Radio and fans packed Smith’s Olde Bar in Atlanta on Jan. 23 to hear Natalie Stovall And The Drive perform songs from their new Paul Worley-produced EP on HitShop Records including the single, “Baby Come On With It.”

Pictured (L-R): HitShop President Skip Bishop, Cumulus Sr. VP Mike McVay, Joel Dormer, Natalie Stovall, Zach Morse, Miguel Cancino, James Bavendam, and Cumulus Corporate Program Director Greg Frye

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SESAC’s Tim Fink visits with Georgia Middleman and Gary Burr from the acclaimed act Blue Sky Riders.

Pictured (L-R): Ellen Truley, SESAC’s Vice President, Corporate Relations, with husband, actor Todd Truley (Nashville, Prisoners, Grudge Match).

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All 240,000 tickets for the three-day Garth Brooks Comeback Special Event sold out in 90 minutes. The concerts will take place Friday, July 25; Saturday, July 26; and Sunday, July 27 at Dublin, Ireland’s Croke Park. This is the first time an artist has sold out three dates at the venue in one day. Tickets cost 65 euros or about $88 each.
10,000 people stood in line across the country to buy tickets. Some fans camped outside for days, braving downpours and biting winds.
The concerts are taking place ahead of Brooks’ world tour. He last played at Croke Park in 1997.
Brooks’ longtime manager Bob Doyle said, “We’re thrilled. Peter Aiken, his team and Ticketmaster have done an amazing job.”
“In 52 years of business this is the fastest selling concert Aiken Promotions have ever been involved in,” added Aiken.
Brooks also sold out his recent appearance at the 100th anniversary of the Calgary Stampede. The sell out of 15,000-plus seats happened in less then a minute. He was recently inducted into the International Songwriters Hall of Fame in New York, the Nashville Songwriters Hall of Fame and the Country Music Hall of Fame.
Brooks has sold in excess of 128 million albums and was certified by the RIAA in 2000 as the No. 1 selling solo artist in U.S. history.

Veteran country-music manager, talent agent and song publisher Larry Moeller has passed away.
Noted for his long-time association with Willie Nelson, Moeller died in Lyles, TN in Hickman County on Jan. 21 at age 75.
Born in Oklahoma City in 1938, Larry Allen Moeller began his show-business career in the 1960s working for his famed father, Walter Ernest “Lucky” Moeller (1912-1992). Denny-Moeller Talent, which became Moeller Talent, guided the careers of such future Country Music Hall of Fame members as Webb Pierce, Hank Snow, Minnie Pearl, Faron Young, Carl Smith, Kitty Wells, Porter Wagoner, Lefty Frizzell, Grandpa Jones, Bobby Bare, Jimmy Dean, George Morgan, Jimmy Dickens and The Duke of Paducah.
Larry Moeller formed his own Nashville agency around 1973. He handled Nelson, Waylon Jennings and Sammi Smith, among others. He later moved his company to Austin, Texas to focus exclusively on Nelson. He and Nelson remained associates for many years.
Moeller was a lifetime member of the Country Music Association. He is survived by his wife, Dee Reese Moeller of Lyles, TN, by son Ricky and daughter Pamela Moeller Butler, both of Nashville, by son Jett of Memphis, by granddaughter Rachel Jayne of Nashville and by sister Dixie Moeller Andrews of Okarche, OK.
A memorial service will be held at 2 p.m. on Saturday, Feb. 1, at the St. James Episcopal Church in Dickson, Tenn. In lieu of flowers, memorials may be made to the Magdalene House in Nashville or to the Hospice organization of your choice.

On February 13th, 1914, at a gathering in New York City, a small, but visionary group of the nation’s most distinguished and popular songwriters founded The American Society of Composers, Authors and Publishers (ASCAP). A few years later, the United States Supreme Court upheld ASCAP’s right to collect royalties for the public performance of its members’ copyrighted music.
The organization has seen its ranks grow to 480,000 current members – many of whom have joined in the last few years. ASCAP processes 250 billion performances annually, resulting in $4.2 billion in distribution to members in the last five years.
In A Friend in the Music Business: The ASCAP Story (Hal Leonard Books; Feb. 4, 2014; $29.99), music writer Bruce Pollock looks back at ASCAP’s influence on the music industry over the last 100 years and its continued relevance and importance today. The book features a foreword by Quincy Jones and a preface by Lyle Lovett.
Pollock looks at the influences of radio, one of ASCAP’s prime sources of income since its inception in the 1920s and, in time, one of its prime sources of conflict. The book covers television, where Tin Pan Alley, Broadway and Hollywood songs found a whole new audience through adult-oriented hosts like Ed Sullivan and Arthur Godfrey. Also included is the emergence of rock ‘n’ roll in the late 1950s; of Bob Dylan and an influx of new folk, pop and rock writers soon after; and Berry Gordy’s decision to move much of his massive catalog to ASCAP in 1971.
The ASCAP Centennial Songbook (Hal Leonard; March 1, 2014; $19.99) recalls 55 song highlights spanning the history of ASCAP and celebrating its representation of some of the greatest songwriters of all time. Among the songs and sheet lyrics included are “Ah! Sweet Mystery of Life,” “Someone to Watch Over Me,” “Over The Rainbow,” “At Last,” “Moon River,” “The Way We Were,” “Gonna Make You Sweat (Everybody Dance Now),” and “Single Ladies (Put a Ring On It).”
The book features a foreword by ASCAP President Paul Williams, notes about the songs by decade, and photographs of the composers and lyricists.
“For one hundred years, ASCAP and its music creator members have been at the very heart of American music business with great songs and compositions and with a common sense way for songwriters and composers to earn a living,” said Williams. “ASCAP’s challenges, innovations and tireless efforts to protect its members’ rights over the past century is a story well worth telling and it all can be found in the newly published A Friend in the Music Business: The ASCAP Story. We are so grateful to author Bruce Pollock and the good people at Hal Leonard Books for putting together this deeply informative, entertaining and readable account. Bruce covers all the bases – the music business, the cultural impact, the personalities, and what lies ahead.”