Anthem Entertainment Hires Lindsay Hyslop As Manager, Marketing For Anthem Records

Lindsay Hyslop

Anthem Entertainment has hired Lindsay Hyslop as Manager, Marketing to its label division, Anthem Records. Hyslop, who is based in Nashville, will report to Anthem Records’ Head of Label Allison Hamaura and will oversee all aspects of marketing strategy and execution for Anthem Records’ label roster.

Hyslop has worked in label and management positions in Nashville and Toronto, most recently managing marketing, brand partnerships and streaming for RGK Entertainment Group. Prior to RGK, Hyslop worked in Digital Marketing for Universal Music Canada.

Hamamura said, “Lindsay comes to us with a wealth of experience and knowledge. Her natural affinity for music, creative capabilities and spirit make her a welcome addition to Anthem Records.”

Anthem Records was founded in 1977, with a rich history of artists including the legendary band Rush.

Guy And Susanna Clark, Townes Van Zandt Documentary To Premiere At SXSW

Without Getting Killed or Caught, a documentary about the complicated relationship among legendary songwriters Guy Clark, Susanna Clark and Townes Van Zandt and the art it inspired, will world premiere this March at the South By Southwest (SXSW) Film Festival.

The film, by author, filmmaker and producer Tamara Saviano and co-producer/co-director Paul Whitfield, features narration by Sissy Spacek (as Susanna Clark) as well as interviews with Guy Clark and his closest friends and musical allies Rodney Crowell, Steve Earle, Vince Gill, Jo Harvey Allen, Terry Allen and Verlon Thompson.

The film makes use of Clark’s songs, family photographs and archives, vintage film footage and radio talk shows to tell its story as Guy struggles to establish himself, Susanna pens hit songs and paints album covers for top artists, and Townes spirals in self-destruction after writing some of Americana music’s most enduring and influential ballads. It also draws from Susanna’s pained remembrances from her private journals and secret audio diaries and taped conversations she made of the trio.

“Guy and I were friends for 18 years and spent the last eight of those years working together on his biography and then the documentary,” said Saviano. “It is bittersweet that after all of that, Guy did not survive to see this documentary come to fruition. It is an honor to continue to work on his legacy. I hope the documentary will give fans new insights into the extraordinary artistic life Guy shared with his wife Susanna and best friend Townes Van Zandt.”

In early December, Saviano and Whitfield recorded Spacek’s narration in Austin and Whitfield spent the rest of the month laying in the voice track and making tweaks to wrap the film at the end of 2019. The pair will premiere the 95-minute documentary, funded in part by a Kickstarter campaign, at SXSW, while also looking for a distributor.

Longtime Curb Records CEO Dick Whitehouse Passes

Dick Whitehouse. Photo: Courtesy Curb Records

Longtime Curb Records CEO Dick Whitehouse died Jan. 14 in California. He served for 55 years with the company, including 35 years as CEO. He served as a board member and trustee for Curb Records until his passing.

Curb Records Chairman Mike Curb said via a statement: “No one has ever done more for Curb Records than Dick Whitehouse. He was there from our start in 1964 and was responsible for some of the greatest artist signings in the history of our company. Dick was that rare record executive who understood the totality of our complicated industry. Dick played a major role in signing The Judds, Lyle Lovett, Junior Brown, Sawyer Brown, The Desert Rose Band and many others. I’m happy to say that Dick was surrounded by his wife Joan, his two daughters, Shelley and Debbie, and all of his grandchildren, sharing in what the family referred to as a living memorial.

“The family does not plan for a funeral service, however if anyone has any tributes to Dick, please send them to [email protected] and we will put those together as a tribute to him and pass them along to the family. Please keep Dick’s family in your thoughts and prayers.”

Eli Young Band Sets 2020 Tour

Eli Young Band are hitting the road on a new headlining tour in February. The new tour kicks off Valentine’s Day in Denver, and crisscrosses the country before wrapping on April 11 in Cleveland. High Valley has been tapped to open several dates on the tour.

“After taking some time off over the holidays to regroup and reset, we’re so ready to get back to rockin’ on the road,” shares EYB frontman Mike Eli. “We’ve been rehearsing a new show and new songs, and we can’t wait to share all of it with our fans!”

Pre-sales have begun for Citi cardmembers and venues will hold pre-sales on Thursday (1/16) before public on sale Friday (1/17).

The band capped off 2019 by releasing the nostalgic video for their introspective single, “Break It In.” The clip serves as a sort of time capsule for the band’s trajectory, featuring everything from career highlights to more intimate moments, like saying “I do” and watching their families grow.

Eli Young Band 2020 Tour Dates:
February
14 – Denver, CO – Fillmore Auditorium*
15 – Des Moines, IA – Wells Fargo Arena
16 – Indianapolis, IN – Deluxe at Old National Centre*
22 – Murray, KY – CFSB Center
29 – Durant, OK – Choctaw Casino & Resort
March
6 – Chattanooga, TN – The Signal
7 – Miramar Beach, FL – The Village Door Music Hall
8 – Plant City, FL – Florida Strawberry Festival
13 – Dallas, TX – House of Blues Dallas*
14 – Fayetteville, AR – George’s Majestic Lounge
15 – Fayetteville, AR – George’s Majestic Lounge
19 – Detroit, MI – The Fillmore Detroit
20 – Grand Rapids, MI – 20 Monroe Live*
21 – Cincinnati, OH – Bogart’s*
April
11 – Cleveland, OH – House of Blues Cleveland*

*with High Valley

The Lacs Kick Up Some Faves On New Compilation

A collection of The LACS’ most popular genre-blending hits and field party anthems, Kickin’ Up Mud: The Hits, is set for release Jan. 31. The 12-song collection is dropping on the heels of the duo’s first RIAA Gold-certified single for the title track “Kickin’ Up Mud,” which was released in 2010.

The album includes defining songs like the raucous title track, “Kickin’ Up Mud,” “Country Road,” and The LACS’ rowdy signature song, “Keep It Redneck.” This essential playlist also includes “Jack In My Coke,” featuring Montgomery Gentry.

“Kickin’ Up Mud: The Hits” Track List:
1. Kickin’ Up Mud
2. Country Road
3. 190 Proof
4. Country Boy Fresh
5. Keep it Redneck
6. Smokestack
7. Kick Dust f/Noah Gordon
8. Let Your Country Hang Out
9. All Weekend Long
10. God Bless A Country Girl
11. Make The Rooster Crow
12. Jack In My Coke f/Montgomery Gentry

Chris DeStefano, J.T. Harding, Brett James, Cassadee Pope Preview ASCAP Experience At Bluebird Cafe

Pictured (L-R): ASCAP VP of Membership Mike Sistad, Bluebird Cafe GM Erika Wollam Nichols, Cassadee Pope, Brett James, ASCAP Membership Manager Holly Chester, ASCAP VP of Marketing Erik Philbrook, J.T. Harding, ASCAP Sr. Director of Marketing Alison Toczylowski Webber, Chris DeStefano. Photo: Ed Rode

ASCAP songwriters Chris DeStefano, J.T. Harding, Brett James and Cassadee Pope shared songs and stories last night (Jan. 14) at the 2nd annual ASCAP Experience in the Round at the Bluebird Cafe. The hit songwriters were previewing the 15th annual ASCAP Experience—previously called the “I Create Music” EXPO—in Los Angeles April 1-3, 2020.

For tickets and more information about the 15th annual ASCAP Experience visit ascapexperience.com. In celebration of Nashville’s creator community, the promo code “BLUEBIRD” can be used for 10% off non-member pricing through Jan. 22.

ASCAP’s Mike Sistad kicked everything off by talking about the ASCAP Experience conference, which the songwriters gushed about all evening.

“We’ve had some amazing people out there, we’ve had Chris Stapleton, Justin Timberlake, Tom Petty has done it, Stevie Wonder, Meghan Trainor, Quincy Jones. It’s pretty awesome,” Sistad said. “Thank you for being here and thank you for supporting songwriters.”

Pictured (L-R): Brett James, Cassadee Pope, Chris DeStefano, J.T. Harding. Photo: Ed Rode

Pope kicked off the round with a song she had written about her sister, appropriately called “Sis.” She later played a few more new tunes, including a stunner called “I Just Do,” and a break-up song called “Best Worst Thing.” Pope also showed off her incredible tone and range on her career-starting hit, “Wasting All These Tears,” as well as a single off her last project, “Take You Home.”

James announced that he would be putting out a record in 2020, and played a sampling of songs from the project. “I hadn’t make a record in 25 years, so I decided to make a record,” he said.

James played several new songs, including a tune about telling the people you love how you feel about them, the upcoming first single from the project called “True Believer,” another song he wrote with Harding and DeStefano called “I Am Now,” and a stand-out bluesy tune called “Lonely.” James also played one of the biggest hits under his belt, “Jesus, Take The Wheel.”

Harding was extremely entertaining, playing his monster hits “Bar At The End Of The World” (Kenny Chesney), “Different For Girls” (Dierks Bentley and Elle King) and “Smile” (Uncle Kracker). “There’s no better songwriter showman in town,” DeStefano said of Harding.

Harding also played a clever new tune called “Y’allsome,” and a song that was inspired by a hotel he had stayed at on his way to the ASCAP Experience, which ended up being “Sangria” (Blake Shelton).

DeStefano wasn’t left behind as a songwriter showman, showing off his vocal skill on his cuts “Good Girl” (Carrie Underwood), “From The Ground Up” (Dan + Shay) and “Don’t It” (Billy Currington). He also played his Tyler Rich co-write “Leave Her Wild,” and killed his performance of Underwood’s “The Champion,” including Ludacris’ rap verse, which closed the epic round.

Pictured (L-R):Cassadee Pope, Brett James, J.T. Harding, Chris DeStefano. Photo: Ed Rode

SMACKSongs Signs Josh Dorr

Pictured (L-R): SMACKSongs’ Robin Palmer, Shane McAnally, Josh Dorr and Lee Krabel. Photo Credit: Cece Dawson

SMACKSongs, the music publishing company led by Grammy winners Shane McAnally and Josh Osborne, has inked an exclusive publishing deal with Josh Dorr.

Dorr’s songs have been recorded by artists including Jordan Davis, Dylan Brady, Sister Hazel, Emerson Hart and Cameran Nelson. He has released two EPs as an artist and is in the studio working on a new project to be released later this year.

“I’m honored and beyond excited to be part of such a talented roster of writers/artists and creative staff,” said Dorr. “I’m grateful for the opportunity and I can’t wait to start 2020 with my amazing new team at Smack”

SMACKSongs Senior Creative Director, Lee Krabel, shares, “I’ve been a fan of Josh’s for years. He is one of the best vocalists in our format and an incredible songwriter. From day one he has fit right in with the staff of writers at SMACK. We are so excited to be a part of his future and help take his career to new heights.”

SMACKSongs was named AIMP Publisher of the Year in 2018 and 2019, as well as SESAC’s Publisher of the Year in 2018.

Mechanical Licensing Collective Names Kris Ahrend As CEO

Kris Ahrend.

The Mechanical Licensing Collective (MLC) has named industry executive Kris Ahrend as the organization’s CEO. Nashville-based Ahrend will begin his tenure with the MLC, effective immediately. According to a spokesperson for the organization, one of Ahrend’s first tasks will include finalizing the official location for the MLC.

MLC Board Chair Alisa Coleman said, “Kris was selected by our Board after a months-long competitive process; both his background and vision stood out amongst many qualified candidates. The unique combination of his experience with license administration, his tenure as a business and legal affairs executive in the music industry, and his most recent involvement in leading the design and operation of a large client service organization makes him well-suited to operate the MLC. He has spent his career making sure artists and songwriters get paid, and the Board is thrilled to have found someone whose passion and expertise align so well with the mission of the MLC.”

Ahrend added, “Nothing could be more exciting than leading a company that helps ensure songwriters, composers, lyricists, and music publishers receive the money they deserve from digital service providers and offers them new tools to take control of their careers. We will provide songwriters and publishers unprecedented transparency, rights, and the ability to claim what is theirs. Through the MLC, we are committed to improving the system for everyone.”

A graduate of Binghamton University and the Washington & Lee School of Law, Ahrend worked as a law clerk for the Western District of the Virginia District Court and the Second Circuit Court of Appeals before joining the Intellectual Property & Litigation Group of Simpson Thacher & Bartlett, LLP in New York. Ahrend began his career in the music industry working in the Law Department at Sony Music, where he provided legal services to all of Sony’s US divisions, including its publishing company. He subsequently worked in the business and legal affairs department at Sony BMG Music Entertainment before accepting a senior executive role at Rhino Entertainment.

In 2013, Ahrend left Rhino to assume a senior executive role within Warner Music Group, where he led a large legal, financial, and administrative shared services organization that he helped to create. In 2016, Ahrend was promoted to President of U.S. Shared Services and tapped to lead the development and launch of Warner Music’s new Center of Excellence for Shared Services in Nashville, where he oversaw the operations of fifteen different functional teams providing a variety of administrative, financial, and legal services to Warner Music’s U.S.-based publishing teams, record labels, and corporate divisions.

He serves on the boards of the Nashville Chamber of Commerce and the Nashville Downtown Partnership, and is a member of the Music City Music Council.

The Mechanical Licensing Collective was designated by the United States Copyright Office, and created by U.S. music publishers and songwriters (backed by the National Music Publishers’ Association, the Nashville Songwriters Association International and the Songwriters of North America), as a new entity to license and administer rights under the Music Modernization Act which was signed into law in 2018. The law ensures that the mechanical rights of songwriters and music publishers are properly licensed and royalties fully paid by digital services, and it improves how those royalty rates are determined. It also establishes a publicly accessible mechanical rights database to ensure accurate, transparent copyright ownership information.

 

 

Colton Dixon Signs With Atlantic Records/Hear It Loud

Colton Dixon; photo by: Jimmy Fontaine/Atlantic Records

CCM hitmaker Colton Dixon has signed with Atlantic Records/Hear It Loud. His first single in nearly three years, “Miracles,” will release Jan. 24. The track was one of the final songs Colton wrote alongside late writer/producer busbee; Colton and busbee’s work together can be traced to Colton’s very first No. 1 single, 2012’s “You Are.” Michael Jade is also a co-writer on Dixon’s new song “Miracles,” while busbee and Ryan Daily are credited as producers.

Fans were first introduced to Dixon in 2012, when he made the top seven finalists on American Idol’s 11th season. He released his debut album, A Messenger, in 2013. His sophomore album, Anchor, included the three-week No. 1 hit “More Of You,” as well as “Through All Of It,” which earned Dixon his fourth consecutive No. 1 on Hot AC radio. Dixon has won Gospel Music Association Dove Awards for Best Rock/Contemporary Album Of The Year in 2013 (A Messenger) and 2015 (Anchor). His most recent album, Identity, released in 2017.

 

Jason Aldean Extends We Back Tour Through Summer

Jason Aldean announced details today for the Summer leg of his 2020 We Back Tour, which will launch in Toronto on July 17 and visit St. Louis, Philly, Chicago, Atlanta, Phoenix, and more before wrapping Sept. 26 in Irvine, California. Named after Aldean’s Top 10 single from his new album, 9,  the adrenaline-fueled run will continue with special guests Brett Young, Mitchell Tenpenny and Dee Jay Silver.

Citi is the official presale credit card for the tour, and Citi cardmembers will have access to purchase pre-sale tickets through Citi Entertainment. Additionally, Live Nation is the official tour promoter and fans can first purchase tickets beginning Jan. 24th for select cities as part of Live Nation’s Country Megaticket.

July 17: Toronto, ON – Budweiser Stage
July 23: Bethel, NY – Bethel Woods Center for the Arts
July 24: Canandaigua, NY – CMAC
July 25: Hartford, CT – Xfinity Theatre
July 31: Rogers, AR – Walmart AMP
Aug. 1: St. Louis, MO – Hollywood Casino Amphitheatre**
Aug. 2: Indianapolis, IN – Ruoff Home Mortgage Music Center
Aug. 13: Syracuse, NY – St. Joseph’s Health Amphitheater at Lakeview
Aug. 14: Philadelphia, PA – BB&T Pavilion
Aug. 15: Bristow, VA – Jiffy Lube Live
Aug. 21: Burgettstown, PA – S&T Bank Music Park
Aug. 22: Chicago, IL – Hollywood Casino Amphitheatre**
Aug. 23: Cincinnati, OH – Riverbend Music Center
Aug. 28: Atlanta, GA – Ameris Bank Amphitheatre
Sept. 11: Tampa, FL – MIDFLORIDA Credit Union Amp
Sept. 12: West Palm Beach, FL – Coral Sky Amphitheater
Sept. 17: Albuquerque, NM – Isleta Amphitheater**
Sept. 18: Phoenix, AZ – Ak-Chin Pavilion**
Sept. 19: San Diego, CA – North Island Credit Union Amphitheatre**
Sept. 24: Sacramento, CA – Toyota Amphitheatre
Sept. 25: Mountain View, CA – Shoreline Amphitheatre
Sept. 26: Irvine, CA – FivePoint Amphitheatre**