Mandy Barnett Returns In September With ‘Strange Conversation’

Mandy Barnett is releasing her first new album in five years, and the new project, Strange Conversation, is a little out of the box for the torch singer with the chameleon-like chops. Produced by Marco Giovino and Doug Lancio for Thirty Tigers and Barnett’s own label Dame Productions and due out September 21Strange Conversation positions the vocalist somewhere between obscure vintage pop and modern progressive songwriting.

“We went to Muscle Shoals to make the record,” Barnett says. “Which was a big thing, because that environment, all the music that happened there, just seeps in. I was working with all new players, and we were going deeper into some things I’ve always touched on, but never really explored.”

Among the tracks on the new album are her take on Neil Sedaka’s “My World Keeps Slipping Away,” which was pitched directly to her by the songwriting legend himself, a McCrary Sisters-embellished version of Andre Williams’ “Put a Chain On It,” which offers a soul-gospel turn, and a carny Western take duet on Sonny & Cher’s “A Cowboy’s Work Is Never Done,” which features John Hiatt.  

Barnett finds herself reaching new ground vocally on the new collection, which is saying something for the artist who’s been recording since she was a teen. “I’ve come to a place were I didn’t want to be as polished and as lush as before. I’ve always felt like a rebel, because I never did all the flavor-of-the-month stuff, but you can get stuck in that, too. This time, I discovered facets about me I didn’t know. I heard shadings, nuances to bring out. I can still belt, but you know, you don’t have to hit a high C every time.”

Strange Conversation Track Listing:
“More Lovin’”
“It’s All Right (You’re Just in Love)”
“Dream Too Real to Hold”
“Strange Conversation”
“A Cowboy’s Work Is Never Done” (featuring John Hiatt)
“Puttin’ on the Dog”
“All Night”
“My World Keeps Slipping Away”
“The Fool”
“Put a Chain on It”

DISClaimer: Top Tracks Go To David Nail, Radney Foster, Ry Bradley

Today’s honored discs don’t belong to the biggest country stars.

Despite the presence of titans Eric Church and Blake Shelton, both of whom have dandy new efforts, I’m tossing bouquets at David Nail and Radney Foster.

David has always moved me with his mighty voice. His new sound is splendid.

And leave it to country music and to Radney to show decency, love, caring and true Christian charity to people who have been treated as sub-humans by our government. “Godspeed,” indeed.

These two share this week’s Disc of the Day award.

The DisCovery Award honoree is Southern California country rocker Ry Bradley.

RY BRADLEY/Hard Not To Feel
Writers: Ry Bradley/Justin Busch; Producer: Justin Busch; Publishers: Grade One View, ASCAP/BMI; Grade One View
– Pretty dang cool. It has a throbbing, irresistible rhythm and double-time delivery of its verse lyrics. His voice ranges from a gritty growl to a shouted tenor, which gives the disc loads of dynamics. Toss in a sizzling electric guitar solo and an electronic effect or two and you’ve got a mini audio sensation.

CAM/Road To Happiness
Writers: Cam/Tyler Johnson/Hillary Lindsey; Producer: Tyler Johnson; Publishers: none listed; RCA
– This is quite a switch from that barn-burner “Diane,” which I adored. It’s a low-key, philosophical ballad with an acoustic-guitar accompaniment. Very pretty, but I’m fearful of its chances at radio. In a word, disappointing.
 

E

 
CODY JINKS/Must Be The Whiskey
Writers: Cody Jinks/Josh Morningstar; Producer: Joshua Thompson/Arthur Penhallow Jr.; Publishers: Late August/Sad Smiles, BMI; Rounder
– This bearded Texas baritone is a real-deal country singer. This steel-soaked barroom toe tapper mines familiar boozy country ore. Spare and ear catching. His second Rounder single is more languid, a ballad titled “Somewhere Between I Love You and I’m Leavin.’” Play this one instead.

ERIC CHURCH/Desperate Man
Writers: Eric Church/Ray Wylie Hubbard; Producer: Jay Joyce; Publishers: Sony-ATV Tree/Londer and Louder/Snake Farm/BMG Rights, BMI/SESAC; EMI
– Urgent sounding. A nervous, choppy rhythm track sets the mood. Church comes in shouting like a latter-day Mick Jagger while the production builds in volume and intensity. Rocking and roaring. Co-writer Ray Wylie Hubbard is featured in the tune’s “vinyl-heist” video, which also offers beaucoups footage of Church without sunglasses (!).
 

 
BUCKY COVINGTON/I Probably Won’t
Writer: Bucky Covington; Producer: Bucky Covington; Publisher: none listed; Barefootin’
– A wistful heartache ballad that unfortunately reveals a rather thin singing voice.

DAVID NAIL & THE WELL RAVENS/Heavy
Writers: none listed; Producer: Jason Hall; Publisher: none listed; One Five Sound
– This man was born to sing. In his latest incarnation, he’s surrounded by a gripping, taut, echoey band. But that soulful, searing voice remains the gripping centerpiece of the sound as he pleads fiercely for a lover to stay. Charisma on the hoof.
 

 
KATHY MATTEA/I Can’t Stand Up Alone
Writers: Martha Carson; Producer: Tim O’Brien; Publishers: none listed; Captain
– Mattea’s comeback is a dip into gospel waters. The production is acoustic and minimal, which throws the spotlight on her performance and on the classic song. Rootsy and listenable.

BLAKE SHELTON/Turnin’ Me On
Writers: Blake Shelton/Jessi Alexander/Josh Osborne; Producer: Scott Hendricks; Publishers: Sony-ATV Tree/Thankful For This/Damn Country/WB/Anderson Fork in the Road/Smackville/Smack Songs/Kobalt, BMI/ASCAP; Warner Bros.
-Kinda steamy and a little swampy. It’s a swirling, fevered dream of desire.
 

 
KAREN WALDRUP/Justified
Writers: Brian Kolb/Karen Waldrup; Producer: Garth Fundis; Publisher: none listed; The Fuel Music
– It says here that she is a viral sensation thanks to her online videos of “I Hope You Dance,” “Me and Bobby McGee” and her vivacious originals. Her new album’s soul-rock title tune showcases a potent, wailing, penetrating vocalist with moxie and fire. It’s about how getting on stage and making music gives her life meaning and reason. Be prepared to be energized.

RADNEY FOSTER/Godspeed (Dulces Suenos)
Writer: Radney Foster; Producer: none listed; Publishers: none listed; RF
– This brought me to tears. Radney’s bi-lingual musical prayer for the children at the border is gorgeous, heartbreaking and intensely moving. It’s a rewrite of his 1998 lullaby to his son, and the proceeds go the charity RAICES Texas. Lift this man up for his decency, heart, soul and compassion.

Wanda Jackson, Brenda Lee, Jeannie Seely Set For ‘Woman Walk The Line’ Hall Of Fame Panels

Woman Walk The Line: How The Women of Country Music Changed Our Lives has been chosen as one of the Rock & Roll Hall of Fame 2018 Author’s Series Selections, and anchors a Women in Country Music Day on Saturday, July 21 with Wanda Jackson.

Moderated by editor Holly Gleason, the Rock & Roll Hall of Fame panel will feature several of the book’s contributors including Jackson, Aubrie Sellers, former CREEM editor Deborah Sprague, and Rock & Roll Hall of Fame Director of Artist Relations Shelby Morrison reading and discussing a woman’s place in country music. The day of celebration will conclude appropriately with music, culminating in a performance by the legendary rockabilly queen herself.

Along with appearing on the panel, Jackson is busy working on brand new music. Fellow female Rock n’ Roll Hall of Fame member Joan Jett is producing the as-yet-unnamed project, which is currently anticipated for a 2019 release. After decades of recording covers, Jackson hit the writing room for this project, co-writing with many Nashville songwriters including Angaleena Presley of the Pistol Annies. “Ex’s and Oh’s” singer Elle King also contributed a song to the new project.

On August 4, Woman Walk The Line: How The Women of Country Music Changed Our Live will also serve as the focal point for a final panel in conjunction with the Country Music Hall of Fame’s Loretta Lynn: Blue Kentucky Girl exhibition. Brenda Lee, Jeannie Seely, Gleason, and Aubrie Sellers will discuss Lynn’s impact, as well as the power of women’s voices in contemporary life across country music. Book signings will follow each event.

Edison Research: 18 Percent Of Americans Own A Smart Speaker

According to a new study from Edison Research and NPR, 18 percent of Americans, or around 43 million people over the age of 18, now own a smart speaker.

The age group with the largest percentage of ownership includes people 45-54, which make up 24 percent of smart speaker ownership. People ages 55+ made up 22 percent of users, followed by ages 35-44 (21 percent), ages 25-34 (18 percent) and ages 18-24 (15 percent).

Women made up 54 percent of overall smart speaker owners in the study, with men at 46 percent.

First adopters have been defined as those who have owned a smart speaker for a year or more. Early mainstream users have been defined as those who have owned a smart speaker for less than a year. 74 percent of users fell into the early mainstream category, while 26 percent of users were defined as first adopters.

Of early mainstream users, 89 percent reported that they have used their smart speaker to play music in the past week; 90 percent of first adopters reported the same. 47 percent of early mainstream users have used a smart speaker to listen to AM/FM radio in the past week, as had 41 percent of first adopters.

When divided by day part, the study found that overall, users were most likely to listen to AM/FM radio on a smart speaker between the hours of 9 a.m. and 5 p.m. Listening to AM/FM radio via a smart speaker ranked as the second-highest indexed activity for that day part.

Meanwhile, 45 percent of early mainstream users report that time spent listening to AM/FM radio via a smart speaker has replaced time they spent with traditional AM/FM radio; 40 percent of first adopters reported the same.

New Spotify Feature Eases Submission Process For Playlist Consideration

Spotify is introducing a beta feature as part of Spotify for Artists and Spotify Analytics designed to make it easier for artists and labels to share unreleased music with its worldwide team of editors to enable them to create better playlists.

Artists or their team members can log into the Spotify for Artists account or to Spotify Analytics and select one unreleased song for playlist consideration to submit to the team. Editors will be searching through submissions based on the information to find unreleased music to consider for their playlists.

No one can pay to be added to one of Spotify’s editorial playlists, and editors select tracks with listeners in mind and make their decisions using data about what’s resonating most with their community of listeners.

Because this is a beta feature, it will continue to evolve based on feedback from artists, labels, managers and partners. More than 75,000 artists are featured on editorial playlists each week, and another 150,000 on Discover Weekly on Spotify.

 

Carrie Underwood And Jason Aldean Drummers Help Deliver Sampling Product

Pictured (L-R): Yellow Hammer owner Justin Miller and Nashville Sampling Co. cofounder and drummer Garrett Goodwin in Yellow Hammer’s PhantomFocus™ MixRoom™

Nashville Sampling Co. (NSC) co-owners, Justin Miller and Carrie Underwood drummer Garrett Goodwin have revealed “the next-level drum plugin,” offering a library of drum samples for country, rock and metal production.

Miller and Goodwin invited in-demand session and live drummer for Jason Aldean, Rich Redmond, to help kick off their product line. Redmond’s vast collection of drum samples were all recorded in Nashville, featuring super-deep sampled, DW Kits and ten snares, captured through 23 microphones and an SSL-G Desk. Redmond is featured in a NSC promo video below.

“The PhantomFocus System played a critical role in the creation of our sample libraries,” stated Miller. “Being able to hear a balanced 20Hz – 20kHz frequency response with PFS holographic stereo imaging allowed me to make confident decisions when it came to mixing and editing the samples.”

“They’re just way more deeply sampled,” continues Miller of the distinguishing factors that makes NSC’s samples stand out. “Other companies’ samples are around 5Gb of audio; however, our Rich Redmond library for instance is around 50Gb of uncompressed audio – that’s ten times deeper. Like some other libraries, we have three room-mic pairs to capture the audio, but ours have an additional two overhead pairs to blend as well as three close mics on each drum. NSC offers more dynamic layers and more round robins (alternate hits at the same velocity), rendering more articulations to choose from.”

Nashville Sampling Co. was founded in 2015 by Miller and Goodwin to help producers gain access to core mixing and processing tools behind the sounds heard on today’s top charts. From Goodwin’s Black kit to Redmond’s Modern Country Drums, the producer will find a vast amount of application from a small, yet tightly organized set of virtual instruments.

Jim Lauderdale To Release Two Albums On Aug. 3

Jim Lauderdale will release two albums on Aug. 3, including his new project Time Flies, as well as Jim Lauderdale And Roland White.

Lauderdale’s 30th and 31st studio albums respectively, the releases mark the singer/songwriter’s return to the Yep Roc roster after a decade apart.

Time Flies was produced by Lauderdale and Jay Weaver at Nashville’s Blackbird Studio and House of Blues Studio. Meanwhile, Jim Lauderdale And Roland White is Lauderdale’s previously unreleased first full-length album, a collection of bluegrass classics recorded in the basement of Earl and Louise Scruggs’ Nashville home in 1979. The master tapes went missing for 39 years and were only recently rediscovered at the bottom of a box by White’s wife.

 

Parallel Music Publishing Signs Joey Hendricks

Pictured: Back row (L-R): Denise Stevens, Partner, Loeb & Loeb; Austen Adams, Of Counsel at Dickinson Wright PLLC; Dustin Kovacic, Associate of Dickinson Wright PLLC. Front row (L-R): Tim Hunze, Parallel Music Publishing; Joey Hendricks; Travis Myatt, Parallel Music Publishing

Parallel Music Publishing has signed singer-songwriter Joey Hendricks to an exclusive songwriting agreement. Hendricks moved to Nashville in 2017; Parallel’s Tim Hunze first heard his music in May 2018. Hunze and Travis Myatt offered Hendricks a deal upon their first meeting.

“I tell people all the time to trust their gut and I knew from the first song I heard that we had to sign Joey immediately. His melodies and lyrics are so fresh and unique. We are so excited to be a part of Joey’s journey,” said Hunze, Partner, Parallel Music Publishing.

“I”m so thankful and excited for the opportunity to create at Parallel,’ Hendricks said.

Brandi Carlile, Maren Morris, Margo Price Top All-Female Lineup For Girls Just Wanna Weekend Festival

Brandi Carlile’s Girls Just Wanna Weekend music festival will take place Jan. 30–Feb.3, 2019 at the all-inclusive Hard Rock Hotel in Riviera Maya, Mexico. The brand new destination concert vacation will feature an all female-fronted lineup produced by Cloud 9 Adventures in partnership with The Bowery Presents. In addition to multiple shows by Carlile, Girls Just Wanna Weekend will feature Maren Morris, Indigo Girls, Margo Price, Patty Griffin, Lucius, KT Tunstall, The Secret Sisters and Ruby Amanfu.

“Mainstream festivals in the U.S. habitually exclude women as headline artists equal to men,” Carlile says. “I was brought up by Lilith Fair to believe that men and women enjoy live music equally and that women can not only headline a festival—they can BE a festival. I’m proud to announce that our festival has an ALL female-fronted lineup. I would absolutely LOVE to see a ton of men there supporting women in rock and roll, I want to see mothers with children, single people, LGBTQ brothers and sisters letting it all go for a weekend together in harmony (with bottomless tequila on hand to assist).”

Tickets to Girls Just Wanna Weekend go on sale to the public Wednesday, Aug. 1 at 12:00 p.m. ET. Members of the Bramily Fan Alliance—Carlile’s official fan club—will get access to opt-in to an exclusive pre-sale through the Bramily website until Wednesday, July 25. Those who register will be eligible for a pre-sale beginning Tuesday, July 31. Complete details regarding the festival and packages are available via girlsjustwannaweekend.com.

Halfway To Hazard Announce Nashville Residency

Pictured (Back row, L-R): Elliot Pilzer, Ira Dean, Colt Prather, Sam Hayes (Radio Romance), Josh Gramling (Radio Romance), Moises Padilla (Radio Romance). Front row L-R: David Tolliver (Halfway to Hazard), Adam Smithwick (Radio Romance), Chad Warrix (Halfway to Hazard), Ben Williamson

Halfway to Hazard has announced an ongoing residency at Analog in the Hutton Hotel in Nashville. The monthly series, “Halfway to Hazard & Friends,” kicked off last Tuesday, July 10, with a performance by bandmates Chad Warrix and David Tolliver, as well as surprise special guests Chris YoungRadio Romance, American Young‘s Jon Stone, Ira Dean (formerly of Trick Pony) and Colt Prather.

“This monthly residency at Analog has given us the opportunity to showcase all of our multi-genre artist, actor, sports personality, and musician friends that we have made over the last 12 years of adventurous travels,” says Warrix. “And, of course, we get to remind people of our music too, plus win over some new fans in the process. It definitely doesn’t hurt that we can do this a couple miles down the road from our own houses here in what seems to be the current most popular city in America.”

“It was great to be back in Nashville playing live… it’s been too long!” states Tolliver. “Having some of our best friends in the business join together onstage makes it that much sweeter. We’re looking forward to the upcoming shows. Analog is a fantastic venue and adds to the audience experience.”

The Kentucky duo’s next show is Tuesday, Aug. 7 at 6:00 p.m. and ticket information can be found at huttonhotel.com.

Pictured: Chris Young and Ira Dean. Photos courtesy of Deb Wallace Photography