Education Notes: Belmont University, The Blackbird Academy, SAE Institute

The Blackbird Academy Launches $5,000 Live Sound Engineering Scholarship

BlackbirdThe Blackbird Academy is offering a $5,000 live sound engineering scholarship, open to all U.S. citizens and international students 18+. Applicants would need to be available to begin Blackbird Academy’s Live Sound Engineering program on April 6, 2015, and deliver all required paperwork by that time.

The program is a six-month program at The Blackbird Academy facilities in Nashville, TN. Those selected for the scholarship would be expected to pay the remaining tuition as well as housing/living expenses while attending The Blackbird Academy.

To receive the $5,000 scholarship, students would need to enroll no later than March 20, 2015 (U.S. Citizen) or no later than Feb. 20, 2015 (international students). For more information, call 855-385-3251 or email [email protected]

Belmont University Students Launch Songwriter Management Organization

Bear House Writer Management members with Warner/Chappell EVP, Ben Vaughn, at a meeting this past November.

Bear House Writer Management members with Warner/Chappell EVP, Ben Vaughn, at a meeting this past November.

Students from Belmont University’s Curb College of Entertainment and Music Business recently launched a songwriter management organization Bear House Writer Management, where writers are paired with student managers to maximize their songwriting and management potential.

The organization supports nine songwriters, including Devin Dawson who recently gained recognition after releasing a Taylor Swift mashup with Louisa Wendorff that was shared by Taylor herself. Bear House also works with SESAC Member Eric Burgett and Jilian Linklater who was selected as one of ASCAP’s Publishers for Songwriters (GPS) Class of 2015.

Bear House Writer Management’s roster also includes Bailee Rainwater, Emily Landis, Hannah Rand, Hunter Leath, Johnny Murphy, and Shawn Gough.

SAE Institute Nashville To Hold Benefit Concert

Rick Franklin

Rick Franklin

Nashville’s SAE Institute will hold a benefit concert for Rick Franklin, valedictorian of the August 2014 class, on Friday, Feb. 13 at The East Room in Nashville, beginning at 7 p.m. Funds raised at the event, titled Psychedelrick, will be used to pay for medical treatments for Franklin, who has been diagnosed with Non Hodgkin’s Lymphoma.

Five regional acts are slated to perform at the event, including Ttotals, Penicillin Baby, The Mumzees, Harpooner, and The Jag.

“Rick was not only a stellar student at SAE Nashville, he was also selected among thousands of nationwide applicants to receive our prestigious Sonum Perfectum Scholarship,” says SAE Nashville Campus Director Lynn Dorton, who is donating a microphone kit to be auctioned off at Psychedelrick. “We’re hoping that he can recover quickly so he can get back into the studio and deliver amazing results on his own projects and for clients.”

Franklin recently finished six rounds of chemotherapy at the Tennessee Oncology Center at Centennial Hospital, and will soon begin six weeks of radiation therapy.

A donations page has been set up at gofundme.com.

Luke Bryan To End 1.1 Million Sales Enterprise

Luke-Bryan-Spring-Break-Checkin'-OutLuke Bryan will release his final Spring Break album, Spring Break…Checkin’ Out on March 10. Over the past seven years, the superstar has released five EPs which culminated into last year’s 14-song project. Total sales of the enterprise have reached over 1.1 million.

Spring Break…Checkin’ Out includes 11 tracks (six from last year’s release) and five new, original songs all co-written by the UMG Nashville artist. Walmart will carry an exclusive deluxe package, Luke Bryan Spring Break…The Set List: THE COMPLETE SPRING BREAK COLLECTION ZinePak, which will include a two-disk set with all 25 songs plus a 48-page magazine with exclusive interviews and photos from each of the previous spring break releases.

“My fans have been so wonderful to embrace these special spring break albums over the last seven years,” shared Bryan. “We’ve created a lot of amazing memories writing these songs and performing them at the beach shows in Florida. Those concerts are among the most enjoyable of my career!”’

In promotion of the party album, Bryan will play two free concerts at Spinnaker Beach Club in Panama City, Fla., on March 11 and 12. Over 230,000 fans came out for last year’s shows. In addition to receiving four nominations for April’s 50th Annual ACM Awards and a commitment to co-hosting the Texas gig for CBS, Bryan will be honored with a summer exhibit at the Country Music Hall of Fame and Museum and will embark on a new tour in May, Kick The Dust Up Tour.

Pre-orders for the regular album are available now. The Walmart exclusive is expected to be in stores and at Walmart.com while supplies last.

Spring Break…Checkin’ Out Track List
1. My Ol’ Bronco
2. Games
3. She Get Me High
4. Spring Breakdown
5. Good Lookin’ Girl
6. Checkin’ Out
7. You And The Beach
8. Night One
9.   Like We Ain’t Ever
10. The Sand I Brought To The Beach
11. Are You Leaving With Him

NSAI Honors Songwriters, Chart-Topping Hits

Pictured (L-R): NSAI Board Legislative Chair Brett James, Lynn Anderson, Bart Herbison, Casey Anderson, NSAI Board President Lee Thomas Miller

Pictured (L-R): NSAI Board Legislative Chair Brett James, Lynn Anderson, Bart Herbison, Casey Anderson, NSAI Board President Lee Thomas Miller

The Nashville Songwriters Association International presented No. 1 plaques to several songwriters whose compositions reached the top of the charts between August and November 2014. The No. 1 party, sponsored by Bill Lynch and Lynch Wealth Management of Raymond James, was held Wednesday, Feb. 4, 2015 at Music Mill, NSAI’s Music Row headquarters.

Additionally the Stephen Foster award was presented to Liz and Casey Anderson, two of NSAI’s founding members. Casey accepted for both himself and his late wife. Lynn Anderson, entertainer and daughter of the recipients, performed a medley of her parents’ songs, including “(My Friends Are Gonna Be) Strangers” and “I’m A Lonesome Fugitive.”

Kneeling: NSAI Executive Director Bart Herbison, NSAI Board President Lee Thomas Miller. Seated: Luke Laird, Troy Verges, Michael Carter, Cole Taylor, Rob Hatch, Ben Glover, Bart Millard, Mark Irwin, David Garcia, Andrew Dorff, Brett James. Standing: Wade Kirby, Barry Dean, Rhett Akins, Phil O’Donnell, Marc Beeson, Matt Dragstrem, Zach Crowell, Bernie Herms, Dallas Davidson

Kneeling: NSAI Executive Director Bart Herbison, NSAI Board President Lee Thomas Miller. Seated: Luke Laird, Troy Verges, Michael Carter, Cole Taylor, Rob Hatch, Ben Glover, Bart Millard, Mark Irwin, David Garcia, Andrew Dorff, Brett James. Standing: Wade Kirby, Barry Dean, Rhett Akins, Phil O’Donnell, Marc Beeson, Matt Dragstrem, Zach Crowell, Bernie Herms, Dallas Davidson

Songs Recognized (August – November 2014)

“Burnin’ It Down,” Chris Tompkins, Rodney Clawson, Brian Kelley, Tyler Hubbard, recorded by Jason Aldean
“We Are Tonight,” Marc Beeson, Sam Hunt, Josh Osborne, recorded by Billy Currington
“I Don’t Dance,” Lee Brice, Dallas Davidson, Rob Hatch, recorded by Lee Brice
“All About That Bass,” Meghan Trainor, Kevin Kadish,recorded by MeghanTrainor
“Drunk On A Plane,” Dierks Bentley, Josh Kear, Chris Tompkins, recorded by Dierks Bentley
“Hope In Front Of Me,” Danny Gokey, Bernie Herms, Brett James, recorded by Danny Gokey
“Bartender,” Charles Kelley, Dave Haywood, Hillary Scott, Rodney Clawson, recorded by Lady Antebellum
“Shake It Off,” Taylor Swift, recorded by Taylor Swift
“Greater,” Ben Glover, David Garcia, Bart Millard, Nathan Cochran, Michael John Scheuchzer, Robby Shaffer, Barry Graul, recorded by MercyMe
“Where It’s At (Yep, Yep),” Cary Barlowe, Zach Crowell, Matt Jenkins, recorded by Dustin Lynch
“Hope You Get Lonely Tonight,” Cole Swindell, Brian Kelley, Tyler Hubbard, Michael Carter, recorded by Cole Swindell
“Roller Coaster,” Michael Carter, Cole Swindell, recorded by Luke Bryan
“Tonight Looks Good On You,” Rhett Akins, Dallas Davidson, Ashley Gorley, recorded by Jason Aldean
“Fix My Eyes,” Luke Smallbone, Joel Smallbone, Seth Mosley, recorded by for KING & COUNTRY
“Sippin’ On Fire,” Rodney Clawson, Matt Dragstrem, Cole Taylor, recorded by Florida Georgia Line
“Out Of The Woods,” Taylor Swift, recorded by Taylor Swift
“Gotta Get Away,” Patrick Carney, Dan Auerbach, Brian Burton, recorded by The Black Keys
“Leave The Night On,” Sam Hunt, Josh Osborne, Shane McAnally, recorded by Sam Hunt
“Neon Light,” Andrew Dorff, Mark Irwin, Josh Kear, recorded by Blake Shelton
“Blank Space,” Taylor Swift, recorded by Taylor Swift
“Sunshine & Whiskey,” Luke Laird, Jaren Johnston, recorded by Frankie Ballard
“Day Drinking,” Karen Fairchild, Phillip Sweet, Jimi Westbrook, Barry Dean, Troy Verges, recorded by Little Big Town

New Legislation Aims To Nip Bots In The Bud

Concert tickets --- Image by © Ocean/Corbis

Image: © Ocean/Corbis

Lawmakers are fighting bots in the name of fair ticketing practices.

U.S. Representatives Marsha Blackburn (TN-07), Steve Cohen (TN-09), Scott DesJarlais (TN-04), and Jim Cooper (TN-05) yesterday (Feb. 4) introduced H.R. 708, the Better Online Ticket Sales (BOTS) Act.

“Computer programs shouldn’t be allowed to cheat people out of fair ticket prices and great entertainment,” Rep. Cooper said.

H.R. 708 would make the use of bots to circumvent security measures employed by ticketing sites an “unfair and deceptive practice” under the Federal Trade Commission Act, and a crime under Title 18 of the U.S. Code. It would also create a private right of action whereby parties harmed by bots can sue in federal court to recover damages.

“Scalpers have been taking advantage of computer hacking software (BOTS) to circumvent restrictions put in place by on-line ticketing agents for years,” said Rep. Blackburn. “They purchase tickets in mass quantities and sell them at a considerably marked up rate, which hurts fans of live entertainment who get priced out of the market. The live entertainment industry goes to great lengths to build relationships with its fans and ensure that they will access to shows. The BOTS Act will allow FTC enforcement, criminal sanctions, and a private right of action to be brought against on-line scalpers. It is time to level the on-line ticket playing field for fans of live entertainment.”

Organizations supporting this bipartisan legislation include The Recording Academy, Live Nation Entertainment, as well as the Tennessee Sports and Entertainment Industry Coalition.

Songwriters Highlighted In New Podcast Series

Pictured (L-R): Paul Duncan, Scott B. Bomar

Pictured (L-R): Paul Duncan, Scott B. Bomar

“Songcraft: Spotlight on Songwriters,” a new podcast highlighting in-depth conversations with successful songwriters, launched in January.

“Songcraft” is hosted by Paul Duncan and Scott B. Bomar. Duncan is a producer and ASCAP award-winning songwriter. Bomar is a Grammy-nominated writer, researcher and music historian. The show is aimed at not only songwriters, but pop culture enthusiasts, or as Duncan and Bomar describe them, “fellow music nerds.”

The inaugural episode featured Jim Peterik, founding member of Ides of March and Survivor. He has written or co-written 35 singles that landed on Billboard’s pop chart, including “Hold on Loosely” and “Eye of the Tiger.”

Other songwriters highlighted include current Grammy nominee Brandy Clark, Nashville Songwriters Hall of Fame member Dallas Frazier, and Spooner Oldham, the keyboardist behind songs including “When A Man Loves A Woman” and “Mustang Sally,” and a writer on “Cry Like A Baby” and “I’m Your Puppet.”

Upcoming podcasts will feature Bill Anderson, Bobby Braddock, Buzz Cason, Jeff Cohen, Jeff Silbar, and more.

Streaming episodes can be heard at www.songcraftshow.com. The free podcast can also be accessed through the iTunes store. New episodes are released every three weeks.

DISClaimer: Sans Bro Country, Nashville’s Songwriters Shine

kip moore i'm to blame

Kip Moore

With no bro country in sight this week, the Nashville songwriting community is strutting its stuff.

Will Hoge, Austin Webb, Carrie Underwood, Kip Moore, Bobby Wills and Keith Urban all have new singles with true composing craftsmanship on display. And two of them wind up with this column’s awards.

Canadian Bobby Wills wins the DisCovery Award. He’s already an award winner north of the border, and here’s hoping he can duplicate that success stateside. Longtime “DisClaimer” favorite Kip Moore takes home the Disc of the Day prize. This guy seems to go from strength to strength.

Coincidentally, both of these fellows are singing “bad-boy” songs.

Bobby Wills

Bobby Wills

BOBBY WILLS/Crazy Enough
Writers: Pyle/Aldridge/Wills; Producer: Michael Pyle; Publishers: none listed; Willing (track)
-Infused with personality and raucous energy. The sidewinder guitars are perfect for the on-the-edge lyric. His ad-libbed chuckles in mid song are groovy, too.

KIP MOORE/I’m To Blame
Writers: Kip Moore/Justin Weaver/Westin Davis; Producer: Brett James; Publishers: WB/Cool Change/Music of the Corn/Magic Mustang/Reefer Road/Big Loud Bucks, ASCAP/BMI; MCA (CDX)
-The double-tracked vocal, distinctive rhythmic sounds, banjo ripples and urgent production are all ear catching, not to mention the excellent n’er-do-well lyric. This one’s a keeper.

AUSTIN WEBB/All Country On You
Writers: none listed; Producer: none listed; Publishers: none listed; Streamsound
-There’s no telling what a gal might do if you cross her. She might go “Carrie Underwood” your truck, flip you the bird, “tear you something new,” binge on your credit card or “post naked pictures with your ink showin’ through.” Cleverly written and produced with zippy zest.

CARRIE UNDERWOOD/Little Toy Guns
Writers: Carrie Underwood/Chris DeStefano/Hillary Lindsey; Producer: Mark Bright; Publishers: Carrie Okie/EMI April/Sugar Glider/Sony-ATV/WB, BMI/ASCAP; Arista (track)
-Carrie follows her hit baptismal rocker with a thunderous, complex, layered production about a little girl who wishes mommy and daddy would stop fighting. Power pop.

WILL HOGE/Middle of America
Writers: none listed; Producers: none listed; Publishers: none listed; Cumberland/Thirty
-Little slices of life from the heartland add up to one fine, rocking anthem. He sings with just as much passion as there is in the songwriting. I love this guy. Please make him a star.

SHERRY LYNN/What Are You Running From
Writers: Leah Crutchfield/Brian Nash; Producer: none listed; Publisher: none listed; Steal Heart
-The instrumental arrangement is way bigger than her vocal ability.

KEITH URBAN & ERIC CHURCH/Raise ‘Em Up
Writers: Jaren Johnston/Jeffrey Steele/Tom Douglas; Producers: Nathan Chapman/Keith Urban; Publishers: Sony-ATV Harmony/Texa Rae/Jeffrey Steele/BPJ/tomdouglasmusic, ASCAP/BMI; Capitol (CDX)
-As uplifting and positive as its title implies. Both men sing with conviction and authority. The instrumental track both crackles with energy and dazzles with echoey splendor. This thing is a smash if I’ve ever heard one.

MICHAEL RAY/Kiss You In The Morning
Writers: Justin Wilson/Michael White; Producer: Scott Hendricks; Publishers: Magic Mustang/Big Loud Bucks/Downtown DMp/Music of Parallel, BMI; Warner Bros.
-He pretty much sounds like every other male country performer.

THE MAVERICKS/All Night Long
Writers: Raul Malo; Producers: Raul Malo/Niko Bolas; Publishers: Big Machine/Raul Malo, BMI; Valory (track)
-This horn-punctuated, salsa-inflected slab of latino pop kicks off the upcoming Mavs collection, Mono. Elsewhere on the CD, you’ll find flavors of r&b, classic balladry, Tex-Mex, swing, folk and more. All of it sounds pretty dang cool.

MICHAEL TURNER/Matches and Moonshine
Writers: Pete Stewart/Brian White/Megan Conner; Producer: Ilya Toshinsky; Publishers: none listed; Rustic
-Dreamy and sultry in the verses; pert, bright and bopping in the choruses. I guess it’s either creative or jarring, depending on your point of view.

Country Stars Join Kings Of Leon At ‘Sports Illustrated’ Nashville Bash

kings of leon

Kings of Leon

Kings of Leon will headline an evening concert for the Sports Illustrated Swimsuit Music and Fan Festival on Wednesday, Feb. 11 at Nashville’s Schermerhorn Symphony Center.

The event will air live on various digital channels, including SI.com, time.com, people.com, ew.com, instyle.com, and The Daily Cut, beginning at 7 p.m. ET.

In addition to the Kings of Leon performance, an array of live music will be hosted at “Swimville” on Nashville’s Famous Lower Broadway on Feb. 11-12.

The two-day festival will feature music from Chris Young, Chris Stapleton, Will Hoge, A Thousand Horses, Holly Williams, Nikki Lane, firekid, Sugar & The Hi-Lows, Moon Taxi, Rayland Baxter, The Ettes, The Weeks, and more.

All “Swimville” events will be free and open to the public including all of the musical performances.

The schedule of performances is as follows:

 

Will Hoge. Photo: Kristin Barlowe

Will Hoge. Photo: Kristin Barlowe

Feb. 11:
11:15 a.m.-Will Hoge
12:15 p.m.-Nikki Lane
1:15 p.m.-Sugar & The Hi-Lows
2:15 p.m.-Chris Stapleton
3:15 p.m.-Holly Williams
4:15 p.m.-Moon Taxi

 

 

 

Chris Young

Chris Young

Feb. 12
11:15 a.m.-firekid
12:15 p.m.-A Thousand Horses
1:15 p.m.-Rayland Baxter
2:15 p.m.-The Ettes
3:15 p.m.-Chris Young
4:15 p.m.-The Weeks

 

Starstruck Entertainment Promotes Two To VP Roles

Pictured (L-R): Justin McIntosh, Kelli Haywood

Pictured (L-R): Justin McIntosh, Kelli Haywood

Starstruck Entertainment has named two staffers to VP roles. The company has promoted Justin McIntosh the role of VP, Creative & Digital Marketing, and Kelli Haywood to the role of VP, Marketing & Partnerships.

McIntosh joined the company in 2010 and previously held positions with the Big Machine Label Group and Country Radio Broadcasters, Inc. A graduate of Belmont University, Justin is also the president of Pull-Tight Players Theatre in Franklin, TN and has served on the Nashville Film Festival board of directors.

“I couldn’t be more proud to work for a company with such a diverse and talented group of artists. I feel incredibly blessed to work in an environment where I come to work every day excited about what’s next and where I get to be surrounded by such a phenomenal team of people,” said McIntosh.

Haywood joined the company in 2013 and was previously Vice-President of Marketing/Brand Management for Warner Music Nashville. Kelli was named one of Nashville Business Journal’s Women in Music City in 2014 and is also a graduate of Leadership Music.

“I am so proud to be a part of the Starstruck team and I am excited about continuing my work with our amazing roster of artists,” said Haywood.

“Individuals like Justin and Kelli are an invaluable piece of the puzzle for a management company as our business evolves. They both bring an immense amount of knowledge and history to the table, while continuing to explore new sources of revenue and exposure for our artists,” added Narvel Blackstock, president/CEO of Starstruck Entertainment.

Coming Soon: Affordable Digs For Artists

metro arts logoThe Housing Fund has received a $200,000 grant to support the development of lending products for the purchase, rehab and/or construction of housing and production space for artists in Nashville and Davidson County.

The Housing Fund is a community development financial institution (CDFI), which is a local lender dedicated to providing affordable lending to underserved markets. It was one of seven community lenders from across the country to receive a grant from the Kresge and Surdna Foundations.

the housing fund logoNashville is home to more than 40,000 creative workers but the booming economy means that affordable production space is quickly disappearing. The Housing Fund, in coordination with the Metro Nashville Arts Commission, will create an advisory committee to assist in the development of a loan pool for the purchase of affordable work or live/work space for the creative community.

“Musicians, artists, designers and creative entrepreneurs add the special sauce for our community,” said Jennifer Cole, Exec. Dir. of the Metro Nashville Arts Commission. “Increasingly, artisans and creative small business owners are challenged by finding affordable housing and production space. As a city, we must support those individuals who write the songs, make the belts and boots and design the things that make us Music City. The Make a Mark program will provide financing to artists and the creative community and will ensure that the artistic community will have an affordable, permanent stake in neighborhoods throughout Nashville and Davidson County.”

With over $21 million in assets, The Housing Fund has lent over $67 million, leveraging $415 million in private financing for more than 4,500 housing units and community development projects in the area.

James Otto Preps For New EP With Acoustic Preview

IMG_4644

James Otto artist visit

Soulful vocalist and ace songwriter James Otto recently previewed new music during a brief acoustic set at the MusicRow office.

He performed a trio of new songs, including current single, “Somewhere Tonight,” which was penned on a writer’s retreat in Charleston, S.C. “It was supposed to be sunny and beautiful, but it wasn’t,” said Otto. “It was an icestorm. Like a bunch of dudes, we didn’t have any supplies but we had alcohol, so we fueled our songwriting with that.”

He followed with two additional new tracks, the nostalgic “They Don’t Make Them Like You No More,” and “Love Makin’ Music.” He is currently in the studio co-producing a five-song EP with Corey Crowder (Chris Young), tentatively slated for release later this year. In late 2014, he bolstered his team by inking deals with The Agency Group and Clearview Artist Management. Otto has been out of the artist spotlight recently to focus on family and songwriting.

The assiduous singer-songwriter, known for hits such as “Just Got Started Lovin’ You,” doesn’t take his success for granted, writing five days per week in his home studio. “Luckily, I’ve been able to make a living as a songwriter in this town. It’s getting harder and harder, though. I think I wrote 2,000 songs in the past several years.” He recalls his introduction into songwriting as equal parts interest and naiveté. “When I moved to town, I guess I didn’t read enough liners. I thought you had to write songs to become an artist, so I thought that’s how it worked.”

When not writing, Otto has been on the road doing a series of solo shows, opting for an acoustic set over a full-band setup. “I did a DVD shoot with Travis Tritt at the Franklin Theater [in Franklin, Tenn.]. He told me after the show, ‘You have the kind of voice that you should be out there doing acoustic shows.’ So I thought I would take what we do as songwriters out into the world. I’ll be out on the road doing acoustic shows five nights per week soon for about a month. It’s an opportunity for fans to hear me, not covered up by a band, and also to tell the songwriter’s story and be a little more uncovered.”

He wrapped the performance with an emotional acoustic rendition of “In Color,” the 2008 Jamey Johnson hit song that Otto co-wrote with Johnson and Lee Thomas Miller. He notes that the song originally garnered interest from the likes of Alan Jackson and Trace Adkins. “I thought I would get a big hit single, and a big break,” he recalls. Six months later, a phone call came from producer Frank Rogers. “He broke the news that Trace had signed on to do The Apprentice, and said Trace was delaying his record. He also said Jamey had gotten a record deal and was going to release the song.” The move turned out to be a good one for Otto and Johnson. “In Color” was a Top 10 hit, and won Song of the Year at the Academy of Country Music Awards in 2009.

“I’m still proud to be part of that record. Nashville’s been so good to me,” Otto sums. “No where else in America is like here, for artists.”

IMG_4654

James Otto visits with MusicRow staff.