Spencer Nohe Named Director, A&R At Warner Chappell Music

Spencer Nohe has been hired as Director, A&R at Warner Chappell Music.

Nohe most recently served as Creative Director at BMI and also previously served as Senior Director, A&R at Curb|Word Entertainment. He is a member of the Troubadour Advisory Council for the Country Music Hall of Fame and the Nashville Film Festival Music Committee. Nohe holds a Bachelor of Business Administration from Belmont University and during his time in school, held an internship with Warner Music Group.

“Anyone who knows Spencer knows that he has a strong work ethic and is a sincere lover of music and the people who create it,” said Ben Vaughn, President & CEO, Warner Chappell Music Nashville. “Spencer is excited to join the Warner Chappell team and we’re lucky to have him in the family.”

“I’m thrilled to be joining the team at Warner Chappell and work with songwriters that I’ve been a fan of my whole career,” added Nohe. “Ben and the entire A&R team are the best in the business and I’m honored to get the opportunity to serve alongside them. The Warner Chappell roster and track record is unparalleled and I look forward to contributing to the legacy of the organization.”

ACM Final Round Of Voting Is Open


The final round of voting for the 55th annual Academy of Country Music Awards is now open and closes Monday, March 9, 2020 at 5 p.m. PST.

The ACM Awards air live from the MGM Grand Garden Arena in Las Vegas on Sunday, April 5 (live 8 p.m.-11 p.m. ET/delayed PT) on the CBS Television Network and will be available to stream live and on-demand across digital platforms on the CBS All Access subscription service.

Reigning ACM Entertainer of the Year Keith Urban will serve as host.

The complete list of nominees can be found here.

Nashville’s Music Community Reacts Following Tornado Destruction

Several artists in Nashville’s music community have responded following a tornado that ripped through Nashville in the early morning hours of March 3. Among the artists sending their thoughts to their fellow Nashvillians include Dolly PartonReba, Dierks Bentley, Brandy Clark, Dan+Shay, Kelsea Ballerini, Matthew West and many others.

At least 21 people have been confirmed dead across the state. Governor Bill Lee confirmed the deaths during a morning news conference, noting “There’s a really good possibility that there may be more. It’s early yet….As tragic as this is — and our hearts are broken — we are certain that we’ll surround these folks and we’ll do what is necessary [to recover].”

More than 40 structures have collapsed across the city and surrounding areas, including popular east Nashville rock music venue The Basement East. The tornado caused severe damage in several areas of Nashville and surrounding cities, including East Nashville, Germantown, Donelson and Mt. Juliet.

Several organizations and businesses have offered help. Hands On Nashville has developed a listing of volunteer opportunities. Funds can also be donated to the Community Foundation of Middle Tennessee‘s Middle Tennessee Emergency Response Fund. A few other charitable organizations include: American Red Cross, Salvation Army, and Second Harvest Food Bank.

Bridgestone Arena has opened its doors to offer free pizza, allowing those affected a safe place to have lunch. The Grilled Cheeserie has set up outside Hunter’s Station to offer free sandwiches, while Baked on 8th has announced it will donate all of its profits this month to Hands on Nashville and the Community Foundation of Middle Tennessee. The Martha O’Bryan Center’s food bank will be open until 2 p.m.

 

[This is a developing story…]

Riley Green’s “I Wish Grandpas Never Died” Goes Gold

Pictured (L-R): BMLG’s Mike Rittberg, BMLGR’s Jimmy Harnen, Riley Green, BMLG’s Scott Borchetta, Fusion Music’s Daniel Miller, Red Light Management’s Harrison Klein

Riley Green recently celebrated the RIAA Gold certification for his latest single “I Wish Grandpas Never Died,” which is currently approaching Top 10 at country radio. He marked the milestone alongside Big Machine Label Group President/CEO Scott Borchetta and BMLG Records President/CEO Jimmy Harnen as they commemorated the special achievement with a plaque.

Along with his first ACM Nomination, Riley also recently received an iHeartRadio Music Award nomination for Best New Country Artist, was recently named as part of the CRS 2020 New Faces Class, and received MusicRow’s Breakout Artist of the Year at the CountryBreakout Awards. “I Wish Grandpas Never Died” follows his Gold-certified No. 1 “There Was This Girl,” both of which appear on his debut album Different ‘Round Here. Green is spending the summer touring across the country with Jason Aldean on his We Back tour.

Nashville Music Venue The Basement East Destroyed By Tornado

[Update, March 3, 11:19 a.m. CT]: Putnam County, Tennessee Mayor Randy Porter has updated its number of deaths from 14 to 16, bringing the total number of deaths in Nashville and surrounding cities to 21.]

Beloved Nashville music venue The Basement East was destroyed early Tuesday morning (March 3) when a tornado ripped through much of Nashville around 1:00 a.m. The tornado caused severe damage in areas of Nashville including East Nashville, Germantown, Donelson and Mt. Juliet.

The Basement East, located at 917 Woodland Street in East Nashville, was among several buildings either destroyed or severely damaged in Nashville’s Five Points area.

According to a notice on The Basement East’s social media, staffers took shelter in the basement of the venue late Monday night (March 2) and all are safe.

As of this time, the Tennessee Emergency Management Agency has confirmed 19 fatalities from the deadly storms and the number of injuries is unknown. Confirmed fatalities represent 14 fatalities in Putnam County, one fatality in Benton County, two in Wilson County, and two in Davidson County.

Among the artists that were scheduled to perform at The Basement East this week include Maggie Miles, ELOHIM, The Mattson, and Rob Aldridge and the Proponents. The Basement East is co-owned by Mike Grimes and Dave Brown, as an East Nashville outpost of the original venue The Basement, located on 8th Ave. S. in Nashville. In October, Live Nation announced a multi-year booking agreement for The Basement East.

Kenny Chesney To Release New Album ‘Here And Now’ May 1

Photo Credit: Allister Ann

Kenny Chesney‘s latest album, Here and Now, is set for release on May 1 via Warner Music Nashville. The album follows Chesney’s first project with Warner, 2018’s charity album Songs for the Saints.

Here and Now was written and recorded over the last 18 months with co-producer/longtime collaborator Buddy Cannon and Ross Copperman, and includes the first single, “Here And Now,” which is already rising at radio.

“One of the things I really wanted (for Here and Now) was to bring a lot of my favorite writers together, not to do ‘writing camp,’ but just hang out and talk, remember when it was the stories and laughs that sparked songs, not sitting down to churn out something to cut,” Chesney said.

“You know, it’s going to have a high fun factor,” he continues. “People work hard, and need music that makes them smile, that kicks them into a happy place. There are also songs here that look at very specific people, that tell one person’s story, but it could be any of us. That’s the mark of a good song: let one person’s specific life say so much about a lot of people’s lives. When you’re this far into a career, I think artists need to keep pushing themselves and the music without losing sight of who they are, or forgetting the people you make music for. No Shoes Nation is a very passionate place without borders; I get inspired every time I see and hear them.”

By the time the album drops Chesney will be in full swing on his Blue Chair Bay Rum Presents the Chillaxification Tour fueled by Marathon which kicks off April 18 at AT&T Stadium in Texas and runs through the summer.

Mark Your Calendar—March 2020

Industry Events


March 13-22
SXSW Conference

March 24-28
28th Tin Pan South Festival

March 25
MusicRow‘s Ninth Annual Rising Women On The Row

Single Add Dates


March 2
Old Dominion/Some People Do/RCA Nashville
Russell Dickerson/Love You Like I Used To/Triple Tigers Records
The Desert City Ramblers/Hillbilly Rollin Stone/Crane Creek
AC Jones/Castle/Sialia Records
Rob Georg/Dust/SMG-Nashville

March 9
Johnny McGuire/I Can’t Even/Wheelhouse Records
Payton Smith/Like I Knew You Would/Big Machine
James Dupre/You’re Probably Drunk Right Now/Fleur de Magnolia Music
Craig Mecham/Driving Through Montana/SMG-Nashville

March 16
Auburn Road/Warning/Powerbase Music/Star Farm Nashville
Robert Eskridge and Southern Daze/Simple Things/Riverfront Promotions

March 23
Joe & Martina/Give Me Back the 90’s/Costa Gold Productions

Album Releases


March 6
Brandy Clark/Your Life Is A Record/Warner Records
Jim Lauderdale/When Carolina Comes Home Again/Yep Roc Records
Lauren Alaina/Getting Good EP/UMG Nashville

March 13
Caitlyn Smith/Supernova/Monument Records

March 20
Kelsea Ballerini/Kelsea/Black River
Delta Rae/The Light

March 27
Jessi Alexander/Decatur County Red
Jill Andrews/Thirties/Vulture Vulture/Tone Tree Music
Lilly Hiatt/Walking Proof/New West Records
Ingrid Andress/Lady Like/Warner Music Nashville/Atlantic Records

Weekly Register: Luke Combs, Dan + Shay, Justin Bieber Continue Chart Reigns


Luke Combs, Dan + Shay, and Justin Bieber continue to top the country sales charts, as Combs again takes the top two spots on the Nielsen Soundscan top album sales rankings with What You See Is What You Get and This One’s For You.

Dan+Shay and Bieber’s “10,000 Hours” tops the country on-demand audio streaming chart with 9.5 million streams, while Maren Morris‘ two-week radio chart-topper “The Bones” remains at No. 2 with 8 million streams.

See the Top 5 on the country albums and country on-demand streaming charts below:

Top Country Albums (total activity)

  1. Luke Combs, What You See Is What You Get: 24.9K
  2. Luke Combs, This One’s For You: 18.9K
  3. Morgan Wallen, If I Know Me: 14.8K
  4. Blake Shelton, Fully Loaded: God’s Country: 13.6K
  5. Kane Brown, Experiment: 11K

Country On-Demand Audio Streaming

  1. “10,000 Hours,” Dan+Shay/Justin Bieber, 9.5 million streams
  2. “The Bones,” Maren Morris, 8 million streams
  3. “One Man Band,” Old Dominion, 6.82 million streams
  4. “Heartless,” Diplo, ft. Morgan Wallen and Julia Michaels, 6.79 million streams
  5. “I Hope,” Gabby Barrett, 6.5 million streams

Luke Combs Reclaims No. 1 Spot On MusicRow Top Songwriter Chart


Luke Combs has reclaimed the No. 1 slot on the MusicRow Top Songwriter Chart this week, with credits on his own “Even Though I’m Leaving,” “Does To Me (Featuring Eric Church),” and “Better Together,” as well as the Carly Pearce and Lee Brice duet, “I Hope You’re Happy Now.” Ross Copperman moves down to the No. 2 position.

Craig Wiseman shifts from No. 15 to No. 7, with credits on Morgan Wallen’s “Chasin’ You” and Kenny Chesney’s new song, “Here And Now.”

The weekly MusicRow Top Songwriter Chart, published every week, uses algorithms based upon song activity according to airplay, digital downloaded track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

BREAKING: Deborah Dugan Officially Terminated As Recording Academy President/CEO

Deborah Dugan

The Recording Academy’s Board of Trustees has voted to terminate Deborah Dugan as President/CEO of the organization. Dugan has been on a paid administrative leave since Jan. 16, 2020.

According to a statement from the Recording Academy, the decision was made with full support of the Executive Committee, based on two independent investigations into allegations made by and against Dugan. A total of 37 witnesses were interviewed, and “each investigator had free rein to fully investigate all of the allegations that were made against Ms. Dugan and by Ms. Dugan against the Recording Academy,” a statement from the Recording Academy noted.

The statement noted that additional factors in the decision to dismiss Dugan from the President/CEO role include “Ms. Dugan’s consistent management deficiencies and failures,” and the “unwarranted and damaging media campaign she launched in an attempt, without justification, to derail the Grammy Awards show, including her false allegations that the system was—in her words—”rigged” and that the Academy was “corrupt.”

In January 2020, Dugan filed a complaint against the Recording Academy, in which Dugan described the “sexual harassment to which she was subjected by Joel Katz, Esq.,” an entertainment attorney and tenured executive at the Academy.

Dugan’s complaint also stated that her Recording Academy predecessor, Neil Portnow, “allegedly raped a female recording artist.” The alleged artist was not named in the complaint. The complaint claims that the board was aware of the incident, and that is why Portnow’s contract was not renewed. The complaint also claimed Dugan was asked to offer Portnow a $750,000 consulting contract and that “Katz and his law firm are paid an exorbitant amount of money by the Academy.” The complaint also claimed Dugan’s assistant Claudine Little was sharing information from Dugan’s emails with Academy board members and executives. Dugan’s complaint also stated that some board members on “secret committees” that select the Grammy nominees represent or have relationships with nominated artists, and that the “Board uses these committees as an opportunity to push forward artists with whom they have relationships,” that “the Board manipulates the nominations process to ensure that certain songs or albums are nominated when the producer of the Grammys (Ken Ehrlich) wants a particular song performed during the show,” and that “the Board is permitted to simply add in artists for nominations who did not even make the initial 20-artist list.”

The newly-issued statement from The Recording Academy on Dugan’s exit says,

“All of this led the elected leaders of the Academy to conclude that it was in the best interests of the Academy to move on. This is not what we wanted or what we expected when we hired Ms. Dugan last year. At the time, we placed our trust in her and believed she would effectively lead the organization. Unfortunately, that is not what happened. Though she made some valuable contributions, Ms. Dugan failed to perform her job duties as promised and expected.

Although we did participate in some settlement discussions at Ms. Dugan’s request after she stated that it was her desire to leave the Academy and be bought out of her employment contract, we were ultimately compelled to dismiss Ms. Dugan as our President/CEO. Not removing Ms. Dugan from the organization at this time would have caused us to compromise our values. We could not reward her with a lucrative settlement and thereby set a precedent that behavior like hers has no consequence. Our members and employees, and the entire music industry, deserve better than that.”

The Recording Academy will soon begin a search for a new President/CEO.

“Our focus will be on moving forward with the transformation agenda we initiated prior to hiring Ms. Dugan, and on working to improve the Academy. Much of this work has been happening but much of it is yet to come. We realize that we are not perfect, but we want you to know that our attention and energy will remain squarely on you and on the positive changes we are making together. We will not be distracted from that.  We will use this moment to reflect on where we can be better, and pledge to realize a future in which our organization is known for its diversity, transparency, creativity, mutual respect, and overall excellence.”

The complete statement from the Recording Academy sent to members today (March 2, 2020) follows:

Dear Members:

As you know, Deborah Dugan has been on a paid administrative leave of absence since January 16, 2020. We are writing to let you know that, earlier today, the Board of Trustees voted to terminate Ms. Dugan’s employment as President/CEO of the Recording Academy.

This decision of the Board, with full support of the Executive Committee, was based on:

Two exhaustive, costly independent investigations relating to Ms. Dugan and the allegations made against her and by her. These investigations were carried out by experienced individuals with no prior relationship to the Academy, interviewed a combined total of 37 witnesses, and reviewed numerous relevant documents and emails. The investigators were not given any directives about what specifically to investigate or what conclusions, if any, they were expected to reach, and they were not limited by the Academy in terms of what witnesses they could interview or files or documents they could review. Each investigator had free rein to fully investigate all of the allegations that were made against Ms. Dugan and by Ms. Dugan against the Recording Academy.

The unwarranted and damaging media campaign that she launched in an attempt, without justification, to derail the GRAMMY Awards show, including her false allegations that the system was—in her words—“rigged” and that the Academy was “corrupt.”

Ms. Dugan’s consistent management deficiencies and failures, and other factors.

All of this led the elected leaders of the Academy to conclude that it was in the best interests of the Academy to move on.

This is not what we wanted or what we expected when we hired Ms. Dugan last year. At the time, we placed our trust in her and believed she would effectively lead the organization. Unfortunately, that is not what happened. Though she made some valuable contributions, Ms. Dugan failed to perform her job duties as promised and expected.

Although we did participate in some settlement discussions at Ms. Dugan’s request after she stated that it was her desire to leave the Academy and be bought out of her employment contract, we were ultimately compelled to dismiss Ms. Dugan as our President/CEO. Not removing Ms. Dugan from the organization at this time would have caused us to compromise our values. We could not reward her with a lucrative settlement and thereby set a precedent that behavior like hers has no consequence. Our members and employees, and the entire music industry, deserve better than that.
The Board’s decision to dismiss Ms. Dugan closes one chapter in the Recording Academy’s history. It also begins a new one. In the coming days, we will initiate a search for a new President/CEO who will leverage the Academy’s diverse membership and rich history and help us transform it to better serve our members today and into the future. As we structure this new search, we will look carefully to see where the last one led us astray and make any necessary changes going forward.

It is not uncommon for organizations and leaders to part ways after a short period. It usually happens without rancor. Unfortunately, in this case, Ms. Dugan sought to damage our reputation on her way out, and it is likely we will see more attempts to disparage the Academy in the coming weeks. We regret that, as members of the Academy, you have had to endure so much recent negativity.

From this point forward, our focus will be on moving forward with the transformation agenda we initiated prior to hiring Ms. Dugan, and on working to improve the Academy. Much of this work has been happening but much of it is yet to come. We realize that we are not perfect, but we want you to know that our attention and energy will remain squarely on you and on the positive changes we are making together. We will not be distracted from that. We will use this moment to reflect on where we can be better, and pledge to realize a future in which our organization is known for its diversity, transparency, creativity, mutual respect, and overall excellence.

Thank you for your support and continued service and commitment to the Recording Academy.

-The Executive Committee of the Recording Academy