Ascend Amphitheater To Host Free Open House This Weekend

Riverfront Park and Ascend Amphitheater. Photo: Metro Photographic Services.

Riverfront Park and Ascend Amphitheater. Photo: Metro Photographic Services.

Ascend Amphitheater’s four-day grand opening weekend includes an open house for the community on Sunday, Aug. 2 from 1 p.m. to 5 p.m. There will be performances by local bands and DJs as well as tours of the amphitheater. The event is free and open to the public, and members of the community are encouraged to bring school supplies to donate to LP Pencil Box.

Those coming to the community open house are invited to bring their soccer balls and frisbees to enjoy the soccer-field sized green space called The Green. Metro Parks will provide basketballs so people can play on the two half-court basketball courts. Other games and features include custom swings, game boards for chess and checkers, a fitness circuit and greenway trails. Community members are also invited to bring their dogs on leashes to enjoy the 13,000-square-foot dog park, where dogs can roam free. There is also WiFi access. Free parking for community day will be available at Nissan Stadium, across the Seigenthaler Pedestrian Bridge.

Hattie B’s, Martin’s Bar-B-Que and Padrino’s Pops are confirmed as some of the offerings that will be available at Music City’s new outdoor live music venue when it opens. The venue’s first concert will be July 30 when Eric Church plays the first of two sold-out shows at the amphitheater.

Sturgill Simpson Sells Out String of Ryman Dates

sturgill simpson 2015 tour

Sturgill Simpson will play a string of sold out shows at Nashville’s Ryman Auditorium on Oct. 30, 31 and Nov. 1. The Nov. 1 date was added after Simpson’s first two performances at the historic venue sold out in less than fifteen minutes.

Additionally, due to overwhelming demand, second shows at Atlanta’s The Tabernacle, Denver’s Ogden Theatre and L.A.’s The Theater at Ace Hotel have been added. These newly confirmed concerts will go on sale this Friday, July 31 at 10:00 a.m. local time.

The performances are part of Simpson’s Living The Dream tour, which includes a European leg Aug. 14 – 29. The fall tour celebrates Sturgill’s highly acclaimed 2014 release, Metamodern Sounds In Country Music.

Simpson is nominated for three awards at the upcoming Americana Music Association Honors & Awards, where he will vie for Artist of the Year, Album of the Year and Song of the Year for “Turtles All The Way Down.”

Produced by Dave Cobb, Metamodern Sounds In Country Music was recorded live-to-tape at Nashville’s LCS studio over four days in late 2013.

Songwriting Great Wayne Carson Passes

wayne-pressphoto3

Wayne Carson.

Nashville Songwriters Hall of Fame member Wayne Carson passed away on the morning of July 20, following a long illness.

Noted for such compositions as “The Letter,” “Always on My Mind” and “No Love at All,” Carson was also a recording artist and a song publisher. He died in hospice care at age 73.

Born Wayne Carson Thompson in Denver, CO, he was the son of country performers Odie and Olivia Thompson. Their stage names were Shorty and Sue. After stints on the radio in Nebraska and Colorado, they moved to Springfield, Mo. to join the staff at KWTO.

Shorty became a member of The Tall Timber Boys on The Ozark Jubilee radio and TV program in Springfield. Inspired by Merle Travis, Wayne began playing guitar at age 14. As a youngster, he performed on the offshoot show Junior Jubilee alongside Brenda Lee.

He initially moved to Nashville in 1962, but returned to Springfield to write songs for Jubilee producer Si Siman’s publishing company. Wayne Carson’s first success as a songwriter was with the No. 1 Eddy Arnold hit of 1966, “Somebody Like Me.”

He became an even bigger success with 1967’s “The Letter,” an international No. 1 hit for The Box Tops. The song was revived in 1970 by Joe Cocker, has been recorded by more than 20 others and can currently be heard on the soundtrack of the Minions movie.

Carson also wrote The Box Tops hits “Neon Rainbow” (1968) and “Soul Deep” (1969). Other early successes in the pop field were “Do It Again, a Little Bit Slower” by Jon & Robin and The In Crowd (1967), “Nine Pound Steel” by Joe Simon (1967), “Cussin’ Cryin’ and Carryin’ On” by Ike & Tina Turner (1967) and “Keep On” by Bruce Channel (1968).

In Nashville, Waylon Jennings had hits with Carson’s “Something’s Wrong in California” (1969) and “(Don’t Let the Sun Set on You in) Tulsa” (1971). Mel Tillis took the songwriter’s “Who’s Julie” into the country top-10 in 1969.

“No Love at All” became another often-recorded Wayne Carson song. Lynn Anderson took it up the country charts in 1970, then B.J. Thomas made it an even bigger pop hit the following year. It has also been recorded by Glen Campbell, Willie Nelson, Dottie West and others.

His co-written “Always on My Mind” began its journey to becoming a standard when Brenda Lee introduced it in 1972. Elvis Presley recorded it the following year. Then Willie Nelson’s version of the song became a smash hit in 1982, when it won Song of the Year honors from the Grammy Awards, the CMA, the NSAI and other organizations. It has since been recorded by dozens of others, including Johnny Cash, B.B. King, Anne Murray and Scotty McCreery. The Pet Shop Boys had a No. 1 hit in the U.K. with it in 1988.

Wayne Carson co-wrote a string of honky-tonk country classics in the 1970s. They include Conway Twitty’s “I See the Want-To in Your Eyes” (1974), Johnny Paycheck’s “Slide Off Your Satin Sheets” (1977) and Moe Bandy’s “Barstool Mountain” (1979). Gary Stewart’s “Drinkin’ Thing’ (1974), “She’s Actin’ Single (I’m Drinkin’ Doubles)” (1975) and “Whiskey Trip” (1978) were all Carson songs.

By this time, Wayne Carson was an established recording artist, himself. He made the country charts three times during the 1970s. During his career, he released records on the Decca, Monument, Elektra, Private Stock, EMH and MGM labels. He has also recorded for his own record company. His Life Lines LP was issued by Monument in 1972.

In 1979, Ray Price introduced the songwriter’s ballad “That’s the Only Way to Say Good Morning.” In 1982, Conway Twitty scored a No. 1 hit with Carson’s “The Clown.” Others who recorded his songs in Nashville include Gene Watson, T.G. Sheppard, Randy Travis, Shelby Lynne, Michael Johnson, Sammi Smith, Alabama, Billie Jo Spears, Tony Joe White, Vern Gosdin and Wade Hayes.

Wayne Carson was inducted into the Nashville Songwriters Hall of Fame in 1997. He went into semi-retirement, but occasionally continued to write songs. Dan Auerbach of the rock group The Black Keys recorded his “I Want Some More” on his 2009 solo album.

The Country Music Hall of Fame saluted Wayne Carson by featuring him in its Poets and Prophets songwriter series in 2011.

More than 75 million records have been sold by artists singing his songs.

Wayne Carson is survived by his wife Wyndi Harp and son Christian Head.

A celebration of life service was held at 10 a.m. on Tuesday, July 28, 2015 at The Pavilion at Harpeth Hills Funeral Home, 9090 Hwy 100, Nashville, (615) 646-9292. In lieu of flowers, donations may be made to Southern Cross Boston Terrier Rescue at www.southerncrossbtr.com.

 

Industry Ink: Valory, MV2, Bear Family Records

Shari Roth

Shari Roth

Shari Roth To Exit Valory, Postion To Be Filled

The Valory Music Co. is looking for a new team member to fill the Northeast Promotions Director position as Shari Roth pursues other endeavors beginning Aug. 31.

Requirements include a winning attitude, passion for music, creative mind, ability to travel, ability to communicate with radio and the desire to win.

Resumes should be sent to SVP/Promotion George Briner at [email protected].

MV2 Entertainment Signs Robert Arthur

MV2 Entertainment has signed writer Robert Arthur to a publishing deal. The South Carolina native spent years on the road playing guitar for Brad Paisley, Jeff Bates, Melody Crittenden and most recently The Henningsens, and has written for both EMI and indie publisher Baccerstick Music before coming to MV2.

Arthur has had numerous cuts by artists including Chris Young, Trace Adkins, and Paisley, including co-writing Paisley’s Grammy® nominated track “Playing with Fire.” Additionally, Arthur has experienced success in the Gospel genre including the CCM No. 1 “Please Come Back” with Michelle Tume and “Over The Cross” by Eighth Day.

“We are so excited about having Robert Arthur onboard with MV2,” said General Manager Tony Harrell. “He brings depth and experience as a writer as well as being a great musician.”

“I couldn’t be more proud and honored to be part of the MV2 family,” shared Arthur. “This is a great group of people, who all share my philosophies on life, family, business and music. I am confident that I will flourish and grow here as songwriter. I look forward to a long successful relationship with MV2.”

Pictured: (L-R): Clay Myers, Robert Arthur, Chip Petree (Arthur's attorney), and Tony Harrell

Pictured: (L-R): Clay Myers, Robert Arthur, Chip Petree (Arthur’s attorney), and Tony Harrell.

Belmont’s Don Cusic Celebrates Bear Family Birthday

Bear Family Records recently celebrated its 40th anniversary at the company’s headquarters in Bremen, Germany. Bear is known for its multi-disc releases and boxed set books that chronicle an artist’s career, including projects on Johnny Cash, Marty Robbins, and Johnny Horton. Among those celebrating at the event were Richard Weize, founder of Bear Family Records, and Belmont University’s Don Cusic.

Pictured (L-R): Richard Weize, founder of Bear Family Records, and Don Cusic. Photo by Tony Byworth

Pictured (L-R): Richard Weize (left), founder of Bear Family Records, and Don Cusic. Photo: Tony Byworth

 

ole Founder Robert Ott to Receive CCMA International Award

robert ott and gord bamford 2015

Robert Ott (L) and Gord Bamford

Robert Ott, co-founder, Chairman and CEO of ole, one of the world’s largest indie music publishers, will receive the CCMA’s Leonard T. Rambeau International Award for 2015. The award recognizes an individual who has demonstrated extraordinary effort in helping the Canadian country music industry achieve its aims and initiatives internationally. Ott will receive the award during a private event held during Country Music Week Sept. 10-13 in Halifax, Nova Scotia. 

“Robert Ott’s persistence and devotion to the acts he has worked with, along with his forward-thinking approach to music publishing, has benefited Canadian artists by putting them on a global scale and offering them new opportunities,” said Chair of the CCMA Board of Directors, Brian Hetherman. “His ability to innovate the music publishing model, along with his passion for the business of music, has built one of Canada’s most enduring companies. Robert’s long-time support not only of Canadian country music, but also the CCMA, is undeniable. He is an exceptionally worthy recipient of this CCMA Award of Achievement.”

Ott founded ole in 2004 and has operations in Toronto, Nashville, New York, and Los Angeles, and the company includes a team of over 100 industry professionals focused on acquisitions, creative development and worldwide rights management. Before founding ole in 2004, Ott led BMG Music Publishing Canada for seven years.

“I am very honored by this recognition from my colleagues and peers in the CCMA,” said Ott. “As Canadians, we have to take our aspirations to the world in a unique way in order to be heard.  That’s what makes Canadian talent so special. I look forward to many more years of supporting the CCMA and Canadian Country Music around the globe.”

Through ole, Ott has concluded over $450 million in acquisitions and controls a catalogue of over 45,000 songs and 60,000 hours of TV/film music across all genres. The company has over 100 staff writers, and has had a hand in over 230 Canadian cuts and over 46 Canadian singles since 2013. ole’s Canadian roster includes Gord Bamford and George Canyon. The company has won the CCMA Award for Music Publishing Company of the Year for eight consecutive years (2007 – 2014), and is nominated again this year. ole and ole current and past songwriters received a total of 16 nominations at the CCMA Awards.  

Nitty Gritty Dirt Band To Celebrate 50 Years With PBS Taping at Ryman

Nitty Gritty Dirt Band

Nitty Gritty Dirt Band

The Nitty Gritty Dirt Band will celebrate its 50th anniversary of making music together with a special Ryman Auditorium show Sept. 14 that will be filmed for a PBS special. The band will be joined by a host of special guests, including Sam BushJerry Douglas, Byron House, Vince Gill, John Prine, Rodney Crowell, Jerry Jeff Walker, Rock and Roll Hall of Famer and original Dirt Band member Jackson Browne, and former NGDB band member Jimmy Ibbotson.

“We’re humbled to have all of these amazing artists, who happen to be our friends, come out to honor this legacy,” says the Dirt Band’s Jeff Hanna of the upcoming celebration.

The show will be a homecoming of sorts for many of the band’s longtime friends. Prine contributed “Grandpa Was A Carpenter” on the band’s second Will The Circle Be Unbroken album, a project that featured Douglas, Bush, Johnny Cash, and others and won three Grammys and a CMA Album of the Year award. Gill contributed “All Prayed Up” to the third Circle project, an album that won a Grammy for the instrumental “Earl’s Breakdown.” And Crowell penned the Dirt Band hits “Long Hard Road (The Sharecropper’s Dream)” and “An American Dream.”

Tickets to show, which will kick off this year’s Americana Music Fest, are $45 and $55, and will be available beginning July 31 at all Ticketmaster locations, the Ryman Auditorium box office, and www.ryman.com. The PBS concert special is set to air during the network’s national pledge drive, March 520, 2016. 

Some Women, Some Wine: A Damn Good Cause

(L-R): Emilie Glover (Red Light Management), Deborah Ferris (Regional Director, Music & Memory), Amelia Varni (UMPG Nashville), Cyndi Forman (UMPG Nashville), Matraca Berg, Tammy Helm (UMPG Nashville), Suzy Bogguss, Gretchen Peters, Christina Wiltshire (Patrick Joseph Music), Lori McKenna

(L-R): Emilie Glover (Red Light Management), Deborah Ferris (Regional Director, Music & Memory), Amelia Varni (UMPG Nashville), Cyndi Forman (UMPG Nashville), Matraca Berg, Tammy Helm (UMPG Nashville), Suzy Bogguss, Gretchen Peters, Christina Wiltshire (Patrick Joseph Music), Lori McKenna

Wine, Women & Song performed a benefit for the charity Music & Memory featuring rare Nashville performances by Gretchen Peters, Suzy Bogguss and Matraca Berg on Thurs., July 23. Music & Memory’s efforts enhance the often-overlooked quality of life for elders through music, primarily in nursing homes, hospices and home care programs.

Universal Music Publishing Group VP Cyndi Forman, who was instrumental in organizing the event, greeted the packed house at The Listening Room by boldly admitting “it pissed me off” when she realized there was not a single nursing home in Music City that qualified for the much needed efforts of Music & Memory. Her efforts, along with others, are changing that. The night raised $5,500 for the cause and The Blakeford at Green Hills is now the first certified non-profit nursing home in Nashville.

Lori McKenna

Lori McKenna

Lori McKenna, the night’s featured performer, took the stage first, entertaining the crowd during dinner with a string of songs including “Humble And Kind” and “Buy This Town,” as well as her chart-topper recorded by Little Big Town and MusicRow‘s 2015 Song of the Year, “Girl Crush.” The enthusiastic crowd quickly developed a girl crush of their own on the songwriter.

Peters, Bogguss and Berg took the stage following a brief video called Henry’s Story, which beautifully demonstrated the power of music and how it can move someone from an almost unresponsive state to one full of life and song.

The show started strong out of the gate with Berg’s rendition of her Kenny Chesney hit, “You And Tequila,” followed by Peters honoring Throwback Thursday with “You Don’t Even Know Who I Am,” recorded by Patty Loveless. With Berg on harmonica and Peters on mandolin, Bogguss took her turn with “Hammer And Nail.”

The performances took an emotional turn as Berg shared she had lost her grandmother a week before at age 100. Berg then performed “Back When We Were Beautiful,” a song she wrote about her grandmother. Emmylou Harris and Rodney Crowell recorded the song on their 2013 album, Old Yellow Moon.

The tunesmiths continued taking turns. Peters’ demonstrated her flawless vocals on “Pretty Things” from her new album Blackbirds. Berg gave a captivating performance of 1997 CMA Song of the Year “Strawberry Wine.” And the forever-young Bogguss (who at 58 looks more like 38), shined on performances of “Letting Go,” “Aces,” and “Outbound Plane.”

The women ended with Tom Waits’ “Hold On,” a perfect way to close the night for this worthwhile cause.

Suzy Bogguss

Suzy Bogguss

Gretchen Peters

Gretchen Peters

Matraca Berg

Matraca Berg

(L-R): Amelia Varni (UMPG Nashville), Melissa Laster (Belcourt Terrace), Tasha Cartwright (Belcourt Terrace), Christina Wiltshire (Patrick Joseph Music), Cyndi Forman (UMPG Nashville), Emilie Glover (Red Light Management), Tammy Helm (UMPG Nashville)

(L-R): Amelia Varni (UMPG Nashville), Melissa Laster (Belcourt Terrace), Tasha Cartwright (Belcourt Terrace), Christina Wiltshire (Patrick Joseph Music), Cyndi Forman (UMPG Nashville), Emilie Glover (Red Light Management), Tammy Helm (UMPG Nashville)

Kenny Chesney, Jason Aldean Rock 54,000 at Rose Bowl Show

Kenny Chesney plays the Rose Bowl

Kenny Chesney plays the Rose Bowl. Photo credit: Allister Ann

Kenny Chesney and Jason Aldean’s Rose Bowl appearance Saturday night (July 25) was a star-studded affair, with Reese Witherspoon, Vince Vaughn, Ashton Kutcher, Mila Kunis, and ABC sportscaster Keith Jackson among those in attendance for the historic show.

Nearly 54,000 fans flooded into the stadium for the show, which was co-headlined by the two. Chesney’s tour is one of the top-grossing country tours of 2015.

“Standing out there in a sea of country fans at an iconic stadium like Rose Bowl sent chills down my spine,” said Aldean. “It reminds me how lucky I am to be doing this for a living. We’ll do it again at the crack of dawn with the Today gang  on Friday…I hope to see a lot of people there too!”

In celebration of the epic night in Pasadena, Calif., Jackson surprised Chesney backstage with a commemorative brick that will be placed in the Brick Walk at the stadium’s South Main entrance, and the first-ever Rose Bowl Stadium jersey. The Rose Bowl show was obviously particularly special to Chesney being an avid football fan.

“You know when you wake up and you see that sign, you’re on hallowed ground,” Chesney said. “I’ve seen so many games played there, so much history—and I understand the heart it took from every athlete who’s ever come out of those tunnels. To stand on that stage, I knew I wanted to try to honor all those folks who’ve come before us.”

“Those folks had had a long day in all that heat, but man, they were so ready for us… ready to hear the music, to sing along, to make every single song matter,” recalls Chesney. “When I dropped out during ‘Anything But Mine,’ they sang so clear and so true, you could’ve made a record out of it—and for me, they made a memory that will last a lifetime. To play a place where football means so much, especially to an audience that live, I’ll never forget it…”

By the time he plays Denver’s Sports Authority Stadium at Mile High Aug. 8, E. New Jersey’s Met Life Stadium Aug. 15, Detroit’s Ford Field Aug. 22 and a double header at Foxboro’s Gillette Stadium Aug. 28-29, Chesney will have headlined 135 stadiums since his Washington, DC/Pittsburgh/Boston stadium run in 2005.

Jason Aldean rose bowl

Jason Aldean at the Rose Bowl. Photo Credit: Jim Wright

Family’s Champion Patsy Stoneman Dies At 90

Patsy-Stoneman-Murphy

Patsy Stoneman Murphy.

Singer, bandleader and tireless proponent of her family’s musical legacy, Patsy Stoneman Murphy died last week.

The daughter of Country Music Hall of Fame (CMHoF) member Ernest V. “Pop” Stoneman, she was a recording artist, a pioneer bluegrass female, a preserver/popularizer of the autoharp and a colorful personality. She was 90 when she passed away Thursday morning (July 23) at her home in Manchester, Tenn.

After her father died, Patsy assumed leadership of the family band The Stonemans. She campaigned for the next four decades for Pop’s induction into the CMHoF. Pop Stoneman (1893-1968) was finally inducted in 2008.

Patsy played guitar, jaw harp and banjo, in addition to autoharp. She was the family’s historian who saved most of its memorabilia while also maintaining her own musical career. She was born in 1925, the year her father became one of country music’s first million-selling artists. His “The Titanic” was a blockbuster hit that year, and it remains the most famous song about the 1912 ocean-liner disaster.

In 1927, he was the star who drew others to the Bristol, Tenn. recording sessions where Jimmie Rodgers and The Carter Family were discovered. Although one of country’s earliest stars, he fell upon hard times during The Depression of the 1930s.

The Stonemans had 23 children, 13 of whom survived to adulthood. Several of the children became musicians. Patsy and older brother Eddie (1920-2001) began performing comeback shows with their father around 1939.

More offspring joined Pop during the “folk revival” of the 1940s and 1950s. Scott Stoneman (1932-1973) became a world-champion fiddler. Donna Stoneman is a renowned mandolin virtuoso. Roni Stoneman became a famous comic on TV’s Hee Haw.

After a time spent away from music, Patsy again performed with The Stonemans in 1964-65. She became one of the voices in the Country Bear Jamboree animatronic show at Disneyland.

But Patsy was initially better known as the leader of her own group, beginning in 1963 in the Washington, D.C. area. This made her perhaps the first female bluegrass bandleader in history.
Meanwhile, Pop and her siblings moved to Nashville. The Stonemans had a string of country chart singles in 1966-68. They launched their own nationally syndicated TV show in 1966-67, and Patsy became a frequent guest on it. In 1967, The Stonemans were the CMA’s first Vocal Group of the Year winners. Pop died the following year.

At this point, Patsy took over as the leader of the family group and moved to Nashville. She recorded with The Stonemans on such LPs as A Stoneman Christmas (MGM, 1969), Dawn of The Stonemans’ Age (RCA, 1970), In All Honesty (RCA, 1970) and California Blues (RCA, 1971). In 1981, she assembled 17 extended family members and produced the acclaimed CMH Records double-LP The First Family of Country Music. Patsy’s husband John “Jack” Murphy became manager of the group.

Brothers Van (1940-1995) and Jimmy (1937-2002) were both singers in The Stonemans. Following their deaths, Patsy moved more and more to the forefront. With Donna and/or Roni, she recorded For God and Country (1990), The Stoneman Tradition (2012) and a number of other albums. In 1987, she also launched At Home With The Stonemans as a weekly show on WSVT radio in Smyrna, Tenn.

“I am not ready to hang up any of our instruments yet,” she said of her ongoing efforts to promote the family’s music. “We have too much to offer the country music business to just throw up our hands and quit.

“Besides, we have been in the business longer than anybody else, and it just wouldn’t be fair to Daddy to stop.”

She spearheaded the creation of Ivan M. Tribe’s 1993 book, The Stonemans. A number of reissues of Pop Stoneman’s music also kept his memory alive. Supported by all country historians, she campaigned relentlessly for her father.

Patsy Stoneman Murphy’s feisty, outspoken, fearless, funny and frank personality made her a media favorite. After her lively acceptance of her father’s induction into the CMHoF, fellow honoree Emmylou Harris exclaimed, “Patsy Stoneman, you are the BOMB!”

Patsy Stoneman Murphy is pre-deceased by her husband of 39 years, John “Jack” Murphy. She is survived by sisters Roni and Donna Stoneman. Visitation will be at Mount Olivet Funeral Home on Monday, July 27, 5-8 p.m. and on Tuesday, July 28, 11 a.m.-1.p.m. Her funeral service and internment will be held immediately following on Tuesday.

Deaton, Flanigen Shooting Feature Film in Nashville

Garret Dillahunt

Garret Dillahunt

Directors Robert Deaton and George Flanigen are making their feature film debut with the adaptation of the Richard Dresser theatrical play Rounding Out. Oscar-winning producer Fred Roos serves as one of the executive producers of the film shooting at several locations in Nashville.

Also involved with the film are Nashville music business leaders Joe Galante, Scott Borchetta, Clarence Spalding and Clint Higham as executive producers.

Actors Garret Dillahunt and John C. McGinley play the protagonists in the story about baseball and fatherhood.

“We feel so honored and excited to be shooting our first feature with such talent as John and Garrett,” said Deaton and Flanigen. “We feel we have assembled an incredible cast and crew of seasoned and lauded professionals to make our vision become the reality it is.”

John C. McGinley

John C. McGinley

Dillahunt has a distinguished acting career on Broadway, as well as in film and television. He is noted for roles on the HBO series Deadwood, as well as E.R., and most recently on Fox TV’s Raising Hope. He has appeared in the films No Country For Old Men, The Road, Winter’s Bone and others.

McGinley is an award-winner best known for his roles as Sergeant Red O’Neill in Oliver Stone’s Platoon and Marv in Wall Street. His TV roles include Dr. Perry Cox on the popular comedy Scrubs. Aside from acting, he has also written and produced for film and television.