HFA Offers Reduced Commissons

The Harry Fox Agency (HFA) has announced a new program which offers publishers a chance to greatly reduce the commission rate on royalty distributions from HFA. Under its new Reduced Commission Program (RCP), publishers are guaranteed a rate of 5.25% in exchange for centralizing all their U.S. mechanical licensing and royalty processing with HFA. Additional publisher benefits include advances and the inclusion of all musical works in HFA’s Royalty Compliance Examinations.

Churgin


According to Gary Churgin, President & CEO of HFA, “In these unpredictable and ever-evolving times in our industry, we want to do everything possible to help publishers in making their businesses more cost effective and more importantly, cheaper to run. We are ecstatic to be able to offer to our clients more services at an even more attractive price.”
HFA is a leading provider of rights management, licensing and royalty services for the music industry with over 46,000 music publishing clients.
 

Bobby Karl Works The Medallion Ceremony






The newest class of the Country Music Hall of Fame was inducted at last night’s Medallion Ceremony, pictured (L-R): Jean Shepard, Bobby Braddock, and Reba McEntire. Photo: Donn Jones








Chapter 365:
There are bigger and glitzier events on Music City’s annual calendar, but none can match the warmth and camaraderie of The Country Music Hall of Fame Medallion Ceremony.
You can’t beat the music, either. The Sunday evening (5/22) ceremony in the Hall of Fame’s Ford Theater began with a rafter-raising gospel collaboration between Vince Gill and The McCrary Sisters on “Down by the Riverside.”
“We gather here for powerful words and familiar music,” said Hall of Fame board chairman Steve Turner. “We are honored for the presence and fellowship of each and every one of you.” Steve Moore and Kyle Young also welcomed the 300 lucky seat holders.
The Hall of Fame inductions began with Kyle telling the Bobby Braddock story. Miranda Lambert and Blake Shelton were sensational on Bobby’s co-penned masterpiece “Golden Ring” and drew enthusiastic whoops from the crowd. They were fresh from their honeymoon. Blake, you will recall, was discovered and first produced by Bobby, and they remain close to this day.
Tracy Lawrence was in fine voice for “Time Marches On.” “Thank you, Bobby,” he said. “Biggest hit of my career.”
Billy Currington was relaxed and charming on “People Are Crazy.” Kyle reminded the attendees of Bobby’s 1981 induction into the Nashville Songwriters Hall of Fame and of his nine BMI Million-air songs. He proclaimed Bobby Braddock, who is a youthful 70, “one of the greatest songwriters in the history of country music.”
Bill Anderson read some of Bobby’s most distinctive song lyrics, to everyone’s delight. “It’s no secret that Bobby Braddock doesn’t like to dress up,” Bill added. “But he’s dressed up tonight. Not ‘to go away,’ but to go into the Country Music Hall of Fame.” Bill then placed the Medallion around his fellow songwriter’s neck while the crowd rose in a standing ovation.
“When I hit the red carpet, I saw all the fans….saying, ‘Who’s that?,’” said Bobby wryly. “It’s like getting to go to your own funeral without having to die. How awesome is that?” He thanked George Jones for recording 29 of his songs, producer Billy Sherrill and his co-writers. “I don’t know if I deserve it, but I’m glad to get it,” he concluded.
Jimmy Capps, Charlie McCoy and Millie Kirkham were on the original recording of “He Stopped Loving Her Today.” They joined Bobby as he sat at the piano and began the iconic tune. Then George Jones appeared to do the recitation and to finish the song. The All-Star 2011 Medallion Band flawlessly recreated its ambiance. The members, led by John Hobbs, were Paul Franklin, Steve Gibson, Eddie Bayers Jr., Michael Rhodes, Deanie Richardson, Dawn Sears, Biff Watson and Jeff White.
Next, Kyle told the Jean Shepard saga. Bill Anderson reappeared to perform “A Dear John Letter” with Elizabeth Cook. Their efforts resulted in a spontaneous standing ovation. Vince stepped up to perform Jean’s “I Want to Go Where No One Knows Me.” His arms in casts for treatment of carpal tunnel syndrome, Doug Green of Riders in the Sky glided through “Second Fiddle,” complete with its climactic yodel.
“She sang proudly of her gender,” said Kyle of Jean, who is arguably the greatest female honky-tonk stylist in country-music history. Her husband Benny Birchfield was in the house, as were sons Cory and Harold and her granddaughters.
George Jones warmly inducted his old friend. “Thanks, George, for showing up,” Jean quipped. “I was happy to do my part. I hung in there like hair on a grilled-cheese. Bobby, how did I miss [singing] one of your songs?”
“I don’t know,” replied her fellow inductee. “It’s not too late.”
Jean continued by citing Skeeter Davis, The Wilburn Brothers, Jimmy C. Newman, The Browns and Mac Wiseman as people she feels strongly should also be honored with induction.
“I love what I do, and I do what I love,” she concluded. “Thanks to the wonderful country-music fans. God bless you.”
At 77, she proved she still has what it takes by delivering a powerfully moving version of “A Satisfied Mind.” Jean, by the way, is writing a book. “It’s going to be a tell-all,” she promises. Oh goody!
Kyle continued the proceedings by relating the Reba McEntire story. She has more No. 1 albums than any other female country artist and at age 56 is still knocking out chart-topping hits. Trisha Yearwood and Reba’s sister Susie McEntire were note-for-note perfect on “How Blue.” Vince sang “Somebody Should Leave.” Garth Brooks did “Whoever’s in New England.” But the real vocal fireworks were delivered by Martina McBride and Kelly Clarkson on “Does He Love You,” which was rewarded with another standing ovation.
Reba’s mother, sisters, son and husband/manager Narvel Blackstock were recognized. As a surprise to the inductee, Dolly Parton appeared to present her Medallion.
“This is a great honor and a great privilege,” said Dolly. “They said it was a surprise to Reba. I said, ‘Oh, I don’t think there’s anything Reba don’t know.’” But it was, indeed, a surprise to the redheaded superstar.
“Awards are fun, but it’s the camaraderie and the fun you have getting there [that count],” said Reba. “Having such a fun time and a wonderful career and having somebody to share it with — my partner, my buddy, my husband, I love you.
“Miss Shepard, thank you for coming before me and paving the way. I’m honored beyond words to be inducted with you. Bobby Braddock, I am a huge fan.
“Thank you all very much from the bottom of my heart. I couldn’t have done it without you. And, by God, I wouldn’t have wanted to.”
The traditional, mass-sung “Will the Circle Be Unbroken” finale was less of a train wreck than usual this year. Ray Walker took vocal control; The McCrarys were an immense addition and Vince conducted the band.
The event drew a sizable crowd of sidewalk fans who yelled loudly as the stars’ limos arrived at the red carpet. The always-genial Bill Cody presided out there.
Inside, a pre-inductions cocktail supper was held in the Conservatory and on the plaza. Roast turkey, hearts of palm with arugula and parmesan salad, burger sliders, assorted raw veggies with dip, rolled lox with cream cheese and capers, shrimp & grits, roasted potatoes and a tomato-onions-cucumber toss were among the flavors to sample.
Heading the guest list were 16 Hall of Fame members – George Jones (inducted in 1992), Jo Walker-Meador (1995), Brenda Lee (1997), Bud Wendell (1998), Dolly Parton (1999), Bill Anderson (2001), Gordon Stoker, Curtis Young and Ray Walker of The Jordanaires (2001), Jim Foglesong (2004), Harold Bradley (2006), Sonny James (2006), Ralph Emery (2007), Vince Gill (2007), Jimmy Fortune of The Statler Brothers (2008), Barbara Mandrell (2009), Charlie McCoy (2009) and Billy Sherrill (2010).
In addition, the crowd was liberally sprinkled with performers such as Jan Howard, Red Steagall, Donna Stoneman, Patsy Stoneman, Rafe Van Hoy, Matraca Berg, Don Henry and Bob DiPiero. Also in the house were David Anderson, David McCormick, David & Susana Ross, John Grady, John Siegenthaler, John Guess, Don Light, Donna & Gerald Nicely, Bill Carter, Bill Denny, Tony Conway, Tony Brown, Troy Tomlinson, Tom Roland, Jerry & Ernie Williams and Jody Williams.
Working the room were Rod Essig, Roy Wunsch & Mary Ann McCready, Pat Collins, Peter Cooper, Dick Frank, Dixie Gamble, Dann Huff, Steve Buchanan, Scott & Sandi Spika Borchetta, Eddie Stubbs, Beverly Keel, Michael Kosser, Alice Randall, Lon Helton, Ed Morris and Chet Flippo. The End. Until next year.
 

Swift Dress Rehearsal Raises $750,000 For Tornado Victims

“Just based on tickets alone, you have raised over $750,000,” Taylor Swift told the cheering crowd at Saturday night’s (5/21) final Speak Now Tour dress rehearsal. Swift opened the dress rehearsal at Nashville’s Bridgestone Arena to the public with 100 percent of ticket and merchandise sales going to tornado relief efforts. She also streamed two songs from the set live on her website to encourage donations.
This was the first opportunity for the public to see Swift’s new live show and no one walked away disappointed. The elaborate production included several costume changes, dancers suspended from bungee chords, an elaborate set design, and fireworks. Highlights also included Swift spending time in the back of the arena for an intimate performance, as well as singing the last song of the night, “Love Story,” from a suspended balcony that traveled in the air around the venue. Full of energy, emotion, and spectacular production, this “rehearsal” treated fans to a polished, attention grabbing night of entertainment.
“We were at rehearsal and we turned on the news and we saw that our beloved friends and neighbors in the Southeast were losing their homes, losing their loved ones, losing everything due to tornadoes and I felt like if it was possible for us to help them in any way, then we should do it,” Swift explained to the crowd.
Swift’s sentimental comments made after the first two numbers were the only hints that the show was indeed a dress rehearsal.

Taylor Swift's final dress rehearsal for her Speak Now Tour.

John Rich Wins "The Celebrity Apprentice"

John Rich hears he is winner of The Celebrity Apprentice.


John Rich was named winner of NBC’s The Celebrity Apprentice last night (5/22) by Donald Trump. The season finale aired live from the Skirball Theatre in New York City, where Rich became the show’s first country music winner, beating out actress Marlee Matlin.
In last night’s episode, Rich surprised everyone by playing his “Trump card” and becoming the first contestant to bring in additional money in the finale. Rich added a donation of $250,000 from Dollar General and Reckitt Benckiser, and $25,000 from The Melting Pot. Rich also performed his new song “For the Kids” during the episode.
As the newest Celebrity Apprentice, Rich received a $250,000 prize for his charity, St. Jude Children’s Research Hospital. The show’s charity earnings for the season totaled $3,120,852 – the largest amount ever raised by a TV series.
“Today has been an unbelievable day!” said Rich. “I got Trump to put on a Stetson hat on national television and now I get to drive down to Memphis with a $250,000 check for St. Jude Children’s Hospital. This entire experience has been for the kids and I’m so excited to raise money for this cause and help save lives. Everyone, please purchase the song ‘For the Kids.’ All of the proceeds will go straight to St. Jude Children’s Research Hospital!”
Last week, Rich released two new Six Pak albums via Warner Music Nashville: Rich Rocks and For the Kids. He has also teamed with fellow Celebrity Apprentice contestants Meat Loaf, Lil Jon and Mark McGrath to record “Stand In The Storm,” a new single benefiting their respective charities from the show.

John Rich chats with St. Jude patient T'Ara during a recent visit to the hospital to shoot for the show's finale episode.




 

Grant Williams Offers Singer Mini-Clinic

Vocal coach Renee Grant-Williams will conduct a day long, information-intensive MiniClinic for Singers at her downtown studio in Nashville, Tennessee on Friday, June 10. The fast-moving sessions, limited to only six attendees, will focus on each individual singers’ personal strengths as well as their challenges.
“What you get in a MiniClinic that you don’t get in a private session is the opportunity to learn by seeing these techniques at work in other singers,” says Grant-Williams, vocal coach to the Dixie Chicks, Faith Hill, Christina Aquilera, Tim McGraw, Martina McBride, Kenny Chesney, Miley Cyrus, Keith Urban, Linda Ronstadt, Charlie Daniels and others.
Voice coach Grant-Williams has appeared on numerous broadcast outlets including MTV, ABC, CBS, NBC, FOX, GAC, CMT, and USA. She has been quoted by and written for numerous print publications including Cosmopolitan, TV Guide, US Weekly, the New York Times, Associated Press and Country Weekly. For more details visit www.MyVoiceCoach.com.

Americana Nominees To Be Announced Live From NY

As reported last week on musicrow.com, (read details here) the Americana Music Association will formally reveal its Awards nominees May 23 at the Gibson Showroom in New York City. It has now been confirmed that the invitation-only media event will be broadcast live on SiriusXM Outlaw Country channel 60 and streamed live on Livestream.com and via MusicCityroots.com. Artist and organizational members of the AMA will receive a code that will enable them to view the conference via Facebook.
Rosanne Cash will read the nominee list and music will be offered from Levon Helm and his Dirt Farmer quartet, Jim Lauderdale, The Civil Wars and some surprise guests!  Nashville Mayor Karl Dean will be in attendance to make remarks about the association and Music City.

Paisley To Debut Video & Release Album





(L-R): Brad Paisley, Teddy Gentry, Rick Hendrick, owner Hendrick Motorsports; Randy Owen and Jeff Cook Photo: Ben Enos



 

Brad Paisley will attend the NASCAR Sprint All-Star Race on May 21 in Charlotte, North Carolina, and world premiere his new video, “Old Alabama,” on multiple platforms, including SPEED, NASCAR.com and the world’s largest HD video board at the Charlotte Motor Speedway.
The video for “Old Alabama” features NASCAR legends Darrell Waltrip, Jeff Gordon and Rick Hendrick and Alabama. It was directed by Jim Shea and produced by Mark Kalbfeld, who also directed and produced Paisley’s award winning videos “Waitin’ On A Woman,” “Start A Band,” “When I Get Where I’m Going” and “Welcome To The Future.” The video was shot on country roads in Charlotte, NC, and several takes took place at Hendrick Motor Sports Complex in Concord, NC.
As previously announced, artist royalties from the digital single sales of “Old Alabama” are being donated for tornado relief via the American Red Cross.
His 9th studio album, This Is Country Music, will be released on Monday, May 23. Paisley’s 15-track collection, with 12 co-written by Paisley, is produced by Frank Rogers. His first studio album since American Saturday Night (July of 2009) includes guest performances by Carrie Underwood (the duet, “Remind Me”), Don Henley (“Love Her Like She’s Leavin’”), Blake Shelton (“Don’t Drink the Water”), Marty Stuart, Sheryl Crow and Carl Jackson (“Life’s Railway to Heaven”) and Clint Eastwood (the instrumental, “Eastwood”).

(L-R): Jim Shea, director and Brad Paisley Photo: Ben Enos


 

Eye On Idol (5/20/11)

And then there were two.
Following last night’s (5/19) exit of Haley Reinhart from American Idol, only country contestants Scotty McCreery and Lauren Alaina remain. That’s right, an all country finale, which has never happened in the show’s 11 seasons.
No matter who wins, this is great news for Nashville. We get not just one, but two, Idol voter-approved talents to mold into the next future stars. But as is the case with any new artist, there will be some important hurdles. Below is an examination of those hurdles and an Idol finale scorecard.
First off, let’s talk talent. Detractors have criticized Scotty for not being a great singer or perhaps sounding too much like Josh Turner. Sure he may not be the rangiest vocalist out there, and he may have sung “Your Man” one too many times in the early rounds, but I haven’t heard him hit too many sour notes so far. He seems to know his limitations and wisely stays close to his sweet spot. Lauren, on the other hand, is a naturally gifted singer with a gorgeous tone and extraordinary range. She gets the win in this category.

Haley Reinhart


There’s also an aspect of preparedness to consider. Scotty has a definite lead in this category, showing a confidence onstage and in front of the camera that belies his 17 years. He also has a keen ability to adapt and make instinctively appropriate choices for the moment, like choosing Alan Jackson’s “Where Were You” on the Wednesday following Osama Bin Laden’s death.
By comparison, Lauren’s song choices seem completely slapdash. For example, her own song choice for Wednesday’s (5/18) highly critical Top 3 show was Faith Hill’s cute-but-forgettable “Wild One.” Hardly a slam dunk. And I’m still not exactly clear how she sees herself as an artist… is she more Miranda or Martina or something completely different? Issues her label will have to confront.
Country radio is still an important piece of the puzzle, and Scotty in particular may face some challenges there. If Phyllis Stark’s recent article for Radio-Info is any indication, many country PDs and MDs aren’t going to be signing up for the Scotty fan club anytime soon. The response to Lauren was less hostile, provided that she comes with some A-plus material.
Hopefully, some of these folks in country radio will come to their senses and realize that both artists are young and still developing their skills. They should also pause to consider just how many of their listeners (and potential new ones) have been calling to vote for these kids (95 million total votes this week, fyi). And I won’t want to presume to speak for the labels here, but I imagine great care will be taken to ensure Scotty is not just a Josh Turner soundalike. His performances and choices suggest a wide range of ability and taste and it shouldn’t be a problem for him to bury that criticism.
Lastly, there’s a certain all-important X factor. Scotty has this in droves. He’s the all-American kid that helps your grandmother cross the street and rescues helpless kittens out of trees. Seriously, how can you compete with something that symbolic? To her credit, Lauren possesses a likeable southern girl charm but she’s no match for Scotty in this area.
Yes, both contestants have some checks in their columns. Both are distinct talents with their own set of pluses and minuses. But for my money, nothing short of the supposed Rapture tomorrow is going to stop Scotty from being crowned the next American Idol.

Cloud Battle Will Rain On Consumers

[UPDATE: When this article was published on May 19, only EMI Music and Warner had finalized licensing deals with Apple for its cloud service. Now CNET is reporting that Sony Music has also struck a deal with Apple, making Universal the lone holdout.]
Apple has reportedly signed a licensing deal with EMI Music for a cloud-based music service, and is close to finalizing deals with Universal Music Group and Sony Music.
Warner Music Group reached an agreement with Apple last month, and having EMI on board will bring the tech giant one step closer to offering a full-featured cloud music service. At present, available cloud options from Google and Amazon are unlicensed.
Once deals from Sony and Universal are finalized, Apple will be in a position to offer a service with more bells and whistles than its rivals. With Apple’s Worldwide Developers Conference on the horizon for June 6, the company might finally be ready to unveil the long-awaited service.
It remains unclear, however, which new options and features will be part of the Apple cloud experience. One possibility is the ability to scan a user’s iTunes library and match tracks with existing master copies in the cloud, thereby eliminating the need to upload gigabytes of files. Apple could also charge a subscription fee for cloud usage.
The stripped-down Amazon cloud interface could stand some improvement. Aside from a clunky file uploading process, it’s essentially just a hard drive with some navigational features to help track down the album, artist or song desired. Furthermore, the service offers no clear way to find any track-specific information like number of plays or year released. On the upside, users can apparently download the files to any computer and new mp3 purchases from Amazon are automatically sent to the cloud.
But there’s also also a strange disconnect between the Cloud Player and Amazon’s massive retail arm. One of the things that has always made Amazon such a vital and exciting place to shop is its discovery and recommendation engine. If a user rates, say, the latest Miranda Lambert album AND an old Talking Heads record, then Amazon makes all kinds of recommendations based on the purchasing habits of other users who own similar things. None of that appears to be happening in the cloud.
This is one area where the iTunes cloud service will likely triumph over its competitors. As an organizing tool, iTunes is without peer. Presumably Apple will inject its cloud product with a similar logic for grouping and sorting music in myriad ways. If it can also include an engaging recommendation tool that will encourage users to explore and discover, Apple will have the edge.
The major labels are rumored to be pulling for Apple to win the cloud battle. If a fully-licensed Apple cloud takes a huge chunk of the digital music marketplace, then Amazon and Google will be forced to secure licenses for their services to stay relevant.

Submissions Open For CMA Broadcast Awards

The Country Music Association has begun accepting online submissions for the 2011 CMA Broadcast Awards at Broadcast.cmaawards.com. Categories include Broadcast Personality and Station of the Year in four different market sizes (major, large, medium, and small), as well as CMA National Broadcast Personality of the Year. Submissions are accepted until 5 p.m. CDT on June 30.
All entries must reflect performances and events between June 1, 2010 and May 31, 2011. CMA’s panel of judges, which includes more than 40 distinguished radio and industry professionals, will be able to view and evaluate each entry online. After the judges’ scores are submitted, Deloitte & Touche LLP® will tabulate the winners.
Winners will then be notified in early October and recognized at “The 45th Annual CMA Awards,” which will be held later this year in Nashville. The annual gala, which is known as “Country Music’s Biggest Night,” will be broadcast live on the ABC Television Network.
To submit an entry, CMA member radio stations and broadcast personalities in the U.S. and Canada should log on to Broadcast.CMAawards.com, where guidelines and instructions for entries are posted.