Weekly Chart Report (2/1/13)


SPIN ZONE

Columbia Nashville’s Casey James recently visited San Antonio’s KAJA and visited with Bree Wagner-MD (left) and PD Travis Moon (right).

Columbia Nashville’s Casey James recently visited San Antonio’s KAJA and visited with Bree Wagner-MD (left) and PD Travis Moon (right).


The Band Perry won’t let go of their grip on the MusicRow Country Breakout Chart’s top position with their single “Better Dig Two,” hanging on for a third week. Jason Aldean spends a second week at No. 2 with “The Only Way I Know,” while Tim McGraw‘s “One of Those Nights” inches into the No. 3 slot. Carrie Underwood‘s “Two Black Cadillacs” is also jockeying for a top position, jumping from No. 7 to No. 4 this week. Gary Allan‘s “Every Storm (Runs Out of Rain)” slips from No. 3 to No. 5.
Kacey Musgraves‘ “Merry Go Round” ups a notch from No. 8 to No. 7, while Taylor Swift keeps holding steady at No. 6 again this week. Hunter Hayes is not far behind, with “Somebody’s Heartbreak” climbing from No. 10 to No. 9. New to the Top 10 this week are Toby Keith‘s “Hope On The Rocks” at No. 8 and Chris Young‘s “I Can Take It From There” at No. 10.
Many songs are racing up the charts this week. Lady Antebellum‘s “Downtown” skyrockets nearly 30 spots to No. 35, with 755 additional spins. Jake Owen‘s “Anywhere With You” bounces from No. 53 to No. 39 with 357 additional spins. Similarly, Eric Church‘s “Like Jesus Does” jumps more than a dozen spots, landing at No. 25 for the week, with 408 additional spins. Meanwhile, The Henningsens gain traction, going from No. 41 to No. 31. Rascal Flatts leaps nine spots from No. 32 to No. 24. Miranda Lambert‘s “Mama’s Broken Heart” jumps eight positions No. 16, garnering 398 additional spins. Florida Georgia Line‘s “Get Your Shine On” keeps up its momentum, climbing seven spots from No. 25 to No. 19 and adding 348 spins.
The highest debut for the week is Joel Crouse‘s “If You Want Some,” followed by Austin Webb‘s “It’s All Good,” Ash Bower‘s “Red,” Samantha Landrum‘s “Hometown,” Charlie Worsham‘s “Could It Be,” Hannah McNeil‘s “I Gotta Leave You For Me,” Outshyne‘s “Dirt Road Romance” and Lathan Moore‘s “Forever Man.”
Frozen Playlists: WCMS, KYTN, KVVP, WXFL

 
Upcoming Singles
February 4
Joel Crouse/If You Want Some/Show Dog–Universal
Parmalee/Carolina/Stoney Creek
Kendall Phillips/You Should Know/HMG-Stellar Vision
Rod Richmond/I Got Your Country Right Here/Red White and Blue
February 5
Rachel Nicole/Bet That Burns/So Be It Entertainment
February 11
Jake Owen/Anywhere With You/RCA
Greg Bates/Fill In The Blank/Republic Nashville
Brinn Black/Crushin’
February 18
Jaida Dreyer/Half Broke Horses/Streamsound Records
Kristen Kelly/He Loves to Make Me Cry/Arista
Rachel Farley/Ain’t Easy/Red Bow
 
 

JillianKohr

 
 
New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Joel Crouse/If You Want Some/Show Dog – 61
Austin Webb/It’s All Good/Streamsound – 71
Ash Bowers/Red/Wide Open Records – 73
Samantha Landrum/Hometown/Reviver-RED-BDG – 76
Charlie Worsham/Could It Be/WMN – 77
Hannah McNeil/I Gotta Leave You For Me – 78
Outshyne/Dirt Road Romance/MillStar Entertainment Group – 79
Lathan Moore/Forever Man/Render Records – 80
Most Added
Artist/song/label — New Adds
Lady Antebellum/Downtown/Capitol – 48
Joel Crouse/If You Want Some/Show Dog-Universal – 23
Jake Owen/Anywhere With You/RCA – 21
Eric Church/Like Jesus Does/EMI Nashville – 17
Lonestar/Maybe Someday/4 Star Records – 16
Kip Moore/Hey Pretty Girl/MCA Nashville – 13
Greg Bates/Fill In The Blank/Republic Nashville – 10
Austin Webb/It’s All Good/Streamsound – 10
Greatest Spin Increase
Artist/song/label — spin+
Lady Antebellum/Downtown/Capitol Nashville – 755
Eric Church/Like Jesus Does/EMI Nashville – 408
Miranda Lambert/Mama’s Broken Heart/RCA – 398
Jake Owen/Anywhere With You/RCA – 357
Florida Georgia Line/Get Your Shine On/Republic Nashville – 348
On Deck—Soon To Be Charting
Artist/song/label — spins
Greg Bates/Fill In The Blank/Republic Nashville – 142
Tyler Dean Feat. Ashley Gearing/I Wanna Wake Up With You/Sidewalk – 131
Kristen Kelly/He Loves To Make Me Cry/Arista Nashville – 119
Joe Bachman/Small Town Rock Stars – 119
Stephanie Grace/Would U Be Mine/SMG – 113

Sidewalk Records' Dylan Scott stopped for a visit with San Jose station, KRTY. Pictured (L-R) Roger Fregoso (Sidewalk Records), Jim Ed Norman, Dylan Scott, Julie Stevens (KRTY PD/MD/Mornings) and Nate Deaton (KRTY GM)

Sidewalk Records’ Dylan Scott stopped for a visit with San Jose station, KRTY. Pictured (L-R) Roger Fregoso (Sidewalk Records), Jim Ed Norman, Dylan Scott, Julie Stevens (KRTY PD/MD/Mornings) and Nate Deaton (KRTY GM)


Bigger Picture Group newcomer, Chris Janson, visited Nashville’s WSIX radio station in promotion of his single, “Better I Don’t.” Pictured (L-R):  BPG's Jay Bradley, Kim Trosdahl, Allen Mitchell, Michael Bryan (WSIX PD), Robin Rhodes (After MidNite), Chris Janson, Matt Corbin (BPG), EJ Bernas, Michael Powers

Bigger Picture Group newcomer, Chris Janson, visited Nashville’s WSIX radio station in promotion of his single, “Better I Don’t.” Pictured (L-R): BPG’s Jay Bradley, Kim Trosdahl, Allen Mitchell, Michael Bryan (WSIX PD), Robin Rhodes (After MidNite), Chris Janson, Matt Corbin (BPG), EJ Bernas, Michael Powers


Show Dog-Universal Music’s Joel Crouse recently stopped by WXTU to share his debut single, “If You Want Some,” which is our highest debut this week at No. 61 on our chart. Pictured (L-R): Rick Moxley (SDU), Kyle Rife (guitar player), Shelly Easton (PD WXTU), Crouse, Macy Morgenthaler (SDU), Mark Razz (WXTU MD), Natalie Conner (WXTU VP & GM)

Show Dog-Universal Music’s Joel Crouse recently stopped by WXTU to share his debut single, “If You Want Some,” which is our highest debut this week at No. 61 on our chart. Pictured (L-R): Rick Moxley (SDU), Kyle Rife (guitar player), Shelly Easton (PD WXTU), Crouse, Macy Morgenthaler (SDU), Mark Razz (WXTU MD), Natalie Conner (WXTU VP & GM)


 
 

Charlie Cook On Air: First Month Is February

CCook-onair-sm11According to the Julian calendar the year starts January 1. According to the Country Music calendar the year should start February 1.
January is a slow month for the format. We’re coming off the holidays. Some stations are recouping from Adult Contemporary competitors racking up astronomical ratings. In Nashville, WJXA, playing all Christmas Music around the holiday, set a national record for markets surveyed using Arbitron’s personal people meter measuring system. They scored a 17.8 share. Often this listening comes right out of the Country station. Or stations, as is the case in Nashville.
Nashville was not the only market to see a Christmas Music explosion. Ask Kerry Wolfe, in Milwaukee, how he feels about WRIT playing Christmas Music. Or Lance Tidwell, how’s that WRCH ratings report tasting in Hartford, buddy? Add to this list Austin, Detroit, Pittsburgh and Baltimore who took some hits because of Christmas music in the market. Now many Country stations see big numbers like the AC stations enjoy during the Christmas season but those are measured under the antiquated and unreliable diary system.
February is the month that voting begins in earnest for the Academy of Country Music awards. Yeah we have voted in January but it gets serious from this point on. The Super Bowl is Sunday, Feb. 3. It is being referred to as the Har Bowl because brothers Jim and John Harbaugh are opposing coaches. I am going with Baltimore. Why? The fine folks of Baltimore support a very good country radio station in WPOC. San Francisco? Not so much. Do you want more of a country music connection to the Super Bowl? Tim McGraw is involved with the radio coverage with his song “Truck, Yeah.”
The fourth quarter is of course the biggest time for CD releases as artists try to get in the holiday buying season but this February the format is getting ready for the first McGraw CD from a new label in many, many years. McGraw has been one of the most significant artists in the format for 20 years so a new project is always going to be a big deal but even more so with a new label. The Country Radio Seminar is in late February. It starts with the Radio/Disc Jockey Hall of Fame induction Feb. 26. This is one of the nicest nights of the year for radio and record folks. Touring gets back into full swing after the holidays. (I noticed that my favorite concert from 2012, Eric Church, is in Canada in February. My old friend Ron Sakamoto must have intense persuasive powers to get acts to tour Canada in February.) The Grammys are in February every year. Country acts get some attention on this mainstream show. This year Miranda Lambert and Carrie Underwood are going perform. And Hunter Hayes is up for Best New Artist. He is also up for Best Solo Performance in probably the most competitive category.
Here’s some more good news. February 2013 has only 20 work days. January had 23 work days. March has 22. That is worth some consideration. I think that you will agree that country music and country radio would be better served by making February the first month of the year. Nothing good happens in January. For those of you who celebrate a birthday in January, this may be tough to read but for the greater good you should be willing to move your birthday to another month. August is a good month.
All that said, January did have a seismic shift this year as Cumulus brought country radio back to New York City. It won’t be until February though when we see some results in listening.
(The views expressed in this article are those of the author and do not necessarily reflect those of MusicRow.)
 
 
 

High Valley – "Love You For A Long Time"

hvThe title of High Valley’s U.S. debut album, Love Is A Long Road, might just raise an eyebrow. The band consists of three 20-something brothers – Brad, Bryan and Curtis Rempel – who seemingly came out of nowhere to earn multiple Canadian Country Music Association and Juno nominations for their music in their homeland of Canada. They’ve opened shows for Brad Paisley, Carrie Underwood, Keith Urban and Reba McEntire and become fast friends with some of their heroes. What the heck could three young guys with such an apparently quick ascent know about a long, hard road to anywhere?
In truth, the ascent has been gradual. And challenging.
High Valley would not be on anyone’s radar if the brothers were not, in fact, all about long roads. They grew up in a remote region of Canada, 500 miles from the nearest international airport. To connect with the world at large required a commitment because geographically, it was literally a long road to anywhere.
But the group’s personal journey is a long road, too.
Despite being in their twenties, High Valley has,, in fact, been recording for more than a decade and touring for 16 years, and they booked their own concert dates for much of that time, since older brother Brad was a mere 12 years old. The guys quit their jobs on Jan. 25, 2007, and devoted themselves fully, make-or-break, to a country music career at a time when they had no record label and no guarantees that enough work existed to cover the fuel costs for a group that lived eight hours from an urban center.
It’s that deep commitment to a cause that provides the foundation for High Valley’s Love Is A Long Road, an album brimming with driving tempos, engaging harmonies and superb musicianship. Underneath those obvious components are layers of thought that take a little longer to fully assimilate. The sound has an in-the-moment inspirational quality, but the words are built on long-term ideals: faith, family, farming – aspects of life that require honest dedication if they have any hope of working.
Brad co-wrote the bulk of the songs on Love is A Long Road with such established writers as Phil Barton (Lee Brice “A Woman Like You”), Danny Wells (George Strait “Check Yes Or No”), Brian G. White (Rodney Atkins “Watching You”) and Neal Coty (Mark Chesnutt “She Was”). The album’s lone outside song, “Never Took Her Dancing,” came from Allen Shamblin (Miranda Lambert “The House That Built Me”) and Rob Crosby (Martina McBride “Concrete Angel”). And High Valley enlisted a couple of proven hitmakers – Phil O’Donnell (Craig Morgan) and songwriter Jeremy Spillman (Eric Church “Hell On The Heart”) – to produce the album, which mixes tight harmonies with traditional country instrumentation. It perfectly matches the Rempel brothers’ youthful vigor with their authentic rural upbringing.