Jason Aldean To Open Four-Story Nashville Entertainment Complex

Just in time for CMA Fest in June, reigning ACM Entertainer of the Year Jason Aldean will open a four-story entertainment complex, dubbed Jason Aldean’s Kitchen+Roof Top Bar, in downtown Nashville’s Lower Broadway area. The venue will be located between 3rd and 4th avenue, and will feature music on two floors, with a focus on new local talent.

The 27,000-square-feet venue will feature 250 dining seats, six bars, and a homestyle menu of southern food. Aldean teamed with chef Tomasz Wosiak to create a menu that includes Southern cooking favorites, steaks, pastas, salads and more. Aldean also worked with Tomasz to recreate his mother’s own homemade peach cobbler.

The venue will also feature the largest outdoor patio on Broadway. Inside, guests will find an homage to Aldean’s No. 1 hit “Big Green Tractor,” with a 1961 4020 John Deere tractor on display.

Two giant video walls will showcase guests’ favorite sporting events – as well as videos from today’s country stars – while the mezzanine level will include an official store with memorabilia, T-shirts, hats, jackets and a signature glassware line. The venue also offers private, VIP experiences available for groups up to 1,500.

“It’s pretty cool to finally have my own spot downtown where people can go and have a good time,” said Aldean. “We’ve been working on this for a while and I’m looking forward to having everyone in town for CMA Music Fest help break it in.”

 

 

Industry Pics: Nashville AES, Tribe Kelley, Kiefer Sutherland

Nashville Audio Engineering Society Holds “Spring Mixer” Competition

The 2018 AES Nashville Spring Mixer winning mixing team from SAE Institute-Nashville: (standing, L-R) Rich Kelly III and Brian Prost with the judging panel (seated, L-R), David Thoener, Dan Shike, Doug Sarrett, Louie Higuera and Chris Mara (Adam Smith not shown).

The Nashville Section of the Audio Engineering Society held its 15th-annual “Spring Mixer” competition on April 19. Area universities and technical schools with audio recording programs were invited to participate in the annual student mixing competition. Participating were students from Belmont University, Middle Tennessee State University, SAE Institute-Nashville, The Art Institute of Tennessee – Nashville, and The Blackbird Academy.

The final mix created by each team, using tracks from a recording session of “This Is Me Now” by artist Laura Palumbo, was judged on eight elements, including Fidelity/Sonics, Imaging Width, Image Depth, Mix Balance, Lead Presence, Mix Development, Dynamic Range/Preparation for Mastering and Documentation – completion of page 5 of AES/Recording Academy Producers & Engineers Wing Session Documentation.

The winning team of this year’s competition, representing SAE Institute-Nashville, was composed of Rich Kelly III and Brian Prost. Second place went to Belmont University and the team composed of Jonathan Korzelius, Tanya Orlov and Alberto Sewald. Third place went to The Art Institute of Tennessee-Nashville and the team of TeDarrius Weekley, Dusty Mahan and Ian Gibson.

The song’s original mixing engineer, John Jaszcz, spoke to the students before the session, making them aware of the sound he was going for on his finished mix, and emphasizing the feel of the song.

 

Florida Georgia Line’s Brian Kelley And Wife Brittney Launch Denim Line

Florida Georgia Line member Brian Kelley and wife Brittney Marie Kelley launched their new Tribe Kelley Denim line at their Nashville-based Tribe Kelley Trading post on May 2. With local designer Ranger Stitch on-site offering complimentary embroidery, the Kelleys welcomed friends and family to exclusively shop their American-made denim line including vests, jackets, and jeans for men and women. Tagged with their signature teepee logo, the collection features a range of blues and denim styles. Tribe Kelley Denim is also available on tribekelley.com.

 

Kiefer Sutherland Celebrates Following Nashville Show

Pictured (L-R): Adkins Publicity’s Scott Adkins, CMT’s Leslie Fram, Tanya Tucker, Kiefer Sutherland, Nashville Grammys Executive Director Susan Stewart, Kiefer’s Manager/Producer Jude Cole

Kiefer Sutherland visited with Nashville industry members after his show at Top Golf’s The Cowan on May 7.

 

Maren Morris To Perform Bluebird Cafe Show For Documentary

Maren Morris

Maren Morris will return to the Bluebird Cafe, where she debuted her critically-acclaimed “My Church” single long before it hit country radio’s Top 10 and earned Morris a Grammy award.

Morris’ upcoming songwriter round on May 17 with Ryan Hurd, Jimmy Robbins and Laura Veltz will be filmed and included in Bluebird, the first in-depth documentary about the indelible influence the 90-seat music venue has had on Nashville’s music community. The film is in the final stages of production.

The songwriter round will begin at 6 p.m. on May 17. Proceeds from the $30 prepaid cover charge will be donated to The HEROES Fund, Morris’ charity to benefit fine arts and music programs in public schools.

“Here at The Bluebird, we are so lucky to be able to hear young artists and writers as they begin their musical journeys,” said Erika Wollam Nichols, Bluebird Cafe COO/GM. “Maren Morris was one of those songwriters who struck us all, right from the earliest days, both with her music and with her dedication to her craft. We are thrilled to have the chance to film her performance for our documentary back in The Bluebird where she played when her star first began to rise.”

Advance pre-paid reservations for the special round can only be made through bluebirdcafe.com beginning Thursday, May 10 at 8 a.m. CT.

AIMP Nashville Awards Showcase Indie Talent

Spotify Country Top Spot winner “Body Like A Back Road,” (L-R): Adam Parness, Josh Osborne, Zach Crowell, Shane McAnally, Brittany Schaffer

Photos by GETTY Images 

Monday night’s (May 7) AIMP Nashville Awards was a celebration of songs, songwriters and publishers, with SMACKSongs and/or its writers taking home five trophies. The Association of Independent Music Publishers’ Nashville Chapter presented the 3rd annual event at the Ryman Auditorium, welcoming guests with a laid-back, we’re-all-friends-here, vibe.

Highlights included performances by rising artists Luke Combs, Devin Dawson and Ashley McBryde. Each of the nominees for Song of the Year was delivered by songwriters nominated in other categories. Combs and McBryde gave cool countrified versions of pop-influenced hits “All On Me” and “I Could Use A Love Song,” respectively, while Dawson gave a soul-filled take of the more traditional song “Marry Me.” Jordan Davis grooved during “Heartache On The Dance Floor,” Jameson Rodgers and Hannah Ellis made a darling pair for “I’ll Name the Dogs,” Jillian Jacqueline and Steve Moakler offered a smooth shot of “Drinking Problem,” and Kassi Ashton shook the rafters on “Yours.”

Steve Moakler and Jillian Jacqueline perform “Drinkin’ Problem.”

Maren Morris was on hand to present McBryde with the trophy for Rising Artist-Writer of the Year.

Morris then received the Publisher’s Pick award for co-writing “Dear Hate” with Tom Douglas and David Hodges, calling them “amazing poets,” in their absence. “I’m so honored,” she said. “This song means the world to me and I hope it has helped heal.”

The evening was a wonderful way to celebrate years of hard work coming to fruition for songwriters like McBryde and Josh Thompson, who received Rising Songwriter of the Year.

AIMP Nashville Rising Songwriter of the Year Josh Thompson (L) with previous winner Kelly Archer.

Numerous standing ovations throughout the night began with Janine Appleton Ebach who earned Song Champion of the Year. It was a big day for Ebach, whose promotion to Vice President of Curb | Word Music Publishing was also announced. “We do a job that affects generations and I’m grateful to be a part of that,” she said. “I’m grateful to be part of the Nashville music community. We do business like no one else. To quote Jim Ed Norman, ‘There’s people out there with real problems, and we don’t have them.’”

The Independent Spirit Award went to veteran publisher Jeff Carlton, whose career was highlighted in a video reel. He was in the hospital, so his son accepted on his behalf.

SMACKSongs took home trophies for Publisher of the Year, Artist-Writer of the Year (Old Dominion), Song of the Year (“Drinkin’ Problem”), Songwriter of the Year (Shane McAnally) and Spotify Country Top Spot (“Body Like A Back Road”).

The ACM’s Pete Fisher and Rhett Akins presented the Songwriter award to McAnally. “I really am surprised and honored,” he said. “I can’t believe I get to write with so many of my heroes. I am proud to be an independent publisher, and hat’s off to everybody who knows this way is not an easy road, but we are living for the song and living for the dream.”

AIMP Nashville Song Champion of the Year (L-R): previous winner Courtney Crist, 2018 winner Janine Appleton Ebach, and Frank Liddell

Beth Laird and Natalie Hemby (aka The Scrunchies) were the highlight among awards presenters, donning 1980s dresses and attitudes to present Artist-Writer of the Year to Old Dominion, which McAnally accepted on the band’s behalf.

SMACK Pres./co-owner Michael Baum accepted the trophy for Publisher of the Year. “I’m the seen-but-not-heard-force behind SMACKSongs,” he said. “It has been a pleasure getting to know everybody in the Nashville community. We might compete, but we also collaborate, and that’s the magic of Nashville.”

As far as funny presenters, Liz Rose and Jody Williams were a close second to The Scrunchies with their “It all begins with a bong” bit. Song of the Year “Drinkin’ Problem” was written by McAnally and Josh Osborne with Midland, who were on the road.

“I would absolutely not be standing here without Josh Osborne,” said McAnally. “Because of all the creativity and support he has shown me since we met, he has made me such a better writer. And I’m honored I get to do this with him.”

“I feel very lucky to get to be in the rooms that I get to be in and to write these songs,” added Osborne. “It’s my favorite thing to do every day. It’s like a puzzle and trying to figure out how the pieces go together. When they go together just right, you are really fortunate to have a song that somebody wants to record….Song ideas are everywhere. I got this idea from an old episode of MASH, so don’t let anybody tell you you can’t make money by sitting on the couch.”

In closing, AIMP Nashville executive director John Ozier thanked the many people who helped make last night possible, including event co-chairs Baum and Ree Guyer. Award winners were voted on by members of the organization.

AIMP Nashville Rising Artist-Writer of the Year Ashley McBryde

AIMP Nashville 3rd Annual Nominees And Winners

Rising Songwriter Of The Year
Michael Hardy
Matt McGinn
Mitch Rossell
Emily Shackelton
Josh Thompson
Jordan Walker

Rising Artist-Writer Of The Year
Kassi Ashton
Hannah Ellis
Jillian Jacqueline
Ashley McBryde
Steve Moakler
Jameson Rodgers

Artist-Writer Of The Year
Brothers Osborne
Luke Combs
Jordan Davis
Devin Dawson
Maren Morris
Old Dominion 

Song Champion Of The Year
Janine Appleton Ebach 
Stephanie Cox
Leslie DiPiero
Shannan Hatch
Lee Krabel
Jeff Skaggs

Publisher’s Pick
“Craig” Written Walker Hayes
SMACKsongs, Rarespark Media Group

“Dear Hate” Written By Maren Morris, Tom Douglas, David Hodges
Big Yellow Dog Music, Kobalt Music

“Good Company” Written By Matt Alderman, Tommy Cecil, Jared Mullins
Curb/Word Music Publishing, Horipro Entertainment Group, Big Deal Music

“Happy People” Written By Lori McKenna, Hailey Whitters
Creative Nation Music, Carnival Music, Pulse Music

“I Should Go To Church Sometime” Written By Brinley Addington, Michael Hardy, Sarah Turner
Horipro Entertainment Group, Watsky Music

“Space Cowboy” Written By Kacey Musgraves, Luke Laird, Shane McAnally
Creative Nation Music, SMACKsongs

Song Of The Year
“All On Me” Written By Devin Dawson, Jacob Durrett, Austin Smith
Neon Cross Music

“Drinkin’ Problem” Written By Jess Carson, Cameron Duddy, Mark Wystrach, Shane McAnally, Josh Osborne
Black River Publishing, Spirit Music Group, SMACKSongs

“Heartache On The Dance Floor” Written By Jon Pardi, Bart Butler, Brice Long
Song Factory, Curb/Word Music Publishing

“I Could Use A Love Song” Written By Maren Morris, Jimmy Robbins, Laura Veltz
Big Yellow Dog Music, Round Hill Music, Big Machine Music

“I’ll Name The Dogs” Written By Matt Dragstrem, Ben Hayslip, Josh Thompson
Big Loud Publishing, Round Hill Music, This Music, Big Machine Music

“Marry Me” Written By Thomas Rhett, Jesse Frasure, Ashley Gorley, Shane McAnally
Major Bob Music, Combustion Music, Round Hill Music, SMACKSongs

“Yours” Written By Russell Dickerson, Casey Brown, Parker Welling
3 Ring Circus Music

Songwriter Of The Year
Jesse Frasure
Ashley Gorley
Ben Hayslip
Hillary Lindsey
Shane McAnally
Josh Osborne

Publisher Of The Year
Big Loud Publishing
Big Machine Music
Combustion Music
Rezonant Music
Round Hill Music
SMACKSongs 

Independent SpiritJeff Carlton

Spotify Country Top Spot—“Body Like A Back Road” Written By Sam Hunt, Zach Crowell, Shane McAnally, Josh Osborne; Independently Published By Combustion Music, Tape Room Music, SMACKSongs

ACM Honors Recipients Include Matraca Berg, Alan Jackson, Rob Potts, Darius Rucker

The Academy of Country Music announced the recipients of the Special Awards for the 53rd Academy of Country Music Awards. Dierks Bentley, Matraca Berg, Sam Hunt, Alan Jackson, Darius Rucker, Mickey & Chris Christensen, Eddie Miller, Rob Potts and Norro Wilson will all be honored during the 12th Annual ACM Honors evening, a night dedicated to recognizing the special honorees and off-camera category winners from the 53rd Academy of Country Music Awards. 

The event will take place Wednesday, Aug. 22, 2018 at the Ryman Auditorium in Nashville.

Additional off-camera categories to be awarded include to-be-announced Industry Awards and Studio Recording Awards, along with previously announced Songwriter of the Year Award winner, Rhett Akins. This marks Akins’ first ACM Songwriter of the Year award.

ACM CLIFFIE STONE ICON AWARD – Recipient: Alan Jackson. This award is presented to a country music artist, duo/group or industry leader who throughout their career has advanced the popularity of the genre through their contributions in multiple facets of the industry such as songwriting, recording, production, touring, film, television, literary works, philanthropic contributions and other goodwill efforts.

ACM MERLE HAGGARD SPIRIT AWARD – Recipient: Dierks Bentley. This award is presented to a singer-songwriter who is continuing the legacy of country legend and 20-time ACM Award Winner Merle Haggard by following his/her own path, crafting great songs and epitomizing Merle’s spirit through genuine performances and great storytelling.

ACM GARY HABER LIFTING LIVES AWARD –  Recipient: Darius Rucker. This award is presented to a country music artist, duo/group or industry professional who is devoted to improving lives through the power of music, has a generosity of spirit, and is committed to serving others, voted on by the ACM Lifting Lives Board of Directors.

ACM GENE WEED MILESTONE AWARD – Recipient: Sam Hunt. This award is presented to a country music artist, duo/group or industry leader for a specific, unprecedented or outstanding achievement in the field of country music during the preceding calendar year.

ACM POET’S AWARD – Recipients: Matraca Berg and Norro Wilson (awarded posthumously). This award is presented to a country music songwriter for outstanding and longstanding musical and/or lyrical contributions throughout their career, with special consideration given to a song or songs’ impact on the culture of country music.

Berg has written major country hits across four consecutive decades while maintaining the reputation as one of Nashville’s most eloquent songwriters. A Nashville native, Berg and co-writer Bobby Braddock scored a No. 1 hit in 1983 with “Faking Love” by T.G. Sheppard and Karen Brooks. Berg was just 18 at the time. Four years later, Reba McEntire recorded “The Last One to Know” as the title track to her 1987 album; again, Berg notched a No. 1 single. Throughout the 1990s, Berg secured plentiful cuts from country music’s top female artists. Trisha Yearwood solidified her stardom with “Wrong Side of Memphis,” “XXX’s and OOO’s (An American Girl),” and “Everybody Knows,” while Patty Loveless boosted her career with “I’m That Kind of Girl” and “You Can Feel Bad.” Berg secured an ACM Song of the Year nomination for Deana Carter’s exquisite “Strawberry Wine.” Kenny Chesney and Grace Potter released their rendition of “You and Tequila” in 2011, leading to another ACM Song of the Year nod. She has written singles for Suzy Bogguss, Dixie Chicks, Sara Evans, Faith Hill, Martina McBride, Linda Ronstadt, Gretchen Wilson and more. Berg was inducted into the Nashville Songwriters Hall of Fame in 2008.

Wilson worked in nearly every facet of the Nashville music industry, earning perhaps his greatest acclaim by composing classics for George Jones, Charlie Rich and Tammy Wynette. Wilson grew up in Kentucky and moved to Nashville as a teenager after joining a gospel group. He spent much of the next decade pursuing a performing career until a song he co-wrote, “Baby, Baby (I Know You’re a Lady),” hit No. 1 for David Houston in 1970. Wilson’s songwriting catalog grew to include Jones signatures like “A Picture of Me (Without You),” “The Grand Tour” and “The Door.” Wilson co-wrote three of Rich’s No. 1 hits: “The Most Beautiful Girl,” “A Very Special Love Song,” and “I Love My Friend.” Wynette found success with Wilson compositions such as “I’ll See Him Through,” “He Loves Me All the Way,” “My Man” and “Another Lonely Song.” In addition, Charley Pride secured No. 1 hits in the early 1980s with “Never Been So Loved (In All My Life)” and “Night Games.” In other roles, Wilson signed Keith Whitley to RCA and co-produced several Kenny Chesney albums. He was inducted into the Nashville Songwriters Hall of Fame in 1996. Wilson passed away in 2017.

ACM MAE BOREN AXTON SERVICE AWARD – Recipients: Mickey Christensen, Chris Christensen and Eddie Miller (all awarded posthumously). This award is presented to an outstanding country music artist, duo/group or industry leader in recognition of years of dedication and service to the Academy of Country Music.

Nightclub owners Mickey and Chris Christensen and performing songwriter Eddie Miller, along with performer Tommy Wiggins, co-founded the organization that became known as the Academy of Country Music. In 1964 they created the Country and Western Music Academy to promote West Coast country artists. Christensen and his wife Mickey moved from Iowa to Long Beach, California, in 1941. In time, Chris acquired a stake in a jukebox company while Mickey owned and operated venues like Pike’s Canteen, C&M Corral and the Red Barrel Niteclub. Two of the first musicians they hired were Buck and Bonnie Owens. West Coast entertainers started dropping by the Red Barrel, including Eddie Miller and Tommy Wiggins. A conversation led to an idea to emulate the Oscars and create an awards show. The earliest banquets took place at the Red Barrel before the first official ceremony was held at The Hollywood Palladium on February 28, 1966. An Oklahoma native and former railroad worker, Miller wrote country hits like “Release Me,” (Ray Price, Kitty Wells), “I Love You Honey” (Patsy Cline), “There She Goes” (Carl Smith) and “Thanks a Lot” (Ernest Tubb). He was a co-founder of the Nashville Songwriters Association, which developed into NSAI. [Surviving ACM founder Tommy Wiggins received this award at the 2013 ACM Honors.]

ACM JIM REEVES INTERNATIONAL AWARD – Recipient: Rob Potts (awarded posthumously). The Jim Reeves International Award is presented to an artist or industry leader for outstanding contributions to the acceptance of country music throughout the world.

Potts cultivated a country music connection between Australia and the United States, paving the way for American superstars to perform Down Under for thousands of new fans. Potts and his business partner Michael Chugg established the brand of CMC Rocks leading to festivals like CMC Rocks the Snowy, CMC Rocks the Hunter and CMC Rocks QLD. The latter became the first-ever sold-out country music festival in Australia, with 18,000 tickets sold for its 2018 lineup featuring Luke Bryan. Potts had worked as a booking agent for artists like Keith Urban, Tommy Emmanuel and Lee Kernaghan. He brought country talent like Jason Aldean, Brooks & Dunn, Dixie Chicks, Florida Georgia Line, Alan Jackson, Tim McGraw & Faith Hill, Dolly Parton, Taylor Swift and Zac Brown Band to the Australian market. In addition, Potts managed Warner Music Nashville artist Morgan Evans. In 2016, Potts launched FanGate Music, a joint label with Sony Music Entertainment Australia, in order to seek out and develop international country artists while still paying attention to emerging local talent. A partnership with Nashville-based Dreamlined Entertainment was announced in October 2017, less than two weeks before Potts died following a motorcycle accident in Australia. He was 65.

ACM SONGWRITER OF THE YEAR AWARD – Previously announced winner Rhett Akins has been chosen as the recipient of the Songwriter of the Year Award. This award is presented to an individual known predominately as a songwriter, selected by a Professional Panel of judges composed of songwriters, publishers, producers, and performing rights organization representatives.

Akins landed on the ACM Awards ballot 20 years ago in the New Male Vocalist category, thanks to hit singles like “That Ain’t My Truck” and “Don’t Get Me Started.” Now, two decades later, he is one of Nashville’s most prominent songwriters. A list of Akins’ recent hits reads like a “who’s who” of country music, including Dustin Lynch’s “Small Town Boy,” Jon Pardi’s “Dirt on My Boots,” Blake Shelton’s “I Lived It” and Akins’ son Thomas Rhett’s “Star of the Show” and “Life Changes.” Luke Bryan’s “Huntin’, Fishin’ and Lovin’ Every Day,” Jason Aldean’s “When She Says Baby” and Shelton’s “Honeybee” and “Boys Round Here” have all been country radio staples. Akins has placed at least one song on Billboard’s Country Airplay Chart every week for the past 8 years, and he has been recognized as BMI Country Songwriter of the Year twice. Growing up in Valdosta, Georgia, Akins admired rugged country artists like Waylon Jennings, Charlie Daniels and Hank Williams, Jr. He moved to Nashville in 1992, earned a publishing deal and started singing demos. A record deal in 1994 led to two albums on Decca and one on MCA Nashville. Akins has released three independent solo albums, and, with fellow Georgia natives Dallas Davidson and Ben Hayslip, he is a member of The Peach Pickers – a tried-and-true songwriting collaboration that has yielded countless cuts. This is his third nomination for ACM Songwriter of the Year.

ASCAP Expo Hosts ‘Making It In Music City’ Panel

Pictured (L-R): Head of Global Programming for Country Music at Spotify John Marks, Manager Tom Lord, Agent Kevin Meads, Vice President, A&R at Warner/Chappell Music Ryan Beuschel and Musician Adam Sanders

ASCAP’s “Making It In Music City” panel from ASCAP’s “I Create Music” EXPO, the country’s largest conference for songwriters and producers, brought together leading figures from across the music industry to discuss what it takes to break into today’s music scene in Nashville.

Panel members included Spotify’s John Marks, William Morris’ Kevin Meads, Warner/Chappell’s Ryan Beuschel, Red Light Management’s Tom Lord and chart-topping songwriter Adam Sanders (Luke Bryan, Dierks Bentley, Dustin Lynch, Cole Swindell).

Using Sanders’ own decade-long career as a case study, the group provided insights about finding key mentors and seeking out artists you believe in to work with.

Sanders met his first “champion,” Ryan Beuschel (of ASCAP at the time) while playing a writers’ round in a Nashville dive bar at 2:30 in the afternoon on a Tuesday. Beuschel was enamored with Sanders’ songwriting, and within the month had introduced him to every publisher he knew, garnering half a dozen offers.

Sanders said he sought out mentors in different areas of the music industry to develop as effective a brain trust as he possibly could. This included early support from John Marks, who guided him through the world of radio (while a SiriusXM producer) and streaming (as a Spotify exec) while he began his performance career.

Sanders attributes 90 percent of his songwriting credits to pre-fame friendships he had built with artists in Nashville. A specific example was Cole Swindell, who Sanders became friendly with when he was a construction worker and Swindell was selling merch. Together they wrote a song called “Ain’t Worth The Whiskey” as Cole was reeling from the end of a relationship, and six years later the pals took it to No. 1 on the country charts.

Adam Wright To Release Solo Album ‘Dust’

Adam Wright is releasing an album of his own songs, Dust, on June 22.

The songwriter, who has penned thousands of songs for artists including Garth Brooks, Alan Jackson and Lee Ann Womack, is releasing 11 of his own on this new project. The tracks cover a lot of ground, from the gothic tale originating in Wright’s hometown, “Billy, Get Your Bike,” written with just one chord about a true story of a young boy seeking revenge for his stolen property, to “From My Bough,” a tune penned from a tree’s perspective and how some trees he climbed as a child have a much darker past. Lee Ann Womack helps out on that track, and has been one of Wright’s biggest supporters over the years.

The only song on the album co-written with another writer, “Ruby,” was written with Vicky Echiverri and features a Western motif, sounding like a Marty Robbins song from the ’60’s. It was inspired by his love of Cormac McCarthy. The album’s title track was inspired by Wright’s son examining the smallest parts of life filtered through the sunlight and how people and situations can be more than intended.

“[These songs] require a lot from a listener. If you’re not into that, I get it, and this won’t be your cup of tea,” says Wright about the project. “No hard feelings. But if you have the time and don’t mind paying a little more attention to what you’re listening to, I think you might get something out of this album. At least I hope you do.”

Big Loud Records Names Stacy Blythe As VP, Promotion

Big Loud Records has promoted Stacy Blythe to the role of Vice President of Promotion.

Effective immediately, Blythe will report directly to label President Clay Hunnicutt, and can be reached via email at stacy@bigloud.com.

Blythe is a graduate of Middle Tennessee State University with over a decade of radio-promotion experience – including stops at Category 5 Records, 1720 Entertainment, Stoney Creek Records and Republic Nashville – and in her previous role as Big Loud Records’ National Director of Promotion, oversaw influential campaigns for Jake Owen, Chris Lane, Morgan Wallen, Jillian Jacqueline and Mason Ramsey.

“Since Big Loud Records started almost three years ago, Stacy has been an integral part of the Big Loud family and has shown us – and the entire industry – that she is a leader who can deliver,” Hunnicutt says. “We would not be where we are today without her, and we look forward to breaking more records as we grow. There were people that told her she could not do this. Respectfully, we would say, ‘You were wrong and she has proven it!’”

Blythe adds, “We truly have a family here at Big Loud and I’m so blessed to be a part of it. I am proud of what this team has accomplished in the first 2 and a half years and am honored to take on a bigger role moving forward. I am beyond grateful to Clay, Seth, Chief, Craig and Joey for their continued confidence in me.”

Blythe has signed a multi-year deal as Big Loud Records’ newest VP, meaning the independent country label is now on the hunt for a new National Director of Promotion. Resumes/portfolios can be submitted at jobs@bigloud.com.

Big Loud Records was founded as a partnership between Craig Wiseman, Seth England, Kevin “Chief” Zaruk and Joey Moi, four industry veterans with a vision to bring artist development, management, production, and promotion under one roof. Led by Hunnicutt, the label scored its first win with breakout country star Lane and his debut single, “Fix,” which became a Gold-certified No. 1 success in 2015. The hit marked an unlikely feat for Big Loud Records – scoring their first chart topper with the label’s very first release.

Since then the label has gone on to expand its roster with the addition of country superstar Owen (“I Was Jack (And You Were Diane)”), while scoring more boundary-pushing hits with Lane (“For Her,” “Take Back Home Girl” featuring Tori Kelly) and rising singer-songwriter Wallen (“Up Down” featuring Florida Georgia Line). The Big Loud lineup also includes edgy firebrand Jacqueline (“Reasons”) and fresh-faced viral superstar Ramsey (“Famous”).

Pop Artists Compete For Top CMT Music Awards Honors

CMT just revealed this year’s nominees for the CMT Music Awards, which will be hosted by Little Big Town on Wednesday, June 6.

For the first time, this year’s top category, Video of the Year, features several pop artists vying for the win. Among the nominees are Bebe Rexha (ft. Florida Georgia Line) for “Meant To Be,” Justin Timberlake ft. Chris Stapleton for “Say Something,” and Ludacris, who contributed to Carrie Underwood‘s “The Champion.” They join fellow Video of the Year nominees Blake Shelton, Brett Young, Brothers Osborne, Dan+Shay, Jason Aldean, Kane Brown, Lauren Alaina, Kelsea Ballerini, Luke Combs, and Thomas Rhett.

Carrie Underwood, who holds the title of most CMT Music Awards wins with 17, looks to defend her title against superstars Florida Georgia Line and Jason Aldean, who are tied with Underwood for the most nominations this year with four each. Other artists with multiple nominations include Little Big Town (3), Chris Stapleton (3), Lauren Alaina (3), Thomas Rhett (3), Bebe Rexha (2), Blake Shelton (2), Brothers Osborne (2), Carly Pearce (2), Dan + Shay (2), Danielle Bradbery(2), Justin Timberlake (2), Kane Brown (2), Keith Urban (2), Kelsea Ballerini (2), Lady Antebellum (2), LANco (2), Ludacris (2) and Maren Morris (2).

Artists earning their very first CMT Music Awards nominations include a mix of pop, rock and country artists, including Andra Day, Backstreet Boys, Bebe Rexha, Carly Pearce, Common, Derek Trucks, Devin Dawson, High Valley, Justin Timberlake, LANco, Ludacris, Russell Dickerson, Walker Hayes, and Earth, Wind & Fire.

Voting for the CMT Music Awards is now open at cmt.com.

2018 CMT Music Awards Nominations:

Video of the Year
Best video of the year; awarded to the artist (male, female, group/duo or collaboration) and the video director. Final nominees announced the morning of the show, with final voting held on Twitter during the live telecast.

Bebe Rexha feat. Florida Georgia Line, “Meant To Be”
Blake Shelton, “I’ll Name The Dogs”
Brett Young, “Mercy”
Brothers Osborne, “It Ain’t My Fault”
Carrie Underwood feat. Ludacris, “The Champion”
Dan + Shay, “Tequila”
Jason Aldean, “You Make It Easy”
Justin Timberlake feat. Chris Stapleton, “Say Something”
Kane Brown feat. Lauren Alaina, “What Ifs”
Kelsea Ballerini, “Legends”
Luke Combs, “When It Rains It Pours”
Thomas Rhett, “Marry Me”

Male Video of the Year
Best video by a male artist; awarded to the artist

Blake Shelton, “I’ll Name The Dogs”
Dustin Lynch, “Small Town Boy”
Jason Aldean, “You Make It Easy”
Jon Pardi, “Heartache On The Dance Floor”
Luke Bryan, “Light It Up”
Thomas Rhett, “Marry Me”

Female Video of the Year
Best video by a female artist; awarded to the artist

Carly Pearce, “Every Little Thing”
Carrie Underwood feat. Ludacris, “The Champion”
Kelsea Ballerini, “Legends”
Lauren Alaina, “Doin’ Fine”
Maren Morris, “I Could Use A Love Song”
Miranda Lambert, “Tin Man” From 2017 ACM Awards

Duo Video of the Year
Best video by a duo; awarded to the artists

Big & Rich, “California”
Brothers Osborne, “It Ain’t My Fault”
Dan + Shay, “Tequila”
Florida Georgia Line, “Smooth”
High Valley, “She’s With Me”
Tim McGraw & Faith Hill, “Speak To A Girl”

Group Video of the Year
Best video by a group; awarded to the artists

Lady Antebellum, “You Look Good”
LANco, “Greatest Love Story”
Little Big Town, “When Someone Stops Loving You”
Midland, “Make A Little”
Old Dominion, “No Such Thing As A Broken Heart”
Rascal Flatts, “Yours If You Want It”
Zac Brown Band, “My Old Man”

Breakthrough Video of the Year
Best video from an artist’s major breakthrough album; awarded to the artist (male, female or group/duo)

Carly Pearce, “Every Little Thing”
Danielle Bradbery, “Sway”
Devin Dawson, “All On Me”
LANco, “Greatest Love Story”
Russell Dickerson, “Yours”
Walker Hayes, “You Broke Up With Me”

Collaborative Video of the Year
Best video from a collaboration; awarded to the artists

Bebe Rexha feat. Florida Georgia Line, “Meant To Be”
Carrie Underwood feat. Ludacris, “The Champion”
Cole Swindell feat. Dierks Bentley, “Flatliner”
Justin Timberlake feat. Chris Stapleton, “Say Something”
Kane Brown feat. Lauren Alaina, “What Ifs”
Thomas Rhett feat. Maren Morris, “Craving You”

CMT Performance of the Year
Musical performance on a television show, series or variety special on CMT; awarded to the artist (individual, group or duo)

Andra Day, Common, Little Big Town, Lee Ann Womack and Danielle Bradbery, “Stand Up For Something” (From 2017 CMT Artists of the Year)
Backstreet Boys and Florida Georgia Line, “Everybody” (From CMT Crossroads)
Charles Kelley, Jason Aldean, Darius Rucker and Derek Trucks, “Midnight Rider” (From 2017 CMT Music Awards)
Earth, Wind & Fire and Lady Antebellum, “September” (From CMT Crossroads)
Jason Aldean, Keith Urban, Chris Stapleton and Little Big Town, “I Won’t Back Down” (From 2017 CMT Artists of the Year)
Keith Urban feat. Carrie Underwood, “The Fighter” (From 2017 CMT Music Awards)

Time Jumpers Celebrate 20 Years Of Genre-Jumping Fun

The Time Jumpers are celebrating 20 years of playing together this year, and as part of that celebration, the super-group will be adding a handful of dates to their standing Monday night shows at 3rd & Lindsley. The first additional show has been announced for Friday, June 1 at 8 p.m. Tickets are on sale now and can be purchased online here.

The Time Jumpers’ Monday night shows are historic and sell out quickly. For two decades the show has been the destination in Nashville on a Monday night, and the current edition of the Grammy-winning band includes Vince Gill (vocals, electric and acoustic guitars), “Ranger Doug” Green (vocals, acoustic rhythm guitar), Paul Franklin (steel guitar), Brad Albin (upright bass), Larry Franklin (fiddle, vocals), Andy Reiss (electric guitar), Kenny Sears (vocals, fiddle), Joe Spivey (fiddle, vocals), Jeff Taylor (accordion, piano) and Billy Thomas (drums, vocals).

Over the last 20 years, The Time Jumpers has had a slowly revolving door of remarkable musicians including Aubrey Haynie, Dennis Crouch, Hoot Hester, Dawn Sears and John Hughey. Plenty of big stars have dropped by to catch a Jumpers set through the years or sit in with the band, including Bonnie Raitt, Reba McEntire, Norah Jones, Robert Plant, The White Stripes, Kings Of Leon, Jimmy Buffet, Joe Walsh, Diana Krall, Elvis Costello, Chris Isaak and Kelly Clarkson.

“One of my favorite memories of music in Nashville is going to listen to The Time Jumpers play live,” said Reba McEntire of seeing the Nashville mainstay. “They are all incredible musicians and singers and they remind me of what I love so much about music. The times they have asked me to come on stage and sing with them has been a total blast.”