Apple Music Launches Replay Playlists

Apple Music has launched Replay playlists as an added feature for subscribers. Beginning now, subscribers can relive the highs, lows and in-betweens of 2019 with the songs, artists, and albums that soundtracked and defined their year. Additionally, with Apple Music Replay a playlist is created with the top songs for 2019 and one for every year a customer has subscribed. Playlists can be saved to the library and shared with friends.

Apple Music Replay can be accessed all year long and the Apple Music Replay playlist and data insights update on Sundays with the latest listening activity.

Mechanical Licensing Collective, Digital Licensee Coordinator Reach Agreement

The Mechanical Licensing Collective (the MLC) and the Digital Licensee Coordinator, Inc. (the DLC) announced today (Nov. 14) an agreement that will allow the MLC to perform critical tasks as directed under the Music Modernization Act (MMA).

The agreement states that the MLC will receive $33.5 million for start-up costs and an initial annual assessment for 2021 of $28.5 million; that the MLC will provide public disclosures, including as to royalty collection and distribution, executive compensation, significant expenses, and projected annual budgets; and the creation of a new budgeting advisory committee comprised of equal numbers of representatives of the MLC and the DLC, which will enhance collaboration in evaluating operating costs.

MLC Board Chair Alisa Coleman and DLC Board Chair James Duffett-Smith offered the following statement upon announcement of the agreement:

“Today’s agreement between the MLC and the DLC represents a landmark achievement for every facet of the music industry. As a result of this accord, the central feature of the Music Modernization Act will be able to commence operations with the resources necessary to help ensure its success.

“Overall, this agreement is a great step forward for all of us within the music community and clearly builds off the tremendous progress we made with the passage the Music Modernization Act. With this phase behind us, we will now continue our work together to finalize the operations and other requirements under the law as we prepare to help songwriters get the royalties they are owed.”

NMPA President & CEO David Israelite said, “The deal struck with the biggest streaming companies in the world to fund the collective’s start up and future operational costs is an important step forward for our industry. The collective is an unprecedented agency serving both songwriters and steaming services so that the entire system works better. We are pleased the digital services met the budgetary requirements to ensure the success of the MLC’s mission. The Music Modernization Act contained ambitious requirements and this agreement will give all parties a good head start on achieving its goals.”

Highlights of the agreement include:

  • Funding Agreement Demonstrates a Commitment to Getting Implementation Right
    • The MLC will receive $33.5 million for start-up costs and an initial annual assessment for 2021 of $28.5 million.
    • All costs will be divided up among licensees, with the largest services paying a greater share.
    • Interim financing will be provided for the MLC before formal assessment collections begin in 2021.
  • Continued Commitment to Operational Transparency
    • The MLC will provide public disclosures, including as to royalty collection and distribution, executive compensation, significant expenses, and projected annual budgets.
  • Collaboration In Evaluating Operating Costs Builds Off Spirit of MMA
    • Creation of new budgeting advisory committee comprised of equal numbers of representatives of the MLC and the DLC that will enhance collaboration in evaluating operating costs.
    • The committee will provide input on future budgets and modifications to the annual assessment going forward.
    • Streamlined budget adjustments and assessment dispute process will limit the need to turn to the Copyright Royalty Board.

Established by the MMA, the MLC is a nonprofit entity designated by the United States Copyright Office to develop and administer a revolutionary mechanical licensing system that will launch on Jan. 1, 2021. The MLC will be responsible for collecting and distributing royalties payable to songwriters and copyright owners by digital music services, and for the creation of a first-of-its-kind, public database that will contain critical copyright information on all musical works.

The DLC is a nonprofit entity designated by the United States Copyright Office to represent the interests of digital music services under the MMA. The founding members of the DLC board are Amazon, Apple, Google, Pandora and Spotify.

For more information, visit themlc.com.

Big Machine Label Group Celebrates CMA Night

Pictured (L-R): Thomas Rhett, Scott Borchetta and Brantley Gilbert attend Big Machine Label Group celebration of The 53rd Annual CMA Awards in Nashville at The Bell Tower on November 13, 2019 in Nashville, Tennessee.(Photo: Jason Kempin/Getty Images for Big Machine Label Group

Big Machine Label Group celebrated several performers during last night’s (Nov. 13) Country Music Association Awards. Reba McEntire, Sheryl Crow, Lady Antebellum, Thomas Rhett, Jennifer Nettles and Carly Pearce all performed, while Nettles and Midland both presented honors.

NASHVILLE, TENNESSEE – NOVEMBER 13: (Back row, L-R) Andrew Kautz, Kelby Ray of The Cadillac Three, Allison Jones, Lauren Jenkins, Riley Green, Noah Schnacky, Tyler Rich, Brett Young, Sami Bearden, Savana Santos and Sam Backoff of Avenue Beat, Dan Smalley, Conner Smith, Callista Clark; (Middle row, L-R) Justin Moore, Danielle Bradbery, Neil Mason of The Cadillac Three, Jess Carson and Mark Wystrach of Midland, Sandi Spika Borchetta, Scott Borchetta, Hillary Scott, Charles Kelley and Dave Haywood of Lady Antebellum, Carly Pearce, Brantley Gilbert; (Front row, L-R): Jaren Johnston of The Cadillac Three, Thomas Rhett and Scooter Braun attend Big Machine Label Group celebration of The 53rd Annual CMA Awards in Nashville at The Bell Tower on November 13, 2019 in Nashville, Tennessee. Photo: Jason Kempin/Getty Images for Big Machine Label Group

Pictured (L-R): Scooter Braun, Lindsay Ell and Scott Borchetta. Photo: Jason Kempin/Getty Images for Big Machine Label Group

Pictured (L-R): Mary Travis, Scott Borchetta, Randy Travis and Allison Jones. Photo: Jason Kempin/Getty Images for Big Machine Label Group

Pictured (L-R): Andrew Kautz and Justin Moore. Photo: Jason Kempin/Getty Images for Big Machine Label Group

Warner Music Nashville Celebrates CMA Wins For Blake Shelton, Dan+Shay, Ashley McBryde

Photo (Front Row, L-R); Ingrid Andress; Wes Vause (SVP Publicity, WMN); Morgan Evans; Devin Dawson; Michael Ray; Ryan Griffin. (Second Row, L-R): Cody Johnson, Gabby Barrett, Kristen Williams (SVP Radio & Sreaming, WMN); Dan Smyers (Dan + Shay); John Esposito (Chairman & CEO, WMN); Ashley McBryde; Cris Lacy (Exec. VP, A&R, WMN); Sophie Dawn (Walker County). (Third Row, L-R): Victoria Nugent (VP Strategic Marketing, WMN); Shy Carter, Tim Foisset (VP Streaming, WMN); Cale Dodds; Trea Landon; Shay Mooney (Dan + Shay); Matt Signore (COO, WMN); Ben Kline (EVP / GM, WMN); Scott Hendricks (EVP A&R, WMN); Chris Janson; Randall King; Troy Cartwright; Ivy Dene (Walker County); Shane Tarleton (SVP Artist Development, WMN); Cole Swindell. (Fourth Row, L-R): Diego Navaira (The Last Bandoleros); Emilio Navaira (The Last Bandoleros), Jerry Fuentes (The Last Bandoleros), Derek James (The Last Bandoleros), Brad Rempel (High Valley); Curtis Rempel (High Valley); Logan Turner (Bexar); Chris Ryan (Bexar); Dee White; Tyler Braden

Warner Music Nashville celebrated huge wins during last night’s CMA Awards (Nov. 13). Blake Shelton took home Single of the Year for “God’s Country,” (co-written by Warner Music labelmate Devin Dawson). Dan+Shay took home their first CMA Award for Duo of the Group, while Ashley McBryde earned New Artist of the Year.

Photo (L-R): John Esposito (Chairman & CEO, WMN); Blake Shelton; Gwen Stefani; Max Lousada (CEO of Recorded Music, WMG); Chris Janson; Aaron Bay-Schuck (Co-Chairman & CEO, Warner Records); Kelly Janson. Photo: Katie Kauss

Photo (L-R): Ashley McBryde; Blake Shelton. Photo: Katie Kauss

Photo (L-R): Dan Smyers (Dan + Shay); Devin Dawson; Max Lousada (CEO of Recorded Music, WMG); Scott Hendricks (EVP A&R, WMN); John Esposito (Chairman & CEO, WMN); Shay Mooney (Dan + Shay); Blake Shelton; Ashley McBryde. Photo: Katie Kauss

Universal Music Group Artists Gather For CMA Afterparty At Musicians Hall Of Fame

Back row (L-R): Jon Pardi, Brothers Osborne’s John Osborne and TJ Osborne, UMG Nashville Chairman & CEO Mike Dungan. Front row (L-R): Tae Dye (Maddie & Tae), Carrie Underwood, UMG Nashville President Cindy Mabe, Maddie Marlow (Maddie & Tae). Photo Credit: Chris Hollo

Universal Music Group Nashville celebrated the 53rd Annual CMA Awards last night (Nov. 13) at an after-party at the Musicians Hall of Fame. Along with host Carrie Underwood, Brothers Osborne and Maddie & Tae both performed earlier in the evening during the telecast.

Pictured: Kassi Ashton, UMG Nashville Chairman & CEO Mike Dungan, UMG Nashville President Cindy Mabe, Kylie Morgan, Parker McCollum, Brandon Lay, Travis Denning, Jordan Davis, Adam Hambrick, Clare Dunn. Photo Credit: Chris Hollo

Sony Music Nashville Celebrates Triumphant Night With Five CMA Wins

(L-R): Lil Nas X; Ken Robold, Sony Music Nashville COO; Old Dominion’s Trevor Rosen; Rob Stringer, Sony Music Entertainment CEO; Old Dominion’s Geoff Sprung; Maren Morrs; Ryan Hurd; Randy Goodman, SMN Chairman and CEO; Old Dominion’s Brad Tursi; Luke Combs; Old Dominion’s Whit Sellers and Matthew Ramsey; Steve Hodges, SMN EVP Promotion and Artist Development; Chris Young. Photo: Alan Poizner

Sony had plenty to celebrate following last night’s 53rd Annual CMA Awards as Sony artists took home five trophies, nearly half the night’s 12 categories.

Luke Combs was named Male Vocalist of the Year for the first time, and also took home Song of the Year for his triple Platinum-certified, multi-week No. 1 hit “Beautiful Crazy” (co-written with Wyatt Durrette and Rob Williford). Combs took the stage performing his recent No. 1 hit “Beer Never Broke My Heart” and kicked off CMA morning by performing his current single “Even Though I’m Leaving” and “What You See Is What You Get,” the title track from his just-released album, on ABC’s Good Morning America.

Lil Nas X was an early winner in the day, getting the trophy for Musical Event of the Year for his record-breaking smash “Old Town Road (Remix)” featuring Billy Ray Cyrus, which was announced live on GMA.

Maren Morris won her first Album of the Year trophy for her history-making sophomore LP GIRL, which she also produced with Greg Kurstin and busbee. Morris helped open the show, performing alongside some of country’s most legendary female vocalists, including show co-hosts Carrie Underwood, Reba McEntire, and Dolly Parton. She later performed her No. 1 smash “GIRL.”

Old Dominion were named Vocal Group of the Year for the second consecutive time and performed their current Top 3 single “One Man Band.”

Miranda Lambert treated the crowd to her new single “It All Comes Out in the Wash” while Brooks & Dunn gave a fiery rendition of “Hard Workin’ Man” featuring Brothers Osborne.

2019 CMA Awards: Garth Brooks Takes Seventh Entertainer Honor, Luke Combs, Maren Morris, Kacey Musgraves Celebrate Top Wins

Garth Brooks wins CMA Entertainer of the Year at “The 53rd Annual CMA Awards” live from Bridgestone Arena in Nashville Wednesday, November 13 on ABC. Photo: Donn Jones/CMA

This year’s CMA Awards ceremony was billed as a night that would focus on the contributions female artists have made—and are making—to the country music genre. After 11 years of co-hosts Brad Paisley and Carrie Underwood leading the show, for the 53rd annual event it was announced that Underwood would serve as host, joined by guest hosts Reba McEntire and Dolly Parton.

From the show’s opening moments on Wednesday, Nov. 13, which featured McEntire, Parton, and Underwood collaborating on “Those Memories of You,” a song made famous by Parton, Linda Ronstadt and Emmylou Harris on their 1987 album Trio, the evening’s performances showcased the decades of influence of the female voice and perspective on country music.

“We are doing it for all of the little girls watching tonight, dreaming of ruling the world of country music—or maybe just ruling the world,” said Reba.

Parton is the second female artist to have won Entertainer of the Year (in 1978), while McEntire won in 1986. Underwood was nominated this year for the coveted Entertainer trophy (she was previously nominated for the honor in 2016).

Fourteen female country hitmakers shared the stage in the opening number. They paid tribute to the CMA’s very first female Entertainer of the Year winner Loretta Lynn (who won the honor in 1972) with “You’re Looking At Country,” as performed by Little Big Town’s Karen Fairchild and Kimberly Schlapman, along with Jennifer Nettles (who should have won an award for her bold red carpet outfit alone—a suit and cape embroidered with a stark message to country radio—“Play Our F*@#!N Records Please & Thank You”).

The Highwomen (Maren Morris, Brandi Carlile, Amanda Shires and Natalie Hemby) offered a rendition of Tammy Wynette’s “Your Good Girl’s Gonna Go Bad,” while Tanya Tucker performed her own hit “Delta Dawn,” the track that introduced the world to a precocious 13-year-old Tucker in 1972.

Gretchen Wilson offered “Redneck Woman,” while Crystal Gayle performed her signature “Don’t It Make My Brown Eyes Blue.” Terri Clark powered through “Better Things To Do,” while Sara Evans performed her 2000 hit “Born To Fly.” Powerhouse vocalist Martina McBride made a dramatic entrance on “Independence Day.”

Curiously, though hitmaker and Grammy winner Trisha Yearwood was in the audience—and has released two albums in the past year—somehow she was not among the talented female performers featured throughout the evening.

Awards day started off with promising female wins, as Jenee Fleenor was named Musician of the Year prior to the telecast. Fleenor is both the first female to be nominated—and to win—the honor in CMA history.

CMA Single of the Year winner, Blake Shelton performs with surprise guest and CMA Musician of the Year winner Jenee Fleenor. Photo: John Russell/CMA

Warner Music Nashville artist Ashley McBryde, known for her breakthrough songs including “Girl Goin’ Nowhere” and “A Little Dive Bar in Dahlonega,” was named New Artist of the Year. The crowd roared a hearty applause as she took the stage.

“I once had the pleasure of playing a tribute show for Mr. John Prine and the next day he shook my hand and he said, ‘You’re real good. You’re no Reba, but you’re real good.’ I cherish those little moments that are like that that are truth and guidance from voices that we respect and admire. And I’m thankful for that and for this and for the opportunity to step up.”

The evening also offered first-time winners in several categories.

Janie Fricke, Pam Tillis, Martina McBride and Kathy Mattea presented UMG Nashville artist Kacey Musgraves with her first Female Vocalist of the Year honor. Musgraves also picked up the Music Video of the Year honor earlier in the day for “Rainbow.” Musgraves has previously taken home four CMA Awards, including New Artist of the Year, Song of the Year, Album of the Year (Golden Hour) and the International Achievement Award.

“The female creative spirit, the female energy is really needed right now. Whether it’s me up here or any of the other women in this category, it’s a beautiful thing…I’m really grateful to be here,” Musgraves said.

Warner Music Nashville’s John Esposito and team had more to celebrate, as Blake Shelton earned his first Single of the Year win, for “God’s Country.” He dedicated his win to two beloved industry members we lost this year, busbee and Earl Thomas Conley.

Sony Music Nashville’s Morris picked up a major win, earning her first Album of the Year accolade for GIRL, which she co-produced alongside Greg Kurstin and the late busbee.

“Thank you so much. This is incredible. Thank you country music and to my peers in this room that I respect so much for voting for me for this,” she said. Morris went on to thank her manager Janet Weir, husband Ryan Hurd, and producer Kurstin, before paying tribute to busbee, who passed away in late September at age 43.

“I would be really remiss if I didn’t mention a huge facet of why this album sounds the way it does, and we miss him so dearly,” Morris said. She also thanked his wife, Jess. “Thank you for sharing your husband with us…My heart goes out to you and your beautiful daughters. I hope that when they listen to this record or any of the songs he made that made us all better, they know how amazing their father was,” Morris added.

Sony Music Nashville’s Randy Goodman and team continued to celebrate as another label artist, Luke Combs, took home two honors, including the coveted Male Vocalist of the Year honor, Combs’ first time receiving the award. The crowd roared “Luuuuuke” as he took the stage to accept the honor.

He recalled watching as Vince Gill won the award numerous times in the ‘90s. “Everybody in this room means everything to me, and this award means everything to me. This is a moment I will never forget.” Combs said.

Combs’ song “Beautiful Crazy,” which he wrote alongside Wyatt Durrette and Robert Williford, was named Song of the Year. Combs also performed “Beer Never Broke My Heart.” The honors cap a week that has seen Combs release his sophomore full-length album, What You See Is What You Get, which is poised to debut at No. 1.

Warner Music Nashville earned another accolade as Dan + Shay‘s Dan Smyers and Shay Mooney celebrated their first win as CMA Vocal Duo of the Year.

“This is overwhelming. I mean, Brooks & Dunn, are you kidding me? I have so many family and friends watching right now,” Mooney said before thanking country radio and sending love to his grandmother. “I love country music it raises us and teaches us so much about empowerment.”

“Thank you country radio for playing these songs and the country music fans,” Smyers added.

Lil Nas X was an early winner in the day, getting the trophy for Musical Event of the Year for his record-breaking smash “Old Town Road (Remix)” featuring Billy Ray Cyrus.

This year’s awards show performances continued putting country music’s female entertainers in the spotlight.

Morris, who had the most nominations this year with six, performed a soulful rendition of “Girl,” surrounded by a stage of flowers, and clad in a white dress with flowing sleeves. Reba stunned with a take on her classic “Fancy,” with an elaborate, multilayered costume.

Kelsea Ballerini offered an acoustic rendering of a new track “homecoming queen?” before she was joined by Lindsay Ell on guitar for a tribute to Little Big Town with a version of “Girl Crush”—they were later joined by Maddie & Tae and Runaway June, Ashley McBryde and Carly Pearce, before Little Big Town added their signature harmonies as all the performers met center stage.

“You are looking at the future of country music,” Fairchild told the audience both in the Bridgestone Arena and at home.

Female Vocalist of the Year winner Musgraves teamed with music legend and fellow Texan Willie Nelson for the chill “Rainbow Connection.”

The ladies of country music weren’t the only ones with amazing collabs.

Brooks & Dunn were joined by Brothers Osborne on B&D’s “Hard Workin’ Man.” Garth Brooks and Blake Shelton teamed for their first televised performance of “Dive Bar.”

 

A few pop collabs were included, as P!nk and Chris Stapleton joined forces for “What Would You Say.” P!nk previously performed on the CMA Awards in 2017, when she performed the song “Barbies.” Halsey and Lady Antebellum teamed for Lady A’s “What If I Never Get Over You” and Halsey’s “Graveyard.”

While some female artists did perform their current or recent singles (Miranda Lambert’s literally bubbly performance of “It All Comes Out In The Wash” or Carrie Underwood’s soaring and sultry “Drinking Alone”), the majority of new music came from the male performers. Shelton performed “God’s Country,” while Thomas Rhett offered “Remember You Young,” backed by a string section.

Entertainer of the Year nominees Keith Urban and Eric Church each offered acoustic takes on current releases, as Urban performed “We Were” and Church performed “Some Of It.” Sony Music Nashville continued its hot streak as Old Dominion picked up their second Vocal Group of the Year honor and performed their single “One Man Band.”

Parton led a three-song performance, joined by CCM artists Zach Williams and for King & Country. for King & Country and Parton began with “God Only Knows,” and Williams joined on “There Was Jesus.” She then performed her newly-released chart-topper “Faith,” backed by the Christ Church choir.

Joe Walsh, John Osborne, Sheryl Crow and Dierks Bentley teamed to tribute Kris Kristofferson, the winner of the Willie Nelson Lifetime Achievement Award. They offered “Me and Bobby McGee,” along with Chris Janson on harmonica.

With early female wins for New Artist and Album, and the awards show’s focus on giving face time to female artists in light of their struggles at country radio in recent years, the evening seemed primed for the sole female Entertainer nominee, Underwood, to take home the trophy. Fellow nominees Keith Urban, Chris Stapleton and Eric Church also led top-selling tours this year.

However, Garth Brooks‘ juggernaut of stadium shows, including an upcoming stop this weekend at Knoxville’s Neyland Stadium, won the evening, as he was announced as the 2019 Entertainer of the Year, making it his seventh win. Brooks—notably the only 2019 Entertainer nominee not on the UMG Nashville roster—extends his record streak as as the artist with the most CMA Entertainer wins. This year, in addition to his stadium tour, Brooks also teamed with Shelton for the single “Dive Bar,” and led his own string of pop-up club shows in various cities, dubbed the Dive Bar Tour.

In true modest Brooks fashion, he used the majority of his acceptance speech to single out other entertainers that evening that he enjoyed.

“Very sweet. Always try to call it like I see it,” Brooks said, accepting the honor. “If they gave this award for this show tonight, I’d have to give it to Reba McEntire’s performance. Kelsea Ballerini, if you wanna know what an entertainer is, take a guitar and just a single voice in the middle of an arena and shrink a room: fantastic performance tonight. Luke Combs, wherever you’re at, this [CMA Entertainer of the Year award] has got your name on it in the future, I can tell you that right now.”

Breaking: 2019 CMA Awards Winners

 

Lil Nas X, Billy Ray Cyrus and Kacey Musgraves earned early award wins for this year’s CMA Awards, with Musgraves winning Music Video of the Year for “Rainbow,” and Lil Nas X and Cyrus’ “Old Town Road” earning Musical Event of the Year.

Prior to the telecast, fiddle player Jenee Fleenor–the first female to be nominated for Musician of the Year in the history of the CMA Awards–was named this year’s winner. She becomes the first female to win the CMA Musician of the Year honor. Fleenor plays for Blake Shelton and Jon Pardi, among others.

Hosted by Carrie Underwood, with guest hosts Dolly Parton and Reba McEntire, the 53rd Annual CMA Awards air live on ABC from Nashville’s Bridgestone Arena.

MusicRow will update the list of winners throughout the evening.

2019 CMA Awards winners [in red]:

Entertainer of the Year
Garth Brooks
Eric Church
Chris Stapleton
Carrie Underwood
Keith Urban

Album of the Year
Center Point Road, Thomas Rhett
Cry Pretty, Carrie Underwood
Dan + Shay, Dan + Shay
Desperate Man, Eric Church
Girl, Maren Morris

Musical Event of the Year
“All My Favorite People”- Maren Morris and Brothers Osborne
“Brand New Man” – Brooks & Dunn and Luke Combs
“Dive Bar” – Garth Brooks and Blake Shelton
“Old Town Road (Remix)” – Lil Nas X and Billy Ray Cyrus
“What Happens In A Small Town” – Brantley Gilbert and Lindsay Ell

New Artist of the Year
Cody Johnson
Ashley McBryde
Midland
Carly Pearce
Morgan Wallen

Single of the Year
“Burning Man” – Dierks Bentley Feat. Brothers Osborne
Producers: Ross Copperman, Jon Randall, Arturo Buenahora, Jr.
Mix Engineer: F. Reid Shippen

“GIRL” – Maren Morris
Producer: Greg Kurstin
Mix Engineer: Greg Kurstin

“God’s Country” – Blake Shelton
Producer: Scott Hendricks
Mix Engineer: Justin Niebank

“Millionaire” – Chris Stapleton
Producers: Dave Cobb, Chris Stapleton
Mix Engineer: Vance Powell

“Speechless” – Dan + Shay
Producers: Dan Smyers, Scott Hendricks
Mix Engineer: Jeff Juliano

Song of the Year
“Beautiful Crazy” – written by Luke Combs, Wyatt B. Durrette III, and Rob Williford; recorded by Luke Combs
“GIRL” – written by Maren Morris, Sarah Aarons and Greg Kurstin; recorded by Maren Morris
“God’s Country” – written by Devin Dawson, Jordan Schmidt and Michael Hardy; recorded by Blake Shelton
“Rainbow” – written by Natalie Hemby, Shane McAnally, and Kacey Musgraves; recorded by Kacey Musgraves
“Tequila” – written by Dan Smyers, Nicolle Galyon and Jordan Reynolds; recorded by Dan + Shay

Female Vocalist of the Year
Kelsea Ballerini
Miranda Lambert
Maren Morris
Kacey Musgraves
Carrie Underwood

Male Vocalist of the Year
Dierks Bentley
Luke Combs
Thomas Rhett
Chris Stapleton
Keith Urban

Vocal Group of the Year
Lady Antebellum
Little Big Town
Midland
Old Dominion
Zac Brown Band

Vocal Duo of the Year
Brooks & Dunn
Brothers Osborne
Dan+Shay
Florida Georgia Line
Maddie & Tae

Musician of the Year
Jenee Fleenor
Paul Franklin
Mac McAnally
Illya Toshinsky
Derek Wells

Music Industry Students Remix Motown Classics On New Project

Music industry college students from New York City, Washington DC, Chicago, Nashville, Boston, Missoula, and Philadelphia discovered and curated artists for Falcon Mixtape – Motor City Classix, a compilation of re-imagined covers of iconic Motown songs by independent artists.

As part of The Falcon Program, students from each college found the talent to record each song, led the recording process, and played a role in the final production and marketing of the mixtape, which is available today (Nov. 13). On Falcon Mixtape – Motor City Classix, the Program collaborated with Sony/ATV Music Publishing and Reservoir Media, who will be pitching the re-imagined songs for film and TV placements.

“Working with the Motown catalog was an eye-opening experience that took me back to the roots of how popular music is structured,” said Maddi Ryan, Boston University student and Falcon scout. “Throughout this project, I did a lot of analysis of the songs themselves which really allowed me to delve into the mindset of the writers and gain an even greater appreciation for the lyrics, structure, and how the foundation of popular music was created.”

“I think one of the biggest takeaways I learned from this project was that sometimes the artists you’re searching for, are right next to you…as long as you keep your eyes and ears open all the time,” said Hofstra student and Falcon scout Matthew Tursi.

“Taking an iconic song from the Motown era and making it my own was a fun challenge,” said vocalist and American Idol alum Robbie Rosen, who re-created Marvin Gaye’s classic “I Heard it Through the Grapevine.” “On one hand, you need to maintain the integrity of the song, staying true to everything that made Motown what it was and still is today. On the other, you need to turn it on its head and deliver the song like it’s never been done before. It really pushed me as an artist and producer to think outside-the-box and put my own spin on an old classic.”

ALCON MIXTAPE – MOTOR CITY CLASSIX 
“Ain’t Nothing Like The Real Thing” performed by JAYK & Zlynn (Louisville, KY); A&R by Nick Meredith & Malachi Mabson
“Baby Love” performed by Lasafro (San Francisco, CA); A&R by Skylar Tucker (American University)
“I Heard It Through the Grapevine” performed by Robbie Rosen (Merrick, NY); A&R by Matt Tursi (Hofstra University)
“Dancing Machine” performed by Joe Cardigan (Chicago, IL); A&R by Nikki Berry (Columbia College)
“Footsteps in the Dark” performed by The End of America (Philadelphia); A&R by Terry Tompkins
“It’s Your Thing” performed by Jaclyn Manfredi (New York City, NY); A&R by Matt Tursi (Hofstra University)
“You Keep Me Hangin’ On” performed by Kingsley (Portland, OR); A&R by James Hunt (Belmont University)
“My Guy” performed by Thair (Chicago, IL); A&R by Nikki Berry (Columbia College)
“Sexual Healing” performed by Hylynd (Houston, TX); A&R by James Hunt (Belmont University)
“I Hear a Symphony” performed by Norwell and Ira Wolf (Missoula, MT); A&R by Aerial Martens (University of Montana)
“Distant Lover” performed by JAYK (Louisville, KY); A&R by Nick Meredith & Malachi Mabson

Musical Artists Rights Group Announces Officers, Names Jack Quinn To Lead Governmental Efforts

The recently formed Music Artists Coalition (MAC) which was launched by a collection of the music industry’s most influential artists, songwriters, and artist representatives announced today (Nov. 13) that Jack Quinn has been tapped to serve as the organization’s President. Quinn joins fellow D.C. heavyweight Jim Cicconi who is on the MAC Board, and will lead the advocacy group’s strategy development and spearhead MAC’s legislative and governmental efforts as Washington spokesman.

MAC also formalized its Officer group, led by Co-Chairs Irving Azoff, Coran Capshaw, and John Silva. In addition to Quinn as President, Susan Genco will serve as Treasurer, Jordan Bromley as Secretary, and Kristen Foster as Vice President.

The MAC Board currently includes artists such as Don Henley, Dave Matthews, Shane McAnally, Maren Morris, Anderson.Paak, Meghan Trainor, and Verdine White. Other artists and songwriters who are committed to advocacy are invited to join MAC.

Formed last summer, MAC identified its core mission as advocacy for and protection of artists’ rights. “Precisely because it is for artists and by artists, including performers and songwriters – first and only, without compromise,” Quinn said. He also noted that there needs to be a coalition that legislatures can trust to speak solely on behalf of these artists. “MAC intends to ensure that its constituents have their own, dedicated place at the table on the policies that affect them, such as the Antitrust Division of the Department of Justice’s review of the ASCAP/BMI consent decrees where songwriter protections must be preserved.”

Since MAC’s launch, its membership has grown to include artists and songwriters such as Stevie Nicks, Bernie Taupin, John Mayer, Lizzo, Little Big Town, and Diplo.