Kenny Chesney Adds Tour Dates, Sends “Noise” To Country Radio

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Kenny Chesney

Kenny Chesney describes his new single, “Noise,” as “one of the most authentic songs I’ve been a part of.” The tune, penned with Shane McAnally, Ross Copperman, and Jon Nite, is sprinkled with vignettes of the various types of “noise” that surround people daily, including cell phones, construction, and 24-hour television filled with “talking heads.”

“There’s a line in the song that says, ‘We didn’t turn it on, but we can’t turn it off,’ and that’s really true about this tidal wave of sound that is forced on us every day,” Chesney said during a live video interview on Facebook. “Sometimes, a lot of times, it gets overwhelming. We didn’t necessarily ask for all of it at once, but we are getting all of it at once.”

“Noise” was a late addition to an album Chesney and his team had thought was already completed.

“I was on my way to a marketing meeting and we actually had another single picked,” he said. “I was on my way to the meeting talking about the setup for that single. I was at the house and heard all these political candidates that are running for president acting so un-presidential. It was just loud. Now they are throwing everybody’s wives in the middle of this stuff. So that’s where it started.

“All these random people in our lives just really want to be heard,” he continued. “So what do they do? They start talking over each other, and they keep turning it up. Next thing you know, they are all screaming. It seems to get so loud that no one can hear anything and it just becomes white noise.”

Chesney began texting about the song concept with producer/songwriter McAnally, and later finished the song with Copperman and Nite. “Noise” was recorded two days later, and is the first single from his upcoming album, set for release this summer.

“The thing that got me most about ‘Noise’ is it’s such a socially relevant idea,” Chesney said. “We’re so trapped in our phones, and this addiction to information, and we’re also addicted to communicating. Once you get our of your phone, there is a whole world out there.”

See Chesney’s interview below:

CHESNEY / NOISE / LIVE#NOISE is out to radio now and everywhere tonight. Love y’all

Posted by Kenny Chesney on Thursday, March 24, 2016

 
The entertainer also revealed several amphitheater and festival dates that will accompany the 11 stadium dates he announced earlier this year.

“This is going to be a very high-energy, music-driven show,” Chesney said during the Facebook interview, “that only allows me to connect more with the audience. That is what I feel is my strong suit as an entertainer.”

A complete list of 2016 Spread the Love Tour dates is below:

April 23 — Auburn, Ala.; Jordan Hare Stadium
May 5 — Alberquerque, N.M.; Isleta Amphitheatre
May 7 — Phoenix, Ariz.; Chase Field
May 13-14 — Uncasville, Conn.; Mohegan Sun Casino
May 19 — Columbia, Md.; Merriweather Post Pavilion
May 20 — Charlotte, N.C.; PNC Music Pavilion
May 21 — Raleigh, N.C.; Wanut Creek Amphitheatre
May 26 — Cuyahoga Falls, Ohio; Blossom Music Center
May 28 — Louisville, Ky.; Papa John’s Cardinal Stadium
June 2 — Rogers, Ark.; Walmart AMP
June 4 — Arlington, Texas; AT&T Stadium
June 9 — Toronto, Ontario, Canada; Molson Canadian Amphitheatre
June 10 — Canandaigua, N.Y.; CMAC
June 11 — Hunter, N.Y.; Taste of Country Music Festival
June 17 — Cadott, Wis.; Country Fest
June 18 — Milwaukee, Wis.; Miller Park
June 23 — Virginia Beach, Va.; Veterans United Home Loans Amphitheater
June 25 — Philadelphia, Pa.; Lincoln Financial Field
July 2 — Pittsburgh, Pa.; Heinz Field
July 10 — Cavendish, Prince Edward Island, Canada; Cavendish Beach Music Festival
July 14 — St. Louis, Mo.; Hollywood Casino Amphitheatre
July 16 — Kansas City, Mo.; Arrowhead Stadium
July 23 — Seattle, Wash.; Century Link Field
July 27 — Cheyenne, Wyo.; Frontier Days
July 30 — Mountain Home, Idaho; Mountain Home Country Music Festival
July 31 — Sixes, Ore.; Cape Blanco Country Music Festival
Aug. 6 — Santa Clara, Calif.; Levi’s Stadium
Aug. 13 — Detroit, Mich.; Ford Field
Aug. 18 — Bristow, Va.; Jiffy Lube Live
Aug. 20 — East Rutherford, N.J.; MetLife Stadium
Aug. 26 — Foxborough, Mass.; Gillette Stadium
Aug. 27 — Foxborough, Mass.; Gillette Stadium

THiS Music Renews Publishing Deal With Songwriter Deric Ruttan

Deric Ruttan

Deric Ruttan

Songwriter Deric Ruttan has renewed his publishing agreement with THiS Music, as part of a joint venture with Warner/Chappell Music Nashville.

Ruttan is currently on the country charts with Blake Shelton’s “Came Here To Forget,” which Ruttan co-wrote with Craig Wiseman. He also penned David Nail’s current single, “Night’s On Fire,” with Jonathan Singleton.

Ruttan earned a Grammy nomination, in 2014, for his Blake Shelton No. 1 “Mine Would Be You,” and is a multiple ASCAP, CCMA, and SOCAN winner. Other cuts include “What Was I Thinkin'” and “A Lot Of Leavin’ Left To Do” (both recorded by Dierks Bentley), and “Guys Like Me” and “Hell On The Heart” (both recorded by Eric Church).

Country Music Hall Of Fame Induction Announcement Will Be Streamed

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The announcement of the three next Country Music Hall of Fame inductees will be streamed live on Tues., March 29.

The program will begin at 10 a.m. and will be hosted by Brenda Lee.

In 2016, the three induction categories are Modern Era, Veterans Era, and Non-Performer.

An artist becomes eligible for induction in the Modern Era category 20 years after they first achieve national prominence. An artist becomes eligible for induction in the Veterans Era category 40 years after they first achieve national prominence.

A Non-Performer honoree is awarded every three years, as part of a rotation with the Songwriter category and the Recording and/or Touring Musician category.

 

The Veterans Era and Modern Era categories have separate nominating committees, each made up of 12 industry leaders who serve three-year terms. The Modern Era nominating committee also oversees the rotating categories.

Final nominations are then submitted to two separate panels of electors, made up of historians and industry professionals that have a historical perspective on country music. One panel votes for both the Modern Era and the Rotating Categories, while a second panel votes for the Veterans Era category. Both panels are updated annually by the CMA Awards and Recognition Committee. Individuals can serve on both panels. All panelists remain anonymous and are appointed by the CMA Board of Directors.

Queen Extravaganza’s Marc Martel Signs To Music City Management

Marc Martel

Marc Martel

Marc Martel, the voice of the Queen Extravaganza, the Official Queen Tribute Band produced by Queen drummer Roger Taylor, has signed with Music City Management. The announcement was made by Josh Peterson, who founded the management company in 2012.

A Nashville resident, Martel will release a new album, The Covers LP, Vol. 1, on June 17. He will perform songs from the project on Mon., March 28, at The High Watt at 8 p.m. The project will feature fan-requested songs, such as Queen’s “Don’t Stop Me Now” and Dolly Parton’s “I Will Always Love You.”

Josh Peterson

Josh Peterson

“Marc is a top-tier entertainer, and one of the best vocalists in the world,” says Petersen. “When you get to experience him singing live, even once, you know there is something unique and special about his talents. I could not be more thrilled to work alongside Martel to share his music with people everywhere.”

In addition to Martel, the company’s roster includes Grammy–winning multi-instrumentalist Ron Block of Alison Krauss & Union Station.

Martel is the former lead singer of Christian pop band Downhere, which disbanded four years ago. In 2011, Martel’s cover of Queen’s “Somebody to Love” was submitted to the Queen Extravaganza competition by Martel’s wife, and then became a multi-million sensation when posted on YouTube. To this day the video has over 12 million views.

ACM Party For A Cause Festival’s Activations, Brand Partnerships Announced

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The Academy of Country Music has announced the partners, activities and special events taking place during the 4th ACM Party for a Cause Festival, a three-day music festival from Fri., April 1 to Sun., April 3 at the Las Vegas Festival Grounds. The festival will feature two stages for ongoing country music performances, interactive games, and a country marketplace.

The outdoor festival will feature more than 30 country artists performing on the Ram Trucks Main Stage and Cabela’s Stage. Attractions such as the inaugural Cause Way, Cabela’s & ACM Tic-Tac-Toe Archery Event, Cracker Barrel Content Creators Studio, MillerCoors Beer Garden, Ram Trucks Country Music Experience, and more will be popping up throughout the festival.

The ACM Party for a Cause Festival will feature RFID Wristbands for festival entry and exit. After the passes are purchased, guests will be shipped their RFID Wristbands, which can be activated online before arrival to the festival. The RFID Wristbands will also feature ACM Cashless, a program which uses RFID technology to allow attendees to link their credit card to their wristband, set a PIN for security, and then use it to purchase beverages, food and select merchandise at the event. ACM Cashless is the recommended payment method, but credit card and cash will also be accepted by vendors at the festival.

Additional details on the events, activations and partners for the 4th ACM Party for a Cause Festival can be found below and in the ACM App. The official app, available for download at the App Store and Google Play, offers fans the latest on performers, concert schedules, artist meet and greets, food, drinks and shopping at the ACM Party for a Cause Festival. New to the app this year, users can turn on bluetooth to receive location-targeted messages as well as an interactive map designed to give fans the most out of their experience at the Festival.

BIG GREEN EGG
Big Green Egg is proud to join The Academy of Country Music in their support of ACM Lifting Lives. Stop by the ACM Booth next to the Cause Way to find out more about this important philanthropic effort. And while you’re there, register to win a Big Green Egg MiniMax package that includes everything you will need to get started with The Ultimate Cooking Experience.

CABELA’S & ACM TIC-TAC-TOE ARCHERY TOURNAMENT
Luke Bryan and Justin Moore will return to host the celebrity archery tournament event taking place on Saturday, April 2 from 11 a.m. to noon. Watch country music stars and Cabela’s pro staff archers participate in an archery exhibition featuring Cabela’s state-of-the-art digital archery equipment. Team Luke and Team Justin will compete head-to-head to see whose archery skills will take home the trophy.

CABELA’S BOOTH
Visit the Cabela’s booth for a fun and interactive outdoor experience, including a green-screen photo booth, safe archery, vintage-photo kiosk, a Luke Bryan 32 Bridge display, artist appearances, camping displays, wild-game food samples and more.

THE CAUSE WAY FEATURING ACM LIFTING LIVES BOOTH
Cause Way will feature booths of the charitable beneficiaries of the 4th ACM Party for a Cause Festival. For the first time ever, festival goers will have the opportunity to learn more about each organization’s mission and impact onsite at the festival.

BASE CAMP 40
Base Camp 40 Warriors in the Wild gives back to our nation’s brave Veterans via all expenses paid outdoor adventures throughout the country and British Columbia. Come visit the booth to meet the great volunteers, find out more information on sending a veteran on a trip, view previous hunts and veterans honored, as well as enter for an opportunity to win a customized ACM and BC40 Weatherby Rifle or a signed Kurt Busch and Rusty Wallace NASCAR hood.

BEAUTYKIND
Visit the pop-up shop for demonstrations of the latest beauty tips and tricks, get free gift cards, take pictures in the photo booth, and enter to win beauty products and the grand prize of a Carrie Underwood signed guitar.

THE GIVING KEYS
The Giving Keys, a Los Angeles-based social enterprise, exists to employ those transitioning out of homelessness to make jewelry out of repurposed keys that are sold and shared around the world. Each key is unique and carries a message like HOPE, STRENGTH, DREAM or COURAGE. At their booth, The Giving Keys will sell their classic keys as well as the “POWER” key. A portion of the proceeds of all keys sold during the weekend will be donated to ACM Lifting Lives.

KENDRA SCOTT
A mystery jewelry pull with 100 percent of proceeds benefiting ACM Lifting Lives will be hosted by Kendra Scott on Friday, April 1 at the ACM Cause Way.

PROJECT 615
Visit the booth for T-shirts and apparel hand screen printed by those on a path to recovery from homelessness, addiction, and mental illness.

PURPOSE JEWELRY
Hand-crafted by young women rescued from human trafficking. All proceeds go to International Sanctuary providing holistic care for survivors. Purchase with PURPOSE and join the movement to spread hope.

STRINGS FOR HOPE
Check out the recycled guitar strings turned into one-of-a-kind jewelry. Handmade by formally incarcerated women transitioning into community life again. Proceeds support healthcare, education, and food banks.

CRACKER BARREL – CONTENT CREATOR STUDIO
Make sure to visit CrackerBarrel.com/ACMparty for exclusive videos & photos from the ACM Content Creator Studio powered by Cracker Barrel. See today’s top country acts interacting with favorite social media influencers.

BAREFOOT REFRESHER SPRITZER TENT
Guests will be able to try Barefoot Refresh Spritzers, now in a new convenient can.

MILLERCOORS BEER GARDEN
Sit down, relax and enjoy a cold one at one of the many Party Bar locations, while watching one of their many big screen TVs and listening to great country music.

RED BULL
Red Bull is proud to be the official energy drink of the ACM Party for a Cause Festival. Check out the rest and relaxation activation and make sure to grab a free Red Bull Energy Drink upon exiting the festival each night.

LAS VEGAS CONVENTION & VISITORS AUTHORITY (LVCVA)
The 4th ACM Party for a Cause Festival will be held at the all-new Las Vegas Festival Grounds from April 1- 3. The three-day outdoor music festival will feature country music all-stars such as Carrie Underwood, Dierks Bentley and Kenny Chesney.

MAUI JIM
Party for a Cause with aloha spirit. Visit the Maui Jim Sunglasses Flying Jimmy booth and become a part of the Maui Jim ‘ohana—check out the latest styles and experience Maui Jim’s patented PolarizedPlus2 technology.

RAM TRUCKS
Fans attending the ACM Party for a Cause Festival in Las Vegas can “Ride Country” on a free interactive Ram Ride & Drive Test Track featuring the Ram Rebel, Ram 1500 & Ram 2500 trucks. Professional drivers will guide attendees through a course of various on- and off-road obstacles and capability challenges including a hill climb providing Ram truck riders the best view of the PFAC landscape. Participants of the ride & drive will receive free gifts, be registered for a chance to win $45,000 toward a new Ram Truck, will have an opportunity to win Main Stage VIP truck bed seats to see their favorite artists perform live at the festival and have the opportunity to meet country music artists making appearances at the Ram Ride & Drive throughout the weekend. The Raminator Monster Truck Team will be on hand to entertain attendees with car crushing demos, photo opportunities and autographs. Ram Trucks is the official sponsor of the main stage at PFAC where the hottest names in country music will be performing all weekend.

ROLAND & BOSS BACKSTAGE LOUNGE
The latest from Roland and BOSS, manufacturers of the world’s leading electronic musical instruments, will be onsite and showcased in an exclusive, hands-on “petting zoo” area backstage.

ACM PARTY FOR A CAUSE “SOCIAL MOSAIC”
Fans can join the ACM Party for a Cause Festival conversation by tweeting or posting to Instagram using #ACMparty to see their posts onsite via huge Festival screens.

YETI
YETI is pleased to provide artist hospitality backstage at ACM Party for a Cause Festival. YETI coolers help keep the cold ones frosty from load in to well beyond the after party. See how YETI helps the music play on for longer with coolers, drinkware, and more.

Weekly Chart Report (3/25/16)

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Click here or above to access MusicRow‘s weekly CountryBreakout Report.

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Stevie Erickson Joins Red Vinyl Music, Weds Jesse Frasure

Jesse and Stevie Frasure

Jesse and Stevie Frasure

Stevie Frasure (formerly Stevie Erickson) has joined Red Vinyl Music as Sr. Creative Director.

Frasure formerly served for three years as Sr. Creative Director at Patrick Joseph Music. Prior stops have included EMI Music Publishing and ole.

“I am excited to welcome Stevie into the Red Vinyl Music family,” says VP, Creative, Eric Gallimore. “I have every confidence that her enthusiasm and passion for music, coupled with years of experience and extensive relationships, will continue to move Red Vinyl to a new level of success.”

Additionally, she wed songwriter/publisher/producer/DJ Jesse Frasure (VP of Major Bob Music) on March 12 in Punta Cana in the Dominican Republic.

She can be reached at (615) 377-0495 and [email protected].

Four Bands Move To City Finals On The Road To Roo

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The Road to Roo, presented by BMI and hosted by Lightning 100, has announced the four bands that have made it through the city semifinals and are moving on to the city finals.

Kid Freud, OJR, Jess Nolan and Roots of a Rebellion will compete Thursday, March 31, at 8 p.m. at 3rd & Lindsley. Fans are encouraged to arrive early and get a ballot to vote on the four finalists. The state finals will take place on April 4 at Mercy Lounge.

Kid Freud BMI

Kid Freud. Photo: Anna Webber

Roots Rebellion BMI

Roots Of A Rebellion. Photo: Jake Giles Netter

Jess Nolan BMI

Jess Nolan. Photo: Jake Giles Netter

OJR BMI

OJR. Photo: Jake Giles Netter

Exclusive: Sea Gayle Music’s CJ Solar Steps Out With Debut Single

CJ Solar

CJ Solar

CJ Solar landed his dream job right out of college. While completing his degree in songwriting from Belmont in 2014, he was offered a songwriting deal with Sea Gayle Music, where he happened to be interning at the time.

Since then, he’s had several holds from major artists and Jerrod Niemann released “Blue Bandana” (which Solar wrote with Ben Goldsmith and Andrew Scott Wills) as a single in 2015.

Solar has also wrapped up sessions for an EP arriving in April through Sea Gayle. The first single, “Tall Boy,” debuted on Spotify in March.

In the meantime, Solar is playing a hometown show on Friday night (March 25) in Baton Rouge, La., opening for The Cadillac Three, a band that treads similar country-rock territory. His upcoming shows in Nashville include a Tin Pan South appearance on April 7 at The Listening Room and an EP release party on April 21 at The Basement East.

Dropping by MusicRow offices, the good-natured 23-year-old chatted about his lucky break, the terrible band he had with his brothers, and the college assignment he didn’t want to do.

MusicRow: Tell me about the vibe in the studio while you were recording the new music.

Solar: I’ve always played electric guitar in my bands, and whenever I’m on tour, usually I’m the main guitar player, especially lately because I’m doing three-piece. But I wasn’t sure if I should play, but Brent Anderson, who co-produced it with me, said, “You’ve definitely got to play.” It was really cool to play a lot of the electric parts, and I played all the solos, and a bulk of the rhythm stuff. It was really cool to get to do that on my first EP.

Don’t take that for granted. It doesn’t always happen that way.

Yeah, fortunately Sea Gayle was cool with it, and I think it gave it a different sound. We cut the five songs from 10 to 5-ish, and I played the solos when everybody left. That was about it. We did it all in one day, and did the vocals about a month later, over the course of two days. Everything happened organically with it, and it came out pretty fast.

You sound relaxed on the record.

Yeah, it was a no-pressure kind of thing, which made it a lot easier on me playing. It was definitely a lot of fun and I am really proud of how it came out. I’m really glad that I did play on it because it sounds a little different. I mean, there are so many great players in town, and so many guys that I do love on electric, but I think it makes it sound more like me, having me on it.

 

At what point did you become interested in playing guitar?

I was about 8 and I found my dad had a guitar in his closet. He had it kind of hanging around and I started playing on it. Pretty soon after that, I started taking some lessons. My little brothers were like, “Oh, we want to play music too.” So, both of them started playing drums and one started playing bass. We made a little band and started practicing together, and we’d learn songs and take turns singing. We were obviously pretty terrible but it was a lot of fun.

Our practice was learning songs and we played mostly Southern rock, Creedence, stuff like that. As I got into high school, we started playing more country music. My brothers still don’t like country music. They don’t play music at all anymore, and I decided to come here and try to make country music for a living.

You came here to go to Belmont, right?

Yeah, I started at Belmont in 2010 and graduated in 2014. I signed with Sea Gayle around the same time, after interning there, which was really…I don’t want to say “lucky,” but… (laughs)

How did you get discovered by Sea Gayle?

What’s crazy is that Freeman Wizer, who is a plugger over there, is my neighbor. I literally had never talked to him about music stuff at all, and said, “Hey, I need another internship. Do you know somewhere I can intern?” He said, “I used to be at Universal and I could get you in over there, or you could come to Sea Gayle.” And I was like, “I would LOVE to be at Sea Gayle.” I had read Brad Paisley’s book [Diary of a Player] a couple years ago, so I knew a little bit about Sea Gayle. I was really excited to get in and learn over there.

Shortly after getting in over there, Mike Owens, who also song-plugs, said, “Well, if you’ve got any music, we’ll listen to it.” I was like, that’s cool. This doesn’t happen at my other internships. (laughs) I just had a recording session right before I started interning so I had five songs, and two others, so I brought seven demoed songs. About a week after showing them to Mike, he was like, “So, we kind of want to sign you.” I was like, “Oh gosh, this is crazy!”

I had to finish interning and graduate. I guess I signed before I graduated but I didn’t start writing full-time until May, and that was almost two years ago. It’s just been really great getting to write. I still feel like I have a similar sound to what I’ve always wanted to have, but the songs aren’t bad anymore. (laughs) Or at least I’m proud of these songs, so it’s really cool to be able to write songs for two years.

 

 

I think some people in Nashville might be skeptical of getting a college degree in songwriting. How did that pay out for you?

Well, I would say it paid out pretty good because it helped me get the internship, and I definitely feel like I learned. Obviously there are a lot of people that didn’t go to college at all, especially for songwriting, and still write songs professionally, but I definitely enjoyed it and made a lot of good connections and had a lot of great teachers, like Drew Ramsey and James Elliott.

At that time, [some of the teachers] were like, “Learn how to make tracks because everybody wants to sign a track guy.” I was like (quietly), “I’m not gonna do that.” Actually, I tried and I was just not good at making beats. That’s not my thing. My music doesn’t really want beats on it. (laughs) One of the other things at Belmont that they were talking about is that you want to have a professional, pitchable product. And with my tracks not being any good, I was like, “OK, I’m going to have to save up and have a session.” (laughs)

How did the landscape in Baton Rouge affect the way you play music?

Especially in Baton Rouge, when I was playing out, in high school, country music wasn’t what people wanted to hear. It was really weird. I knew people liked country music, but I was not getting requests for country music normally, which was odd. It’s a lot more now than it was, and I think the whole country is that way. It’s a whole lot more of a “country music country” now, but Baton Rouge wasn’t super big on it. I would sprinkle the songs in there, but I think it made me play a little more classic rock. I definitely love that stuff and it definitely influenced my sound a whole lot. I think Baton Rouge had a lot to do with that.

What do you think people will hear in your music when they see you on tour now?

I hope people will listen to the songs a little bit and can relate to them, and like them, and rock out a little bit. I mean, my show is an electric three-piece, so we’re rocking out pretty hard, just to fill out the sound. My guitar is cranked. I just hope people come and have fun and party a little bit.

Eric Paslay Joins Toby Keith Tour

Eric Paslay. Photo: Joseph Llanes

Eric Paslay. Photo: Joseph Llanes

Academy of Country Music (ACM) nominee and EMI Records Nashville artist Eric Paslay has been tapped as a special guest for 14 dates of the Toby Keith Interstates & Tailgates Tour Presented by Ford F-Series Tour.

Paslay’s performances will start on July 8 in Virginia Beach, Virginia at the Veterans United Home Loans Amphitheater and continue through September.

“[I am] really excited for the opportunity to be on the road with Toby this year,” said Paslay. “He sure knows how to put on a show. I can’t wait to take it all in and learn from one of the best.”

Next week, Paslay heads to Las Vegas where his “She Don’t Love You” is nominated as ACM Song of The Year. Later this year, he will release his highly-anticipated sophomore project which includes lead single “High Class” co-written with Jesse Frasure and Corey Crowder.

Eric Paslay Dates on The Toby Keith Interstates & Tailgates Tour Presented by Ford F-Series Tour
July 8: Virginia Beach, VA Veterans United Home Loans Amphitheater
July 9: Bristow, VA Jiffy Lube Live
July 10: Raleigh, NC Walnut Creek Amphitheatre
July 14: Toronto, ON Moison Canadian Amphitheatre
July 15: Darien Lakes, NY Darien Lake Performing Arts Center
July 16: Hartford, CT XFINITY Theatre
Aug 12: Chicago, IL Hollywood Casino Amphitheatre
Aug 13: Pittsburgh, PA First Niagara Pavilion
Aug 14: Sarasota Springs, NY Saratoga Performing Arts Center
Sep 8: Cincinnati, OH Riverbend Music Center
Sep 9: Indianapolis, IN Klipsch Music Center
Sep 10: St Louis, MO Hollywood Casino Amphitheatre
Sep 23: Tampa, FL MIDFLORIDA Credit Union Amphitheatre
Sep 24: W Palm Beach, FL Perfect Vodka Amphitheater