMN).


Hunter Hayes gave the industry a glimpse at the results of a dream nearly 18 years in the making when he offered a preview of his headlining show for the CMT On Tour: Hunter Hayes’ Let’s Be Crazy Tour on Monday (Oct. 7). The tour begins with a show in Knoxville, Tenn. on Oct. 10 with Ashley Monroe.
At 22, this multi-talented singer, songwriter, producer and musician (Hayes played every instrument on his self-titled debut Atlantic Records album) has earned three No. 1 Country singles and the title of CMA New Artist of the Year and a Teen Choice Award for Male Country artist. The afternoon kicked off with Hayes adding another honor to his list; a platinum-selling album for his self-titled deluxe edition release, Encore. Members of Warner Music Nashville staff and various industry members gathered at the James K. Polk Theater to celebrate. Warner Music Nashville President and CEO John Esposito commented, “Hunter is one of only four Country artists in the past five years to have a platinum-selling debut album.”
Prominent reasons that he has caught the ears of fans young and old is his obvious passion—some might say obsession—with music, his musical prowess, and his seemingly limitless energy. Both were equally on display as he took industry members through a 90-minute set.
“For The Love of Music,” scrawled in chalk writing, rolled across a video screen above the stage as Hayes kicked off his set with two lively love songs, “A Thing About You” and “Can’t Say Love.” The background glowed with a background reminiscent of a Pac-Man arcade game, accented with spotlights that highlighted members of his backing band. The chalk writing continued throughout the stage dressing, from the stage ramps to the drum kit to Hayes’ piano, all covered with lyrics written in chalk.
“I’m actually a shy person,” Hayes told the audience. “Onstage is where I’m most comfortable.” The latter was clear, given his energetic, confident performance.
The lighting throughout the concert is thoughtful; red lights blaze for his debut single “Storm Warning,” then turn somber shades of purple and blue (accompanied by bubbles rather than rain) for Hayes’ bluesy guitar-driven take on “Rainy Season.” The soulful ballad allowed Hayes’ R&B-influenced vocals to command the audience’s attention, drawing loud applause.
Hunter Hayes

Hunter Hayes


“We’ve been working on the show for quite some time and it’s nice to play it for somebody. This is our way of saying thanks, by playing music and making noise,” said Hayes. He stayed center stage for “Somebody’s Heartbreak,” crunching out guitar riffs while stage lights were lit in an array of colors.
His musicianship got a special spotlight when he took to a side stage for an acoustic take on “Only If You Told Me To.” Using a loop and his guitar as a percussion instrument, Hayes built the song layer upon layer, even adding “background vocals” by singing into the sound hole on his trusty axe.
Calling it “the most vulnerable song I’ve ever done,” and “my awkward singles anthem,” Hayes brought the full band back for “Everybody’s Got Somebody But Me,” which features Jason Mraz. Though singer-songwriter Mraz wasn’t present, his voice was featured in the song. As Hayes performed, Mraz’s image was featured via video, as live footage of Hayes performing was layered on top of Mraz’s video performance, to interesting effect.
Hayes perhaps saved the best for last, as he launched into “Loved You More Than I Should,” an angst-filled Country-rock number. Backed by appropriate red and black hues and artsy video imagery, Hayes ripped through a series of rock guitar progressions. “That’s for all the angry people,” Hayes quipped.
He brought a quieter energy to the elegant rendition of “Where We Left Off,” the track Hayes contributed to the movie Act of Valor. With Hayes commanding the piano, spotlights onstage glowed red and blue, while lasers beamed white lights to the right and left, accentuating a video image of an American flag.
He followed the sentimental, patriotic theme with his hit ballad, “Wanted.” Giving a nod to his career thus far, “Better Than This” was his musical thank you to fans and the industry. Vintage footage of Hayes reminded listeners that though Hayes is barely in his 20s, he’s been performing live and dreaming of this career for most of his life. His easygoing confidence in a live setting is hard-earned, having performed with Hank Williams, Jr. and on national television by age 5.
“Let’s keep making noise and getting crazier and crazier,” said Hayes before concluding with his signature hit “I Want Crazy.” Judging from his substantial success thus far, it seems his career only set to get crazier.

SESAC Signs Alderman

Back row (left to right): SESAC’s Shannan Hatch, Curb Music Publishing’s Colt Cameron and Tiffany Goss & SESAC’s Tim Fink. Front row (left to right): Matt Alderman and Curb Music Publishing’s Drew Alexander. Photo: Peyton Hoge

Back row (L-R): SESAC’s Shannan Hatch, Curb Music Publishing’s Colt Cameron and Tiffany Goss & SESAC’s Tim Fink. Front row (L-R): Matt Alderman and Curb Music Publishing’s Drew Alexander. Photo: Peyton Hoge


SESAC has announced the signing of songwriter Matt Alderman for representation. Alderman, who also signed with Curb Music Publishing for exclusive representation, stopped by the PRO Nashville headquarters to commemorate the new partnerships.
 
 

UMPG To Host Songwriter's Night

OasisPoster111Universal Music Publishing Group will host a Songwriter’s Night to benefit Nashville’s Oasis Center. The event will take place Tuesday, Oct. 22 at 3rd & Lindsley beginning at 6 p.m.
Songwriters featured during the evening will include Shane McAnally (“Somewhere With You” and “Come Over,” Kenny Chesney; “Mama’s Broken Heart,” Miranda Lambert; “Downtown,” Lady Antebellum), Greg Bates (“Did It For The Girl,” Brothers”), Mark Nesler (“Just To See You Smile,” Tim McGraw; “You Look Good In My Shirt,” Keith Urban) and Nathan Chapman (“Walk Away” Martina McBride; “Sunrise,” Rascal Flatts).
Tickets are $15 in advance and $20 at the door; for more information, visit 3rdanddlindsley.com.

Scotty McCreery Counts Down From The Mound

Pictured (L-R): Scotty McCreery, Nan Kelley, Mitch Williams.

Pictured (L-R): Scotty McCreery, Nan Kelley, Mitch Williams.


Scotty McCreery got to combine two of his favorite pastimes, baseball and music, recently, when he taped an upcoming special episode of GAC’s Top 20 Countdown at the Major League Baseball Network’s Studio 42 in Secaucus, N.J. McCreery got to share the hosting seat with MLB analysts and former major leaguers Mitch “Wild Thing” Williams and Kevin Millar for the special show, which features a segment with McCreery pitching with Williams and an in-studio game with all four personalities.
Named for Hall of Famer Jackie Robinson, Studio 42 is an actual replica baseball field featuring a one-third scale turf infield and a pitcher’s mound. Adding to the authenticity are stadium lights, dugouts, and an outfield wall complete with padding, brick designs and an out-of-town scoreboard updated in real time.
“Co-hosting Top 20 Countdown is always fun,” said McCreery. “But getting to do it from Studio 42 was incredible. If you’re a fan of baseball like I am, it’s a really cool place to hang out. I watch both the MLB Network and Great American Country all the time, so working with both teams on this episode was a blast.”
The special episode where America’s favorite pastime meets America’s music will air this Fri. Oct. 11 at 7 p.m. CT.