WME and Endeavor Impact will present a free concert and voter turnout rally on Saturday, Oct. 20 at Ascend Amphitheater in Nashville, followed by a 1/2 mile march to the Howard Office Building polling location for early voting, where those registered to vote in Davidson County can vote early.
Sheryl Crow, Jason Isbell, Amanda Shires, Jonathan McReynolds, Lucie Silvas, and Gabriel Kelly are among the artists confirmed for the free concert, which will take place beginning at 10 a.m. CT at Ascend Amphitheater in Nashville.
In 2018, Tennessee ranks 40th in voter registration and ranks last (50th) in voter turnout. In the previous TN mid-term elections there was 28.5 percent voter turnout (also the lowest in the U.S.), and in each of the last four presidential elections, Tennessee has never had more than 55.7 percent of eligible voters go to the polls.
00Jessica Nicholsonhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngJessica Nicholson2018-10-11 16:29:402018-10-11 16:29:40Jason Isbell, Amanda Shires, Sheryl Crow, Lucie Silvas Set For WME & Endeavor Impact’s Party At The Polls
ASCAP, The American Society of Composers, Authors and Publishers, will host a lineup of top female songwriters, producers, artists and engineers for its first ‘She Is The Music Song Camp,’ set at Ron Fair’s Faircraft Studio in Nashville, Oct. 17 – 19.
Grammy-winning, Oscar-nominated Mary J. Blige will join Big Loud artist Jillian Jacqueline, songwriter Audra Mae, Sony Music Nashville duo The Sisterhood and Grammy-winning writer/artist Emily Weisband.
The industrywide initiative was created in response to a music industry report from the USC Annenberg Inclusion Initiative, with data revealing huge inequalities for female musicians. ‘She Is The Music Song Camp’ is aimed at increasing opportunities for and empower female music creators, progressing inclusivity and equality with the goal of transforming the landscape of the business.
Additional participants include writers Stacey Barthe (“Cheers (Drink to That),” Rihanna), Ingrid Burley (“Love Drought,” Beyonce), singer/songwriter/pianist Anna Graceman, ASCAP Foundation Sammy Cahn prize winner/UMPG writer Caylee Hammack, PJ (Wiz Khalifa, Usher, Chris Brown, Charlie Puth, Fantasia), Priscilla Renea (“Timber,” Pitbull, “California King,” Rihanna), engineer Kesha Lee (Childish Gambino, Migos), engineer Maria Elisa Ayerbe (Ricky Martin, Marc Anthony, JLo), producer/singer/songwriter Ali Stone, songwriter/producer Femke Weidema, and production duo The Wildcardz (Justin Park, Carly Paige). The effort was cofounded by Alicia Keys, Universal Music Publishing Group Chairman and CEO Jody Gerson, Grammy Award-winning engineer Ann Mincieli and WME partner and head of East Coast Music Samantha Kirby.
“I’m looking forward to collaborating with these amazing women and to contribute to the goals of She Is The Music,” said Mary J. Blige. “We all have the power to create change. As we continue to lift each other up, we will be unstoppable.”
“ASCAP is thrilled to be part of this trailblazing effort and bring this incredible group of talented women together for our first She Is The Music song camp,” said ASCAP Chief Executive Officer Elizabeth Matthews. “As a company, ASCAP is proud to have a large number of women in executive leadership positions, and we have a long history of successful song camps that have brought men and women together to write some of the biggest hit songs. We believe that still more can be done to further an inclusive music industry culture. To that end, it is important to give women as many opportunities as possible to share their talents with the world. She Is The Music is a wonderful way to bring us all together to focus on that goal.”
00Eric T. Parkerhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngEric T. Parker2018-10-11 15:58:592018-10-11 15:58:59Female ASCAP Hitmakers Come Together For Nashville Song Camp
The late country star Troy Gentry’s lifelong mission to “Love God, Love Others,” will continue with the formation of The Troy Gentry Foundation, a non-profit charitable organization founded by Troy Gentry’s wife, Angie Gentry. A star-studded concert to benefit the foundation is set for Jan. 9, 2019 at the Grand Ole Opry House.
The event will also benefit the Opry Trust Fund, T. J. Martell Foundation, Make-A-Wish, The Journey Home project and scholarships and instruments for music education in Kentucky schools. Hosted by Blake Shelton and Storme Warren of SiriusXM’s The Highway, the initial line up for the all-star concert event also includes Gentry’s Montgomery Gentry partner Eddie Montgomery, as well as Jimmie Allen, Halfway to Hazard, Chris Janson, Dustin Lynch, Justin Moore, Craig Morgan, Jon Pardi, Rascal Flatts, Jeffrey Steele, and Neil Thrasher, with more to be announced.
The Troy Gentry Foundation’s inaugural fundraising event, The Annual Tin Roof 2 Tin Cup Golf Tournament, was held Oct. 8, 2018, in Nashville, Tennessee and raised over $100,000. Presented by the Duff Coal Family Fund, the event featured a concert by Halfway to Hazard & Friends, and was hosted by MC, co-host of SiriusXM’s The Highway.
Angie Gentry stated, “Together, with some of Troy’s friends, I started The Troy Gentry Foundation. We were sharing memories together one evening and decided we wanted to do something to keep the spirit of Troy’s generous heart alive and honor his memory. Troy was taken too soon, but we felt his dreams and dedication to helping others needed to continue. He was very passionate about our military and their families, about those in need to provide for their children, cancer research and the continuation of music education.”
The foundation will provide financial support to organizations that aid in cancer research, assist military families in need and help provide music education to future generations. Troy Gentry, one-half of the superstar country duo, Montgomery Gentry, passed away tragically last year. The duo has a long history of giving back to those in need by supporting such organizations as T.J. Martell, St. Jude Children’s Hospital and others. Montgomery Gentry were inducted into the Grand Ole Opry 2009.
00Jessica Nicholsonhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngJessica Nicholson2018-10-11 15:20:432018-10-11 15:20:43Blake Shelton To Co-Host Troy Gentry Foundation Concert At Grand Ole Opry
Pictured (L-R): Mike Fisher, Danita’s Children VP & Field Director Karris Hudson, Carrie Underwood, Danita’s Children Founder & CEO Danita Estrella Watts, and John Watts. Photo: Jeff Johnson
For the second consecutive year, Carrie Underwood and husband, former Nashville Predators Captain, Mike Fisher hosted a star-studded benefit last Thursday night (Oct. 4) in Franklin, Tennessee which raised nearly $600,000 for Danita’s Children. The organization is dedicated to educating, empowering, and equipping the children and families of Haiti.
“I am so humbled and grateful that Mike and Carrie would use their platforms to bring awareness to the great need and suffering of the children of Haiti,” said Danita Estrella Watts, who founded the organization in 1999. “The funds raised this night will be used to transform the lives of, literally, thousands of children as we provide them with quality education, medical care, and loving homes.”
Pictured (L-R): Carrie Underwood and husband Mike Fisher address the more than 450 patrons at the Danita’s Children benefit. Photo: Jeff Johnson
Tennessee Governor Bill Haslam provided the opening prayer for the evening, which was attended by over 450 patrons at the invitation-only event. Television host Elisabeth Hasselbeck returned this year to emcee the event, which was highlighted by an intimate concert by Underwood and superstar Brad Paisley. Performance painter Jared Emerson created an amazing work of art over the course of the evening. The painting and numerous other items, trips and experiences were sold through live and silent auctions.
“Thank you to all who came to @danitaschildren gala last night,” said Fisher via Twitter, who first visited the Danita’s Children center with Underwood in Haiti in 2014 and have been passionate supporters ever since. “We laughed and cried and celebrated a great ministry. Thanks @bradpaisley@jaredemerson@ehasselbeck you guys are awesome!”
The mission of Danita’s Children is to rescue, love, and care for orphaned and impoverished children in Haiti, meeting their needs physically, emotionally, educationally, and spiritually so that they are empowered to become leaders in their communities and nation.
Pictured (L-R): Carrie Underwood and Brad Paisley perform at the Danita’s Children benefit. Photo: Jeff Johnson
00Haley Crowhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngHaley Crow2018-10-11 15:20:122018-10-11 15:20:12Carrie Underwood And Mike Fisher Host Danita’s Children Benefit, Raising Nearly $600,000
Pictured (L-R): Big Machine Records’ Jim Weatherson, Dan Smalley and Big Machine Label Group’s Scott Borchetta
Big Machine Records has signed Dan Smalley to its artist roster. The Shreveport, Louisiana native officially joins the Big Machine Label Group imprint which boasts Taylor Swift, Rascal Flatts, Sugarland, Cheap Trick, Carly Pearce, Midland, The Cadillac Three and Lauren Jenkins.
“It’s incredibly humbling to join the ranks of talented acts with such a solid team and I couldn’t be happier to officially sign with Big Machine Records,” said Smalley. “My family and I have never been more excited about our future!”
Big Machine Records GM Jim Weatherson comments, “When Laurel Kittleson introduced Dan Smalley to us, he came with a confident swagger, golden voice and a toolbox full of life stories that are undeniably authentic. We are very proud to have Dan join the Big Machine Records roster and are excited to launch his music to fans.”
The singer/songwriter, who spent years playing local gigs in his home state and Texas, now resides in Nashville with his wife and two children. His affinity for artists like Sturgill Simpson, Chris Stapleton and Jason Isbell is reflected in his standout songwriting. Smalley continues to preview his music from coast to coast and has shared the stage with John Conlee, Justin Moore, Billy Currington, Craig Morgan, Randy Rogers Band, The Turnpike Troubadours and more.
Pictured (L-R): Back Row – Loeb & Loeb’s Tiffany Dunn, CAA’s Brian Hill, CAA’a Sabrina Butera, Big Machine Label Group’s Allison Jones, Dreamlined Entertainment Group’s Keith Stegall, Notting Hill Music Group’s Ginny Johnson and Big Machine Label Group’s Laurel Kittleson. Front Row – Big Machine Records’ Kris Lamb, Big Machine Records’ Jim Weatherson, Dan Smalley, Big Machine Label Group’s Scott Borchetta and Big Machine Label Group’s Andrew Kautz
00Jessica Nicholsonhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngJessica Nicholson2018-10-11 15:15:312018-10-11 15:15:31Big Machine Records Signs Dan Smalley
Alicia Pruitt, longtime Warner/Chappell Nashville senior A&R executive, has launched Nashville-based talent management company Madfun Entertainment, in partnership with Red Light Management.
Madfun will provide full service talent management, serving artists and songwriters across the music industry. With a roster including up-and-coming Atlantic Records Recording artist Josie Dunne, Pruitt will represent, promote, and guide talent through every stage of their career.
Pruitt will continue consulting with Warner/Chappell, and supporting songwriters Chris Stapleton, Kacey Musgraves, Brantley Gilbert, and Lauren Alaina. Since joining Warner/Chappell in 2005, Pruitt has signed new talent, secured top cuts for the publisher’s songwriters, and furthered songwriters’ and artists’ careers.
00Jessica Nicholsonhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngJessica Nicholson2018-10-11 15:15:002018-10-11 15:15:00Alicia Pruitt Launches Madfun Entertainment With Red Light Management
Sorry, indies, but the major labels and established names rule the roost today. And with artists like Lauren Alaina, Tim McGraw and Morgan Wallen in the mix, that’s a good, good thing.
Big Machine newcomer Lauren Jenkins nails down the DisCovery Award.
But what is even more exciting is the latest in an unbroken string of audio triumphs for Brothers Osborne. Their new tune easily captures the Disc of the Day prize.
MORGAN WALLEN/Whiskey Glasses Writers: Ben Burgess/Kevin Kadish; Producer: Joey Moi; Publishers: 2016 Warner-Tamerlane Publishing Corp./Mr. Buck Lucky/Bump Into Genius Music (BMI), Sony/ATV Allegro/Over-Thought Under-Appreciated Songs (ASCAP); Big Loud
– A bodacious, boozy. boyish delight. His drawl is completely endearing. The track burbles along with verve. The tongue-in-cheek, heartache lyric is splendid. I have liked just about everything this fellow has dished out. Keep ‘em coming. I hope you become a big star.
RASCAL FLATTS/Back To Life Writers: none listed; Producer: Rascal Flatts; Publishers: none listed; Big Machine
– A positive power ballad about how much he loves her. Tuneful. Well produced.
CALE DODDS/What We Gonna Do About It Writers: Cale Dodds/Corey Crowder/Tyler Hubbard; Producer: Corey Crowder; Publisher: none listed; Warner Bros.
– Infectiously rocking. The track is a little “busy” sounding, but the spirit of the thing is so full of bright optimism that it’s hard to resist.
TIM MCGRAW/Neon Church Writers: Ben Goldsmith/Ben Stennis/Ross Ellis; Producers: Byron Gallimore/Tim McGraw; Publishers: none listed; Columbia
-Echoey and atmospheric, this is an ode to the warm glow of a barroom where you can go to heal a broken heart. Tim’s vocal is processed in a cool kinda way, and the track swirls around it like a smoky halo. I’m in.
LAUREN JENKINS/Give Up The Ghost Writers: Jenkins/Emily Shackelton; Producer: Julian Raymond/Lauren Jenkins/Scott Borchetta; Publisher: none listed; Big Machine
– It has a peppy rhythm track laid under a minor-key melody, which makes for ear-catching listening. Her slightly bruised vocal begs him to leave the memory of a previous lover behind and cling to her instead. A promising debut.
LAUREN ALAINA/Ladies In The ’90s Writers: Alaina/Jesse Frasure/Amy Wadge; Producer: none listed; Publisher: none listed; Mercury
– It’s a big ol’ bounce party with Lauren recalling growing up in the ‘90s, when there were so many more female role models on the radio. She name checks tunes by Shania, Faith, Britney, Deana, TLC, the Chicks, Reba, the Spice Girls and more as she romps through this audio delight. “I want to feel like ladies in the ‘90s,” she rejoices, remembering when “females were unstoppable.” There are millions of country listeners who feel this way, despite the pseudo-science of radio programming that disenfranchises them.
WALKER HAYES/’90s Country Writers: none listed; Producer: none listed; Publishers: none listed; Monument
– More nostalgia for the ‘90s. The track is strictly cheesy, contemporary country hip-hop, and he doesn’t really sing (does he ever?). But what he’s name checking is reminiscence all the way — titles made famous by Kershaw, Chesney, Strait, Mary Chapin, Ricochet, Shania, John Michael, Shenandoah, David Lee, Deana, Lonestar and the like. Each line is a country flashback, even if it’s a pop single. Jaunty and engaging.
BROTHERS OSBORNE/I Don’t Remember Me (Before You) Writers: John Osborne/TJ Osborne/Shane McAnally/Matt Dragstrem; EMI
– This change-of-pace ballad confirms the fact that this duo is one of the most creative record makers in country music today. TJ’s vocal here is a masterpiece of subtle shading. In the song’s lyric, he doesn’t recall what a wild man he used to be, because he’s found true love. Exquisite listening. Proud to be a huge, huge fan of these boys.
WATERLOO REVIVAL/Wonder Woman Writers: George Birge/Cody Cooper/Marv Green/Ryan Tyndell; Producer: Jason Massey; Publisher: none listed; Show Dog
– Bland pop. Soft rock that went out of favor 30 years ago.
DOLLY PARTON/A Woman’s Right Writers: none listed; Producer: none listed; Publisher: none listed; WNYC
– This single is drawn from an album of songs celebrating the 27 amendments to the Constitution. The other participants are alt rockers, but there’s our Dolly chirping about women winning the right to vote (the 19th amendment, adopted in 1920, thanks to the state of Tennessee). Naturally, being Dolly, she adds wit and humor to her lyrics. Lively fun, and it will become ever more timely as we approach the 100th anniversary of the Suffrage Amendment.
00Robert K Oermannhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngRobert K Oermann2018-10-11 11:31:362018-10-11 11:31:36DISClaimer: Brothers Osborne, Lauren Jenkins Offer Top Tracks
A new book on Nashville’s music history, Nashville Sound: An Illustrated Timeline, is out now by noted author and songwriter Don Cusic. The Reedy Press book explores Nashville’s rich history in music that encompasses not only country but also gospel, contemporary Christian, R&B, rock, and classical music and follows the development of music and the music industry in Nashville from the nineteenth century until today.
Several signing events highlighting the new book have been scheduled, including during the Southern Festival Of Books on Oct. 14 in Nashville.
Presentation and Book Signings: Saturday, October 13, from 7:30 to 8:30 p.m.
The Churchill Society of Tennessee
Brentwood Country Club
Tickets are $75 and may be purchased at churchillsocietytn.org/2018-banquet#3f967c4a-2fec-4a0a-be7c-6c7d8f8bad7b
Presentation will focus on Winston Churchill’s love of music, but he will also talk about Nashville Sound
Presentation and Book Signing Sunday, October 14, from 2 to 3:30 p.m.
Southern Festival of Books
Nashville Public Library
Special Collections Room
Free and open to the public
Presentation Wednesday, October 17, from 10 to 11 a.m.
Belmont University Library
Free and open to the public
This is a student convocation
Presentation Wednesday, October 17, from 5:30 to 7:30 p.m.
Tennessee Historical Society
Fort Negley Park
Free and open to the public
Book Signing Friday, October 26, from 9 to 10:30 a.m.
Bellevue YMCA
Free and open to the public
Fiftyforward Group at Bellevue YMCA
Presentation Friday, February 8, 2019, time TBD
Tennessee State University
Free and open to the public
This is a presentation to the African-American Conference.
00Lorie Hollabaughhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngLorie Hollabaugh2018-10-11 11:18:422018-10-11 11:18:42Nashville’s Musical History Explored In New Don Cusic Book
President Trump signed the Hatch-Goodlatte Music Modernization Act into law on Thursday, Oct. 11. Among the artists in attendance were Big & Rich’s John Rich, as well as Kid Rock, CCM band MercyMe, Doobie Brothers and Steely Dan guitarist Jeff Baxter, The Beach Boys’ Mike Love, Craig Morgan, and Rock Hall of Famer Sam Moore.
Last month the Senate unanimously passed the MMA and then House of Representatives unanimously approved an updated version of the bill, sending it to the president’s desk.
According to Nashville Songwriters Association International (NSAI) Exec. Director Bart Herbison, now that the MMA is officially law, NSAI and other songwriter organizations will begin selecting songwriter board and committee members for the new Music Licensing Collective (MLC), which will begin operation on Jan. 1, 2021.
Higher streaming royalties resulting from the marketplace rate standards included in the MMA will come over time when the next Copyright Royalty Board proceeding occurs in four years or when ASCAP or BMI have rate court proceedings under the terms of the MMA. Agreements reached with streaming companies or court proceedings could result in higher streaming rates.
The MMA changes the standard by which songwriter streaming rates are established replacing an outdated 1909 law that governs songwriter mechanical or sales royalties, and changes consent decree regulations from 1941 that govern songwriter performance royalties. The new law requires the random selection of judges when performing rights societies ASCAP or BMI go to a rate court proceeding; presently those judges are appointed for life. The MMA also eliminates the Notice of Intent (NOI) program administered by the U.S. Copyright Office that shifted the digital mechanical licensing burden back to songwriters, and guarantees streaming royalty payments to artists whose recordings were done before 1972 who now are not required to be paid due to a loophole in the Copyright Act. The MMA also stipulates direct streaming royalty payments to record producers and engineers.
President Donald Trump signs the Hatch-Goodlatte Music Modernization Act into law on Oct. 11, 2018.
“Now the job of utilizing the tools found in the Music Modernization Act begins,” said Herbison. “NSAI and other songwriter organizations will immediately select songwriter board and committee members for the new Music Licensing Collective that commences operation on January 1, 2021. We have two years to build the first-ever songwriter, music publisher run mechanical licensing collective. This will be the first collection agency that pays songwriters 100 cents from every royalty dollar since the digital streaming companies will pay operational costs of the MLC.”
“The MMA is now law!” said Steve Bogard, writer of 10 No. 1 songs and President of NSAI. “We have worked on elements of this legislation for 15 years. With the passage of this law, every professional songwriter in America, including myself, who has suffered devastating economic losses in the era of digital music delivery, can now breathe a sigh of relief and be optimistic about the future of our profession. Along with the songs that bear my name, this is my proudest career accomplishment. It is not too bold to say this is the most important songwriter legislation ever adopted by Congress. When we negotiate our digital rates or go to trial-type proceedings, we expect rates that are much fairer based on what the market should pay.”
“With the president’s signature today, the MMA is officially the law of the land,” said Recording Academy President/CEO Neil Portnow. “As we celebrate the harmony and unity that got us here, we applaud the efforts of the thousands of performers, songwriters, and studio professionals who rallied for historic change to ensure all music creators are compensated fairly when their work is used by digital and satellite music services. We thank the members of Congress who championed this issue throughout the past several years to bring music law into the 21st century.
“Today, President Trump signed the bi-partisan Hatch-Goodlatte Music Modernization Act (The MMA), which will finally bring music copyright laws into the digital age,” said John Josephson, Chairman and CEO, SESAC. “We applaud everyone’s hard work and tireless efforts on this legislation, especially the Senators who worked diligently to get the bill passed then adopted by the House. We’re grateful for our committed songwriting and publishing community whose focus and passion have strengthened our industry for generations to come.”
“The signing of the Music Modernization Act into law, by the President, is the culmination of a gargantuan struggle that was resolved by an unparalleled alliance between all music industry stakeholders and the relevant tech companies,” said Richard James Burgess, CEO of A2IM. “In this digital age, more music is enjoyed by more people than at any time in the history of humankind. The signing of this bill represents a significant step towards better lives for music creators and those that support them. A standing ovation is greatly deserved for all involved in this historic achievement.”
Pictured (L-R): Steve Bogard (President, NSAI), Darius Rucker, Bart Herbison (Executive Director, NSAI), Congressman Doug Collins (GA), Lee Thomas Miller (Former President, NSAI) at the Nashville Songwriter Awards
“The Music Business Association applauds and congratulates its members and valued partners across the industry on their extraordinary and unprecedented efforts to bring the groundbreaking Music Modernization Act to fruition,” said James Donio, President of the Music Business Association. “What an amazing achievement for creators and their commercial partners to have come together in solidarity, and joined with Congress, to make long overdue copyright reform a reality. This is the start of an exciting new era for the entire business of music. Bravo!”
NMPA President & CEO David Israelite said, “The Music Modernization Act is finally the law of the land. We are incredibly grateful for the Members of Congress who passed the MMA and the President for signing it. Songwriters have for too long labored without seeing fair rates and receiving all that they deserve, and for the first time in history, the music industry has partnered with the tech industry to fix these systemic problems. As we embark on supporting and helping build the critical structures within the MMA, we are humbled by the extraordinary progress propelled by compromise and the unprecedented political involvement of music creators. Today is about their future and this bill stands as a great statement on what can be done when we work together.”
“Thanks to the unrelenting efforts of our ASCAP music creator and publisher members, industry partners and champions in Congress, a more sustainable future for songwriters is finally within reach,” said ASCAP CEO Elizabeth Matthews. “The MMA’s unanimous passage in the House and Senate proves that the power of music is a great unifier. ASCAP is gratified to have stood alongside creators, music publishers, and many more to make this dream a reality.”
John Rich and Craig Morgan in Washington, D.C. at the signing of the MMA.
“A young songwriter once wrote, ‘You give a little love and it all comes back to you; You’re gonna be remembered for the things that you say and do.’ Decades later, this could not be more true,” says ASCAP Chairman of the Board and President Paul Williams. “Songwriters across this country now and in the future will remember those who fought so hard for the Music Modernization Act—both in Congress and across the music industry. On behalf of the music community, we are so thankful for the love and will return the favor with music for generations to come.”
“This is truly a historic moment for the music industry, especially for the American songwriters and composers at its core, who will see significant and deserved benefit from this legislation,” says BMI President and CEO Mike O’Neill. “Passage of the Orrin G. Hatch-Bob Goodlatte Music Modernization Act was a hard-fought process that hinged on tremendous collaboration and unprecedented support among diverse stakeholders who ultimately united to safeguard the future of music. We are gratified by this extraordinary outcome that recognizes the essential contributions of creators and streamlines the use of their music across businesses. While BMI will keep advocating to protect the livelihood of music creators in the digital age, we thank Congress and the President for taking this important step in implementing the most meaningful music licensing reform in decades.”
Michael Eames, President of the Association of Independent Music Publishers (AIMP); Alisa Coleman, AIMP New York Executive Director; and John Ozier, AIMP Nashville Executive Director, have issued a joint statement, saying, “Today marks a historic step forward for independent music publishers, songwriters, and the entire music industry, as President Trump has signed the MMA into law. This marks the first significant federal legislation since 1998’s Digital Millennium Copyright Act (DMCA) to address the needs of rights-holders in today’s online age. We can look forward to a variety of long-overdue reforms that will make it easier to negotiate for and collect fair royalty rates while also establishing once and for all that digital services must pay for the use of pre-1972 recordings. In addition, it ensures independent publishers and songwriters a seat at the table for the new mechanical licensing collective. The AIMP is committed to ensuring that the independent publishing community and songwriters are represented fairly in the implementation and enforcement of the MMA, and we look forward to working with our partners across the music and technology industries as we move ahead in this new era. We offer our sincere gratitude to David Israelite and his team at NMPA, to the NSAI and SONA, to Senator Orrin Hatch and Congressmen Bob Goodlatte and Doug Collins, and to all parties from all sides who fought to provide a balanced outcome for all involved.”
MercyMe with manager Scott Brickell & Vice President Mike Pence as the Music Modernization Act is signed on Oct. 11, 2018.
00Jessica Nicholsonhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngJessica Nicholson2018-10-11 11:08:262018-10-11 11:08:26BREAKING: President Signs Music Modernization Act Into Law
RaeLynn has released a new video for her made-for-football-season single “Tailgate.” The clip captures that fun feeling of Fall in the air and features cameos from some of her country friends. The song, penned by Canaan Smith, Corey Crowder and Florida Georgia Line’s Tyler Hubbard, racked up more than five million on-demand streams before traditional radio airplay.
She’ll no doubt play the new song during the stops on her upcoming SiriusXM The Highway Presents: RaeLynn mini-tour which kicks off tomorrow at Joe’s Live Rosemont in Chicago, and includes stops at the Cannery Ballroom in Nashville on Nov. 1 and the House of Blues in Houston on Dec. 12. She’s also set to join Kane Brown for his Live Forever Tour in January.
00Lorie Hollabaughhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngLorie Hollabaugh2018-10-11 10:04:532018-10-11 10:04:53RaeLynn Releases New “Tailgate” Video
WME and Endeavor Impact will present a free concert and voter turnout rally on Saturday, Oct. 20 at Ascend Amphitheater in Nashville, followed by a 1/2 mile march to the Howard Office Building polling location for early voting, where those registered to vote in Davidson County can vote early.
ASCAP, The American Society of Composers, Authors and Publishers, will host a lineup of top female songwriters, producers, artists and engineers for its first ‘She Is The Music Song Camp,’ set at Ron Fair’s Faircraft Studio in Nashville, Oct. 17 – 19.
The late country star Troy Gentry’s lifelong mission to “Love God, Love Others,” will continue with the formation of The Troy Gentry Foundation, a non-profit charitable organization founded by Troy Gentry’s wife, Angie Gentry. A star-studded concert to benefit the foundation is set for Jan. 9, 2019 at the Grand Ole Opry House.
