Luke Combs‘ second studio album What You See Is What You Get holds steady atop the country albums chart (total consumption) for a second week, after it released Nov. 8. In its second week, the project moved 55K, according to Nielsen Soundscan.

Lady Antebellum released Ocean, its first project for BMLG on Nov. 15; the project debuts at No. 2 on the country albums chart (total consumption) with 29K. Combs’ debut album, This One’s For You, is in the No. 3 spot this week with 19.7K. Old Dominion‘s self-titled project is at No. 4 with 14.3K. Dan + Shay‘s third studio album, Dan + Shay, is at No. 5 with 12K.

Dan+Shay and Justin Bieber continue to dominate the Country On-Demand Audio Streaming rankings, as “10,000 Hours” earned 11.4 million streams this week. Old Dominion’s “One Man Band” is at No. 2 with 8 million streams. Combs’ “Even Though I’m Leaving” is at No. 3 with 7 million streams.

Diplo featuring Morgan Wallen‘s “Heartless” is at No. 4 with 6.7 million streams, while Combs’ “Beer Never Broke My Heart” rounds out the Top 5 with 5.7 million streams this week.

The Mechanical Licensing Collective (MLC) announced that former Digital Data Exchange (DDEX) Chair Richard Thompson will serve as the nonprofit’s Chief Information Officer responsible for overseeing the development and launch of the MLC’s revolutionary data platform to distribute royalties payable to songwriters and copyright owners. Thompson had been serving in an interim capacity for the MLC since February 2019.

MLC Board Chair Alisa Coleman said, “Creating a single platform capable of handling a blanket mechanical license that will pay royalties to all songwriters, composers, lyricists, and music publishers is a monumental effort that has never before been undertaken in the United States. To help guide this initiative, the Board takes great pleasure in formally appointing Richard Thompson as CIO. Richard’s impressive experience in building the technology behind Kobalt, as well as his past role as chair of DDEX and his participation in the international music metadata standards group for nearly a decade, make him the ideal person to drive the development of the MLC’s platform.”

The MLC also named some of the vendors that will support the creation of the public database, which, as directed by the Music Modernization Act (MMA), will contain critical copyright information on all musical works and will launch on Jan. 1, 2021.

Technology company ConsenSys and mechanical licensing administrator Harry Fox Agency (HFA) received unanimous approval from the MLC Board to become the primary vendors responsible for managing the matching of digital uses to musical works, distributing mechanical royalties, and onboarding songwriters, composers, lyricists, and music publishers and their catalogs to the database.

Thompson said, “Knowing that we would be operating with tight deadlines proscribed under the new law, we began a rigorous review process of potential vendors to build our infrastructure well before we were tapped by the Copyright Office to be the official mechanical licensing collective. In fact, since last November when the Request for Proposals process began, the MLC has invested thousands of hours investigating the options to create the core technology and public interface that will comply with the less than seventeen-month implementation timeline and specific directives of the Music Modernization Act.”

Over a dozen technology companies participated in an intensive RFI/RFP evaluation process that began in November 2018. Those companies were asked to provide comprehensive information regarding their U.S. business, user platforms, matching, administration and royalty distribution processes, and technological capabilities in response to the RFI and then, for a narrowed group of vendors, to the RFP. The MLC required vendor finalists to engage in extensive data matching testing before making final partner decisions.

Thompson said, “The MLC needs a proven, end-to-end licensing, matching, and royalty processing system that can go live on Jan. 1, 2021. After completing a rigorous evaluation process, HFA in collaboration with ConsenSys is the clear choice to ensure that the MLC has a solid platform to deliver on its mission. These vendors will successfully help the MLC deliver not only what is required under the MMA, but also improve the overall mechanical licensing process in the United States.”

The MLC has also selected global consulting firm Prophet to create the portal’s user interface, ensuring the database is accessible and easy to use for the wide variety of individuals and businesses expected to access the system. Additionally, the MLC is working closely with the DDEX to design interface(s) to access the data that will be included in the public database. The MLC expects to make additional vendor announcements in the coming months for other project phases.

“The MLC Board reviewed several strong competitors in the marketplace before choosing our partners for this unprecedented and truly revolutionary project,” Coleman said. “We are confident these companies are best positioned to help the MLC efficiently deliver a high-quality, responsive platform that can serve today’s songwriters and music community while also preparing for developing areas of digital music use to ensure that the systems that are being built today can expand to accommodate the ever-changing landscape.”

Billboard reported today (Nov. 26) that it is changing the rules to its albums charts, affecting the way sales will be counted on those tallies in respect to merchandise bundles.

Effective Jan. 3, 2020, in order for an album sale to be counted as part of a merchandise/album bundle for the Billboard charts, all the items in the bundle must also be available for purchase concurrently and individually on the same website; and the merchandise item sold on its own will have to be priced lower than the bundle which includes both the merchandise and the album. The merchandise bundles can only be sold in an artist’s official direct-to-consumer web store and not via third-party sites.

All album releases from the Jan. 3, 2020 start date onward must adhere to the new rules, even if the bundles went on-sale before then. For already released albums, those looking to count further sales on the albums charts from must also adhere to the new rules from the start date onward.

Blane Howard recently visited the MusicRow offices to perform a few songs, including his breakthrough 2017 hit “Promise To Love Her,” a song he co-wrote with Jordan Reynolds (Dan + Shay’s “Speechless” and “Tequila”).

The song was inspired by Howard’s relationship with his wife, whom he wed over three years ago.

“It wasn’t supposed to be anything more than a gift for her, but it took off from there,” Howard said.

Howard, an Arkansas native, relocated to Nashville after high school to attend Belmont University, and counted fellow artists including Russell Dickerson among his classmates. He has been writing, recording and showcasing new music for audiences ever since. During his MusicRow visit, he also performed new material such as “Rock On Her Window.”

He just recorded six new tracks and is in the studio working on a new project.