Kree Harrison Plans Debut Album On Nashville’s Plaid Flag Music

Kree Harrison

Kree Harrison

Kree Harrison will release her debut album on Nashville-based Plaid Flag Music in mid-2016. The first single, “This Old Thing,” is now available on iTunes and streaming services.

A 2013 runner-up on American Idol, Harrison is scheduled to appear on the series finale on Thursday night (April 7). She has lived in Nashville since 2002, after her family relocated from Woodville, Texas. As a 10-year-old child, she signed a development deal with Lyric Street Records, but no music was released. She has pursued a music career, particularly as a songwriter, since that time. She has also sung on albums by Kacey Musgraves and Eli Young Band.

Harrison signed publishing and recording contracts with Plaid Flag Music in 2015. In early December, she recorded at Echo Mountain Recording Studio in Asheville, North Carolina. Harrison worked closely with the Plaid Flag team and writer Benjy Davis to complete the project. Davis teamed up with Jordan Lehning to co-produce the album.

“After years of living in Nashville, being inspired, learning, trying to figure out my own journey, I’m proud to say, I know now I’ve made the record when and how I was supposed to. I’m so excited to share it with everyone!” said Harrison.

“Kree is a true talent and has one of the top and most anticipated voices in music today,” said T.J. Johnson, Executive Director of Plaid Flag Music. “We are so proud of this album. It captures her voice as is—honest, raw and audibly stunning.”

Plaid Flag Music, established in February 2014, is a Nashville-based company specializing in writing and publishing with an in-house studio and engineer. Plaid Flag Records was formed in 2015 and signed Harrison as their first talent.

Harrison is booked by Buddy Lee Attractions.

Trevor Donovan Cast As Eddy Arnold In CMT Series

Trevor Donovan

Trevor Donovan

Trevor Donovan has been cast as Eddy Arnold in the upcoming CMT series, Million Dollar Quartet (working title). Production began this week in Memphis, and the series is slated to premiere in November. Donovan’s acting credits 90210, Melissa & Joey and Days of Our Lives,

A period drama inspired by the Tony Award-winning musical, Million Dollar Quartet, the eight-episode CMT series is timed to the historic 60th anniversary of the famous recording sessions featuring icons Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins. Presley and Arnold shared a manager, Colonel Tom Parker.

Donovan joins a cast including Chad Michael Murray (Sun Records founder Sam Phillips), Billy Gardell (Parker), Drake Milligan (Elvis Presley), Kevin Fonteyne (Johnny Cash), Christian Lees (Jerry Lee Lewis), Jonah Lees (Jimmy Swaggart), Keir O’Donnell (Dewey Phillips), Jennifer Holland (Sam Phillips’ wife Becky) and Margaret Anne Florence (Sam’s assistant Marion Keisker).

AIMP Nashville Awards Announce Nominees, Acoustic Performers

AIMP-LOGO sliderThe inaugural AIMP Nashville Awards, hosted by the Association of Independent Music Publishers, will honor winners in seven categories, representing all aspects of independent publishing when the awards ceremony is held Mon., April 18 at the Ryman Auditorium.

In keeping with the inclusive theme of the show, the evening’s performers will sing an acoustic version of a nominated song that is not their own. Kelsea Ballerini will perform Dierks Bentley’s “Say You Do,” Brandy Clark will sing Sam Hunt’s “Take Your Time,” Tyler Farr will offer a rendition of Randy Houser’s “We Went,” Maren Morris and Brothers Osborne will perform Chris Stapleton’s “Fire Away,” Old Dominion will give their take on Keith Urban’s “John Cougar, John Deere, John 3:16,” and Sam Hunt will perform Little Big Town’s “Girl Crush.”

The event is co-chaired by SMACKSong’s Michael McAnally Baum and Wrensong’s Ree Guyer Buchanan.

“We imagined a unique show for this very special event,” says McAnally Baum. “The artists all have strong connections to the independent music community and they all jumped at the idea of celebrating this incredible group of songs and our organization.”

Also to be presented is the Spotify ‘Country Top Spot’ award for the most-streamed country song.

Nominees For the AIMP Nashville Awards:

AIMP SONG OF THE YEAR
“Fire Away” written by Danny Green and Chris Stapleton
“Girl Crush” written by Hillary Lindsey, Lori McKenna and Liz Rose
“John Cougar, John Deere, John 3:16” written by Ross Copperman, Shane McAnally and Josh Osborne
“Say You Do” written by Shane McAnally, Matthew Ramsey and Trevor Rosen
“Take Your Time” written by Sam Hunt, Shane McAnally and Josh Osborne
“We Went” written by John King, Matt Rogers and Justin Wilson

AIMP INDEPENDENT PUBLISHER OF THE YEAR
Big Deal Music
Big Loud Shirt
Black River Publishing
Combustion Music
Creative Nation
SMACKSongs

AIMP INDEPENDENT SONGWRITER OF THE YEAR
Ashley Gorley
Hillary Lindsey
Josh Osborne
Luke Laird
Shane McAnally
Zach Crowell

AIMP ARTIST-WRITER OF THE YEAR
Brandy Clark
Kacey Musgraves
Kelsea Ballerini
Old Dominion
Sam Hunt
Tyler Farr

AIMP RISING INDEPENDENT SONGWRITER OF THE YEAR
Brad Tursi
Brothers Osborne
Kelsea Ballerini
Maren Morris
Matt Rogers
Tommy Cecil

AIMP SONG CHAMPION OF THE YEAR
Ben Strain
Chris DuBois
Courtney Crist
Jody Williams
Robin Palmer
Whitney Daane

 

Project Music Accelerator Hosts Open House, Teams With CMA And Music Biz

ProjectMusic16

This year’s Project Music Accelerator participants received early feedback from Nashville’s entrepreneur and investor community at Wednesday night’s (April 6) Investor Open House at the Nashville Entrepreneur Center. The open house is part of a 16-week accelerator program that takes entrepreneurs through immersive curriculum and fine-tuning their model and message.

“These are the innovators empowering the next wave in the music industry,” said Bill Brennan, a Nashville-based entrepreneur, investor and mentor who attended the event. “It’s exciting to be a part of it!”

The official Accelerator’s Startup Showcase will take place on Mon., May 16, at 4 p.m. at the CMA Theater in the Country Music Hall of Fame. It will be held in cooperation with the Music Business Association’s upcoming Music Biz Convention, held May 16-18 at the Renaissance Nashville Hotel. The Country Music Association (CMA) is this year’s title sponsor.

“CMA is delighted to once again be a part of the Project Music Showcase and to support these entrepreneurs that will present exciting new ideas to bring innovation to our music industry,” said Damon Whiteside, CMA Sr. VP of Marketing and Strategic Partnerships.

“We’re thrilled to be working with the CMA and the EC to give this year’s Project Music participants a chance to show off their products in front of some of the industry’s biggest influencers at Music Biz 2016,” said Robby Towns, Director of Digital Strategy & Community at Music Biz. “Innovative tech is the key to a prosperous future for music, and Project Music does fantastic work cultivating forward-thinking tech startups in Nashville. We’re so excited to cap off our Music Startup Academy with the Project Music finale.”

The showcase will be the closing session of the convention’s Music Startup Academy, which will teach attendees about topics including labels, publishing, business development, and content acquisition as well as provide venture capitalist, PR, and branding advice.

For information and to request an invitation to the May 16 Nashville Startup Showcase, please visit projectmusic.co/invest. These events are invitation-only.

Project Music is the Nashville Entrepreneur Center’s leading action to support innovation within the music industry by bringing music, tech and business leaders together to nurture startups companies.

Curb Records Restructures Radio Department

Curb.com logo

Ryan Dokke, VP of Country Promotion for Curb Records, has announced his plans for the restructuring of the label’s promotion department.

Chuck Swaney has been added as Curb’s Sr. Director of Country Promotion & Creative Projects. He was a former VP at Southern Ground.

RJ Meacham has been named Curb’s Sr. Director of Country Promotion & Chart Strategy. He was formerly National Director, Columbia Records (Sony Music Nashville).

Andy Elliott has been named Curb’s Sr. Director of Country Promotion & Radio Initiatives. He was formerly National Director, Arista Records (Sony Music Nashville)

These new executives will join the current team, which includes Dokke, Mike Rogers, National Director of Promotion; Lori Hartigan, Director of West Coast Promotion; and Samantha DePrez, Promotions Director.

“Today begins a new chapter in the incredible legacy of Curb Records,” comments Dokke. “I’m ecstatic about these professionals joining our promotion team. All three bring incredible professionalism and outstanding reputations that will only help us to better serve our partners at country radio. Chuck, Andy, and RJ will be a tremendous asset to our company, and artist roster. I’m thrilled they will be joining Mike Rogers, Lori Hartigan, Samantha DePrez, and myself in bringing the music of our talented artist roster to the marketplace.”

States The Curb Group CEO, Jim Ed Norman, “Even after 50 years of business, we know that as an independent company Curb Records must continually strive for excellence. The fantastic leadership by Taylor Childress as Vice President/General Manager of The Curb Group, extending our agreement with an outstanding Vice President of Country Promotion in Ryan Dokke, recently signing established talents like Jerrod Neimann and Love & Theft, or today, adding three terrific individuals to our promotion staff, are all testaments to our pursuit of that excellence. I’m proud to welcome Chuck, RJ, and Andy to the Curb Records family and am confident their vision, combined with our entire company of talented professionals, will lead to great success.”

Dokke further explains, “In addition to being road warriors and having excellent relationships, each bring their individual strengths to the company that will be highlighted in the new department structure.”

“Chuck Swaney is a creative monster! What he brings to the team in his role as Sr. Director of Promotion & Creative Projects will be critical in designing unique opportunities to connect radio with our artists and their music. His passion and ideas are unmatched, “ continues Dokke.

“As Sr. Director of Promotion & Chart Strategy, RJ Meacham will play a strategic role in helping define our airplay objectives. He’s a skilled tactician when it comes to thoughtfully launching singles and managing them through today’s challenging chart dynamics. I can’t overstate how thrilled I am to have RJ in this role and what it will mean for Curb Records.”

“I had the pleasure of working with Andy Elliott at Arista Records. We both came to promotion from careers in radio. Therefore, he’s the perfect choice for the role of Sr. Director of Promotion & Radio Initiatives. Andy will coordinate the delivery of distinctive content to our radio partners. He will be an asset in helping provide access to our artists in innovative ways. I couldn’t be more thrilled to be working with him again.”

Swaney can be reached at [email protected] and 248-202-4116. Meacham can be reached at [email protected] or 615-715-2764. Elliott can be reached at [email protected] or 615-585-4101.

Legendary Merle Haggard Passes At 79

merle

Merle Haggard. Photo: Myriam Santos

America has lost one of its greatest song poets.

Singer, songwriter, guitarist, fiddler, bandleader and music legend Merle Haggard died today on his 79th birthday, at his home outside of Redding, California.

One of the most influential and revered artists in music, Haggard was a permanent fixture on the country charts for three decades. He is a member of the Country Music Hall of Fame and the Nashville Songwriters Hall of Fame. He is also the recipient of a Grammy Lifetime Achievement Award and a Kennedy Center honoree.

Perhaps no other singer-songwriter in contemporary country music has assembled as large a body of practically unblemished work. He stands almost alone in terms of artistic consistency, musical integrity, purpose and vision.

His songwriting achievements include such classics as “Mama Tried,” “Sing Me Back Home,” “Okie From Muskogee,” “Hungry Eyes,” “Workin’ Man Blues,” “If We Make It Through December,” “Big City” and “Today I Started Loving You Again,” among many, many others. His recorded legacy is vast and varied. He venerated blues, swing, pop, folk, gospel, honky-tonk, rockabilly and several other roots genres. Haggard respected country tradition and recorded tributes to Jimmie Rodgers (1969), Bob Wills (1970) and Elvis Presley (1977). He recorded with The Texas Playboys as well as with Mother Maybelle and The Carter Sisters, George Jones, Willie Nelson and Ernest Tubb.

MusicRow Podcast Featuring The Legendary Merle Haggard

“The Hag,” as he was known, placed 112 titles on the country charts, scored 71 top-10 hits and had 38 No. 1 successes. He recorded more than 90 albums.

Few stars have biographies as dramatic as Merle Haggard’s. His parents were “Okie” migrants to California during the Great Depression. He was born Merle Ronald Haggard on April 6, 1937 and raised in a converted railroad boxcar in Oildale, near Bakersfield, CA. His father died of a stroke when Haggard was nine, and his mother went to work fulltime to support the family.

Absent any parental supervision, Haggard became wild and rebellious as a youth, getting involved in petty theft, writing bad checks and riding the rails as a hobo. He was sent to juvenile-detention facilities and reform schools several times for shoplifting, truancy, robbery and other crimes, but this failed to curb his ways.

An encounter with Lefty Frizzell led him to start performing music professionally. A school dropout, he also worked as a teenage farmhand, oil field worker, truck driver and short-order cook.

Haggard was arrested in 1957 for attempted burglary and sent to San Quentin State Prison in California. He turned 21 in the penitentiary as convicted felon No. A-45200.

In 1958, he attended a prison performance by Johnny Cash, which deepened his commitment to a country career. One of his best penitentiary friends was executed on Death Row, and Haggard spent time in solitary confinement. These events all led him to turn his life around.

While locked away, Haggard took high-school equivalency courses. He also performed in the prison’s country band. He was paroled in 1960. For the rest of his life, he was haunted by memories and nightmares of his life in the penitentiary.

Upon his release, he dug ditches and worked as an electrician’s assistant. But he was soon entertaining in Bakersfield nightclubs and was signed by the independent imprint Tally Records. He debuted on the charts on that label with his 1963 version of Wynn Stewart’s yearning “Sing a Sad Song.” He scored his first top-10 hit in 1965 with songwriter Liz Anderson’s “(All My Friends Are Gonna Be) Strangers.”

The star named his award-winning band The Strangers as a salute to that hit in 1965. In that same year, Capitol Records picked up his recording contract. Capitol producer Ken Nelson took a “hands off” approach to Haggard and his musical vision, to the star’s lasting gratitude.

Liz Anderson also wrote Haggard’s first No. 1 hit, the seemingly autobiographical “The Fugitive.” Ironically, at the time, she knew nothing of his prison past.

By then, Merle Haggard was also making hits with his own songs. “Swinging Doors” (1966), “The Bottle Let Me Down” (1966), “I Threw Away the Rose” (1967), “Branded Man” (1967), the death-row ballad “Sing Me Back Home” (1967), “The Legend of Bonnie and Clyde” (1968), the Grammy Hall of Fame winner “Mama Tried” (1968), “I Take a Lot of Pride in What I Am” (1968), “Hungry Eyes” (1969) and the iconic “Workin’ Man Blues” (1969) were all top-10 hits written by Haggard in the 1960s.

The California based Academy of Country Music (ACM) saluted him with nine awards in 1965-69. The ACM honored him four more times in the 1970s.

Merle Haggard. Photo: Myriam Santos

Merle Haggard. Photo: Myriam Santos

Along with Buck Owens, Red Simpson and Wynn Stewart, Merle Haggard is regarded as a cornerstone figure of The Bakersfield Sound. Characterized by bright-sounding Telecaster electric guitar leads, aggressive production touches and a more edgy approach than contemporary Nashville Sound records, this style marked California country’s heyday. Another exponent was Bonnie Owens, the former wife of Buck who became Haggard’s duet partner, backup singer, co-writer and second wife.

In 1970, Merle Haggard’s “Okie From Muskogee” was named Single of the Year by the CMA. The controversial, hippie-bashing song was the voice of the people President Nixon called “The Silent Majority.” Haggard followed it with the even more redneck “The Fightin’ Side of Me.”

Still, many from the counterculture began to bring his works to the attention of left-leaning young people. The Grateful Dead, Joan Baez, The Byrds, The Everly Brothers, The Flying Burrito Brothers and others recorded his songs.      

Haggard, himself, added to his political ambiguity. He wanted to put out his interracial love song “Irma Jackson” as a single, but this was vetoed by Capitol. He was asked to endorse reactionary presidential candidate George Wallace, but refused. He returned to San Quentin to perform for the inmates in 1971.

By this time, Merle Haggard was one of the most famous country singers on earth. He was honored with a star in the Hollywood Walk of Fame in 1969. The CMA named him its Male Vocalist and Entertainer of the Year for 1970. California Governor Ronald Reagan granted him a full pardon in 1972. Haggard entertained President Nixon at the White House the following year. The country icon appeared on the cover of Time magazine in 1974.

Between 1973 and 1976, he scored nine consecutive No. 1 hits. His Let Me Tell You About a Song was the CMA Album of the Year for 1972.

He was featured in films such as 1968’s Killers Three, 1967’s Hillbillys in a Haunted House and 1969’s From Nashville With Music. He also had acting roles in the TV movies Huckleberry Finn (1975) and Centennial (1979), as well as several TV series.

On disc, his early 1970s hit streak included a revival of Ernest Tubb’s “Soldier’s Last Letter” (1971), plus “Someday We’ll Look Back” (1971), “Daddy Frank” (1971), “Carolyn” (1972), Hank Cochran’s “It’s Not Love (But It’s Not Bad)” (1972), “I Wonder If They Ever Think of Me” (1973), the hard-luck recession anthem “If We Make It Through December” (1973), “Old Man From the Mountain” (1974), Dolly Parton’s “Kentucky Gambler” (1974), “Always Wanting You” (1975), the TV show theme song “Movin’ On” (1975), “The Roots of My Raising” (1976) and a remake of the Cindy Walker/Bob Wills western-swing favorite “Cherokee Maiden” (1976).

His commitment to constant touring was renowned. Although he seldom spoke on stage, his musicianship made him a master showman. In addition, he did humorous imitations of such fellow country stars as Marty Robbins, Hank Snow, Buck Owens and Johnny Cash during his concerts. There were no set lists. Neither his band nor the audience knew which song would be next.

Haggard’s vocal performances seemed to take on new depth and expressiveness after he began recording for MCA in 1976. During the next four years, Haggard released such timeless singles as “If We’re Not Back in Love By Monday” (1977), “Ramblin’ Fever” (1977), “I’m Always on a Mountain When I Fall” (1978), “My Own Kind of Hat” (1979), “The Way I Am” (1980), “I Think I’ll Just Stay Here and Drink” (1980) and “Rainbow Stew” (1981).

This era of his career found him continuing to champion the problems of blue-collar Americans and the common man. Journalists referred to him as a working-class hero. He also often addressed alcoholism, depression and middle age. He was inducted into the Nashville Songwriters Hall of Fame in 1977.

His duet partners during this period included Clint Eastwood. The team had a No. 1 hit in 1980 with “Bar Room Buddies.” This appeared on the soundtrack of Eastwood’s movie Bronco Billy, as did Haggard’s No. 1 solo hit “Misery and Gin.” Haggard also recorded duets with singer-songwriter Leona Williams, his third wife.

He signed with Epic Records in 1980, and his decade-long tenure at the label witnessed yet another creative flowering. He recorded hit duets with George Jones (1982’s “Yesterday’s Wine”) and Willie Nelson (1983’s “Pancho and Lefty,” which earned them a CMA Award). Haggard won a 1984 Grammy for his version of the Lefty Frizzell/Whitey Shafer standard “That’s the Way Love Goes.”

His solo Epic hits also included such blockbusters as “My Favorite Memory” (1981), “Big City” (1982), “Are the Good Times Really Over” (1982), “Going Where the Lonely Go” (1982), “Someday When Things Are Good” (1984), “A Place to Fall Apart” (1984), “Natural High” (1985), “Kern River” (1985), “I Had a Beautiful Time” (1986), “Twinkle, Twinkle Lucky Star” (1987) and “A Better Love Next Time” (1989).

He published his first autobiography, Sing Me Back Home, in 1981. A second one appeared in 1999, My House of Memories.

Merle Haggard underwent financial, alcohol and drug difficulties during the 1990s. But he was inducted into the Country Music Hall of Fame in 1994. He won a Living Legend honor at the Music City News Awards in 1990 and an Award of Merit at the 1991 American Music Awards.

Two tribute albums to his music were released in 1994. Tulare Dust featured performances of his songs by Dwight Yoakam, Rosie Flores, Lucinda Williams and Billy Joe Shaver, among others. Mama’s Hungry Eyes co-starred Emmylou Harris, Vince Gill, Brooks & Dunn, Alabama, Alan Jackson, Randy Travis, Pam Tillis and more. In 1997, TNN aired a tribute-concert TV special titled Workin’ Man, which included Tim McGraw, Trace Adkins, John Anderson, Mark Chesnutt and others.

The emergence of the Americana music genre provided Merle Haggard with a career renaissance. Later-career albums earned him strongly positive reviews. These included 2000’s If I Could Only Fly, 2001’s Roots, 2002’s The Peer Sessions, 2003’s Like Never Before, 2004’s Unforgettable, 2005’s Chicago Wind, 2007’s The Bluegrass Sessions, 2007’s Working Man’s Journey, 2010’s I Am What I Am and 2011’s Working in Tennessee. He recorded for Curb, Epitaph, EMI, Audium, Vanguard and other imprints.

Photo: merlehaggard.com

Photo: merlehaggard.com

He was part of the all-star ensemble on the Grammy-winning “Same Old Train” record of 1998. He sang duets with Jewel (1999) and Gretchen Wilson (2005). He toured with Bob Dylan in 2005. He played Bonnaroo in 2009.

In 2007, he and Willie Nelson recorded with Ray Price on the critically applauded CD Last of a Breed. His 2015 duet reunion album with Nelson was the equally acclaimed Django and Jimmie.

Meanwhile, the Dixie Chicks, Eric Church, Brooks & Dunn, Colin Raye, Shooter Jennings and Lynyrd Skynyrd all saluted him in the lyrics of their songs. In 2006, Haggard was honored as a BMI Icon. He has, to date, 48 BMI Awards that add up to over 25 million performances.

Also in 2006, he received the Grammy Lifetime Achievement Award. The ACM gave him its Poet’s Award in 2008. Befitting his status as a legend, Merle Haggard was presented with a Kennedy Center Honor in 2010. California State University in Bakersfield gave him an honorary degree in 2013, a doctorate in fine arts.

Always a rugged individualist who resisted political labels, Haggard remained an outspoken American patriot. He opposed the war in Iraq in 2003 and defended the Dixie Chicks’ free-speech rights. He endorsed Hillary Clinton’s presidential aspirations in 2007, then wrote a song expressing hope for Barak Obama’s inauguration. In recent years, he became interested in conservation and environmental issues. He did yoga, smoked pot, dabbled in herbal medicine and believed in UFO’s and extraterrestrial life.

He had been having health issues since the 1990s. Haggard underwent an angioplasty in 1995 for clogged arteries and received two heart stents in 1997. He suffered herniated discs in his lower back in 2002. In 2008, he had lung-cancer surgery. He was hospitalized with pneumonia in 2012, 2015 and 2016.

Merle Haggard married five times. He was wed to first wife Leona Hobbs from 1956 to 1964, and they had four children — Dana, Marty, Kelli and Noel. Marty and Noel became country singers. Singer-songwriter Bonnie Campbell Owens was Haggard’s wife between 1965 and 1978. She remained in his band after they divorced. Bonne Owens and Leona Hobbs both died in 2006.

His union with singer-songwriter Leona Williams lasted from 1978 to 1983. He married Debbie Parret in 1985 and divorced her in 1991. He has been married to Theresa Ann Lane since 1993. They have two children, Janessa and Ben.

The funeral service for Merle Haggard was held at his home in Palo Cedro, California, on Saturday, April 9. Marty Stuart officiated and sang, along with his wife, Connie Smith.

 

DISClaimer: Alan Jackson’s Ballad, Carrie Underwood’s Anthem, Restless Heart’s Homage

Alan Jackson

Alan Jackson

Let’s be like an awards show today and give out accolades in multiple categories. In a challenging field that includes such stars as Luke Bryan, Randy Houser, Blake Shelton, Jake Owen and Charles Kelley, veteran Alan Jackson wins the Male Vocalist Disc of the Day honor.

With no competition at all, Carrie Underwood easily takes home the Female Vocalist Disc of the Day. Also with no competition in sight, Restless Heart wins the Group Disc of the Day prize.

The DisCovery Award goes to the lone newcomer in today’s stack of platters, Travis Rice.

ALAN JACKSON/The One You’re Waiting On
Writers: Adam Wright/Shannon Wright; Producer: Keith Stegall; Publishers: Tiltawhirl/Casa de Casa/Razor and Tie, BMI; ACR/EMI
-It’s a quiet country ballad about a gal waiting all night for her fellow to show up. Alan’s vocal is a burning ember of want and need. The steel guitar and mandolin passages are breathtaking. In a word, gorgeous.

CHARLES KELLEY/Lonely Girl
Writers: Chris Stapleton/Jesse Frasure; Producer: Paul Worley; Publishers: WB/House of Sea Gayle/ClearBox Rights/Rio Bravo, ASCAP/BMI; Capitol (track)
– The deep-thump in the percussion, the riffing guitar and piano passages and Kelley’s high-tenor vocal performance send this into the sonic stratosphere. Sizzling romance in every note.

RANDY HOUSER/Song Number 7
Writers: Austin Wilson/Ben Hayslip/Chris Janson; Producer: Derek George; Publishers: Legends of Magic Mustang/W.B.M./WB/Thankful For This/Red Vinyl/Words and Music, SESAC/ASCAP; Stoney Creek
– As the songs flow through the speakers during an evening, love burns brighter and brighter. Song number seven takes him all the way to heaven. As always, Randy roars as a vocalist. He’s a mighty man.

Carrie_Underwood_Church_Bells_2016

CARRIE UNDERWOOD/Church Bells
Writers: Zach Crowell/Brett James/Hillary Lindsey; Producer: Mark Bright; Publishers: External Combustion/Songs of Southside Independent/Who Wants to Buy My Publishing/Atlas/WB/Songs of Brett/Hillarody Rathbone/BMG Rights, ASCAP; Arista/19 (track)
– The album is called Storyteller, and this track has a heck of a plot. The beautiful, wild-child, poor gal snags a rich man. But he turns out to be a drunk wife beater. Until she poisons him to death. All of this is set to a stomping rhythm track and a soaring, hooky melody. A smash.

MICHAEL RAY/Think A Little Less
Writers: Jon Nite/Thomas Rhett/Barry Dean/Jimmy Robbins; Producer: Scott Hendricks; Publishers: EMI April/Jon Mark Nite/EMI Blackwood/Cricket on the Line/Songs of Universal/Creative Nation/Country Paper/Pulse Nation/Extraordinary Alien, ASCAP/BMI; Atlantic
-He implores her to kiss more and think less, so he can get her out of the bar and out of her clothes. Well-written, produced with clarity and sung with finesse.

JAKE OWEN/American Country Love Song
Writers: Ross Copperman/Ashley Gorley/Jaren Johnston; Producers: Shane McAnally/Ross Copperman; Publishers: none listed, BMI/ASCAP; RCA (CDX)
-The quasi-spoken verses open up into rapidly sung choruses. The track has an echoey resonance that suits the upbeat lyric nicely. Still, there was something “in one ear and out the other” about the whole thing.

Travis Rice

Travis Rice

TRAVIS RICE/Women, Water & Beer
Writer: Travis Rice; Producer: Noah Henderson; Publishers: none listed; TR
-This rural Tennessee country performer is an industrial-strength hunk. As a vocalist, he is a fairly generic honky-tonk baritone. As a songwriter, he shows promise.

BLAKE SHELTON/Came Here To Forget
Writers: Craig Wiseman/Deric Ruttan; Producer: Scott Hendricks; Publishers: Round Hill/Big Loud Proud/Red Toe Rocker/WB/Doc and Maggie/Thankful For This, ASCAP; Warner Bros.
– It is a measure of how big a star Blake has become that this practically tuneless song is the fastest-rising single on country radio.

LUKE BRYAN/Huntin’, Fishin’, And Lovin’ Every Day
Writers: Luke Bryan/Dallas Davidson/Rhett Akins/Ben Hayslip; Producers: Jeff Stevens/Jody Stevens; Publishers: Sony-ATV/Peanut Mill/EMI Blackwood/Two Chord Georgia/Brooks County Boy/WB/Tar Cam Knox/Thankful For This, BMI/ASCAP; Capitol (CDX)
– They say, “Write what you know.” These outdoorsy guys certainly do that here. And it is impossible not to feel the simple joy that Luke brings to his performance. Cheerful, smiley and catchy as all get out.

Restless Heart

Restless Heart

RESTLESS HEART/Wichita Lineman
Writers: Jimmy Webb; Producers: Dave Innis/Harry Smith; Publishers: none listed; Breezewood (MP3)
– Beautifully done. This homage to Glen Campbell is pristinely produced and arranged, with the orchestrations retaining all the warmth and heart-tugging yearning of the original, yet polishing the song with a new, burnished glow. Vocally, the boys get it totally right. It’s tough to measure up to a masterpiece, and they do. Awesome job.

 

Phil Barton Wins Inaugural Overseas Recognition

Phil Barton

Phil Barton

Liz Rose Music/Warner-Chappell writer and Australian native Phil Barton won the inaugural ‘Overseas Recognition Award’ at last night’s 2016 APRA Awards, hosted by the Australian Performing Rights Association.

Barton also won the Blues and Roots Work of the Year award for the song “Days of Gold,” which was co-written with Lindsay Rimes and Thomas Busby, and performed by Australian act Busby Marou. The song has just been licensed as the theme song for the 2018 Australian Commonwealth Games.

Tin Pan South 2016: Night 1

Regions City President Jim Schmitz (l.) with Kelsea Ballerini (r.) prior to her sold-out round at The Listening Room Cafe late show.

Regions City President Jim Schmitz with Kelsea Ballerini prior to her sold-out round at The Listening Room Cafe late show.

Opening night of the 24th Annual Tin Pan South Songwriters Festival Presented by Regions Bank welcomed artists and music fans for several packed performances across Nashville.

Fans began lining up at 3:30 p.m. to see Kelsea Ballerini join her co-writers Josh Kerr, Scott Stepakoff and Forest Glen Whitehead at The Listening Room Café for a 9 p.m. round. Natalie Hemby also joined Kelsea on stage for a duet. Patrons packed a new Tin Pan South venue, The Country, to see Jessi Alexander, Maddie & Tae, Jonathan Singleton and Josh Thompson. The club was equally packed for the late show with Doobie Brothers’ Tom Johnston, John Cowan, Lara Johnston and Paul Overstreet, who added an even more humorous verse to his Blake Shelton hit “Some Beach.”

“Eye of the Tiger” Jim Peterik offered stories and song during the Whiskey Rhythm late show with Collin Raye, Keith Burns and Joie Scott. Jeffrey Steele and friends rocked Hard Rock, and The Bluebird Café was wall-to-wall packed for both the CMA Songwriters Series early show and the “Songs and Shenanigans” late show.

In two “you never know who might show up” moments, Megadeth frontman Dave Mustaine was spotted in the crowd at the Commodore Grille “Notcha Mamma’s Country” show. Fresh off his ACM Awards Show performance, Chris Young took in the shows at new Tin Pan South venue Whiskey Rhythm. Young’s “Think Of You” duet partner Cassadee Pope also made a guest appearance at D0uglas Corner Cafe to sing “Wastin’ All These Tears.”

Country Music Hall of Famer Bobby Bare at the Bluebird Cafe CMA Songwriters Series early show.

Country Music Hall of Famer Bobby Bare at the Bluebird Cafe CMA Songwriters Series early show.

Maddie & Tae's Tae Dye (l.) and Maddie Marlow (r.) at The Country early show.

Maddie & Tae’s Tae Dye and Maddie Marlow at The Country early show.

Hit producer and songwriter Buddy Cannon at The Bluebird Cafe CMA Songwriters Series early show.

Hit producer and songwriter Buddy Cannon at The Bluebird Cafe CMA Songwriters Series early show.

Pictured (L-R): James Slater, Paul Overstreet, NSAI's Bart Herbison, Regions Bank's Brian O'Meara, Tom Johnston, Lara Johnston, John Cowan and Regions Bank's Lisa Harless at The Country late show.

Pictured (L-R): James Slater, Paul Overstreet, NSAI’s Bart Herbison, Regions Bank’s Brian O’Meara, Tom Johnston, Lara Johnston, John Cowan and Regions Bank’s Lisa Harless at The Country late show.

Merle Haggard’s Passing Draws Condolences From Country Music Community

Merle Haggard. Photo: Myriam Santos

Merle Haggard. Photo: Myriam Santos

The passing of Merle Haggard on Wed., April 6, drew kind words and memories across social media. Here are some examples.

“Merle Haggard’s contribution to American popular music is inestimable, and his death seems somehow unfathomable. He carried the sounds and spirit of his heroes Jimmie Rodgers, Bob Wills, Lefty Frizzell, Hank Williams, and Woody Guthrie into the present day, and he wrote the songs that told, and will continue to tell, our stories. He sought to make, in his words, ‘music that contributes to the well-being of the spirit… music that cradles people’s lives and makes things a little easier.’ That music remains with us, to soften the enormous blow of this hard and sad time.” – Kyle Young, CEO, Country Music Hall of Fame and Museum

“The Nashville Songwriters Hall of Fame lost one of its most illustrious members today when Merle Haggard lost his battle with pneumonia. One of the finest country songwriters of all time, Merle was also one of our greatest singers and an incredible musician, bandleader and entertainer. His list of hits is staggering, including winning 6 CMA Triple Play awards, and he cast a long shadow on the history of classic and modern country music. Our thoughts and prayers go out to his family and fans. We may never see the likes of him again—a legend that quietly lived up to our expectations – always ready to hit the road, kick his band into high gear and sing with the authority of a man who had lived his life fully.” – Pat Alger, The Nashville Songwriters Hall of Fame Foundation (Board Chair)

“Two-time Grammy Award winner and 2006 Recording Academy Lifetime Achievement Award recipient Merle Haggard was an uncommon hero in country music. An exceptional multitalented singer/songwriter, guitarist, and fiddler, Merle’s massive success was rooted in his masterful ability to celebrate the outlaws and the underdogs. Merle’s extraordinary talent resulted in more than 30 No. 1 country hits and his remarkable performances will forever live on and inspire music creators worldwide. We have lost an innovative member of the music community and our sincerest condolences go out to Merle’s family, friends, collaborators and all who have been impacted by his incredible work. He will truly be missed.” Neil Portnow, President/CEO, The Recording Academy