Elyse McKenna Joins Ticketing Platform Applauze

Elyse McKenna

Elyse McKenna

Elyse McKenna is taking on a new role leading business development initiatives for Applauze, a direct-to-fan ticketing platform serving the artist and event communities. She will focus on partnership opportunities, brand expansion, and marketing strategies for Applauze clients and partners. McKenna’s 12 years of experience in ticketing includes time as an agent, as well as business development catalyst at both Crowdsurge and Songkick. She has worked on initiatives for Kenny Chesney, Miranda Lambert, Keith Urban, Garth Brooks and many more.

“I’m thrilled to have Elyse joining the Applauze team,” said CEO Kiran Bellubbi. “Her experience, knowledge and understanding of the music ecosystem in Nashville are both distinguished and unmatched. Her expertise will undoubtedly elevate our strategic alliances and brand propositions.”

“Ticketing is an exciting area within the industry and incredibly important within the live event community,” said McKenna. “It’s a great privilege to join Applauze, and I’m excited to be able to drive immediate value alongside such an outstanding group of individuals who are committed advocates to being partners in shaping the future of events for recording artists and their dedicated fan bases.”

McKenna joins the business development team alongside New York executive David McKay. Applauze is also adding account managers to the Nashville office.

“Over the past three years we have laid the groundwork for an outstanding team in Nashville and are prepared to invest even more in the region under Elyse’s leadership,” stated Bellubbi. “We’re really looking forward to growing the business together.”

Elyse McKenna can be reached at 615-507-8100 or [email protected].

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CMHoF Will Salute 60th Anniversary Of Carl Perkins’ “Blue Suede Shoes”

Carl Perkins

Carl Perkins

A special panel discussion and performance to celebrate the 60th anniversary of Carl Perkins’ “Blue Suede Shoes” will be presented by The Country Music Hall of Fame and Museum on April 9 at 2 p.m. in the museum’s Ford Theater. This celebration of Perkins’ signature song—and his influential career—will take place on what would have been his 84th birthday. Perkins died in 1998.

This year marks the 60th anniversary of the creation and first recording of the rockabilly classic “Blue Suede Shoes” by Perkins. In 1956, “Blue Suede Shoes” set sales records for Sam Phillips’ Sun label just weeks after Elvis Presley left Sun for RCA. The recording achieved the rare distinction of climbing the national charts in three genres: pop, country, and R&B. “Blue Suede Shoes” is in the Grammy Hall of Fame, Rolling Stone’s “Greatest Songs of All Time” and the Library of Congress’s National Recording Registry.

A panel discussion about Perkins will include his son Stan Perkins (Carl’s longtime drummer), close friend Naomi Judd (of the Judds, for whom Perkins wrote the #1 hit “Let Me Tell You About Love”); David McGee (co-author, with Carl Perkins, of Go, Cat, Go!: The Life and Times of Carl Perkins, the King of Rockabilly); Peter Guralnick (author of Sam Phillips: The Man Who Invented Rock ‘n’ Roll), and moderator Dr. Mark Crawford (associate professor of music at Tennessee State University).

Chuck Mead (founding member of BR5-49 and music director for the stage musical Million Dollar Quartet) will perform a brief set with his band.

Presented in support of the museum’s exhibition Flyin’ Saucers Rock & Roll: The Cosmic Genius of Sam Phillips, the program is included with museum admission and free to museum members. The interview and performance will be streamed live at countrymusichalloffame.org/streaming.

Dan+Shay Celebrate First Chart-Topper With “Nothin’ Like You”

Pictured (L-R): Co-writers Chris DeStefano, Dan + Shay's Dan Smyers & Shay Mooney, and Ashley Gorley

Pictured (L-R): Co-writers Chris DeStefano, Dan + Shay’s Dan Smyers & Shay Mooney, and Ashley Gorley. Photo: Ed Rode

Warner Bros./Warner Music Nashville duo Dan+Shay recently topped the country charts for the first time with “Nothin’ Like You.” ASCAP and BMI welcomed members of the Nashville music community to celebrate the song, penned by Dan Smyers and Shay Mooney, alongside Chris DeStefano and Ashley Gorley. The song marks DeStefano’s 13th No. 1, and Gorley’s 23rd. The song also marked DeStefano’s second No. 1 as a producer.

The party was held March 16 at South in Nashville.

Warner Music Nashville president/CEO John Esposito recalled just how adamant he was that the duo join the Warner family, adding that that during a five-hour meeting, he told the duo, ‘You’re not leaving here until you are Warner artists.'” He also added that he even took them home and had his wife cook dinner for them. “They had to be Warner artists,” he added before thanking Dan+Shay’s manager Jason Owen, as well as attorney Jim Zumwalt.

Among those celebrating were ASCAP’s Beth Brinker, BMI’s Perry Howard, Combustion Music’s Chris Van Belkom, Sony/ATV Music Publishing’s Josh Van Valkenburg, Warner Music Nashville’s Scott Hendricks, and Warner/Chappell Music Publishing’s BJ Hill, as well as representatives from Country Aircheck and Country Radio Broadcasters.

Avenue Bank made a donation to Proverbs 1210 Animal Rescue Mission on behalf of the writers.

Howard joked, “No. 1 parties are like soup kitchens for struggling songwriters.” For Dan+Shay, it was a symbol of how far their careers have come. Mooney later recalled how, earlier in their career, the duo would take meetings with anyone who offered a free meal.

Smyers thanked his musical cohort Mooney, as well as girlfriend Abby Law, whom Smyers said played a part in picking “Nothing Like You” as a single: “At one point, she was tallying the number of mentions that the song got on Twitter, to help convince us this should be a single.”

Gorley was also quick to commend Dan+Shay’s songwriting talent. “They are not easy to write with, in a good way, because they don’t settle. They will not leave a lyrical or melodic stone unturned, and that is refreshing. Also, when Shay is singing a melody back to you, it always sounds great, because he’s got one of the best voices. So if I sing a melody and it sounds good, then I know it is good,” he quipped.

Co-writer DeStefano commented, “This still feels like my first No. 1. I couldn’t be more proud to share it with three of my best buds. Their work ethic is nonstop.”

Dan+Shay is currently climbing the charts with their next single, “From The Ground Up.”

Pictured (L-R): (front) ASCAP's Beth Brinker, DeStefano, Smyers, Mooney, Gorley, BMI's Perry Howard, (back) Combustion Music's Chris Van Belkom, Sony/ATV Music Publishing's Josh Van Valkenburg, Warner Music Nashville's John Esposito and Scott Hendricks, and Warner/Chappell Music Publishing's BJ Hill. Photos by Ed Rode for ASCAP.

Pictured (L-R): (front) ASCAP’s Beth Brinker, DeStefano, Smyers, Mooney, Gorley, BMI’s Perry Howard, (back) Combustion Music’s Chris Van Belkom, Sony/ATV Music Publishing’s Josh Van Valkenburg, Warner Music Nashville’s John Esposito and Scott Hendricks, and Warner/Chappell Music Publishing’s BJ Hill. Photos by Ed Rode for ASCAP.

NMPA, Spotify Reach Agreement Regarding Unmatched Royalties

NMPANMPA and Spotify have reached an agreement allowing independent and major publishers to claim and receive royalties for certain compositions used on Spotify in the United States where ownership information was previously unknown.

In addition to identifying the rightful recipients of Spotify royalties, the agreement establishes a bonus compensation fund that is a substantial percentage of what is currently being held by Spotify for unmatched royalties, and creates a better path forward for finding the owners of publishing rights who should receive streaming royalties.

For years, the issue of “unmatched works” — the lack of proper ownership information — has made it difficult to pay timely royalties to writers and publishers. Not only does the agreement distribute royalties to writers, it also improves processes for identifying and compensating writers for their work and establishes a better database for future payments.

The deal will allow copyright owners to identify their works and receive the money Spotify has set aside for the past usage of unmatched works. It will allow the entire industry to benefit by filling in the gaps in ownership information, which help to ensure that royalties are promptly paid to their rightful owners in the future. Any royalties associated with works that remain unmatched after each claiming period will be distributed to publishers and songwriters who participate in the settlement, but the agreement will not affect the royalties owed to any publisher or writer who does not choose to participate.

The agreement is a key step in improving transparency in the music community and ensuring that music’s creators receive royalties when their music is used. In addition to allowing copyright owners to identify and receive payment for unmatched works, the agreement enables publishers and Spotify to establish improved practices to identify proper ownership and ensure timely payment of royalties in the future.

National Music Publishers’ Association President and CEO David Israelite praised the agreement, saying, “NMPA’s goal has always been to ensure publishers and songwriters receive the money they deserve. I am thrilled that through this agreement both independent and major publishers and songwriters will be able to get what is owed to them. We must continue to push digital services to properly pay for the musical works that fuel their businesses and after much work together, we have found a way for Spotify to quickly get royalties to the right people. I look forward to all NMPA members being paid what they are owed, and I am excited about the creation of a better process moving forward.”

Spotify Global Head of Communications and Public Policy Jonathan Prince said, “As we have said many times, we have always been committed to paying songwriters and publishers every penny. We appreciate the hard work of everyone at the NMPA to secure this agreement and we look forward to further collaboration with them as we build a comprehensive publishing administration system.”

The agreement:
· Includes payment of bonus compensation.
· Provides the ability to easily identify and properly claim “unmatched” works online.
· Ensures that Spotify will continue working with the NMPA and its members to implement practices that will allow Spotify to match works more accurately and efficiently.
· Where ownership has not been identified or claimed by publishers, there will be a distribution to publishers and songwriters of royalties held by Spotify based on known usage on Spotify’s service.
· Provides a path to direct licensing between Spotify and publishers, with the goal of strengthening business relationships.

Promotions, Hirings In VP Roles At Provident Music Group

providentlogoFranklin, Tennessee-based Provident Music Group has hired Brian Dishon as Vice President of Marketing and Jeff Cruz as Vice President of Promotions for Provident Label Group. Dishon and Cruz will oversee rosters on the Essential Records, Reunion Records and Beach Street Records imprints. Additionally, Provident has appointed Jimmy Wheeler to Vice President of Sales and Distribution.

Dishon returns to Provident after a four-year term as multi-site ministries director for Cross Point Church in Nashville. During his previous employment at Provident, (2007-2012) Dishon led the label group’s promotions team and also served as Vice President of Marketing.

Cruz brings nearly 20 years of broadcast experience to PLG having served as a radio personality and program director for stations including Shine FM in Chicago/Indianapolis/Lansing/NW Indiana, WMHK in Columbia and Z88.3 in Orlando.

Wheeler was formerly the Vice President of Sales for Provident Label Group. Effective immediately, Wheeler will be responsible for leading Provident’s sales and distribution functions for all markets.

Provident has also promoted Roxanne Nichols to Director of Label Operations for Provident Label Group effective immediately. Nichols was previously Associate Director of Marketing for the Label Group.

“I’m excited about the prospect of working closely with such seasoned professionals as Brian and Jeff in the building of a future vision for Provident. They both bring valuable experience and, more importantly, a passion for the artists and music of Provident,” states Dean Diehl, Sr. Vice President for Provident Label Group.

Dishon and Cruz begin their new roles on April 4.

Nashville Film Festival Adds Screenings Of ‘American Epic,’ ‘Born In Bristol’

naff nashville film festival 2016

Music films American Epic and Born in Bristol have been added to the 2016 Nashville Film Festival lineup, running April 14-23 at Regal Cinema Green Hills.

American Epic will be shown as a three-night closing spotlight event. The film journeys across time to the birth of modern music, with appearances by T Bone Burnett, Jack White, Nas, Alabama Shakes, Willie Nelson, Merle Haggard, Steve Martin, Edie Brickell, Beck, Elton John, Taj Mahal, and The Avett Brothers. The film was directed by Bernard MacMahon

Born in Bristol explores the origins of one of America’s most important genres of music. This is the story of country music’s historic event, The Bristol Sessions. Through cinematic reenactments, the movie revisits 12 days in 1927 when musicians recorded the songs that would go on to be known as the “Big Bang of Country Music.” The cast includes Dolly Parton, Vince Gill, Ashley Monroe, Sheryl Crow, Keb Mo and Carl Jackson. The film was directed by Chusy.

The festival’s official daily schedule has not been released.

Keith Urban Schedules ‘Ripcord’ Release For May 6

Keith Urban post

Keith Urban’s eighth studio album, Ripcord, is set for release on Friday, May 6. His next single will be released on March 29, although the name of the song has not yet been announced.

Ripcord is almost done—and it’s been an exhilarating journey,” said Urban. “Getting to work with so many new musicians and writers and co-producers has been a divine experience for me—and I can’t wait for everyone to hear it!”

Ripcord will include 2015 hit singles “John Cougar, John Deere, John 3:16” and “Break On Me.” Urban will launch his ripCORD World Tour 2016 on June 2 with Brett Eldredge and Maren Morris.

MusicRowLife: Big Yellow Dog’s Carla Wallace Welcomes Daughter

Carla Wallace and Robert Neese are proud to announce the birth of their daughter Ella June Neese. She was born Feb. 23, weighing 6 lb., 7 oz., and measuring 19 3/4″ long.

Wallace is co-owner of Big Yellow Dog Music and Neese is a captain in the downtown Metro fire department.

Carla Wallace baby

ACM Party For Cause Releases Performance Schedule

party for a causeThe full schedule has been announced for the fourth annual ACM Party For A Cause, which will take place Friday, April 1 through Sunday, April 3 at the Las Vegas Festival Grounds. Carrie Underwood, Dierks Bentley, and Kenny Chesney are slated to headline the three-day festival, which will be hosted by Katie Cook (Friday), Shawn Parr & Storme Warren (Saturday), and Blair Garner (Sunday).

For the first time, the ACM Party for a Cause Festival will feature RFID Wristbands for festival entry and exit. After passes are purchased guests will be shipped RFID Wristbands, which can be activated online before arrival to the festival. The RFID Wristbands will also feature ACM Cashless, a program which uses RFID technology to allow attendees to link their credit card to their wristband, set a PIN for security, and then use it to purchase beverages, food and select merchandise at the event. ACM Cashless is the recommended payment method, but credit card and cash will also be accepted by vendors at the festival.

Through a partnership with Las Vegas Events, festival attendees can catch a ride to the festival on Festival Hotel Shuttles, which will pick-up at the MGM Grand, Downtown Las Vegas Events Center and Stratosphere. Wristband or proof of ticket purchase will be required to board the shuttles. As previously announced, fans can also ride the monorail, take an Uber or take a taxi to the Las Vegas Festival Grounds.

Ticket proceeds from the ACM Party for a Cause Festival benefit the Academy’s charitable arm, ACM Lifting Lives, which supports military programs that use music therapy to aid our veterans and wounded warriors, while providing funding to help them ease back into civilian life, among other charities. Over $400,000 has been donated to various military organizations in just three years.

ACM Party for a Cause Festival lineup and schedule:

Friday, April 1:
3:00 PM Gates Open
3:30 PM Kelleigh Bannen (Cabela’s Stage)
4:00 PM Lauren Alaina (Cabela’s Stage)
4:30 PM Jana Kramer (Cabela’s Stage)
5:00 PM Brandy Clark (Cabela’s Stage)
5:30 PM Cam (Ram Trucks Main Stage)
6:10 PM Maddie & Tae (Ram Trucks Main Stage)
7:00 PM Kelsea Ballerini (Ram Trucks Main Stage)
7:50 PM Kellie Pickler (Ram Trucks Main Stage)
8:55 PM Martina McBride (Ram Trucks Main Stage)
10:25 PM Carrie Underwood (Ram Trucks Main Stage)

Saturday, April 2:
12:00 PM Gates Open
12:20 PM Courtney Cole (Cabela’s Stage)
12:50 PM Jackson Michelson (Cabela’s Stage)
1:25 PM Chris Lane (Cabela’s Stage)
2:10 PM A Thousand Horses (Cabela’s Stage)
2:50 PM Chase Bryant (Cabela’s Stage)
3:20 PM Brothers Osborne (Ram Trucks Main Stage)
4:10 PM Chris Janson (Ram Trucks Main Stage)
5:00 PM Frankie Ballard (Ram Trucks Main Stage)
5:50 PM Dustin Lynch (Ram Trucks Main Stage)
6:40 PM Chris Stapleton (Ram Trucks Main Stage)
7:45 PM Chris Young (Ram Trucks Main Stage)
8:50 PM Lee Brice (Ram Trucks Main Stage)
10:10 PM Dierks Bentley (Ram Trucks Main Stage)

Sunday, April 3:
12:00 PM Gates Open
12:15 PM Maren Morris (Cabela’s Stage)
12:50 PM Lindsay Ell (Cabela’s Stage)
1:25 PM Granger Smith (Cabela’s Stage)
1:55 PM Old Dominion (Ram Trucks Main Stage)
2:45 PM Chase Rice (Ram Trucks Main Stage)
3:35 PM Brett Eldredge (Ram Trucks Main Stage)
4:40 PM Kip Moore (Ram Trucks Main Stage)
5:55 PM Sam Hunt (Ram Trucks Main Stage)
7:10 PM Kenny Chesney (Ram Trucks Main Stage)